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Tea and Sympathy with the Paranormal: An interview with Steampunk Goddess Gail Carriger

Tea and Sympathy with the Paranormal: An interview with Steampunk Goddess Gail Carriger

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Photo by Vanessa Applegate

Gail Carriger has published several series of best-selling and award-winning novels starting with her Parasol Protectorate Series.

Gail, you have developed what the publishing industry considers as a distinctive brand. Not only have you capitalized on the subgenre of Steampunk, but you’ve also added a distinguishing paranormal twist with many of your major characters being Preternaturals, Werewolves or Vampires. What inspired you to carve out this niche for yourself?

From my perspective, I felt that the real momentum of social media happened around 2007. I knew that to be a published author I’d have to choose to have a social media presence. So, I poked my nose about to see what some of my favorite authors were doing — who was doing a good job of it and who wasn’t — and made pretty thoughtful choices form the get-go about everything from how my website was designed as to how I would appear on social media, as well as my public image. That might sound a bit manipulative, but I’m one of those evil authors that are a bit Machiavellian — that all I’m doing as an author is playing with your emotions.

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SFWA Announces the 2016 Nebula Award Nominations

SFWA Announces the 2016 Nebula Award Nominations

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The-Obelisk-Gate-smallerThe Nebulas are here! The Nebulas are here!

Ahem. Excuse me if I get a little giddy. The Nebula Award is one of the most prestigious awards in our field. I was asked to present the award for Best Novelette at the 2015 Nebulas in Chicago, and last year the Awards were even more exciting, as several Black Gate bloggers and authors — including Amal El-Mohtar, Lawrence M. Schoen, and our website editor C.S.E. Cooney — were nominated for major awards.

So it’s always exciting when the Science Fiction Writers of America (SFWA) announces the nominees — and this year is no exception. This year’s nominees are (links will take you to our previous coverage):

Novel

All the Birds in the Sky, Charlie Jane Anders (Tor; Titan)
Borderline, Mishell Baker (Saga)
The Obelisk Gate, N.K. Jemisin (Orbit)
Ninefox Gambit,Yoon Ha Lee (Solaris)
Everfair, Nisi Shawl (Tor)

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In Viriconium by M. John Harrison

In Viriconium by M. John Harrison

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oie_213541TcmWZhNHAnd so we come to the end of M. John Harrison’s trilogy of novels set in the far, far future of our world. For In Viriconium (1982) Harrison drops almost all elements of heroic fantasy in presenting the story of the artist Ashlyme. Ashlyme’s effort to rescue another artist, the reclusive Audsley King, from a plague outbreak is set against the antics of two manic deities. Woven through the novel are characters and clues that tie it to the previous two, The Pastel City and A Storm of Wings (reviewed at the links). Some build on the earlier stories while others seem to deconstruct and reconfigure them.

The Low City, the poorer section of Viriconium and the one most given over to decay, has been struck by a strange malady:

The plague is difficult to describe. It had begun some months before. It was not a plague in the ordinary sense of the word. It was a kind of thinness, a transparency. Within it people aged quickly, or succumbed to debilitating illnesses — phthisis, influenza, galloping consumption. The very buildings fell apart and began to look unkempt, ill-kept. Businesses failed. All projects dragged out indefinitely and in the end came to nothing.

Day by day it is spreading, restricting travel in and out of a growing portion of the Low City. Hidden away in her rooms above the Rue Serpolet, Audsley King remains the most famous and sought after artist in Viriconium. Even as the plague pares away the substance and people of the city, her agent, Paulinus Spack, is hoping to produce a new play with sets designed by her. All across the High City, Viriconium’s wealthy district, patrons are itching to invest in something featuring King’s creations. She, for that to happen, must leave the Low City — but she does not wish to. In addition to her acceptance of eventual death from the plague, she is repulsed by her potential benefactors:

“Besides,” she said, “I would not go if they did. Why should I go? The High City is an elaborate catafalque. Art is dead up there, and Paulinus Rack is burying it. Nothing is safe from him — or from those old women who finance him — painting, theater, poetry, music. I no longer wish to go there.” Her voice rose. “I no longer wish them to buy my work. I belong here.”

Spurred by a desire to save one of Viriconium’s most important figures, Ashlyme agrees to convince King to flee to the High City. If she cannot be convinced he will, with the help of the astronomer Emmet Buffo, kidnap her and bring her out anyway.

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Things Your Writing Teacher Never Told You: Researching the Tropes

Things Your Writing Teacher Never Told You: Researching the Tropes

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Sun Wu-small

My Fantasy Writing Workshop (Columbia College Chicago) starts each semester by writing a shared private encyclopedia of genre tropes. Each week has an assigned category. The categories are: monsters or magical creatures; gods, demi-gods, or powerful spirits; magical artifacts or prophetic techniques/devices; and historical people. The students each write one entry per category, then the following week, all the entries in that category are part of their assigned reading.

For each category, I’ve compiled a list of at least fifty potential subjects with short descriptions taken from across the world cultures and mythologies to get them started. Many of the entries have alternate spellings, and some reference books contradict each other, so students are required to use more than one source in their research.

Here’s a list of a few of the monsters/creatures in the first unit.

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The Public Life of Sherlock Holmes: Mister Bean as Simeonon’s Maigret?

The Public Life of Sherlock Holmes: Mister Bean as Simeonon’s Maigret?

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Maigret_AtkinsonGeorges Simenon wrote seventy-six novels and twenty-eight short stories about French police commissionaire Jules Maigret (May-gray) between 1932 and 1973. Maigret’s career paralleled that of Rex Stout’s Nero Wolfe, who appeared in thirty-three novels and thirty-three novellas/short stories from 1934 to 1975.

There have been many film and television adaptations of Maigret in various countries over the decades. Rupert Davies starred in a popular British television series in the sixties and Michael Gambon played the policeman in a Granada series in the eighties. Now, I’ve never read a Maigret story or seen any of the films or television shows, except for the two I’m going to talk about in this post. So, I don’t have a frame of reference for the two new films, other than the actual movies themselves. They may be nothing like the original character, in the vein of Benedict Cumberbatch’s Sherlock Holmes; or they could be spot on: though that seems unlikely.

A British company cast Rowan Atkinson as Maigret and filmed a pair of television movies that were aired in 2016: Maigret Sets a Trap and Maigret’s Dead Man.  Two more are on the way: Night at the Crossroads and Maigret in Montmarte.

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Why Must Han Solo Die? Revisited

Why Must Han Solo Die? Revisited

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[SPOILERS AHEAD! (But if you still haven’t seen the new Star Wars films yet, you probably don’t give a damn, right?)]

On July 28, 2014, right here on Black Gate, I predicted that in the new Star Wars film (Part VII: The Force Awakens, released December 18, 2015), Han Solo would die. I also offered some further conjecture about where this would take the plot.

I thought it would be fun to revisit my predictions and see how they panned out. You can read the original brief post HERE, so you can keep score with me.

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Thrill-Power Overload: A History of the British Comic 2000 AD

Thrill-Power Overload: A History of the British Comic 2000 AD

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I love comic book history. I’ve got a few books at home of the golden and silver age of American comics I reread every so often.

I recently got the chance to check out Thrill-Power Overload, the history of the British comic book series 2000AD in honor of their 40th anniversary.

I usually read only American comics, but over the last two years, I’ve been reading 2000AD and Judge Dredd comics, both the recent ones, and some of the their collected volumes, so this was a timely discovery for me, and a fascinating one.

2000AD was an experiment when it launched in 1977. British comic books were weekly publications, and not glossy, and until the launch of 2000AD, they were very much targeting younger readers with pretty tame, conservative stories with production and artistic values that didn’t even credit the creators.

2000AD‘s editorial and creative team had a vision of a far edgier anthology science fiction comic book, one whose tone I can best describe as punk rock sensibilities seen in sequential story, or an anti-authoritarianism giving the finger to the world. The creators of the time call the tone comedy and violence.

It featured genetically-engineered soldiers, robot fighters (and fighting robots), soldiers, assassins, and most importantly, Judge Dredd, a futuristic police officer of centuries in the future, stopping crime in the combined roles of police, judge and executioner.
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It’s A Group Effort

It’s A Group Effort

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stargate_sg-1I think we can all remember a time when, with the possible exception of soap operas, TV shows had one lead character. Even when it was a sitcom, and the lead character was married, there was still only one lead. Often these shows were easy to spot because they identified the character in the title of the show. I Love Lucy. The Dick van Dyke Show. The Rifleman.

The first show I remember having an ensemble cast is Hill Street Blues (1981-1987). It was also the first show I remember having ongoing narratives that spanned episodes, something else we see a lot of today. It was closely followed by St. Elsewhere (1982-1988). More recently, sort of between then and now, we’ve got The West Wing, Sports Night (thank you Aaron Sorkin) and the CSI and NCIS franchises. Though we could argue that in these last two shows what we have is an anchor character, in the person of the better known actor, surrounded by the rest of the ensemble.

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The Public Life of Sherlock Holmes: Nero Wolfe – Stamped for Murder

The Public Life of Sherlock Holmes: Nero Wolfe – Stamped for Murder

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Nero Wolfe TrainThe New Adventures of Nero Wolfe radio show aired in 1950 and 1951, starring Sidney Greenstreet. I mentioned it in a prior post. I’ve taken one of the episodes, Stamped for Murder, and turned it into an 11,000 word story. I kept most of the dialogue and the original scenes, since I wanted to adapt the show. I’ve tried to make it more Stout-like, as I don’t think that the series was very true to the original stories. So, some liberties here and there. But hopefully you’ll enjoy a “new” Wolfe pastiche!

CHAPTER ONE

Nero Wolfe had just settled his seventh of a ton into the only chair that really fit him. Made of Brazilian Mauro wood, it was in this room, the office: as opposed to the dining room, kitchen or the front room because he spent about nine hours a day here. You read that right: nine hours. More on that later.

Down from his two hours in the plant rooms on the roof, he had greeted me with the standard “Good morning” and placed a spray of Miltonia Charlesworthi in the vase on his desk. After going through the usual ritual, which includes drinking beer, brought by our chef, housekeeper and doorman, Fritz, going through the morning mail and checking his pen (which I’ve already done), he looked up at me.

“Your notebook please, Archie.”

It was there on my desk, ready for use. I took a pen from the middle drawer and swiveled my chair, not made of Mauro wood but under much less pressure, to face him.

“Inform Mister Salzenzbach that the recent Long Island pea fowl he provided was most unsatisfactory. Pea fowl’s breast flesh is not sweet and tender unless it is well protected from all alarms. Especially from the air, to prevent nervousness. Long island is full of airplanes.”

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Wordsmiths: An Interview with Evan May

Wordsmiths: An Interview with Evan May

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The King in Darkness Evan May-small The King in Darkness Evan May-back-small

Well, folks, we’ve survived the first month and a bit of 2017 – barely, some might say. I’m of the mind not to let various disruptions get you down or mess with the writing mojo, which is partly why I’m really glad to be sharing this interview with my fellow rational human being and generally chill writer, Evan May. Below we discuss his first novel, The King in Darkness, which I reviewed a few posts back, as well as the fantasy genre, the writing craft, and Vladivostok (no joke). Here’s a short bio for Evan, followed by the interview:

Evan May is a freelance writer and history professor who lives in Ottawa, Canada. Evan studied Creative Writing at the University of Windsor before moving on to study medieval history, concentrating on scamps and troublemakers in 15th century York and London. He has recently been pleased to return to writing down some of the strange things that live in his head. When not writing or teaching, Evan enjoys distance running and tending to the whims of two lazy cats.

For more about Evan’s work, visit his  blog (emaymustgo.wordpress.com) or follow him on Twitter: @GiantTourtiere.

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