First-Person Singularities (2017), Time and Time Again (2018), and Alien Archives (2019), all published by Three Rooms Press
My 3,000-word article on The Art of Author Branding: The Paperback Robert Silverberg last week required a lot of research and reading, and all that generated a nostalgic interest in Silverberg. So this week I’ve been digging into his recent collections, and that led me to the pleasant discovery that Three Rooms Press has been issuing a brand new Silverberg collection each year for the past three years, beginning with First-Person Singularities, which gathers tales written in the first person, and Time and Time Again: Sixteen Trips in Time (which is currently available at half-price on Amazon, just $7.99 in trade paperback).
The most recent is Alien Archives: Eighteen Stories of Extraterrestrial Encounters, a generous collection of stories from 1954-1997. Booklist gave it a warm review:
The latest in a series of Silverberg’s collections from Three Rooms Press focuses on stories about alien–human encounters, ranging from the deadly to the benign. Multiple stories involve intimate inter-species contact, such as the Majipoor story “The Soul-Painter and the Shapeshifter,” about a romance between a psychic painter and a shapeshifting alien, and “Bride 91,” which depicts a future in which dozens of species participate in inter-species marriage contracts, but one alien bride desperately wants an authentic Terran marriage. There are also stories of aliens lost on earth such as “Amanda and the Alien,” in which a body-stealing alien falls prey to the interests of a bored California teenager, and “Something Wild Is Loose,” in which an invisible and good-natured alien telepath can only communicate with sleeping humans, accidentally giving them lethal nightmares… Alien Archives still shows that Silverberg’s reputation as a skilled storyteller is well-deserved; it is still worth a look for those interested in a sampling of the SF Grandmaster’s prolific short story work.
I was torn whether to quote from Booklist or Publishers Weekly, since they manage to praise completely different stories. So I decided to go with both. Here’s an excerpt from the PW review.
[Click the images to embiggen.]
Reaching back to the beginning of his career, SFWA Grand Master Silverberg collects 18 stories featuring alien encounters, some fond and some fearful. From the light humor of a flight attendant dealing with a group of aliens and their complaints (“En Route to Earth”) to the psychodrama of an abused child using his anger with his father to strike a blow against the entities who rule a conquered Earth (“Beauty in the Night”), Silverberg delves into the human heart as revealed by alien eyes. The discoveries are sometimes left to the reader, as when a biologist of Native American ancestry struggles to decide whether his mission is to study or to exterminate a herd of alien grazers (“Sundance”). Perhaps most revealing for longtime fans are the forewords that detail Silverberg’s dealings (courteous and/or contentious) with other famous SF writers and editors such as Harlan Ellison and Frederik Pohl, along with glimpses of the era when stories were commissioned for previously purchased magazine cover illustrations. Silverberg fans and readers interested in the history of SF will find this worthwhile.
Read the complete PW review here.
We discussed First-Person Singularities right here back when it was first released, but I’m including it here for completeness. It contains Silverberg’s Hugo and Nebula-nominated novella “The Secret Sharer,” from Asimov’s SF, which won the Locus Award, as well as his Hugo and Locus Award nominee “Our Lady of the Sauropods,” from Omni magazine. Here’s the complete Table of Contents.
The “I”s of Robert Silverberg, by John Scalzi
Foreword by Robert Silverberg
“Ishmael in Love” (Parsecs and Parables, 1970)
“Going Down Smooth” (Galaxy Magazine, August 1968)
“The Reality Trip” (If, May-June 1970)
“The Songs of Summer” (Science Fiction Stories, September 1956)
“The Martian Invasion Journals of Henry James” (Omni Online, May 1996)
“Push No More” (Strange Bedfellows, November 1972)
“House of Bones” (Terry’s Universe, June 1988)
“Call Me Titan” (Asimov’s Science Fiction, February 1997)
“Our Lady of the Sauropods” (Omni, September 1980) — Hugo and Locus Award nominee
“There Was an Old Woman” (Infinity Science Fiction, November 1958)
“The Dybbuk of Mazel Tov IV” (Wandering Stars, January 1974)
“Caliban” (Infinity Three, 1972)
“Passengers” (Orbit 4, 1968) – Hugo nominee, Nebula Award winner
“Now Plus N, Now Minus N” (Nova 2, 1972)
“The Iron Star” (The Universe, November 1987)
“The Science Fiction Hall of Fame” (Infinity Five, May 1973)
“The Secret Sharer” (Isaac Asimov’s Science Fiction Magazine, September 1987) — Hugo and Nebula nominee, Locus Award winner
“To See the Invisible Man” (Worlds of Tomorrow, April 1963)
Back cover for Time and Time Again
Time and Time Again: Sixteen Trips in Time contains three big novellas: the Nebula nominee “Homefaring,” from Amazing; the Nebula Award-winner “Sailing to Byzantium,” from Asimov’s SF, and his famous tale “Hawksbill Station,” nominated for both a Hugo and a Nebula, which was eventually expanded into a novel with the same name.
There’s something to be said for the claim that the novella was Silverberg natural format. Here’s the complete TOC.
Introduction by Robert Silverberg
“Absolutely Inflexible” (Fantastic Universe, July 1956)
“Needle in a Timestack” (Playboy, June 1983)
“Trips” (Final Stage: The Ultimate Science Fiction Anthology, May 1974)
“Many Mansions” (Universe 3, October 1973)
“Homefaring” (Amazing Science Fiction, November 1983) — Nebula nomination
“What We Learned from This Morning’s Newspaper” (Infinity Four, November 1972)
“Hunters in the Forest” (Omni, October 1991)
“Jennifer’s Lover” (Penthouse, May 1982)
“Sailing to Byzantium” (Isaac Asimov’s Science Fiction Magazine, February 1985) — Locus and Hugo Award nominee, Nebula Award winner
“Breckenridge and the Continuum” (Showcase, June 1973)
“The Man Who Floated in Time” (Speculations, April 1982)
“Gianni” (Playboy, February 1982)
“The Far Side of the Bell-Shaped Curve” (Omni, March 1982)
“Dancers in the Time-Flux” (Heroic Visions, March 1983)
“Hawksbill Station” (Galaxy Magazine, August 1967) — Hugo and Nebula Award nominee
“Against the Current” (The Magazine of Fantasy & Science Fiction, October-November 2007)
Alien Archives: Eighteen Stories of Extraterrestrial Encounters may be my favorite of these anthologies, just for the alien theme alone. It contains the Hugo Award nominee “Schwartz Between the Galaxies,” originally published in Judy-Lynn del Rey’s 1974 anthology Stellar 1, as well as “Flies,” Silverberg’s contribution to Harlan Ellison’s famed anthology Dangerous Visions, and “Amanda and the Alien,” from Omni. Here’s the complete TOC.
Introduction: A Plurality of Worlds
“The Silent Colony” (Future Science Fiction, October 1954)
“En Route to Earth” (Science Fiction Quarterly, August 1957)
“The Way to Spook City” (Playboy, August 1992)
“Amanda and the Alien” (Omni, May 1983)
“One-Way Journey” (Infinity Science Fiction, November 1957)
“Gorgon Planet” (Nebula Science Fiction, Number 7)
“The Shadow of Wings” (If, July 1963)
“Flies” (Dangerous Visions, October 1967)
“Sundance” (The Magazine of Fantasy and Science Fiction, June 1969)
“Bride 91” (If, September 1967)
“Something Wild Is Loose” (Mind to Mind, September 1971)
“Schwartz Between the Galaxies” (Stellar 1, September 1974) — Hugo Award nominee
“Diana of the Hundred Breasts” (Realms of Fantasy, February 1996)
“Sunrise on Mercury” (Science Fiction Stories, May 1957)
“Alaree” (Saturn, March 1958)
“The Soul-Painter and the Shapeshifter” (Omni, November 1981)
“To the Dark Star” (The Farthest Reaches, August 1968)
“Beauty in the Night” (Science Fiction Age, September 1997)
Here’s the complete publishing details for all three books.
First-Person Singularities (439 pages, $19.95 in trade paperback/$9.99 digital, October 2017) — more info on the website here
Time and Time Again (486 pages, $16 in trade paperback/$9.99 digital, November 2018) — website here
Alien Archives (384 pages, $16 in trade paperback/$9.99 digital, October 2019) — website here
See all our recent coverage of Robert Silverberg here.