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Heroic Fantasy Quarterly 35 Now Available

Heroic Fantasy Quarterly 35 Now Available

Heroic Fantasy Quarterly Q35

During the August 2017 solar eclipse, 37,814 Americans suffered temporary retinal damage from looking at the sun. Each victim had an afterimage burned into their eye that appeared when they blinked rapidly. When those runes were written down and arranged in a scroll in exact sequential order, following the path of the sun from west coast to east, they formed the text of Heroic Fantasy Quarterly #35. Pretty sweet.

Now that we have the transcription in house (and translated into English by blind precogs from the rainforests of Brazil), we can tell you that the latest issue of HFQ includes stories by Raphael Ordonez, Mary-Jean Harris, and Norman Doege, plus poetry from James Matthew Byers, Mary Soon Lee, and Karen Bovenmyer.

Here’s the complete TOC, with fiction links.

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New Treasures: The Sacred Hunt Duology by Michelle West

New Treasures: The Sacred Hunt Duology by Michelle West

The Sacred Hunt Duology-smallOK, this isn’t strictly a New Treasure, since it came out in 2016. But I discovered it for the first time while browsing the science fiction shelves at Barnes & Noble last week, so what the heck. It’s new to me.

Michelle West (who also writes as Michelle Sagara) is a Canadian writer with some three dozen novels to her credit, including the 6-volume Sun Sword series (which Derek Kunsken reviewed for us here) and the 7-volume House War, both from DAW Books. Both of those popular series are set in the Empire of Essalieyan, and build on events in two earlier novels from the 90s, Hunter’s Oath (1995) and Hunter’s Death (1996), collectively known as The Sacred Hunt. The former novel is still in print — pretty darned impressive after 23 long years! — but the later is not, which is a little frustrating for West’s many fans.

DAW has a fine habit of reprinting classic series in their back catalog in handsome omnibus editions, and I was delighted to find Hunter’s Oath and Hunter’s Death collected in a single 864-page paperback. Here’s the description.

For the first time in one volume, the two novels that began the epic tale of the Essalieyanese empire.

Hunter’s Oath
When the covenant was made with the Hunter God, all who dwelt in Breodanir swore to abide by it. The Hunter Lords — and the hunting dogs to which their minds were attuned — would seek out game in the God’s woods to provide food for their people, and the Hunter God would ensure that the Hunters, the land, and the people prospered.

But in payment, once a year the Sacred Hunt must be called, the God’s own Hunt in which the prey became one of the Lords, or his huntbrother–the companion chosen from the common folk to remind each Lord of his own ties to humanity. It was the Oath pledged in blood by Gilliam of Elseth and the orphan boy Stephen — and the fulfillment of that Oath would lead them to the kind of destiny from which legends were made….

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Announcing the 2017 Nebula Award Nominations

Announcing the 2017 Nebula Award Nominations

Spoonbenders Daryl Gregory-small Six-Wakes-Mur-Lafferty-smaller Annalee-Newitz-Autonomous-smaller

If you’ve been saving your reading muscles for major awards season, I have good news. SFWA, the Science Fiction and Fantasy Writers of America, released its nominees for the 2017 Nebula Awards yesterday, and you’re into for some terrific reading. Time to book a reading vacation, and make all that hoarded eye lubricant and daily wrist exercises finally pay off. Here’s the complete list of nominees.

Novel

Amberlough, by Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter, by Theodora Goss (Saga)
Spoonbenders, by Daryl Gregory (Knopf)
The Stone Sky, by N.K. Jemisin (Orbit)
Six Wakes, by Mur Lafferty (Orbit)
Jade City, by Fonda Lee (Orbit)
Autonomous, by Annalee Newitz (Tor)

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Vintage Treasures: The Dragon Waiting by John M. Ford

Vintage Treasures: The Dragon Waiting by John M. Ford

The Dragon Waiting John M Ford-back-small The Dragon Waiting John M Ford-spine-small The Dragon Waiting John M Ford-small

For the last few years the major streaming players — Netflix, HBO, Amazon, Hulu, and others — have spent untold millions searching for the next Game of Thrones. A tale of dark magics, black-hearted evil, kings and princes, palace intrigue, war, treachery, and sex. I could have saved them a lot of time if they’d just asked me. I would have recommended they film John M. Ford’s The Dragon Waiting.

The Dragon Waiting: A Masque of History was published in 1983. It’s a sprawling alternate history that combines Richard III, Edward IV, the Princes in the Tower, the Medicis, and vampires. Edward IV sits on the throne of England, but his kingdom is threatened by an expansionist Byzantine Empire. The Vampire Duke Sforza is massing a dark army against Florence, and Byzantium is on the march. High in the Alps four people come together: the exiled heir to the Byzantine throne, a beautiful physician forced to flee Florence, a Welsh wizard, and a German vampire. Together they wage a secret campaign against the entire Byzantine Empire, to secure the English throne for Richard, Duke of Gloucester, the future Richard III.

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Taking the Prize for Strange Worldbuilding: Jon Sprunk’s Book of the Black Earth

Taking the Prize for Strange Worldbuilding: Jon Sprunk’s Book of the Black Earth

Blood-and-Iron-Jon-Sprunk-smaller Storm-and-Steel-smaller Blade and Bone-small

Blade and Bone, the long-awaited third book in Jon Sprunk’s Book of the Black Earth series, finally arrives next week. Here’s Sarah Avery from her enthusiastic review of the first one, Blood and Iron:

Of all the wild re-envisionings of the Crusades I’ve seen lately, Jon Sprunk’s Blood and Iron may be the wildest. His alternate-universe Europeans are recognizably European, but the opposing culture they face is that of a Babylonian Empire that never fell. And why has this Babylon-by-another-name persisted for thousands of years, so powerful that only its own internal strife can shake it? Because its royals actually have the supernatural powers and demi-god ancestry that the ruling class of our world’s Fertile Crescent claimed…

Jon Sprunk’s book takes the prize for strange worldbuilding. The Akeshian Empire is approximately what the Akkadian Empire might have looked like, had each of its major cities lasted as long and urbanized as complexly as Rome did… Blood and Iron is overall a strong book, full of powerful imagery and a vivid sense of place, with intriguing historical what-ifs and a sense of moral urgency to match its sense of moral complexity.

Here’s the description for the third volume, Blade and Bone.

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Future Treasures: You Should Come With Me Now by M. John Harrison

Future Treasures: You Should Come With Me Now by M. John Harrison

You Should Come With me Now-smallWe’re big fans of M. John Harrison here at Black Gate. Howard Andrew Jones, Fletcher Vredenburgh, Matthew David Surridge and others have all written enthusiastically about his early work.

Unfortunately the bulk of it, including The Centauri Device (1974) and his individual Viriconium novels, is not an easy find, especially if you haven’t been collecting paperbacks for decades. I’m frequently asked by frustrated readers how to start with M. John Harrison, so I’ve very pleased to see a brand new collection scheduled for next month. You Should Come With Me Now arrives in trade paperback on March 1st.

M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times.

Our previous coverage of M. John Harrison includes:

To Unbuild the Unreal City: M. John Harrison’s Viriconium, by Matthew David Surridge
The Pastel City by Fletcher Vredenburgh
A Storm of Wings by Fletcher Vredenburgh
In Viriconium by Fletcher Vredenburgh
The End of the Matter: Viriconium Nights by Fletcher Vredenburgh
The Machine in Shaft Ten

You Should Come With Me Now will be published by Comma Press on March 1, 2018. It is 272 pages, priced at $14.95 in trade paperback and $9.99 for the digital edition. Get complete details at the Comma Press website.

The Top Black Gate Posts in January

The Top Black Gate Posts in January

godzilla-planet-of-monsters-radioactive-blast

Ryan Harvey was the man to beat at Black Gate in January. He claimed three of the Top Ten articles — including our overall most popular post last month, a review of the new animated film Godzilla: Planet of the Monsters.

Bob Byrne came in at #2 with his Conan pastiche review round-up, “By Crom: Some Conans are More Equal Than Others…” Fletcher Vredenburgh took third with a look at J.R.R. Tolkien’s The Children of Húrin. Derek Kunsken’s review of Frank Herbert’s classic Dune was the fourth most popular post in January, and Fletcher rounded out the Top Five with “Why I’m Here – Part Two: Some Thoughts on Old Books and Appendix N.”

Our obituary for the great Ursula K. Le Guin was #6, followed by John DeNardo’s Definitive List of the Best Science Fiction and Fantasy of last year. Eighth was my article on vintage paperbacks, “Christmas for the Paperback Collector,” followed by Ryan’s review of Beyond the Farthest Star by Edgar Rice Burroughs. Ryan closed out the Top Ten with a piece on that Saturday morning classic, Warlords of Atlantis.

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Vintage Treasures: The Long Way Home by Poul Anderson

Vintage Treasures: The Long Way Home by Poul Anderson

The Long Way Home Poul Anderson-small The Long Way Home Poul Anderson-back-small

Cover by Michael Whelan

When Jim Baen left Ace to found Baen Books in 1983, he implemented a publishing strategy that served him well for decades: buying up the back catalog of popular authors and re-issuing them in visually similar covers that could be identified at a glance on crowded bookstore shelves. It was a strategy he learned while working under Tom Doherty at Ace Books from 1977-1980 (and refined under Doherty at Tor Book from 1980 – 1983).

While at Ace, Baen’s genius was to marry popular authors that had substantial back catalogs — like Andre Norton, Gordon R. Dickson, and Keith Laumer — with brilliant new cover artists. For me the exemplar of this strategy was Poul Anderson’s late 70s Ace editions, given new life by the striking world of a rising new artist named Michael Whelan.

When Richard Powers single-handedly remade science fiction art in the late 60s, it wasn’t long before bookshelves were overrun with abstract art. SF paperbacks, once criticized for pulp-era sameness and tired spaceship motifs, now suffered from a very different but no less stifling form of sameness. Plenty of writers were victims of the “Powers revolution” in SF art in the 1960s, but I think Poul Anderson was more victimized than most. His colorful tales of science fiction adventure on far planets were sold to the public under abstract covers that told them nothing about what they were getting.

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New Treasures: Looming Low edited by Justin Steele and Sam Cowan

New Treasures: Looming Low edited by Justin Steele and Sam Cowan

Looming Low cover

Looming Low is my favorite kind of anthology. Highly acclaimed (Ginger Nuts of Horror calls it “Truly a wonderful gathering of the freshest voices in weird fiction,” and This Is Horror says” There is a palpable sense of unsettling dread woven throughout… [it] boasts almost every type of weird one can imagine”) and packed with both big names — including Michael Cisco, Brian Evenson, Gemma Files, Sunny Moraine, Scott Nicolay, Lucy Snyder, Simon Strantzas, Damien Angelica Walters, Michael Wehunt, and A.C. Wise — and fast-rising stars.

In a case like Looming Low, a hearty collection of over 300 pages, I’m just as eager to read the new authors as my old favorites. This is the kind of book that can introduce you to half a dozen new writers whose careers you could follow for decades.

Here’s a look at the complete Table of Contents.

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A Farewell to Roc Books

A Farewell to Roc Books

logo-pub-rocThe big 2017 Year in Review issue of Locus magazine arrived this week, and the second paragraph of the annual summary confirmed something that’s been whispered in fannish circles for a few months: that parent company Penguin Group has “quietly retired” the Roc Books imprint, folding it in with its existing Ace line. Only four books with the Roc logo were published last year, and none is on the schedule for this year. It’s the end of an era in many ways.

Roc Books was founded by John Silbersack in 1990. Over the last 27 years it has published hundreds of science fiction and fantasy titles by Isaac Asimov, Ursula K. Le Guin, Guy Gavriel Kay, Peter S. Beagle, Arthur C. Clarke, Nancy A. Collins, Terry Pratchett, Andre Norton, and hundreds of others. It had a well-deserved reputation for taking chances on new authors, and many of those gambles pay off handsomely, like Jim Butcher, Anne Bishop, Carol Berg, Rob Thurman, and many more. Roc proved to be a warm home for many Black Gate authors, including E.E. Knight, Devon Monk, and others.

There were many reasons to be a Roc fan over the decades. For me, they were simple. The editorial team had a profound and enduring appreciation for adventure fantasy, especially during the lean years when the market turned towards YA dystopias, paranormal romance, and other trendy niches. They loved a great series, and gave many quality series the time they needed to truly find an audience. The whole line had a distinct look, so much so that for 27 years you could tell a Roc Book at a glance.

The editors, authors, artists and packagers at Roc Books gave us countless hours of reading pleasure over the past quarter century. Penguin has decided to quietly retire the imprint, but there’s no reason we have to let them go without a worthy send-off. If you’ve got a favorite Roc title or two, I invite you to help us say farewell by giving them a shout-out in the comments.