Black Gate

Rob Boffard is the author of the Outer Earth series, which was recently re-packaged in a brick-sized (1,024 pages!) omnibus volume selected by Unbound Worlds as one of the Best Sci-Fi and Fantasy Books of February. His newest novel is Adrift, the tale of a group of tourists caught in a cat-and-mouse game with a deadly alien ship in deep space. It arrives in trade paperback from Orbit next month.

In the far reaches of space, a tour group embarks on what will be the trip of a lifetime – in more ways than one…

At Sigma Station, a remote mining facility and luxury hotel in deep space, a group of tourists boards a small vessel to take in the stunning views of the Horsehead Nebula. But while they’re out there, a mysterious ship with devastating advanced technology attacks the station. Their pilot’s quick thinking means that the tourists escape with their lives – but as the dust settles, they realise they may be the only survivors…

Adrift in outer space on a vastly under-equipped ship, they’ve got no experience, no weapons, no contact with civilization. They are way out of their depth, and if they can’t figure out how to work together, they’re never getting home alive.

Because the ship that destroyed the station is still out there. And it’s looking for them…

Adrift will be published by Orbit on June 5, 2018. It is 416 pages, priced at $15.99 in trade paperback and $9.99 for the digital edition. Read the first chapter at the author’s website.

Amber Royer first got my attention with her funny and thoughtful guest post at Unbound Worlds last month, promoting her upcoming space opera Free Chocolate from Angry Robot:

I play a bit with gallows humor in Free Chocolate – after all, half the book takes place on an alien warship where your superior officers can eat you should you disappoint them – and, yeah, it’s a fine balance. You don’t want to make death meaningless, even as the characters acknowledge the precariousness of their situation. Because if death becomes meaningless – or, worse, funny – then the remaining characters’ lives aren’t so important anymore… You know, every writer’s worst nightmare. We want our characters to be like that unnamed actor, finding dignity and a sense of psychological well-being, even in the face of absolute horror and near-certain death.

Speaking of which… I once read that science fiction is a society’s hopes, fantasy its daydreams, and horror its nightmares. (I cannot find the citation for this one – sorry, awesome writer, from the mid-90s.) I think that’s another reason SF writers so seldom venture into pure comedy… with sci-fi, you spend so much time building a world that needs to be convincing, an entire vision of the future, or an alternate past, or an alien landscape, and you put so much of yourself into sharing the things you hope and fear. You want it to be bulletproof in the reader’s mind. It’s hard, then, to acknowledge the absurdity of many of those fears, the impossibility of some of the hopes, to let yourself be laughed at, even in a positive way.

Free Chocolate is a far-future tale in which chocolate is Earth’s only unique commodity… one that everyone else in the galaxy is willing to kill to get their hands, paws and tentacles on. Here’s the description.

Latina culinary arts student, Bo Benitez, becomes a fugitive when she’s caught stealing a cacao pod from one of the heavily-defended plantations that keep chocolate, Earth’s sole valuable export, safe from a hungry galaxy.

Forces array against her including her alien boyfriend and a reptilian cop. But when she escapes onto an unmarked starship things go from bad to worse: it belongs to the race famed throughout the galaxy for eating stowaways! Surrounded by dangerous yet hunky aliens, Bo starts to uncover clues that the threat to Earth may be bigger than she first thought.

Free Chocolate will be published by Angry Robot on June 1. It is 448 pages, priced at $9.99 for both the paperback and digital editions. The cover is by Mingchen Shen.

I’ve heard a lot about Dave Hutchinson’s Europe in Autumn series (Europe in Autumn, Europe at Midnight, Europe in Winter, and the upcoming Europe at Dawn, arriving in November). Certainly enough to tempt me to give it a try, anyway.

Although if I really like it, November is a long time to have to wait for that final volume. I dunno… risky.

I think I have a better idea: try out his new standalone novel Shelter, instead. (At least, I think it’s standalone. It’s set in a fractured Europe, much like the Europe in Autumn novels. Someone more well-informed than I will have to tell us whether the books are connected.) If I like it — and based on the description, odds look pretty good — I might be more willing to take a risk on the others.

Shelter arrives in paperback next month from Solaris. Here’s the description.

Rural English Post-Apocalypse survival for a new generation.

The Long Autumn is coming to an end. For almost a century after the coming of The Sisters, the surviving peoples of rainswept England have huddled in small communities and on isolated farms, scavenging the remains of the old society. But now society, of a kind, is starting to rebuild itself. In Kent, a brutal tyranny is starting to look West. In the Cotswolds, something terrible and only vaguely-glimpsed is happening. And in a little corner of Berkshire two families are at war with each other.

After decades of simply trying to survive, the battle to inherit this brutal new world is beginning.

Shelter: Tales Of The Aftermath will be published by Solaris on June 12, 2018. It is 304 pages, priced at $11.99 in trade paperback and $6.99 for the digital edition.