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A Sampling from an SF Grandmaster: The Silverberg Collections from Three Rooms Press

A Sampling from an SF Grandmaster: The Silverberg Collections from Three Rooms Press

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First-Person Singularities Stories-small Time and Time Again Sixteen Trips in Time-small Alien Archives Eighteen Stories of Extraterrestrial Encounters-small

First-Person Singularities (2017), Time and Time Again (2018), and Alien Archives (2019), all published by Three Rooms Press

My 3,000-word article on The Art of Author Branding: The Paperback Robert Silverberg last week required a lot of research and reading, and all that generated a nostalgic interest in Silverberg. So this week I’ve been digging into his recent collections, and that led me to the pleasant discovery that Three Rooms Press has been issuing a brand new Silverberg collection each year for the past three years, beginning with First-Person Singularities, which gathers tales written in the first person, and Time and Time Again: Sixteen Trips in Time (which is currently available at half-price on Amazon, just $7.99 in trade paperback).

The most recent is Alien Archives: Eighteen Stories of Extraterrestrial Encounters, a generous collection of stories from 1954-1997. Booklist gave it a warm review:

The latest in a series of Silverberg’s collections from Three Rooms Press focuses on stories about alien–human encounters, ranging from the deadly to the benign. Multiple stories involve intimate inter-species contact, such as the Majipoor story “The Soul-Painter and the Shapeshifter,” about a romance between a psychic painter and a shapeshifting alien, and “Bride 91,” which depicts a future in which dozens of species participate in inter-species marriage contracts, but one alien bride desperately wants an authentic Terran marriage. There are also stories of aliens lost on earth such as “Amanda and the Alien,” in which a body-stealing alien falls prey to the interests of a bored California teenager, and “Something Wild Is Loose,” in which an invisible and good-natured alien telepath can only communicate with sleeping humans, accidentally giving them lethal nightmares… Alien Archives still shows that Silverberg’s reputation as a skilled storyteller is well-deserved; it is still worth a look for those interested in a sampling of the SF Grandmaster’s prolific short story work.

I was torn whether to quote from Booklist or Publishers Weekly, since they manage to praise completely different stories. So I decided to go with both. Here’s an excerpt from the PW review.

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Andrew Liptak on 15 New Science Fiction and Fantasy Books to Check Out in May

Andrew Liptak on 15 New Science Fiction and Fantasy Books to Check Out in May

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Westside Saints-small Out of Body Jeffrey Ford-small Sea Change Nancy Kress-small

I don’t know where John DeNardo vanished to this month. Ever since The Barnes & Noble Sci-Fi & Fantasy Blog shut down, taking their excellent monthly summary with tbem, I’ve grown to rely on John’s monthly SF book survey at Kirkus Reviews pretty heavily. It didn’t appear in May — but fortunately Andrew Liptak at Polygon came through, so I don’t have to wrap up the month dangerously uninformed. What does Andrew recommend for us in May? Let’s have a look.

Westside Saints by W.M Akers (Harper Voyager, 304 pages, $27.99 hardcover/$14.99 digital, May 5, 2020)

W.M. Akers follows up his debut novel Westside with Westside Saints, a mystery set in an alternate, Jazz-era New York City. The city has been split into two zones, where the east side is a prosperous metropolis and the west an overgrown wasteland. In Westside, Akers introduced readers to Gilda Carr, a detective who specializes in “small mysteries,” and who ended up trying to solve the mystery of her missing father.

In this new adventure, Carr stumbles upon a new mystery when she’s hired by a group of street preachers from the Electric Church to recover the severed finger of a lost saint. They believe that this digit will bring about a resurrection, and Carr drawn in when her dead mother unexpectedly returns…

We covered the first book in the series, Westside, right here almost exactly a year ago. Read an excerpt from Westside Saints here.

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Magical Odes and Mysterious Trilogies: The Poet King by Ilana C. Myer

Magical Odes and Mysterious Trilogies: The Poet King by Ilana C. Myer

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Covers by Stephan Martiniere

Every time a fantasy trilogy wraps up, we bake a cake in the Black Gate offices. (As you can imagine, our diet consists of a lot of cake. Man, we need a gym.)

Ilana C. Myer’s new novel The Poet King brings to a close the trilogy that began with Last Song Before Night. One of the reasons I love this series is all the mystery. Like, what’s the trilogy called, exactly? Amazon refers to it as the Tower of the Winds series. Unless you’re buying the Kindle version, in which case it’s called The Harp and Ring Sequence. The Internet Science Fiction database clears the issue right up by calling it, definitively, Last Song Before Night / The Harp and the Ring, and then listing all the books in the wrong order.

Well, no one said the life of a science fiction book blogger would be easy. Let’s move on the the Publishers Weekly review, because at least that’s straightforward. Hopefully. Here’s an excerpt; you can judge for yourself.

Myer concludes the Harp and Ring Sequence (after Fire Dance) with this opulent, ambitious fantasy. Political upheaval in Kahishi leads to Elissan Diar declaring himself the land’s first Poet King, capable of weaving magic into his odes. Embittered Lady Rianna Gelvan plots to kill Elissan before he takes the throne… Myer’s intricately braided plot strands culminate in a clash of supernatural Otherworld powers. Those new to the series will have no trouble connecting with the well-drawn protagonists but may struggle to untangle the history of this rich universe which draws from a welter of world mythologies. Still, readers will be blown away by the lush, lyrical prose and epic scale of this novel.

We covered the previous books in the series here and here. The Poet King was published by Tor Books on March 24, 2020. It is 320 pages, priced at $29.99 in hardcover and $14.99 in digital formats. The cover is by Stephan Martiniere. Read Howard Andrew Jones’ feature interview with Ilana here.

See all our coverage of the best new fantasy series here.

Adventure and Tragedy on a Far Future Earth: Keith West on Zothique by Clark Ashton Smith

Adventure and Tragedy on a Far Future Earth: Keith West on Zothique by Clark Ashton Smith

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Zothique Clark Ashton Smith

Zothique by Clark Ashton Smith. Ballantine Adult Fantasy #16, 1976. Cover by George Barr

Some years back Keith West wrote a series of articles for Black Gate on the legendary Ballantine Adult Fantasy series edited by Lin Carter. In fifteen pieces between 2013-2015 Keith covered the first fourteen or so titles, including The Blue Star by Fletcher Pratt, The King of Elfland’s Daughter by Lord Dunsany, and The Doom that Came to Sarnath by H. P. Lovecraft. Yesterday I was delighted to see that Keith picked up the reins again at his own blog, Adventures Fantastic, to review the 16th book in the series: Zothique by Clark Ashton Smith. Here’s a taste.

Zothique was the first of four collections of Clark Ashton Smith’s short fiction that appeared in the BAF series. The wrap-around cover is by George Barr. (One of the best things about this line of books was their covers.)… Zothique is the last continent on a far future Earth in which much science and history has been forgotten, and magic has returned. If this reminds you of Jack Vance’s Dying Earth, keep in mind Smith did it first. Some of the stories are better than others, but all are well-done. Here are a few of my favorites.

  • “Xeethra” tells the tale of a young man who wanders into a magical vale, and when he returns he travels to the far side of the continent, where he makes a bargain that ultimately brings him sorrow.
  • In “The Isle of the Necromancers,” a man is searching for his lover, who has been kidnapped by slave traders. When his ship is caught in a current, he finds himself on an island of necromancers. And then things get interesting…
  • “The Dark Eidolon” tells the story of an abused beggar who returns years later to seek revenge on the prince who injured him. This is a close second for my favorite story in the book. There are passing references to Hyperborea and Poseidonis, two other story cycles Smith wrote that were collected in the second and third volumes of Smith’s stories in the BAF series. Shucky darn, I guess I’m going to have to read those, too. How awful.

Check out the whole thing here, and Keith’s previous articles for BG here. While you’re at his website, leave a comment encouraging Keith to keep going! I’d love to read his thoughts on all 65 books in the set.

Future Treasures: The Ghosts of Sherwood and The Heirs of Locksley by Carrie Vaughn

Future Treasures: The Ghosts of Sherwood and The Heirs of Locksley by Carrie Vaughn

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The Ghosts of Sherwood and back cover, and The Heirs of Locksley. Tor.com, June and August 2020

Carrie Vaughn is the author of the bestselling Kitty Norville urban fantasy series, the superhero saga After the Golden Age, The Bannerless Saga from John Joseph Adams Books, and Martians Abroad. Her latest, The Ghosts of Sherwood, arrives in two weeks and kicks off a new series of adventure novellas from Tor.com. The second installment, The Heirs of Locksley, follows in just two months.

I don’t know about you lot, but I’m always open to a quality retelling/reinterpretation of the Robin Hood myth. Publishers Weekly raved about the first one; always a good sign. Here’s an excerpt.

Vaughn (the Kitty Norville Series) turns her formidable talents to the legend of Robin Hood in this impeccable novella and series launch. When Robin of Loxley learned of the death of heroic King Richard, he reluctantly swore loyalty to Richard’s wicked brother, King John. Though the decision caused tension among Robin’s former merry band, it enabled Robin and his beloved wife, Marian, to settle down and raise their children in peace. But when a band of rogues kidnap the three Locksley children, the aging Robin and Marian brave Sherwood Forest once again, reuniting with old friends as they confront a new threat… Vaughn’s masterful worldbuilding and lovable cast promise more good things to come in future adventures.

Here’s all the deets.

The Ghosts of Sherwood (104 pages, $12.99 trade paperback/$3.99 digital, June 9, 2020)
The Heirs of Locksley (128 pages, $13.99 trade paperback/$3.99 digital, August 4, 2020)

See all our coverage of the best upcoming fantasy books here.

The Art of Author Branding: The Ace Robert Silverberg

The Art of Author Branding: The Ace Robert Silverberg

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The Seed of Earth Silverberg-small The Silent Invaders Silverberg-small Recalled to Life Silverberg-small
Next Stop the Stars Silverberg-small Collision Course Silverberg-small Stepsons of Terra-small

The Ace Robert Silverberg: skewed titles and unclutterd art. The Seed of Earth, The Silent Invaders, Recalled to Life,
Next Stop the Stars, Collision Course and Stepsons of Terra. All from 1977. Covers by Don Punchatz

If you cruised the bookstore and supermarket racks in the 70s and 80s for science fiction paperbacks, Robert Silverberg was everywhere. I mean, everywhere. It wasn’t just that he was enormously productive — that was certainly true. But his books remained in print, or were returned to print, countless times by different publishers.

This was the era when agents would package up backlists by top writers en masse, selling the rights to multiple novels, and publishers would release them virtually simultaneously, usually with the same cover artist. If you had a popular novel — and Silverberg had many — a diligent agent could package and re-package it many times. That’s how Silverberg’s Hawksbill Station was released by Doubleday, The Science Fiction Book Club, Avon, Tandem, Berkley, Star, Warner Books, Tor, and many others between 1968 and 1990, just to pick one example.

The 1977 paperback edition of Robert Silverberg’s Collision Course was one of the first science fiction books I bought (the other was Star Trek 2, by James Blish). Mark Kelly reviewed it for us here last month, calling it “a fascinating, ordinary 1950s science fiction novel.” The mix of far-flung space adventure and galactic intrigue was perfectly pitched for a 13-year old however, and I loved it. Naturally I returned to the bookstore to find more in the same vein, and lo and behold, I did: five more Robert Silverberg novels, cleverly packaged by Ace Books to capitalize on the natural brand loyalty of young SF fans (see above).

This practice of bundling authors, and creating custom cover designs for each, was by no means unique to science fiction, of course. But if you’re a student of SF art there’s an enormous amount to learn by examining the visual language built up around the most popular SF authors in the 70s and 80s, and the ways editors and Art Directors at the major publishers used that language to draw in readers with familiar images and themes, and simultaneously differentiate themselves from the competition on overcrowded paperback racks.

There are countless examples, of course. But for our purposes, I’m going to single out Robert Silverberg, mostly because he’s the one I think of when I think of author branding. Well, Silverberg and Larry Niven (whom we’ll get to in a minute).

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Wendy N. Wagner will Assume Editorial Reins at Nightmare Magazine with Issue #100

Wendy N. Wagner will Assume Editorial Reins at Nightmare Magazine with Issue #100

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Recent issues of Nightmare Magazine. Covers by Alexandra Petruk / Adobe Stock Images

Nightmare may well be the best magazine of horror and dark fantasy on the market. In the last twelve months, under the skilled editorial guidance of John Joseph Adams, it’s published original fiction by Simon Strantzas, Adam-Troy Castro, Brian Evenson, Rich Larson, Ray Nayler, Senaa Ahmad, and many others.

However, JJA is a busy guy. In addition to Nightmare he also edits the acclaimed Lightspeed magazine, a line of popular anthologies, including the Best American Science Fiction and Fantasy and the upcoming Dystopia Triptych, and — let’s not forget — John Joseph Adams Books, an imprint of Houghton Mifflin Harcourt, which published my novel The Robots of Gotham. I guess holding down three full time jobs starts to wear on a guy after a while, and on May 20 John announced that, effective with issue #100, Managing Editor Wendy N. Wagner would be taking over the reins at Nightmare.

Soon yours truly will be passing the editorial torch… although she will be newly minted in title, the editor has a name and face you already know: Our long-time managing/senior editor, Wendy N. Wagner. If you’re a diligent Nightmare reader, you’re already familiar with her editorial contributions: She was the guest editor for our Queers Destroy Horror! special issue back in 2015. But in truth if you’ve read any issue since 2014 you’ve seen Wendy’s input; she’s been my stalwart advisor and lieutenant for more than six years. I know that I’m leaving the magazine in the best possible hands…

Issue 100 will be my last issue as editor of Nightmare, but despair not, friends, for I honestly can’t think of a better person to take the reins . . . and I for one can’t wait to see where Wendy leads us next.

Wendy is a terrific choice, in my opinion. In addition to her editorial chops, she’s a fine author. We’ve covered two of her previous novels here, An Oath of Dogs (Angry Robot, 2017), and the Pathfinder Tales novel Starspawn (described as “Pathfinder Meets Lovecraft”). Garrett Calcaterra interviewed her for Black Gate back in 2013.

Read the full announcement here, and check out the latest issue of Nightmare, with fiction by Yohanca Delgado and Claire Wrenwood, Jarla Tangh, Adam-Troy Castro, and Steve Toase. You can purchase individual issues for $2.99 each, or subscribe for just $11.94 for six months here.

New Treasures: The Aleph Extraction, Book II of The Galactic Cold War by Dan Moren

New Treasures: The Aleph Extraction, Book II of The Galactic Cold War by Dan Moren

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The Galactic Cold War novels, from Angry Robot.
Cover for The Aleph Extraction by Georgina Hewitt.

I met Helene Wecker at the World Fantasy Convention two years ago, at a reading for her novel The Golem and the Jinni, and she impressed me with her knowledge of (and passion for) the genre. Someone like that you pay attention to. So when she called the opening novel in Dan Moren’s Galactic Cold War series “Ocean’s Eleven in zero gravity,” it stuck in my mind.

She wasn’t the only one to notice. Publishers Weekly called The Bayern Agenda “one of the most entertaining genre mashups within an astronomical unit.” I hate being left out, so I bought a copy and wrote about it here, just so I could sound hip too.  The second in the series arrived right on time from Angry Robot this month; here’s the description.

Aboard a notorious criminal syndicate’s luxurious starliner, Commonwealth operative Simon Kovalic and his crew race to steal a mysterious artifact that could shift the balance of war…

Still reeling from a former teammate’s betrayal, Commonwealth operative Simon Kovalic and his band of misfit spies have no time to catch their breath before being sent on another impossible mission: to pull off the daring heist of a quasi-mythical alien artifact, right out from under the nose of the galaxy’s most ruthless crime lord.

But their cold war rivals, the Illyrican Empire, want the artifact for themselves. And Kovalic’s newest recruit, Specialist Addy Sayers, is a volatile ex-con with a mean hair-trigger who might put the whole mission at risk. Can Kovalic hold it all together, or will the team tear themselves apart before they can finish the job?

The Galactic Cold War series is definitely getting interesting quickly. The Aleph Extraction was published by Angry Robot on May 12. It is 418 pages, priced at $15.99 in trade paperback and $8.99 in digital formats. The cover art is uncredited.

See all our recent New Treasures here.

Future Treasures: Fantastic Paintings of Frazetta by J. David Spurlock

Future Treasures: Fantastic Paintings of Frazetta by J. David Spurlock

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Fantastic Paintings of Frazetta-smll

There’s not many novels in the publishing pipeline this month, to be honest with you. The regular flood of advance proofs and review copies that wash up in the mailroom at Black Gate‘s rooftop headquarters here in Chicago has slowed to a trickle, and the only thing flooding in these days is book cancellations and postponements.

But that doesn’t mean we don’t have exciting publishing news for you. Would we ever let you down? (Hint: no.) The upcoming month of June is looking lighter than usual from a publishing perspective, but that just means the books remaining in the schedule will be all the more cherished. And that goes double for J. David Spurlock’s oversized tribute to one of the great fantasy artists of the 20th Century, Fantastic Paintings of Frazetta.

J. David Spurlock is the author of Art of Neal Adams, Alluring Art of Margaret Brundage: Queen of Pulp Pin-Up Art, and Paintings of J Allen St John: Grand Master of Fantasy, all from Vanguard, as well as multiple volumes dedicated to Frank Frazetta, including the Frazetta Sketchbook (two volumes) and The Sensuous Frazetta. His latest is Fantastic Paintings of Frazetta, which repackages and expands the long out-of-print The Fantastic Art of Frank Frazetta from 1977 into a 120-page coffee table book. It arrives in hardcover next month from Vanguard.

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Sword & Sorcery from a Bygone Era: Tales of Attluma by David C. Smith

Sword & Sorcery from a Bygone Era: Tales of Attluma by David C. Smith

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Cover art by Tom Barber

David C. Smith has written a number of articles for Black Gate, most recently a fine review of Brian Murphy’s history of Sword-and-Sorcery, Flame and Crimson. He’s also the author of twenty-six novels and collections, including Oron, The Fall of the First World trilogy, and Robert E. Howard: A Literary Biography. His newest is Tales of Attluma, a collection of classic S&S tales from Bob McLain’s Pulp Hero Press, most of which appeared in hard-to-find small press magazines like Gordon Linzner’s excellent Space & Time.

I asked Dave to tell us a little about his new book, and he obliged in fine style. Here’s what he said.

I’d wanted to pull these stories together into one collection for many years. Periodically, I went through them, off and on, during the past twenty-five years, tweaking them or reworking them. As I improved as a writer, I found ways to open up many of the stories or take them into new directions, so that’s what I did. A few of the later ones didn’t need much done to them, such as “Patience Serves,” or even a very early one, “Ithtidzik.” But most of those written when I was in my twenties, I was no longer happy with… So I’m glad I waited so long to pull them together. And that was only possible because of Bob McLain. I didn’t think there was a chance in hell of an oversized commercial publisher picking up Tales of Attluma, but Pulp Hero Press is ideal. They work closely with their authors, so what I had in mind and what Bob was going for dovetailed nicely. And it’s interesting to see how I matured as a writer. The early stories revolve around plots; as I got older, the stories became character-driven or dealt with ideas. And I feel the quality of my writing has improved, too. I like that.

Unfortunately Pulp Hero Press doesn’t have a website — but Dave Ritzlin of DMR Books comes through by providing a virtual website for the book, with all the essential details. Thanks, Dave.

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