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Wordsmiths: An Interview with Leah Bobet

Wordsmiths: An Interview with Leah Bobet

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an-inheritance-of-ashes-smallGreetings, folks! As an addition to my reviews at Black Gate, I will be occasionally interviewing some of the authors and editors I talk about (if I’m lucky enough to know them, or they’re gracious enough to agree). I’m fascinated with the idea of getting into the mind of creative people, and some of the best conversations I have in my day-to-day are with other writers, so I’m hoping to capture some of that insight in this “Wordsmiths” series.

My inaugural interview is with Leah Bobet, whose novel An Inheritance of Ashes I reviewed last week. Here’s a short bio, courtesy of the Can*Con 2016 website:

Leah Bobet is a novelist, editor, and bookseller with Bakka-Phoenix Books, Canada’s oldest science fiction bookstore. Her novels have won multiple awards, with her most recent, dustbowl literary fantasy An Inheritance of Ashes, receiving the Prix Aurora Award, the Sunburst Award, the Copper Cylinder Awards, and an Ontario Library Association 2015 Best Bets selection and being shortlisted for the Canadian Library Young Adult Book Award and the Cybils.

Leah lives and works in Toronto, where she makes a lot of jam, knits sweaters, and is learning game design. Visit her at www.leahbobet.com.

I hope you enjoy!

I have to get this out of the way immediately — this novel is absolutely friggin’ awesome. One of its greatest elements (in my opinion) is the vividness of the world you’ve created. Did anything particular inspire it?

First off: Hey, thank you! That’s always incredible to hear!

There were a few definite inspirations that went into the world of An Inheritance of Ashes. The first? Well, non-player characters.

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Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

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yggdrasillcoverRoutine visitors to this site might remember my survey of Poul Anderson’s works, a regular column that has been on indefinite hiatus for about two years now. Causes for this suspension have been 1. Anderson’s two-book Operation Chaos was an absolute drudge of a read, requiring a recovery period that only now might be over, 2. New responsibilities at home decreased available time for my recreational pursuits, 3. The time share for these recreational pursuits was almost wholly dominated by my weekly Pathfinder campaign, a campaign that now finally might be coming to an end.

It’s unlikely that, with increased time, though, I’ll be returning to the Anderson survey. This is because I’ll move onto running other games, one of which already is underway: Yggdrasill.

At first glance Yggdrasill caters to a niche crowd, and I’m certainly a member of that company. I am a Norse-phile. Within my close community, I am nearly alone in my passionate interest — but for one dear friend, who identifies as Norse neopagan. When I first learned about the game just over a month ago, I knew that this “blood brother” would play the game with me. I also guessed that some others in my community would try it out, as well, and they have.

But as I consider just how many other areas of the globe might have the dynamic of interest that I enjoy, I question how viable a business project Yggdrasill might be. Perhaps I shouldn’t: Vikings appears to be a popular TV show; perhaps that series inspired some gamers to go “full Viking.” The “northern thing” clearly is a mainstay of traditional fantasy gaming, an aspect derived from popular fantasy fiction. But in most games where efforts are made to make the northern atmosphere “authentic” — well, they’re not actually “games,” per se, so much as they are campaign settings and supplements, productions such as Lands of the Linnorm Kings in Pathfinder’s Inner Sea setting for Golarion, and The Northlands Saga in Frog God’s Lost Lands setting, and both of these properties actually are about single regions within much larger campaign settings. But with Yggdrasill the northern thing is the whole thing, and that’s catering to a specific taste indeed!

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Shaka When the Walls Fell: The Brunnen-G When They Sang “Yo-Way-Yo”

Shaka When the Walls Fell: The Brunnen-G When They Sang “Yo-Way-Yo”

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shaka-when-the-walls-fell
One episode in a really big fat franchise, but it’s the one people meme.
ackbar-when-the-shields-fell
There’s something about the way those lines resonate. (click for source)

I’m not a Trekkie so I had to google it. You know? That meme: “Shaka When the Walls Fell.”

Turns out it comes from a really clever Star Trek: The Next Generation episode where the universal translator for once doesn’t work because the aliens talk crap all the time in allusions (link).

So, if you are a Tamarian, you don’t say, “I am feeling depressed because my girlfriend dumped me.” Instead, you say, “Rastar when she wandered alone and rejected.”

Cute idea that makes a good point: Literal — word for word — translations aren’t always very useful. For example, in medieval King Arthur stories you might find people’s kidneys yearning for each other. A better translation might be “heart.”

(It rather breaks down when you imagine the day-to-day. How does one say, “Mummy, can I have a drink of water?” Or, “Please adjust the size by 5mm.” And what did the people of Shaka say when the walls came down? But then, I am not a Trekkie.)

This is just one episode in a really big fat franchise, but it’s the one people make memes of, and I don’t think it’s because of the interesting angle on xeno-linguistics. Nor do I think it’s about the humor. There’s something about the way those lines resonate.

One line from one episode out of nearly 200. It doesn’t describe onscreen drama; it all happened offscreen long ago. Nor does it relate to the serial characters or their culture, the Federation.

So, though it’s a script-writing win, it also arguably points to a series-building fail. The aliens of the week are more resonant than the entire crew and their story.

Now, who remembers Lexx?

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Modular: A Brand New Column! And About T1 – The Village of Hommlet

Modular: A Brand New Column! And About T1 – The Village of Hommlet

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hommlet_moduleYou might have noticed the name ‘Modular’ being tagged onto the front of some gaming-related posts over the past several months. Well, being the savvy folks we are we here at Black Gate, we know that Role Playing Games (RPGs), whether tabletop or electronic (Pc/video game/MMO) are immensely popular. And we periodically post about RPGs, in addition to other types of games: such as this one I did on the Dungeons and Dragons Board Game line. And because we’re an on-the-ball kind of website, we’ve noticed that those posts do pretty well.

So, beginning in January, we’re kicking off a regular gaming column called…. you guessed it, ‘Modular.’ The primary focus will be on Role Playing Games, but we want to write about all kinds of fun games and gaming-related topics such as movies, television shows, books, etc. Posts will be written by various Black Gate contributors, and we’re also going to invite some industry folks to come visit, like we did with our popular ‘Discovering Robert E. Howard’ series.

I’m really excited about ‘Modular,’ as I think we’re going to be presenting you with some great stuff – both contemporary and nostalgic. From pen and paper Kickstarters to Dungeons and Dragons history. To give you a taste of what’s coming, the following was intended to be one of the first posts in the series next year. It’s a look at just about my favorite module, T1 – The Village of Hommlet. And as I mention at the end, there’s going to be a follow up post with my thoughts on why The Temple of Elemental Evil was delayed for several years.  If you’ve got a topic you’d like us to cover, or even something you’d like to write a post about, email me at upabob@yahoo.com. The latter is how I ended up with my own column, ‘The Public Life of Sherlock Holmes,’ here at Black Gate. So….

The golden era of my RPG life is Advanced Dungeons and Dragons (AD&D).  To prepare for this post, I sat down and read my favorite AD&D module. Now, there are quite a few which I’m still fond of and would like to play again. But T1 – The Village of Hommlet is the leader of the pack. Surprisingly, I’m not particularly crazy about T1-4, The Temple of Elemental Evil (ToEE), the much-delayed sequel, which is usually listed near the top of every “All-Time Greats” list. For me, Hommlet is a completely self-contained adventure in and of itself.

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Emily Bold on Celtic Lore, Timeless Romance, and Accidentally Swearing in Gaelic

Emily Bold on Celtic Lore, Timeless Romance, and Accidentally Swearing in Gaelic

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thumbAs many of you know, my alter-ego is E.M. Tippetts, an indie chick-lit author. This means I do my best to stay on top of the indie publishing scene. Most people think of the English speaking markets when it comes to indie publishing, but Germany actually had more market penetration early on by the self-published set. Up to half of the Amazon.de top 100 were indie at any given time in 2012 (as opposed to a quarter on Amazon.com). One such success story is Emily Bold, who I had the privilege of meeting online via my German translator.

When he suggested I try cross-marketing with her, I first looked up the one book of hers that was available in English at the time, The Curse, and was dismayed to see it was paranormal romance. This is not my favorite genre, but I downloaded it and began to read…

…and finished it about a day and a half later. It was that good. Forget everything you thought you knew about paranormal romance. Payton, the male lead, was cursed with immortality along with the rest of his clan hundreds of years ago, and has been in emotional stasis ever since. Not everyone in the clan considers this a curse; what could be better than living for eternity and never again feeling any form of pain?

Enter Samantha, an American exchange student who has no idea about her ancient, Scottish bloodline, nor the prophecy that she alone can fulfill.

Because of the wealth of background research in this series, and Emily posting on Twitter that she sometimes finds herself swearing in Gaelic without even thinking about it, I assumed Emily was a historian. But no, detailed background research is just another of her many talents.

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The Public Life of Sherlock Holmes: Get Hard Cased (with Charles Ardai)

The Public Life of Sherlock Holmes: Get Hard Cased (with Charles Ardai)

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ardai_fiftyCharles Ardai co-founded the internet company, Juno. That success gave him the opportunity to start his own publishing imprint, Hard Case Crime, which both reprints forgotten pulp novels and also publishes new novels in the genre. The roster of Hard Case Crime authors is beyond impressive: Lawrence Block, Max Allen Collins, Lester Dent, Erle Stanley Gardner, Stephen King, Wade Miller. Richard Stark, Donald Westlake and many more.

Hard Case Crime has found several “lost” books by some big names, including James M. Cain and Gore Vidal. While Erle Stanley Gardner is best known for Perry Mason, he put out 29 books about a mismatched duo of detectives, Bertha Cool and Donald Lam. The Knife Slipped was to have been the second in the series but it was cancelled by the publisher. A week from Tuesday, on December 6, a veritable treasure goes on sale. Hard Case Crime is printing, for the first time ever, that unpublished Cool and Lam novel. I’ll be writing ab out Cool and Lam right here, next week. But today, I’ve got a Q & A with Charles Ardai!

A never before published Cool and Lam novel. Wow! How in the world did you get your publisher hands on that?

Jeffrey Marks, a biographer in the mystery field who has written about Craig Rice and Anthony Boucher among others, was working on a bio of Erle Stanley Gardner when he came across references to an unpublished Cool and Lam novel among Gardner’s papers. He brought it to my attention, and my reaction was roughly the same as yours: Wow. With the assistance of Gardner’s grandson we got a copy of the typescript from the University of Texas, where Gardner’s papers are held, and I read the thing, hoping against hope that it hadn’t remained unpublished for 75 years for good reasons. And far from deserving to be unpublished, I found it was easily one of the most enjoyable books in the series!

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Reverse-Turing Testing the Editor of Black Gate, or How I Said Goodbye to My Spam Followers

Reverse-Turing Testing the Editor of Black Gate, or How I Said Goodbye to My Spam Followers

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56043582This week, my friend Marie looked at my website because I didn’t know what I was doing. You may recall that one of the reasons I blog at Black Gate magazine is because I assume no one would ever read anything I put on my personal web page.

So far I’ve been with Black Gate about three years and love it here. But I haven’t lavished the same love on my own website.

So Marie looked at it and found I had literally hundreds of comments! You can’t imagine the shock and delight I experienced for 2.75 seconds.

Until she said “I think these are all spam comments.” Personally, I thought she was suffering from sour grapes, because she didn’t have 137 comments on her posts.

“But they’re engaging with me!” I said. “They like my posts!”

“No,” said Marie (continue imagining sour grapes). “It’s almost all spam. You have a couple of real people though.”

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My Top Ten TV Series Adaptations

My Top Ten TV Series Adaptations

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true-bloodNot long ago I posted about my top ten novel-to-movie adaptations, (see here) and it spurred a flurry of opinions and alternate suggestions. Today I’m thinking about TV series and the difference here is that TV are just as frequently adapted movies as they are from novels. The requirements of this kind of adaptation are different from those of novel-to-movie. For one, the source material has to provide an ongoing story line, what’s called “series potential.” Obviously, that’s most easily done from something that’s already a series to begin with. But there are other criteria.

huff-debtAs Goldman says about adapting novels for film, the TV series should retain the intention of the original material, but perhaps the issue of length isn’t as problematic. On the contrary, the more of the original source’s complexity that can be kept, the better, as TV adaptations can explore avenues and characters in ways a movie can’t. On the other hand, series requirements sometimes lead to unexpected changes to the source material.

Here, in no particular order, are my choices.

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The Limits of Wargaming #2: Betrayals, Surprises and Strategic Advantage

The Limits of Wargaming #2: Betrayals, Surprises and Strategic Advantage

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(Click to buy print)
The King’s forces have fortified themselves into a bend in the river. (Click to buy print)

10th July 1460, near Northampton, England. Battle of Northampton. It’s the Wars of the Roses. King Henry VI — well His Grace’s advisers, anyway — the Lancastrians, if you must — versus the Yorkists led in this case by the Earl of Warwick .

The King’s forces have fortified themselves into a bend in the river.

They’ve got a ditch, wooden stakes, perhaps carts, certainly cannon.  They’re gearing up for a rerun of the Battle of Castillon (an English defeat so utterly embarrassing that the swords of fallen English men-at-arms are a scholarly category in their own right!)

Warwick’s men advance into a hail of armour-piercing arrows, cannon balls and crossbow bolts. It looks as if he’s going to try to grind through the defences — the battle will be down to killing power and morale.

Except it doesn’t turn out that way.

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Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

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oie_2231022c1px60owRobert Holdstock is best known for his Ryhope Wood series that started with the 1981 novella “Mythago Wood,” later expanded into the 1985 World Fantasy Award-winning novel of the same name. He would go on to write another six books in the series before his untimely death in 2009. I have only read the novel Mythago Wood, but recommend it highly. It is a fascinating excursion into England’s myths, Jungian archetypes, and damaged familial bonds.

Many readers of the Ryhope books, a series lauded for its psychological depth and poetic style, don’t know that Holdstock wrote at least fifteen earlier novels under various pen names. As Richard Kirk, he contributed to the bloody Raven series (the first of which I reviewed here). His Night Hunter horror series, written as Robert Faulcon, ran to six books. Today, I’m going to look at Shadow of the Wolf (1977), the first of the Berserker trilogy of swords & sorcery novels set in historical Europe, and written under the name Chris Carlsen.

Harald Swiftaxe is a young Norse warrior raiding Ireland for the first time. Despite participating with nearly as much fury and relish as the rest of the warband he belongs to, he lets a monk live out of an odd sense of mercy he doesn’t understand. When he doesn’t rape a woman and kill her child, one of his companions nicknames him “the Innocent.”

Harald is a bit of an innocent, at least as innocent as a red-handed brigand can be. He may be a Viking at heart, primed and ready to kill and pillage, but he also longs to return to his father’s comfortable steading and Elena, the girl he plans to marry.

After leaving Ireland’s shores, Harald heads first for Elena’s town. Instead of a place of warm welcomes, he finds it destroyed and its people slaughtered. While he doesn’t discover his beloved’s body, when attacked by a wounded Berserker he does learn who annihilated the town. Even wounded near to death, Harald’s assailant almost proves too tough for him, but the young Viking survives and kills the raider.

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