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John DeNardo on the 7 Best Science Fiction/Fantasy Books of March

John DeNardo on the 7 Best Science Fiction/Fantasy Books of March

A Pale Light in the Black-small The House in the Cerulean Sea-small The Gobblin’ Society by James P. Blaylock-small

Covers by Vadim Sadovski, Chris Sickels/Red Nose Studio, and Jon Foster

Good friends recommend good books. And that makes John DeNardo just about the best friend we have in this business. I’ve come to rely on his regular columns for Kirkus Reviews to point me towards the best new releases each month, in articles like “Sex Robots, the Future of Racism, and Cthulhu Vacations” [Jan 21] and “The Definitive List of the Top Science Fiction & Fantasy of 2019” [Dec 2019].

He also does regular monthly round-ups of the best novels — while not neglecting short fiction, which is one of the things I like about him. For March he looks at new novels by Katie M. Flynn, K. B. Wagers, Myke Cole (Sixteenth Watch), TJ Klune, N. K. Jemisin (The City We Became), Zack Jordan, and Menna van Praag, and new short fiction and collections from Tor (including Dragon Age: Tevinter Nights, and Hearts of Oak by Eddie Robson), Titan Books (including Cursed edited by Marie O’Regan and Paul Kane), Undertow Publications, the British Library, and Black Library, not to mention James P. Blaylock, Ellen Datlow and Terri Windling, and many others.

As always, there’s plenty of great stuff on John’s list. Here’s a few of the highlights.

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Future Treasures: The City We Became by N.K. Jemisin

Future Treasures: The City We Became by N.K. Jemisin

The City We Became-small

Cover design by Lauren Panepinto

There is no hotter writer in the field right now than N.K. Jemisin. She’s the first writer in history to win back-to-back-to-back Hugo awards, with all three novels in her Broken Earth trilogy (The Fifth Season, The Obelisk Gate, and The Stone Sky). Last year she started working for DC Comics, producing the science fiction comic Far Sector with Jamal Campbell.

She has a new book coming out next week, and it looks like a winner. It’s an expanded version of her short story “The City Born Great,” originally published at Tor.com (and which you can read online right here). Set in an eldritch New York City, the story followed a supernatural talented graffiti artist, NYC’s self-dubbed “midwife,” as he tried to paint the city’s song. What’s the novel about, then? Best to let N.K. explain it. Here’s what she told EW in a recent interview.

This story is my chance to have a little monstrous fun after the weight of the Broken Earth saga, so I’m hoping readers will enjoy it, too… The city of New York comes to life — literally, as in, the city has developed sentience and an ability to act on its own. And because there’s a dangerous otherworldly tourist lurking about, trying to supernaturally gentrify the city to death, New York chooses five human champions to fight for it. Problem: they don’t know they’ve been recruited for a magical, interdimensional battle, although they figure it out pretty quickly when possessed toilet stalls attack, backyard pools turn into portals to monsterville, and traffic on the FDR becomes a literal, tentacled, killer.

Yeah, that sounds adequately funky and pretty darn great. The City We Became will be published by Orbit on March 24, 2020. It is 448 pages, priced at $28 in hardcover and $14.99 in digital formats. The cover was designed by Lauren Panepinto. It is the first novel in The Great Cities Trilogy. See all our coverage of the best upcoming SF and fantasy here.

Space Renegades, Leviathan Ships, and Planet-Eating Monsters: The Honors Trilogy by Rachel Caine and Ann Aguirre

Space Renegades, Leviathan Ships, and Planet-Eating Monsters: The Honors Trilogy by Rachel Caine and Ann Aguirre

Honor Among Thieves-small Honor Bound-small Honor Lost-small

Covers by Jeff Huang

I think a lot of the classic SF I read in the 70s and 80s would be characterized as YA today. Certainly the novels of Clifford D. Simak, Roger Zelazny and Anne McCaffrey still speak to a modern audience, and would probably do well in the YA section of the bookstore.

Or maybe not. Every new generation finds writers who speak its language, and sets aside the treasured writers of older generations. And that’s the way it should be. It’s good to pass along our love of Simak, Zelazny, McCaffrey and others to young readers… but it’s a good idea to take the time to see what the heck they’re reading as well.

What are they reading? Lots of stuff. The YA section of my local Barnes & Noble is crammed full of new releases every week, and a great many of them are science fiction. And more than a few look pretty interesting, too. The Honors trilogy by Rachel Caine and Ann Aguirre piqued my interest recently… probably because I saw the one-sentence summary for Honor Lost (“Quick-thinking Leviathan pilot Zara Cole must stop a planet-eating monster or lose everyone she loves in the finale of this acclaimed trilogy”), and let’s face it, planet-eating monsters are my weakness.

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New Treasures: The Boatman’s Daughter by Andy Davidson

New Treasures: The Boatman’s Daughter by Andy Davidson

The Boatman's Daughter-smallI’ve been reading a lot of science fiction and fantasy lately, and I’m in the mood for something different. With impeccable timing, along comes Andy Davidson’s The Boatman’s Daughter, a supernatural thriller about a young woman facing down ancient forces in the depths of the bayou. It features the silhouette of a swampman with a plant growing out of his head on the cover, and that qualifies as sufficiently different in my book.

Andy Davidson is the author of In the Valley of the Sun, which was a finalist for the 2017 Bram Stoker Award for Superior Achievement in a First Novel. His second novel is getting even more attention… Kirkus Reviews says, “The remote Arkansas bayou is a swirling kaleidoscope of murder, greed, and dark, ancient magic… A stunning supernatural Southern Gothic.”

I like the sound of that. Here’s the publisher’s description.

Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.

But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman’s Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.

The Boatman’s Daughter was published by FSG Originals on February 11, 2020. It is 416 pages, priced at $16 in trade paperback and $9.99 in digital formats.

See all our recent New Treasures here.

Future Treasures: Hearts of Oak by Eddie Robson

Future Treasures: Hearts of Oak by Eddie Robson

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Cover by Armando Veve

I’ve really been enjoy enjoying Tor.com’s line of near-weekly original novellas. I don’t know for sure how many they’ve published (I lost count somewhere around 120), but man. It’s a lot. They’ve hogged virtually all the Hugo nominations for Best Novella for the past five years, too, which is no small accomplishment. If you’re looking for cutting edge fantasy and SF from a Who’s Who of exciting new writers, this is the imprint to follow.

I can’t stay on top of all their releases, but every once in a while I get especially intrigued. It happened back in October when they released a sword-and-sorcery novella by Saad Z Hossain back-to-back with a promising space opera debut by Lina Rather. And it happened again this month, when Tor.com sent me a review copy of an odd little package titled Hearts of Oak, by Eddie Robson. Here’s a snippet from Publishers Weekly‘s enthusiastic review.

Four people in an uncannily unchanging city come to question their reality in this piercing work. Iona, Steve, Saori, and Victor can’t remember a time when they didn’t live in the unnamed city or follow their daily routines. They go to work, go home, and repeat this cycle again the next day alongside their obedient, homogeneous fellow citizens. But the arrival of a stranger triggers repressed memories, sending all four hurtling into danger… Robson (Welcome to Our Village, Please Invade Carefully) is a master of the gradual release of information, ratcheting up the tension by degrees as both readers and characters learn the truth of his intricately constructed universe… Clever, emotional, and thematically rich, this is sure to please fans of classic science fiction.

Clocking in at 265 pages, this is a very generous package for a novella. Hearts of Oak will be published by Tor.com on March 17, 2020. It is 265 pages, priced at $14.99 in trade paperback and $4.99 in digital formats. The cover is by Armando Veve. Get all the details here.

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Adventures in Gaming Discovery: The Games Plus 2020 Spring Auction

Adventures in Gaming Discovery: The Games Plus 2020 Spring Auction

Spring 2020 Games Plus Auction-small

Yesterday I attended the 2020 Spring Auction at Games Plus in Mount Prospect, Illinois. I exhibited more self control than I usually do, but that’s not saying much. My budget was $700, and after seven hours I reluctantly put away my bidding card, when my purchases finally tipped the scales at $1,000. That’s considerably less than I spent in 2019 or 2018, but it still filled eight boxes, and it took the combined skills of three gaming professionals to Tetris them into my tiny Juke before my satisfied road trip back to St. Charles.

It was good to bring so many great bargains home. But truth to tell, I’d attend the biannual Games Plus auctions even if I couldn’t buy a thing. It’s been said that we live in a Golden Age of board gaming, and it’s almost impossible to keep up with the tsunami of exciting new releases every month. The Games Plus auctions are a fun way to do that — not just to see the panorama of new titles as the auctioneers rattle through hundreds of games every hour, but to experience the sudden surge of interest from the crowd as rare or highly desirable items make their way to the auction block. It’s a crash course in what’s new, what’s hot, and what’s really hot.

The attendees at the Games Plus auctions are a friendly and courteous bunch, quick with gamer humor and rounds of laughter, and in those rare moments when prices shot up past $100, $200, or even $300 for truly hot items, there was always a round of appreciative applause. When I saw two determined collectors engage in a spirited bidding war for a trio of Rogue Trader supplements, and watched the loser drop his card at $155 and then good naturedly join in the applause for the winner, I knew I was in the right crowd.

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An Exuberant Celebration of a Century of Fantasy: Flame and Crimson: A History of Sword-and-Sorcery by Brian Murphy

An Exuberant Celebration of a Century of Fantasy: Flame and Crimson: A History of Sword-and-Sorcery by Brian Murphy

Flame and Crimson-small Flame and Crimson-back-small

Cover by Tom Barber

Brian Murphy was one of the most important of Black Gate‘s early contributors. In 59 articles published between 2010 and 2017, he thoughtfully asked what fantasy was good for (“Transcendent Fantasy, or Politics as Usual?“), suggested classic S&S tales for busy modern readers (“Six Sought Adventure: A Half-Dozen Swords And Sorcery Short Stories Worth Your Summer Reading Time“), and vividly recalled the joys of discovering fantasy in the 70s (“An Ode to the Berkley Medallion Conans“).

I can’t think any anyone more qualified to write Flame and Crimson: A History of Sword-and-Sorcery, an impeccably well researched study — and simultaneously an exuberant celebration — of a century of great fantasy. Here’s a representative sample from the Underground, Resurgence, and New Directions chapter, which is packed with enthusiastic recs for those looking for modern writers worth paying attention to.

Other notable recent sword-and sorcery/sword-and-sorcery-infleunced authors and stories include James Enge’s Morlock the Maker series, including Blood of Ambrose (2009), This Crooked Way (2009), and The Wolf Age (2010), and Paul Kemp’s Egil and Nix stories including The Hammer and the Blade (2012), A Discourse in Steel (2013) and A Conversation in Blood (2017)…. the episodic, street-level adventures of the outsider Moorlock [sic] — a spellcaster and black-blade wielder harkening back to Elric, albeit with more heart and humor — returns it to its sword-and-sorcery roots. Kemp is perhaps best known for his work writing fictional tie-ins to the Dungeons and Dragons campaign setting The Forgotten Realms.

When I asked Brian about writing the book, his reply was characteristically thoughtful and humble. Here’s what he said.

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Future Treasures: Sixteenth Watch by Myke Cole

Future Treasures: Sixteenth Watch by Myke Cole

Sixteenth Watch-smallMyke Cole’s fourth short story sale was “Naktong Flow” (2009), which appeared in Black Gate 13 in Spring 2009. It was a terrific tale, and when I met Myke in person a few months later at the World Fantasy Convention, I urged him to send more fiction my way.

By then, however, he’d already moved on to better things. His first novel Control Point, the opening volume in the ultra-realistic military SF/superhero series Shadow Ops, was published in 2012; five more in the series followed in quick succession. His fantasy series The Sacred Throne became a trilogy last year with the arrival of The Killing Light.

His latest is near-future SF featuring a US Coast Guard team racing to prevent the first Lunar War. It’s already getting great reviews, including this one from SFX:

It’s incredibly refreshing to find a sci-fl novel with a female protagonist who’s a confident woman in her fifties… The author’s experience in the Coast Guard lends a strong sense of verisimilitude to his portrayal of military operations, and his action scenes sizzle with the rush of adrenaline… Briskly paced, the book strikes a fine balance between military minutiae and imagination.

Here’s the description.

The Coast Guard must prevent the first lunar war in history.

A lifelong Search-and-Rescuewoman, Coast Guard Captain Jane Oliver is ready for a peaceful retirement. But when tragedy strikes, Oliver loses her husband and her plans for the future, and finds herself thrust into a role she’s not prepared for. Suddenly at the helm of the Coast Guard’s elite SAR-1 lunar unit, Oliver is the only woman who can prevent the first lunar war in history, a conflict that will surely consume not only the moon, but earth as well.

Myke Cole’s guest blogs for us include “Drizzt Do’Urden Simply Won’t Stop Adventuring: Learning to Love Serial Fantasy” (2015) and “Selling Shadow Ops: Control Point” (2012), not to mention this 2012 interview with Patty Templeton.

Sixteenth Watch will be published by Angry Robot on March 10, 2020. It is 432 pages, priced at $14.99 in trade paperback and $9.99 in digital formats. The cover is by Isaac Hannaford. Read an excerpt at the Angry Robot website, and see all our recent coverage of the best upcoming SF & Fantasy here.

Monsters, Pirates, and Ghosts: The Revenger Series by Alastair Reynolds

Monsters, Pirates, and Ghosts: The Revenger Series by Alastair Reynolds

Revenger-Alastair-Reynolds-smaller Shadow-Captain-Reynolds-smaller Bone Silence-small

Cover designs by Blacksheep and Lauren Panepinto

The Revenger series is one of the most successful SF series in recent memory. Opening novel Revenger (2017) was nominated for the Philip K. Dick Award, and won the Locus Award for Best Young Adult Book; SFX called it “By far the most enjoyable book Reynolds has ever written.” Sequel Shadow Captain arrived last year, and quickly won over critics; the Guardian called it “A swashbuckling thriller — Pirates of the Caribbean meets Firefly.” What’s it all about? The Daily Telegraph summed up the first two volumes expertly:

Returning to the universe of Revenger, award-winning author Alastair Reynolds delivers another thrilling tale set among the stars. Two sisters ran away from home to join the crew of a spaceship. They took on pirates, faced down monsters and survived massacres… and now they’re in charge. Captaining a fearsome ship of their own, adventures are theirs for the taking — and there’s hoards to loot and treasures to find in the darkest reaches of space. But the rules are also more relaxed out on the fringes, as they’re about to discover… A rollicking adventure yarn with action, abduction, fights, properly scary hazards, very grisly torture and even ghosts of a sort.

Pirates, monsters, ghosts…. that’s a whole lot in one package. Everyone knows that all the best series come in threes, and sure enough the third volume in Alastair Reynolds’ series arrives next month. Here’s the details.

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Vintage Treasures: Great Work of Time by John Crowley

Vintage Treasures: Great Work of Time by John Crowley

Great Work of Time John Crowley-small Great Work of Time John Crowley-back-small

Great Work of Time (Bantam Spectra, 1991). Cover by Thomas Canty

“Great Work of Time” was originally published in John Crowley’s 1989 collection Novelty. It was nominated for the Locus and Nebula Awards, and won the World Fantasy Award for Best Novella. Two years later it was published in a standalone paperback edition by Lou Aronica at Bantam Spectra, with a handsome cover by Thomas Canty (above).

Great Work of Time is a time travel story, featuring a secret society at work to prevent World War I and preserve and strengthen the British Empire. The Washington Post calls it “dazzling, Escher-like,” and it has been warmly reviewed in many other places over the years. But my favorite review is a modest Goodreads post by a user named Daniel, which aims to articulate part of the magic of this small tome. It reads, in part,

This general theory of effect is nothing new to the genre of time-travel, yet in his explication of this phenomenon, and in his execution of the story set forth in “Great Work of Time,” Crowley has accomplished something novel and frightening: novel, because the theory that he posits for time travel gives birth to a puzzle-box of plots, each one linked to the other in a myriad ways that a lesser writer would find impossible to describe with mere prose; frightening, because Crowley directs his characters to employ this multifaceted instrument in the continuation and perfection of no less a behemoth than the British Empire.

Once the Big Idea of this novella makes its appearance, its connotations loom like a massive, starlit guillotine, its razored face poised above the great works proposed by Crowley’s characters, its fatal fall held back by a few tenuous questions. Yes, these time benders seek to do good and only good for all of humanity — but who are they to say what is good? Yes, they seek to erase the lines of power that tie men and nations together — but are they not themselves the source of a greater power, one that holds dominion over every possible reality?

These questions frightened me as soon as they appeared, and I wondered if Crowley would approach them in this novella of such modest size. And when he not only touched upon these questions, but traced them all the way to their conclusions, I was left stunned by what I read, and what the words made me see.

Great Work of Time was published by Bantam Spectra in August 1991. It is 136 pages, priced at $3.99. The cover is by Thomas Canty. It has been reprinted over half a dozen times since, including in David Hartwell’s 1,005-page classic The Science Fiction Century (1997), A Science Fiction Omnibus (2007), edited by Brian Aldiss, and most recently in the May 2018 issue of Lightspeed magazine, edited by John Joseph Adams. See our previous John Crowley coverage here, and all our recent Vintage Treasures here.