Browsed by
Author: Steven H Silver

Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Lord of the Fantastic
Lord of the Fantastic

Jennifer Roberson was born on October 26, 1953.

She collaborated on The Golden Key with Melanie Rawn and Kate Elliott, which was nominated for the World Fantasy Award for Best Novel in 1997.

Roberson wrote “Mad Jack” for inclusion in the memorial anthology Lord of the Fantastic: Stories in Honor of Roger Zelazny, edited by Martin H. Greenberg in 1989. She has also republished the story in her own collection, Guinevere’s Truth and Other Tales, released in 2008.

“Mad Jack” tells the story of a man who lost his infant son to random gun violence. Unable to cope with his loss, his life falls apart and he comes to the decision that he needs to go on some sort of epic quest to make things right and find a simpler time. His decision causes strife with his wife and his boss, but he eventually makes the journey to Scotland via bus and train to find something that has been missing from his life for a long time.

Roberson’s description of Jack and his attempts to come to terms with his son’s death is a focused look at one individual’s grieving process. Although there is reference to the way others view his needs, Jack never interacts with any of them within the confines of the story; his thoughts turn almost entirely internal. While he notes that his wife and boss both think he is mad, there are no overt signs of madness.

Roberson plays the story close to her chest. It is clear that Mad Jack is supposed to be recognizable, although who he is, or even the time period in which the story takes place, is not entirely clear until the end. Once they story reaches its conclusion, the question of whether Jack is mad, has reverted to childhood, or is having an actual experience is ambiguous, which is one of the strengths of fantasy as a genre.

Read More Read More

Birthday Reviews: John Gregory Betancourt’s “The Weird of Massal Dey”

Birthday Reviews: John Gregory Betancourt’s “The Weird of Massal Dey”

Cover by Marjette Schille
Cover by Marjette Schille

John Gregory Betancourt was born on October 25, 1963.

Betancourt has been nominated for three World Fantasy Awards, in 1993, 1995, and 2000, for his work at Wildside Press. The first two nominations were in the non-professional category and shared with Kim Betancourt, the final one was in the professional category. Betancourt has also worked as an assistant editor at Amazing Stories, and editor at Horror: The Newsmagazine of the Horror Field, Weird Tales, H.P. Lovecraft’s Magazine of Horror, and Adventure Tales.

“The Weird of Mazel Dey” was originally written for Susan Shwartz’s anthology Arabesques, but Betancourt missed the deadline and sold the story to Dennis Mallonee and Nick Smith at Fantasy Book, where the story ran in the September 1985 issue. When Betancourt elected to reprint the story in his collection of Zelloquan stories, Slab’s Tavern and Other Uncanny Places, he changed the names to match his series’ setting and published the story as “The Weird of Massal Dey.” The revision also removed the references to Islam that appeared in the original form.

Massal Dey is a thief who uses the occurrence of a great festival to steal a mirror which captures his attention. The mirror is of such beauty that Dey decides to keep it rather than try to fence it. Unfortunately, once he gets the mirror home and set up, he sees his own reflection and realizes that he is so ugly that he shouldn’t defile the mirror by viewing his image.

However, as the story progresses, Dey finds that he looks into the mirror in his dreams and finds himself in other worlds where he is not as ugly as he believes himself to be. Each time he looks in the mirror in his dreams the situation is different, from a world in which he is the object of infatuation by young beauties, to a world in which he and his long-time wife of that world live a comfortable, if unremarkable existence.

Read More Read More

Birthday Reviews: Jack Skillingstead’s “Thank You, Mr. Whiskers”

Birthday Reviews: Jack Skillingstead’s “Thank You, Mr. Whiskers”

Cover by Jim Burns
Cover by Jim Burns

Jack Skillingstead was born on October 24, 1955.

Skillingstead was nominated for the Theodore Sturgeon Memorial Award in 2004 for his story “Dead Worlds” and in 2014 his novel Life on the Preservation was a nominee for the Philip K. Dick Award. He has collaborated with Burt Coourtier. Skillingstead has been married to author Nancy Kress since 2011.

“Thank You, Mr. Whiskers” was originally published in the August 2007 issue of Asimov’s Science Fiction, edited by Sheila Williams. It has since been reprinted in Skillingstead’s collection Are You There and Other Stories, published by Golden Gryphon in 2009 and subsequently reprinted by Fairwood Press.

Hadley Yeager is something of an anomaly in science fiction stories, an older woman. Living alone after the death of her husband, Franklin, Hadley no longer has a firm grasp on reality. Her memory is fading, she is unsure of where she is or what is going on around her, and fear of the outside world is making her suspicious of the young boy who seems to be intent on checking up on her and making sure she is okay.

One day, she notices a new mailbox, where she doesn’t remember seeing one before. Accidentally taking the mail from that box, she discovers a note that applies directly to her. From that point on the extra mailbox helps guide her and rejuvenate her. In addition to reminding her where she hid grocery money, the messages in the mailbox begin offering her other advice and help, removing the suspicious boy, allowing her to reverse her aging, and living a youthful life of excess. Eventually, Hadley begins to wonder about the mailbox’s origins and motives.

Read More Read More

Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Cover by Colleen McDonald
Cover by Colleen McDonald

Allan Weiss was born on October 23, 1939.

Weiss has twice been nominated for the Aurora Award. His first nomination was in 1993 for his short story “Ants,” in the Best Short Form in English category. He received a second in 1996 when he was nominated with Hugh Spencer for Best Other Work in English for “Out of This World,” an exhibit they produced at the National Library.

“Heaven and Earth” was published in Tesseracts Nine in 2005. The volumes was co-edited by Nalo Hopkinson and Geoff Ryman. The story has not been reprinted.

Steven is part of a team exploring an alien life form dug up on a distant planet. His description of the study is interspersed with memories of his Uncle Martin, who helped raise Steven during and after his parents’ divorce, teaching him both the study of Judaism and Talmud and how to espouse atheism, which are by no means mutually exclusive.

Steven’s relationship with his uncle is the strongest one in the story, although it is mirrored by his relationship to fellow-scientist Kelly Defalco, who refuses to give him straight answers about her own theories and research and causes him to question his own assumptions, just as Uncle Martin did when he was younger. This questioning becomes important when the evidence before his eyes regarding the physiognomy of the Castormondian alien species seems to contravene everything about biology that he knows from a lifetime of studying humans.

Read More Read More

Birthday Reviews: Suzy McKee Charnas’s “Beauty and the Opéra, or the Phantom Beast”

Birthday Reviews: Suzy McKee Charnas’s “Beauty and the Opéra, or the Phantom Beast”

Cover by Kinuko Y. Craft
Cover by Kinuko Y. Craft

Suzy McKee Charnas was born on October 22, 1939

Charnas won the Nebula Award in 1981 for her novella “Unicorn Tapestry” and the Hugo Award in 1990 for the short story “Boobs.” She is a three time James Tiptree, Jr. Memorial Award winner for the novels Walk to the End of the World, Motherlines, and The Conqueror’s Child. Her series The Holdfast Chronicles is included in the Gaylactic Spectrum Award’s Hall of Fame and she won a Mythopoeic Award for The Kingdom of Kevin Malone.

“Beauty and the Opéra or the Phantom Beast” was originally bought by Gardner Dozois and appeared in the March 1996 issue of Asimov’s Science Fiction. Dozois reprinted it in Modern Classics of Fantasy the following year and Charnas included it in her e-collection Music of the Night and later in her collection Stagestruck Vampires and Other Phantasms. The story was nominated for the Hugo Award, the World Fantasy Award, The James Tiptree, Jr. Memorial Award, and the Theodore Sturgeon Memorial Award,

Charnas has decided to retell and expand on Gaston Leroux’s The Phantom of the Opera, conflating it with Gabrielle-Suzanne Barbot de Villeneuve’s Beauty and the Beast. While in the original story by Leroux, Christine is allowed to leave the Phantom, Erik, if she will return upon his death, in Charnas’s story, she agrees to remain with him in return for his freeing Raoul, the French nobleman she loves.

The story follows the characters as they grow to know each other in the secluded apartments Erik has created for himself beneath the Paris Opera House. With Christine agreeing to stay with the Phantom while he agrees to release Raoul, the story takes a turn into Beauty and the Beast territory with Christine suffering from Stockholm Syndrome as Erik is the only person who she can interact with. As time progresses, Christine learns how to assert herself with Erik to in effect turn the tables on him. She is still essentially his captive, but she manages to obtain a level of control over the situation and him, eventually learning that while Erik spared Raoul, he also ensured that Raoul would never mount a rescue of her.

Read More Read More

Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Birthday Reviews: Ursula K. Le Guin’s “The Rule of Names”

Cover by Frank Bruno
Cover by Frank Bruno

Ursula K. Le Guin was born on October 21, 1929 and died on January 22, 2018.

Le Guin’s The Dispossessed is in the Prometheus Hall of Fame and has won the Jupiter Award as wells as the Nebula Award and Hugo Award. The Left Hand of Darkness has also won both the Hugo and Nebula Award, as well as the James Tiptree Jr Award and the Gaylactic Spectrum Award. She has also won the Nebula Award for Tehanu: The Last Book of Earthsea, Powers, the novella “Solitude,” and the short story “The Day Before the Revolution,” which also won the Jupiter Award. Le Guin has also won the Hugo Award for the short story “The Ones Who Walk Away from Omelas,” the novelette “Buffalo Gals, Won’t You Come Out Tonight,” the novella “The World for World is Forest,” and back-to-back best related works for Words Are My Matter: Writing About Life and Books, 2000-2016 and No Time to Spare: Thinking About What Matters, the last of which earned her the award posthumously. “Buffalo Gals, Won’t You Come Out Tonight” won Le Guin her first World Fantasy Award and she received another for her novel The Other Wind. She won a Jupiter Award for “The Diary of the Rose,” a Rhysling Award for “The Well of Bain,” and a Ditmar Award for The Compass Rose. Both Tales from Earthsea and The Telling won the Endeavour Award and “The Matter of Seggri” and “Mountain Ways” both won the James Tiptree, Jr. Award. She won the Theodore Sturgeon Memorial Award for “Forgiveness Day” and the Grand Prix de l’Imaginaire for Four Ways to Forgiveness. Her book Paradises Lost won both the Kurd Lasswitz Preis and Italia Award.

Le Guin has received many lifetime achievement awards, being recognized by the Forry Award in 1988, the Pilgrim Award in 2001, and the Eaton Award in 2013. She received a Gandalf Award in 1979 and was named a Grand Master by SFWA in 2003 and the World Fantasy Convention in 1995. In 2001, Le Guin was inducted into the Science Fiction Hall of Fame. She was the Worldcon Guest of Honor at Aussiecon 1 in 1975 and the World Fantasy Guest of Honor in Seattle in 1989.

Read More Read More

Birthday Reviews: Diana Rowland’s “Fine Print”

Birthday Reviews: Diana Rowland’s “Fine Print”

Cover by Dan Dos Santos
Cover by Dan Dos Santos

Diana Rowland was born on October 20, 1966.

Rowland won third place in the third quarter of the 2005 Writers and Illustrators of the Future contest for her story “Schrodinger’s Hummingbird.” In 2012, Rowland won the RT Reviewers Choice Award for Best Urban Fantasy Protagonist for her character Angel Crawford in the novel Even White Trash Zombies Get the Blues. She has been nominated for the RT Reviewers Choice Award on at least two other occasions and the audio of her novel My Life as a White Trash Zombie was nominated for an Audie Award. She won the Phoenix Award, presented by DeepSouthCon, for lifetime achievement in 2015.

Rowland wrote “Fine Print” for Mark L. Van Name’s anthology The Wild Side: Urban Fantasy with an Erotic Edge, published by Baen Books in 2011.

Jason is the editor of a minor literary horror magazine, Black Magick Stories. When he meets Rachel at a convention, she comes onto him with a line asking if he would publish her stories if she sleeps with him, a variation on the Hollywood casting couch. When Jason points out how unethical that sort of thing would be, Rachel passes it off as a joke and backs away, but within days, she successfully seduces Jason and the two began dating. It is several months before she actually approaches him to publish one of her stories.

Luckily for Jason, when Rachel gives him a story, it was quite good. Unfortunately, it also turns out that Rachel is a Greater Demon and is using publication in his magazine to gain a foothold on Earth so she can rule, like other demons. Although the story has darkness, and much of it details Rachel’s torturing of Jason for his decision to publish her story in the November issue of the magazine rather than the Halloween issue, Rowland does incorporate a certain amount of humor. The standard deal with the devil story also takes an interesting turn because of a misunderstanding by Rachel about the way the periodical publishing world works, which Jason explains.

Read More Read More

Birthday Reviews: Peter H. Cannon’s “Cats, Rats, and Bertie Wooster”

Birthday Reviews: Peter H. Cannon’s “Cats, Rats, and Bertie Wooster”

Cover by Gahan Wilson
Cover by Gahan Wilson

Peter H. Cannon was born on October 19, 1951.

Cannon’s non-fiction book H.P. Lovecraft was nominated for the 1990 Bram Stoker Award. Cannon also works as an editor for Publisher’s Weekly, handling mystery and thriller reviews. Many of Cannon’s stories are strongly based on the works of H.P. Lovecraft, Arthur Conan Doyle, Frank Belknap Long, and P.G. Wodehouse.

Peter H. Cannon originally published “Scream for Jeeves; Or, Cats, Rats, and Bertie Wooster” as by H.P.G. Wodecraft in the Roodmas 1990 issue of Crypt for Cthulhu, #72, edited by Robert M. Price. The story was reprinted the next month in Dagon #27 and in 1994, Cannon published it as “Cats, Rats, and Bertie Wooster” using his own name, P.H. Cannon, in his collection Scream for Jeeves: A Parody. The story also appeared in 1996 in Cannon’s The Lovecraft Papers and in 1999 in his collection Forever Azathoth and Other Horrors. In 2009, it was translated into French for inclusion in Patrick Marcel’s collection of essays Les nombreuses vies de Cthulhu which included Cannon’s story as well as a story by Kim Newman.

“Cats, Rats, and Bertie Wooster” places P.G. Wodehouse’s Bertie Wooster and his butler, Jeeves, in a Lovecraftian milieu, the Exham Priory in Anchester, Wales, where the character finds himself in the 1923 story “Rats in the Walls.” Invited to the Priory by his friend Captain Edward “Tubby” Norrys, Bertie makes the acquaintance of Pop de la Poer who shares his family history with Bertie, despite Bertie’s clear indifference. The presence of rats in the walls of the priory and the discovery of ancient cellars beneath it lead, as in Lovecraft’s original story, to a later expedition into the depths, an expedition which includes many learned men as well as Bertie because De la Poer and Norrys want Jeeves to participate.

While Wodehouse’s Wooster is an incurious prig, Cannon’s Wooster takes that a step further, not only being self-involved, but actively stupid. Jeeves, on the other hand, is not just a competent butler, but an erudite, well-read, intellectual. Because the story is told from Wooster’s point of view, Cannon can allow his indifference and idiocy obviate the need to provide any real explanation for what is happening. Wooster just isn’t up to the task of related the horror that is found in Lovecraft’s original tale. The result is a parody of Lovecraft that never quite works and a parody of Wodehouse which seems to miss the mark.

Read More Read More

Birthday Reviews: Ted Chiang’s “The Evolution of Human Science”

Birthday Reviews: Ted Chiang’s “The Evolution of Human Science”

Cover by Gregory Manchess
Cover by Gregory Manchess

Ted Chiang was born in October 1967.

Chiang has won the Hugo Award four times, for his novelettes “Hell Is the Absence of God” and “The Merchant and the Alchemist’s Gate,” for his short story “Exhalation,” and for his novella The Lifecycle of Software Objects. Both of those novelettes also won the Nebula as did his novelette “Tower of Babylon” and his novella “Story of Your Life,” which was turned into the Hugo and Bradbury Award-winning film Arrival. “Exhalation” also won the British SF Association Award and the Grand Prix de l’Imaginaire. “Story of Your Life” earned the Theodore Sturgeon Memorial Award. He won the Sidewise Award for Alternate History for “Seventy-Two Letters.” Chiang has won the Hayakawa Award for “Understand,” “Story of Your Life,” and “Seventy-Two Letters.” The Lifecycle of Software Objects won the Italia Award. “Hell Is the Absence of God won the Kurd Lasswitz Preis. Translations of his stories “Story of Your Life,” “Hell Is the Absence of God,” “The Merchant and the Alchemist’s Gate,” and The Lifecycle of Software Objects won the Seiun Award. In 1992, Chiang won the John W. Campbell Award for Best New Writer.

“Catching Crumbs from the Table” originally appeared in the June 1, 2000 issue of Nature. When Chiang included it in his 2002 collection Stories of Your Life and Others (later reprinted as Arrival), he changed the title to “The Evolution of Human Science.” The story was translated into French for the collection La Tour de Babylone and into German by Karin Will and Michael Plogmann for the collection Das wahre Wesen der Dinge. It was translated into German again in 2017 for inclusion in the March issue of Spektrum der Wissenschaft.

Chiang’s “The Evolution of Human Science” is an interesting short story which doesn’t have any characters. It is written as an editorial appearing in a future issue of Nature which notes that humans are no longer making any breakthroughs in scientific endeavors. Metahumans who have been genetically modified are the ones who are pushing the boundaries while humans can, at most, synthesize the metahumans’ achievements for a broader audience. The humans aren’t always good at that since many of the successes of the metahumans, while beneficial to the mere humans, can’t really be understood by the unenhanced mind.

Read More Read More

Birthday Reviews: Katherine Kurtz’s “Venture in Vain”

Birthday Reviews: Katherine Kurtz’s “Venture in Vain”

Venture in Vain
Venture in Vain

Katherine Kurtz was born on October 18, 1944.

Kurtz won the coveted Balrog Award for her novel Camber the Heretic in 1982. Volumes in her Deryni series have been nominated for the British Fantasy Award, the Gandalf Award, and the Mythopoeic Award. Kurtz was one of the Guests of Honor at the 1996 World Fantasy Convention held in Schaumburg, Illinois. She has collaborated with Deborah Turner Harris on the Adept and Templar Knights series, with Robert Reginald on Codex Derynianus, with Scott MacMillan on the Knights of the Blood series and some short fiction. She has edited or co-edited anthologies of short stories set in her Deryni and Templar Knights worlds.

“Venture in Vain” was published as a chapbook, issued to commemorate Kurtz’s 2001 visit to the John M. Pfau Library at California State University at San Bernardino. Only 300 copies were printed and the story has never been reprinted. Each copy was autographed.

The Deryni cycle is a historically based fantasy series modeled after the Welsh kingdom which focuses on dynastic conflict combined with the inclusion of the race of Deryni, who have magical and psychic abilities that cause them to be feared by the humans they live among. “Venture in Vain” is set thirty-one years prior to the events of Kurtz’s original trilogy, although she has also written several volumes and short stories that are set before the story. It focuses on a group of Mearan nobility, including two princesses, who are fleeing before a Gwynedd invasion. The story opens with a brief description of the dynastic intrigues which explain why the Mearans are fighting for the man they view as their rightful prince, Judhael III, and why Gwynedd King Donal Blaine Haldane views himself as the rightful ruler of Meara.

Kurtz’s attention to detail, the creation of a multifaceted society, and her characters are what bring the Deryni novels to life and give them the feel that Kurtz is reporting on actual historical events. Within the confines of “Venture in Vain,” Kurtz doesn’t have a lot of time to provide focus to each element of her stories, so the story works best for those with prior familiarity to the world of the Deryni. She is able to explain the dynastic situation, create characters, who while not fully fleshed out do show complexity. When the Deryni Morian ap Lewys catches the fugitives, he notes that none of them are villains and they are doing what they must because that is how their roles play out for them. While Kurtz doesn’t show the complex magic that plays a role in so many of the stories, she does demonstrate the subtlety of Deryni powers when Morian questions Sir Frances and Sir Robard.

Read More Read More