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2012 SFWA Grand Master Awarded to Gene Wolfe

2012 SFWA Grand Master Awarded to Gene Wolfe

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an-evil-guest-gene-wolfe-smallThe Science Fiction & Fantasy Writers of America has named Gene Wolfe the 2012 recipient of the Damon Knight Memorial Grand Master Award.

The Grand Master Award is given not for a particular work but for “lifetime achievement in science fiction and/or fantasy.” It is given only to living writers.

Previous recipients include Fritz Leiber, Clifford D. Simak, A. E. van Vogt, Jack Vance, Ursula K. Le Guin, Isaac Asimov, Ray Bradbury, and Michael Moorcock.

Wolfe’s publications include The Book of the New Sun, Peace, The Fifth Head of Cerberus, Soldier of the Mist, The Book of the Long Sun, and The Wizard Knight. His recent works include Pirate Freedom (2007), An Evil Guest (2008), The Best of Gene Wolfe (2009), The Sorcerer’s House (2010), and Home Fires (2011). He has won two Nebulas, five World Fantasy Awards, six Locus Awards, and the World Fantasy Lifetime Achievement Award in 1996. He was inducted into the Science Fiction Hall of Fame in 2007.

Read C.S.E. Cooney’s lengthy interview with Gene, conducted over breakfast in November 2010, here.

The award will be presented at the 48th Annual Nebula Awards Weekend in San Jose, CA, May 16-19, 2013. Read the complete announcement at SFWA.org.

Prince of Thorns Available for $1.99 at Amazon.com

Prince of Thorns Available for $1.99 at Amazon.com

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prince-of-thornsFor today only, Amazon.com is offering the Kindle version of Prince of Thorns, the opening volume of Mark Lawrence’s The Broken Empire trilogy, for just $1.99.

In a Black Gate blog post shortly before publication, Mark Lawrence wrote:

The book I’ve written, Prince of Thorns, has layers, rather like an onion (or an ogre). I hope it can be enjoyed as a violent swords and sorcery romp. Get your teeth into it though and there’s more there – it’s as much about our prince as it is about what he does. This is a damaged person and although the story is told in his words without a hint of excuse, there are lessons to be learned between the lines. It wasn’t until tonight though, desperately scratching at the subject in the effort to come up with something to say in this blog post I was invited to supply, that I discovered another layer, deeper still…

In Prince of Thorns the main character has suffered a personal disaster. It’s not the ‘evil threatens the village’ of classic fantasy. It’s not injured pride or a looming darkness in the east. He’s been screwed over, a tsunami has rolled through his life and left devastation. And the book is in large part his reaction to that. It’s about where he takes his anger and where it takes him.

It’s only through the lens of half a decade and more that I see I was writing out… not a version of my own experience, but a mapping of the emotions.

If you’re the kind of reader who has to think long and hard before parting with $1.99, by all means check out the generous excerpt we presented here last October.

The sequel, King of Thorns, was released in August 2012, and the final volume, Emperor of Thorns, is scheduled for August 2013. We have several of Mark Lawrence’s short stories in inventory, and the first, “Bulletproof,” will appear as part of our Black Gate Online Fiction line early next year.

Prince of Thorns was published by Ace in August 2011. The 336-page hardcover edition is still in print, priced at $24.95. You can buy the Kindle version here.

Thanks to Awsnyde for the tip!

Vintage Treasures: The Casebook of Carnacki The Ghost Finder by William Hope Hodgson

Vintage Treasures: The Casebook of Carnacki The Ghost Finder by William Hope Hodgson

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the-casebook-of-carnacki-the-ghost-finderWilliam Hope Hodgson is almost unique among his contemporaries: his most famous novels, The House on the Borderland and The Night Land, have been continuously in print for the better part of the last hundred years. H.P. Lovecraft described The Night Land, first published in 1912, as “one of the most potent pieces of macabre imagination ever written.”

But Hodgson wrote many other highly-respected works of horror and dark fantasy, and here his publication history is a little more spotty. Perhaps chief among them are the tales of Carnacki The Ghost Finder, a supernatural detective who came up against horrors that would have made Van Helsing blanche. I’m pleased to say that the Wordsworth Tales of Mystery And The Supernatural have not let us down, and in 2006 they brought the complete collection back in print in a handsome and inexpensive edition.

“‘I saw something terrible rising up through the middle of the ‘defence’. It rose with a steady movement. I saw it pale and huge through the whirling funnel of cloud – a monstrous pallid snout rising out of that unknowable abyss. It rose higher and higher. Through a thinning of the cloud I saw one small eye… a pig’s eye with a sort of vile understanding shining at the back of it.”

Thomas Carnacki is a ghost finder, an Edwardian psychic detective, investigating a wide range of terrifying hauntings presented in the nine stories in this complete collection… Encountering such spine-chilling phenomena as ‘The Whistling Room’, the life-threatening dangers of the phantom steed in ‘The Horse of the Invisible’ and the demons from the outside world in ‘The Hog’, Carnacki is constantly challenged by spiritual forces beyond our knowledge. To complicate matters, he encounters human skullduggery also. Armed with a camera, his Electric Pentacle and various ancient tomes on magic, Carnacki faces the various dangers his supernatural investigations present with great courage.

Josh Reynolds explored the career of Carnacki The Ghost Finder in greater detail as part of The Nightmare Men series last year.

We’ve covered ten volumes in the Wordsworth Tales of Mystery And The Supernatural series so far:

The Crimson Blind and Other Stories by H.D. Everett
Couching at the Door by D.K. Broster
The Casebook of Carnacki The Ghost Finder by William Hope Hodgson
The Beast with Five Fingers by W.F. Harvey
The Power of Darkness — Tales of Terror, by Edith Nesbit
Alice and Claude Askew’s Aylmer Vance, The Ghost-Seer
The Black Veil & Other Tales of Supernatural Sleuths edited by Mark Valentine
Voodoo Tales: The Ghost Stories of Henry S. Whitehead
Sherlock Holmes: The Game’s Afoot, edited by David Stuart Davies
The Casebook of Sexton Blake, edited by David Stuart Davies

There’s plenty more to come, so stay tuned.

The Casebook of Carnacki The Ghost Finder by William Hope Hodgson was published in 2006 by Wordsworth Editions. It is 191 pages in paperback priced at $6.99. There is no digital edition.

Blogging Marvel’s Dracula Lives – Part One

Blogging Marvel’s Dracula Lives – Part One

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dracula-lives-smallDracula Lives was Marvel’s black and white companion title to the award-winning Tomb of Dracula monthly comic. As a magazine, Dracula Lives was exempt from the strictures of the Comic Code Authority, allowing for more violence and adult themes than would have been possible in the comic at the time. From the magazine’s launch in 1973 with a stunning Boris Vallejo cover displaying voodoo imagery and undead nudes, readers knew they were in for something decidedly different.

Issue #1 gets underway with the excellent “A Poison in the Blood.” Gerry Conway’s contemporary tale of Dracula in New York, suffering from withdrawal after drinking the tainted blood of junkies easily measured up to the high standard set by Marv Wolfman in the monthly comic series. Assigning the monthly’s art team of Gene Colan and Tom Palmer the artistic chores for the story only reinforced the fact that what was to follow would be every bit as good as the award-winning parent series. More importantly, “A Poison in the Blood” began the Cagliostro story arc which would weave its way through history in subsequent issues.

Roy Thomas’s “Suffer Not a Witch” is the first historical tale and also the first Dracula story to team Thomas with artist Dick Giordano. The pair would later embark on a celebrated adaptation of the original Stoker novel. “Suffer Not a Witch” steers the series into Nathaniel Hawthorne territory with the Lord of Vampires visiting 17th Century America and becoming embroiled in the conflict between hypocritical Puritans and the persecuted witches.

The first issue concludes with Steve Gerber’s “To Walk Again in Daylight,” illustrated by Pablo Marcos. This 18th Century tale set in Vienna is well done, but the central concept (Dracula is seeking an alchemical cure from vampirism) contradicts the established continuity for the series and flies in the face of Marvel’s portrayal of the Lord of the Vampires as a truly Satanic unrepentant figure who embraces evil for his own sake.

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Goth Chick News: Norman Bates You’ve Been a Very Bad Boy…

Goth Chick News: Norman Bates You’ve Been a Very Bad Boy…

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bates-motel-smallNormally, I’d be prone to bust on this, but either the holiday season has taken a little edge off my snark, or this is actually kind of a cool idea.

This week, A&E released a featurette to promote its upcoming mini-series / prequel Bates Motel. Looks like we’re finally going to find out how Norman became psycho and got his mother fixation.

Freddie Highmore, the adorable little moppet last seen in Finding Neverland and Tim Burton’s Willy Wonka and the Chocolate Factory, has grown up quite a bit and takes on the role made famous by Anthony Perkins, as a teenager this time; with Vera Farmiga (George Clooney’s love interest in Up In the Air) portraying Norman’s eventually-mummified-Mom, “Norma.”

Hot Mom with an only son who she named after herself…yes the creep-factor is mounting…

A&E joins NBC in bringing another monstrous movie murderer to the small screen to more closely examine what makes him tick. Similar to what Bryan Fuller’s upcoming Hannibal series plans to do with Hannibal Lecter, A&E’s Bates Motel will focus on young Norman’s serial killer psyche and how his backstory turned him into what he’s most known for cinematically.

“Norman has been through a lot. He’s a sensitive boy,” Norma Bates can be heard to say in the new promo. We get a glimpse of Norman fraternizing with some of his female classmates (before Mother put a stop to that) and displaying an early eeriness.

It also looks like we discover where Norman got the idea to hide bodies in the lake behind the hotel. The cast seems especially enthusiastic about the writing talking about crazy turns, suspense and emotional characters, and the music sets a sufficiently ominous mood.

See for yourself with the full trailer, after the jump.

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Teaching and Fantasy Literature: Do as I Say, Not as I Do (Until I Do because of You)

Teaching and Fantasy Literature: Do as I Say, Not as I Do (Until I Do because of You)

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I commanded my first students to revise, as I had been commanded by my own mentors. Had I ever revised–not just proofread and fiddled, but actually revised–anything in my life before I started teaching? No. When I was a student, my first drafts were clean enough and clever enough, I could get away with handing them in for all my classes. Some of my teachers called me on it, but nobody insisted I do anything differently. When I took the helm of a writing class for the first time, at the absurd age of 24, I could tell my students all the steps of a beginner’s revision process. I knew the platitudes, and for me, that’s all they were. I could not have followed those steps to save my life. My first drafts, while in progress, were plenty messy, but once I finished them, the prose style was smooth as glass. I feared what might happen if I broke it.

To my astonishment, my first crop of freshman composition students followed my directions. Why on earth did they do that? I had no idea what I was doing at the helm of that classroom in 1994. I’ll be grateful to them always, because they did one thing none of my teachers had theretofore accomplished: they made revision look desirable, enviable, even occasionally joyful. They didn’t just shame me into learning how to revise, though I will say that my horror at my hypocrisy was one force that drove me to change my ways. My students were, at semester’s end, happy with freshman composition papers, of all things, because they had accomplished major transformations on their projects. Yes, their sentences got smoother, but more to the point, their ideas grew.

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New Treasures: Dungeon Command: Curse of Undeath and Tyranny of Goblins

New Treasures: Dungeon Command: Curse of Undeath and Tyranny of Goblins

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dungeon-command-curse-of-undeath-smallBack in August, I made some excited noises about the new head-to-head skirmish game from Wizards of the Coast, Dungeon Command.

At the time, only two Faction Packs were available: Heart of Comyr, including a human ranger, halfling sneak, dragon knight, dwarven defenders, and copper dragon; and the Sting of Lolth, which contained the drow assassin, priestess, wizard, spiders, and umber hulk.

Now, if you’re like me, you probably wondered what a “Faction Pack” was, and how a “head-to-head skirmish game” might work. But that was really secondary, because all the cool toys packed inside were more than worth the money.

If you had to justify the purchase, you could do it on those alone — Dungeon Command components are fully compatible with the Wizards of the Coast games you’re already playing. The miniatures and dungeon tiles can be used with the D&D RPG, and the unique cards provided with each miniature can be used with D&D Adventure System board games like Castle Ravenloft, Wrath of Ashardalon, and The Legend of Drizzt.

dungeon-command-tyranny-of-goblins-smallYou don’t have to be an expert on head-to-head skirmish games to appreciate that they’re a lot more fun with a variety of miniatures. So I was intrigued to see the recent arrival of two new factions: Tyranny of Goblins, containing a complete goblin warband — including bugbears, wolf riders, a feral troll, and a hobgoblin sorcerer — and Curse of Undeath, which includes the gravehound, lich necromancer, and dracolich.

Dungeon Command features themed miniature factions designed to play as unified war bands. The game eliminates luck-driven mechanics in favor of player-driven skill, creativity, and quick thinking. Each faction comes in its own box, with a dozen miniatures, a set of unique cards, dungeon tiles, and the game rules.

I’m already hearing reports that the miniatures — and the new rules set — have found favor among roleplayers looking for a quick and refined combat system. Stay tuned for further reports as we experiment with the rules here at the Black Gate rooftop headquarters. Assuming we ever stop playing with the cool minis long enough to read the rules, that is.

Both Tyranny of Goblins and Curse of Undeath retail for $39.99. They were released by Wizards of the Coast in October and November, respectively.

Star Trek Into Darkness Official Trailer Released

Star Trek Into Darkness Official Trailer Released

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It’s been a packed few weeks for Star Trek fans.

First Paramount released a one-minute teaser trailer which generated more questions than it answered. Then, viewers who attended the opening of The Hobbit on Friday were treated to the first nine minutes of the film. And now comes the release of the first full trailer.

It’s been fun to watch all the speculation that’s resulted (see Chris Lough’s entertaining article Has Star Trek Into Darkness Revealed That It’s the Contemporary Wrath of Khan? over at Tor.com, for example). If you’re looking for Wrath of Khan similarities, there’s a few big ones in the full trailer.  Check it out below.

Red Sonja 2

Red Sonja 2

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red-sonja-2-coverHonestly, I’ve tried twice to summarize “The Demon in the Maze,” and I just can’t figure out how. It’s a psychedelic mess of gonzo insanity. It reads as if co-writers Roy Thomas and Clara Noto just switched off writing pages without any idea of where the story was heading or how it would end. The whole thing is plenty of fun; but at the end, I still can’t figure it out.

It starts with Sonja finally reaching Venzia (which she’s been heading towards since Marvel Feature 6). The first thing she sees when she’s in sight of its famous canal is two trading ships crashing into one another and sinking. Even though the ships are less a minute’s swim from shore on either side of the canal, none of the sailors survive the crash.

Sonja doesn’t really have time to consider this mystery before she happens upon a woman being attacked by three bandits. She easily kills the trio in less than a page, but a fourth bandit, hiding in the shadows, knocks her unconscious and drops her to an underground mirror maze. The mirrors mess with her head to the point where she first hallucinates herself as a withered old woman (rendered only a little hilarious by the fact that she’s still wearing the chain mail bikini), then watches as her arms transform into snakes that begin to strangle her. Realizing that it’s an illusion, Sonja calms down and lets her mind “go limp,” at which point a passage out of the maze opens up. She leaves the maze and walks into the plot of the story.

An old man (who is never named) lies dying on the ground and explains that the underground chamber is the prison for an evil wizard (also unnamed) who wants to rule the world. Apparently, the chamber is also the prison of a demon (once again, unnamed) who can only be freed by a human hand. But not any human hand (otherwise, his cell-mate the evil wizard would just free him). The demon can only be freed by a human of exceptionally strong will (translation: the evil wizard is a wimp). The demon created the mirror maze as a test: anyone with a will strong enough to see through its illusions would have a will strong enough to free the demon. The fact that the maze is littered with bones implies that a lot of other women have been trapped down here.

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Weird Tales Meets Planet Stories in Space Eldritch

Weird Tales Meets Planet Stories in Space Eldritch

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space-eldritch-smallI stumbled on this little beauty today while browsing the latest Kindle releases on Amazon.

The cover art by Carter Reid is spectacular, and the contents — seven original novelettes and novellas of Lovecraftian pulp space opera — look pretty darn promising too. Contributors include Huge and Nebula nominee Brad R. Torgersen, Schlock Mercenary-creator Howard Tayler, and Michael R. Collings (The Slab, The House Beyond the Hill). Here’s the complete TOC:

Foreword, by Larry Correia
“Arise Thou Niarlat From Thy Rest,” by D.J. Butler
“Space Opera,“ by Michael R. Collings
“The Menace Under Mars,” by Nathan Shumate
“Gods in Darkness,” by David J. West
“The Shadows of Titan,” by Carter Reid and Brad R. Torgersen
“The Fury in the Void,” by Robert J. Defendi
“Flight of the Runewright,” by Howard Tayler

The whole package looks professional — although the lack of an editor credit admittedly diminishes the effect somewhat. Still, I’m willing to give this one a chance.

You can sample the first thousand words of each tale at Cold Fusion Media.

Space Eldrich was published on December 14, 2012 by Cold Fusion Media. It is 248 pages in trade paperback for $13,99; and is also available as an ebook for just $5.99 from Amazon, Barnes & Noble, and Smashwords.