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Author: Doug Ellis

George Barr’s Christmas Card Fantasies

George Barr’s Christmas Card Fantasies

Some of the art included in Joy To The World: The Fantasy Christmas Card Art of George Barr, from American Fantasy Press

This is the complete Introduction to Joy To The World: The Fantasy Christmas Card Art of George Barr, a new volume of previously uncollected Barr artwork. Join the Kickstarter here.

Several years ago, my wife Deb and I took a cross-country drive to the West Coast (or at least as cross-country as you can get by starting in the Chicago suburbs). While in Oregon, we stopped by to visit some friends of ours, Dick and Bette Wald. At that point, Dick had been a prominent collector, as well as a dealer, of science fiction and fantasy books and original art for decades. Among the many artists we discussed with Dick and Bette was one that was a favorite of all of ours, George Barr.

Several Barr originals hung on their walls and I saw there for the first time many of the works that are reproduced in this book. By the mid-1970’s, Dick had been a fan of George’s art for many years, going back to George’s work on various fanzines in the early 1960’s.

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George Barr: A Fantasy Master

George Barr: A Fantasy Master

Barr illo for the D&D Module IM2: The Wrath of Olympus, by Robert J Blake (TSR, 1987)

When DAW Books launched in early 1972, one of their hallmarks was great cover art. Right from the start, their books featured covers by many of the top SF artists such as Frank Kelly Freas, John Schoenherr, Josh Kirby and Jack Gaughan – and eventually, Michael Whelan, who broke into the field with his cover for DAW’s edition of The Enchantress of World’s End by Lin Carter in 1975.

One of their mainstays was George Barr, whose first DAW cover came in their second month of publication, with The Day Star by Mark S. Geston. For my money, Barr was one of the great fantasy and science fiction artists of the past few decades. Having been introduced to science fiction paperbacks in the mid-1970’s, I have many fond memories of finding his artwork gracing many of the DAW books that I picked up at that time.

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Friends From an Alien Universe: Buying Perry Rhodan Art

Friends From an Alien Universe: Buying Perry Rhodan Art

Original art for Perry Rhodan #415 (August 15, 1969) by Johnny Bruck

As a teenager in the late 1970’s, my favorite science fiction series was Perry Rhodan. Although the U.S. editions ceased in 1979 after #137, in its native Germany the series continues to this day in various forms, with over 3200 installments in the main series and counting.

Some of the earliest SF art I ever collected, starting at the old Chicago Comicon in the late 1980’s, were U.S. Perry Rhodan covers by artists Gray Morrow and George Wilson. In Germany up to that time, the primary cover artist was Johnny Bruck (a few of which were reprinted on early printings of some of the U.S. editions). For decades I tried to find Bruck PR covers, but with no success.

About six months ago, an avid SF art collector in Switzerland, Markus Rohrwild, began to post loads of Bruck PR covers on the Comic Art Fans site. He was friends with Bruck’s widow and had acquired hundreds of paintings from her. I eventually reached out to him to see if any might be for sale, and I was extremely pleased when he agreed to sell some to me.

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THE ART OF THINGS TO COME, PART 4: 1964-1966

THE ART OF THINGS TO COME, PART 4: 1964-1966

Science Fiction Book Club mailer from 1964, featuring From the Twilight Zone. Art by Virgil Finlay

As I related in the first three installments of this series (parts One, Two, and Three), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.

The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else. Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans.

In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960 and the third installment dealt with 1961-1963. In this fourth installment I’ll look at the years 1964-1966, presented chronologically.

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A PRELIMINARY LOOK AT DAW BOOKS

A PRELIMINARY LOOK AT DAW BOOKS


The Rape of the Sun by Ian Wallace (DAW 1982). Preliminary sketch and final cover by David B. Mattingly

As a teenaged science fiction and fantasy fan growing up in the late 1970’s and early 1980’s, I loved DAW Books. They had some great authors and great cover art, and all those yellow spines looked sweet next to each other on the bookshelf.

As some of you may know, I collect and sell original SF and fantasy art. I’ve been fortunate enough over the years to acquire a number of those DAW cover paintings that I admired growing up. Recently I was given on consignment one of the cooler items that I’ve sold. This was a sketchbook, compiled by artist David Mattingly, containing 34 preliminaries. Mattingly had glued a preliminary to each right hand page. The sizes of the preliminaries varied, but they generally ranged between roughly 4.25” x 7” to 6” x 8”. There were clearly more pages at some point that had been cut out; presumably these contained other preliminaries that were sold separately over the years. Mattingly had given each preliminary a number; these ran from 62 through 113, in order, with gaps for missing pages.

I’ve always enjoyed seeing preliminaries, as they give a glimpse into the artist’s process as well as, in the case of preliminaries there were rejected, a view of what might have been. Most of the prelims in the sketchbook weren’t for DAW books – there were many for Del Rey/Ballantine Books as well as SF digests – but ten of them were. I thought that fellow DAW enthusiasts might enjoy seeing these earlier cover concepts.

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Forry Ackerman’s First SF Art

Forry Ackerman’s First SF Art

The Midnight Mail Takes Off for Mars, by Elliott Dold.
From Miracle Science and Fantasy Stories, April-May 1931

I’ve written from time to time about original science fiction art delivered to us by our Friendly Neighborhood Mailman.

Among the various original black and white interior illustrations we own from the science fiction pulps, this is our earliest, appearing 90 years ago. By artist Elliott Dold, it ran as a frontispiece in the April-May 1931 issue of Miracle Science and Fantasy Stories. It was not for any particular story; instead it was a one page feature showing “An Incident of the Future: The Midnight Mail Takes Off for Mars.”

Dold was the art editor of this short-lived title; the April-May 1931 issue was the first of only two. He appears to have been the editor as well, though some sources state that Dold’s brother, Douglas, was the editor. Both Elliott and Douglas, as well as the publisher of Miracle, Harold Hersey, had worked together previously over at the Clayton pulp chain. Elliott and Douglas each had a story appear in Miracle; Douglas’ in the first issue, Elliott’s in the second, dated June-July 1931. In an interview in the October-November 1934 issue of Fantasy Magazine, Elliott discusses how Miracle was his brainchild – he’d talked Hersey into publishing it, and obtained all the stories, as well as doing all the art. He blamed its cessation on an illness which made it impossible for him to work on it. Perhaps coincidentally, during this same period his brother Douglas passed away, on May 6, 1931.

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Conan in the Land of the Rising Sun

Conan in the Land of the Rising Sun

The Coming of Conan (SF 14), Japanese edition (1971). Cover by Takebe Motoichiro

Although everyone’s favorite Cimmerian trod a wide path in his adventures, Conan never sailed to the shores of the ancient equivalent of Japan. Or at least he never did so in the tales penned by Robert E. Howard. I’m not versed enough regarding every pastiche or comic adaptation to know if he might have ventured there in one of those.

However, this didn’t stop Japanese editions of the Conan stories from appearing in the early 1970’s. I’d been unaware of these until late 2017, when I received a set of them from the estate of Glenn Lord. For decades, Lord had been the literary executor of the Howard estate, and some of his collection was going to be auctioned at the 2018 Windy City Pulp and Paper Convention. I’m one of the folks that runs that convention, and I was in charge of preparing that auction.

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Some of That Old School Gaming

Some of That Old School Gaming

SPI ad in The Magazine of Fantasy & Science Fiction, November 1978

I’ve been spending some time over the past few months getting my SF digests back in order. While those on the shelves were in order, I had bunches in boxes that needed to be incorporated, so it’s been a bit of work. But it’s been fun to look at them as I’m organizing them (which of course just slows that process down!)

I’d remembered that the first SF digest I subscribed to was The Magazine of Fantasy and Science Fiction, but had forgotten that the first issue of my subscription was December 1976. My copy still has that helpful mailing labeled plastered over it. But on that copy at least, from the perspective of 45 years later, I don’t mind it being on there at all.

I’ve had great fun looking again at the various SF and fantasy gaming ads that were running in digests during that period. I think that the first game I ever ordered was TSR’s Lankhmar in early 1977 (being a Fafhrd and the Gray Mouser fan, I couldn’t resist!), while I was in eighth grade, followed later that summer by SPI’s Sorcerer and Metagaming’s Ogre. Once I’d ordered a few things, my name found its way on to many mailing lists, so I wasn’t limited anymore to what I saw advertised in the digests.

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The Art of Things to Come, Part 3: 1961-1963

The Art of Things to Come, Part 3: 1961-1963

Science Fiction Book Club brochure (1961)

As I related in the first two installments of this series (Part One: 1953-1957, and Part Two: 1958-1960), like tens of thousands of science fiction fans before and after me, I was at one time a member of the Science Fiction Book Club (or SFBC for short). I joined just as I entered my teen years, in the fall of 1976, shortly after I’d discovered their ads in the SF digests.

The bulletin of the SFBC, Things to Come – which announced the featured selections available and alternates – sometimes just reproduced the dust jacket art for the books in question. During the first couple of decades of Things to Come, however, those occasions were rare. In most cases during that period, the art was created solely for the bulletin, and was not used in the book or anywhere else.

Since nearly all of the art for the first 20 years of Things to Come is exclusive to that bulletin, it hasn’t been seen by many SF fans. In this series, I’ll reproduce some of that art, chosen by virtue of the art, the story that it illustrates or the author of the story. The first installment featured art from 1957 and earlier, while the second installment covered 1958-1960. In this third installment I’ll look at the years 1961-1963, presented chronologically.

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A Tale of Finlay, Part 2

A Tale of Finlay, Part 2

“The Conditioned Captain” illustration by Virgil Finlay
(from Startling Stories, May 1953)

In last week’s Finlay post, I told the tale of how, back in the last week of March 2005, I’d acquired 15 Virgil Finlay originals from A Midsummer Night’s Dream. It was an incredible purchase, but within six weeks it led to my acquisition of five more Finlay originals. Needless to say, that six week period was the greatest Finlay run of my collecting career.

I’d bought the Midsummer Night’s illos from California bookseller Peter Howard of Serendipity Books. At the time I bought them, he told me that his consignor on these had a few other Finlay originals which he thought he’d be handling for him. A week later, on April Fools’ Day, I received an email from Howard offering three more Finlay originals.

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