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Three Ghosts in a Black Pumpkin by Erika M. Szabo and Joe Bonadonna

Three Ghosts in a Black Pumpkin by Erika M. Szabo and Joe Bonadonna

oie_44152suEVDGo2 (1)And now for something completely different: Only two weeks into my sci-fi excursion, I’m sidetracked by Three Ghosts in a Black Pumpkin, a new young adult fantasy from Black Gate’s own Joe Bonadonna and Erika M. Szabo. Although written for readers a couple of decades my junior, I enjoyed the heck out of it.

Somewhere in space and time, across from Halloween, is the world of Creepy Hollow. It used to be protected from evil by the Trinity of Wishmothers. Now, though, they are dead, and their ghosts have been trapped by Hobart T. Hobgoblin in a pitch-black pumpkin. The wicked Hobart (and his sidekick, Ebenezer Rex, the Tasmanian Devil) is now free to work evil on the land.

On Halloween, twelve-year-old Nikki Sweet and her eleven-year-old cousin, Jack Brady, find a black pumpkin. Their immediate reaction is to bring it home and turn it into a jack-o’-lantern. Just as they prepare to fetch a knife, their grandmother’s silver skeleton wind chime, Mr. Bonejingles, warns them not to do it.

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Liam Neeson Attached to Play Philip Marlowe … But Not in a Raymond Chandler Adaptation for Some Reason

Liam Neeson Attached to Play Philip Marlowe … But Not in a Raymond Chandler Adaptation for Some Reason

raymond-chandler-with-cat Liam-Neeson-Philip-Marlowe

Irish actor and dadbro buttkicker extraordinaire Liam Neeson (known around these parts as Liam Neesons) has upped his righteous tough guy game to play the most righteous — and possibly greatest — tough guy of all: Philip Marlowe. The hardboiled detective. This news comes from Variety, which reports Neeson is attached to the new Marlowe project to be produced by Gary Levinson for Nickel City Pictures from a script by William Monahan (The Departed).

This is inspired casting. Neeson is a brilliant actor who can portray the world-weary but upstanding Los Angeles detective, although Neeson will need a director to ensure he doesn’t slip into the more action-leaning characters he’s played recently. But any return of Philip Marlowe to the big screen is a monstrous, tarantula-on-a-slice-of-angel-food-cake deal. The last Philip Marlowe big-screen film was in 1978!

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Mission of Gravity by Hal Clement

Mission of Gravity by Hal Clement

Astounding Science Fiction April 1953-smallOnce upon a time, there was a strand of science fiction called hard science fiction, dedicated to the exploration of scientific puzzles and more-or-less accurate studies of the physical sciences. The roots of this strand would seem to lie in the technology-focused stories of Jules Verne. Sometimes there’s an adventure involved (Larry Niven’s Ringworld), sometimes not so much (Robert Forward’s Dragon’s Egg). Whatever the type of story, in hard sf it was the science that occupied center stage. One of the foremost practioners of this style of science fiction was Hal Clement (1922-2002).

Hard science fiction still exists, obviously. Cixin Liu, Vernor Vinge, and Greg Bear are all writing science-heavy stories. Now, though, there’s less of the puzzle-solving variety, and a greater emphasis on exploring the effects of science on people and society. Larry Niven won a Hugo for the story “Neutron Star,” which hinges on its hero understanding how tides work. I’d be curious if anyone’s written a story like that in the last ten or twenty years. In his overview of The Best of Hal Clement, John O’Neill examined the possible causes for the decline in popularity of hard sf.

Clement published his first story, “Proof,” in 1942, while still an astronomy student at Harvard. After the Second World War (during which he flew 35 bombing missions as a B-24 pilot and co-pilot) he taught astronomy and chemistry at Milton Academy for many years. His first novel, Needle (1950), the story of a symbiotic space detective, was written in response to William Campbell’s claim that a true sci-fi mystery couldn’t be written. His third novel, and today’s subject, Mission of Gravity (1954), is an exemplar of hard science fiction at its diamond-hardest.

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Wordsmiths: An Interview with Jerome Stueart

Wordsmiths: An Interview with Jerome Stueart

The Angels of Our Better Beasts-smallLast post, I had the pleasure of reviewing Jerome Stueart’s short story collection The Angels of Our Better Beasts, which is one of my favorite collections to date and something you all need to go read. (Seriously, here’s the link; I know you have money kicking around somewhere.) Jerome also did me the pleasure of an interview to discuss his writing practice, his previous projects, and some of the stories in his collection. I hope you enjoy as we ramble back and forth (and then go buy his book)!

Jerome Stueart writes fiction, memoir, science fiction and fantasy. His work has been published in journals, magazines, newspapers and on the radio–a list of which can be found under Written Work and Books. He’s a 2007 graduate of Clarion Science Fiction and Fantasy Writing Workshop in San Diego and a 2013 graduate of the Lambda Literary Retreat for Emerging LGBT Voices. He teaches workshops on writing science fiction/fantasy and writing about faith. His co-edited anthology of science fiction/fantasy that explores faith, Tesseracts 18: Wrestling with Gods, was published by EDGE Science Fiction and Fantasy Publishing. His first novel, One Nation Under Gods, will be published in summer of 2018 from ChiZine.


Me: First off, thanks for taking the time for this interview, Jerome! There are a bunch of different things in Angels of Our Better Beasts that I want to ask you about. I’m going to start with the illustrations that you included with each story (and the sketches you create for people at conferences). Which came first for you: drawing or writing? And does one influence the other at all?

JS: Hey Brandon! Thanks for interviewing me. As to your question: I think you’re talking about in MY LIFE which came first. If so, drawing came first. I started drawing as a child — pictures of animals. Little cartoon talking animals, I think at first, based off a skunk puppet I bought when I was seven or eight. But immediately, I turned them into story. The skunk had a porcupine friend (both outcasts, of course) and they wandered through this flip pad I had. I also was introduced to comic books when I was nine or ten, and then my drawing took on more superhero images. Again, I immediately created a team and gave them personalities, but the drawings came just ahead by a nose.

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Reading for the End of the World

Reading for the End of the World

The Dead Zone-small The Dead Zone-back-small

Back in 1977, near the high water mark of an earlier age of apocalyptic expectations, Elvis Costello crooned a song about “Waiting for the End of the World.” It seemed to make sense in that era of turmoil and unrest at home and abroad, but the American landscape of the last year or so makes the turbulent 70’s seem like an age of cool, good humored rationality. (It wasn’t — trust me.)

I, along with Little Orphan Annie and MacBeth, still expect the sun to come up tomorrow and tomorrow and tomorrow, but even so, it does indeed feel as if we have arrived at the end of something, and business as usual just won’t do anymore; adjustments are called for in many aspects of our lives, including (of course!) reading. Extraordinary times call for extraordinary literary measures. Therefore… to the barricades — uh, bookstores!

In the spirit of the incipient panic, withered expectations, and rampant paranoia that seem to dominate our current national life, I offer twelve books to get you through the next four years (however long they may actually last): a reading list for the New Normal.

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From Texas to Chicago: An Interview With Author B. Chris Bell

From Texas to Chicago: An Interview With Author B. Chris Bell

Tales of the Bagman-small Tales of the Bagman-back-small

B Chris Bell and I share a publisher, Airship 27 Productions; I’ve also reviewed a few of his novels for Black Gate. I first “met” Chris on Facebook back in 2011, and later that year met him in person at Chicago’s “Windy City Pulp and Paperback Convention.” We hit it off right away, having so many things in common — books, TV shows, movies, and music. Plus, he lives in Chicago, not very far from me. He also knows more about pulp fiction than any three people I know. Over the past few years we’ve become good friends, and he, his lovely wife Darlene, and I get together on occasion to watch movies of all kinds, talk about books, life, and how we can solve all the world’s problems. Chris is a pretty prolific author, and I think everyone should his Bagman series, set in 1930s Chicago. Great fun — and he captures perfectly the era and attitude of Chicago. Not bad for a guy raised in Texas. And like another Texas writer I admire, Larry McMurtry, Chris has a natural-born gift for storytelling. I hope I can talk him into writing that western he talks about writing. I especially love for him to write a weird western.

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Space Viking by H. Beam Piper

Space Viking by H. Beam Piper

Analog November 1962 Space Viking-smallOver the past three-and-a-half years, I’ve written thirty-eight short story roundups (covering about 200 short stories) and one-hundred book reviews for Black Gate. The vast majority of what I’ve read has been swords & sorcery. As much as I love the stuff, I’m getting a little tired and I need to take a break. Not from reviewing, mind you, but S&S. A major point of reviewing was to get myself to read more, and I want to keep that up, but I need some variety.

With the encouragement of our esteemed editor, John O’Neill, I’m going to start by focusing on the science fiction books I devoured in my younger days, as well as some classics I missed the first time around (I just started Hal Clement’s Mission of Gravity). Books by C.J. Cherryh, Gordon Dickson, and Poul Anderson are among the first I’m thinking about reviewing. I hope we all have fun with this, and I’m looking forward to reading everybody’s own recollections about these works. So come along, and let’s get started with one of the foremost novels of the well-loved SF writer, H. Beam Piper: Space Viking (1963).

H. Beam Piper (1904-64) didn’t publish his first story until 1947. Until his death at his own hand, he published nearly thirty more stories and ten novels. Most were science fiction, but he also wrote several mysteries, and was a member of the Mystery Writers of America.

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The Public Life of Sherlock Holmes: The Final Post

The Public Life of Sherlock Holmes: The Final Post

Halloween_HolmesBatman
Me and my little superhero

The plan was to put up a linked index of all three years of The Public Life of Sherlock Holmes posts today, but I didn’t get it finished. Hopefully, the powers that be at Black Gate will let me post an irregular PLoSH column now and then and I’ll get that up. As well as the ‘Sherlock Holmes: A to Z’ post that never quite got written.

When I started this column three years ago, the BBC’s immensely popular Sherlock had just finished the divisive season three, from which it never recovered, and CBS’ Elementary was in season two. Sherlock seems to be done after four episodes in the past three years and the fans are still in opposing camps (love/hate). Elementary is finishing up season five with ratings way down and may well not be back for another year, though it will have run for over 100 episodes and made it to syndication.

Robert Downey Jr., who revived the onscreen life of Holmes with his 2009 movie (and a 2011 sequel) is in the early stages of a third Holmes big screen effort. If Sherlock and Elementary truly are done, then the Downey Jr. movie may jumpstart Holmes in the public culture, though many fans don’t like his action hero portrayal.

The Estate of Sir Arthur Conan Doyle sued, and lost, to have Holmes declared under copyright. He and Watson, and the stories before The Casebook of Sherlock Holmes, remain in the public domain.

A Holmes short story, supposedly written by Doyle, was discovered. Its provenance remains doubtful. Quite.

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Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Warning: This Comic Will Make You Smarter – Top Cow’s Think Tank

Think Tank 01001 PREVIEW-small

Recently I’ve been reading Think Tankby Matt Hawkins and Rahsan Ekedal at Top Cow (under Image Comics). It’s a series that started in 2012, ran for about a dozen issues, has had subsequent small series since, and as of 2016, was under movie development.

It looks like a comic that was written for me.

Warning and apology: There is *no* fantasy in this post or in this comic. The story is based on the technology of right now, and what is easily plausible in the next decade or two. Strictly speaking, I would be hard-pressed to call it science fiction. It’s now, just the parts we don’t see.

But in a very real sense, it fits into the aesthetic of fantasy in that we are looking into an unfamiliar world through a story that tells us a lot about ourselves. So, sorry.

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A Rose By Any Other Name . . .

A Rose By Any Other Name . . .

AlicePeople can have all kinds of reasons to use another name, or to change their names permanently, for that matter. There are personal or family reasons, like marriage or adoption. There are political or social reasons, like marking a religious conversion, or immigration – though that last’s not as common now as it was in the early to mid-20th century. My own father, for example, changed his name to Malan because British authorities – to whom he had to report regularly as a displaced person after WWII – suggested that he try to sound less Polish since he was planning to stay in England. He chose a name much in the news at that time, and that’s why my brother and I are often asked if we’re South African.

Setting these examples aside, however, actors and writers are probably the next large group of people who frequently change their names – or at least use other names as a pseudonym, or nom-de-plume, if you prefer. (A friend of mine once referred to her real name as her nom-de-nom.)

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