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Month: March 2019

New Treasures: Rabbit & Robot by Andrew Smith

New Treasures: Rabbit & Robot by Andrew Smith

Rabbit and Robot-smallI’ve been on a prolonged space opera kick for the past few weeks, munching snacks while taking in epic sagas about cloned warriors, space battles, massive killer A.I’s, galaxy-spanning conflicts, fast ships, ancient tech, and more space battles. To tell the truth I probably would never have picked up Andrew Smith’s new novel if I hadn’t been looking for something very (very) different this weekend.

Andrew Smith is the author of The Marbury Lens (2012) and Grasshopper Jungle (2015). Rabbit & Robot tells the story of Cager Messer, a boy stranded on a massieve lunar-cruise ship with with insane robots, while a World War breaks out on the surface below. It’s about as uncommercial a novel as you’re likely to find. Here the description.

Cager has been transported to the Tennessee, a giant lunar-cruise ship orbiting the moon that his dad owns, by Billy and Rowan to help him shake his Woz addiction. Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever.

Booklist is quoted extensively every time I look this book up. So to save you time, here’s the a few lines from the Booklist review

Cager Messer and his best friend, Billy — both sons of wealthy industrialists—have stolen upon a luxury space cruiser along with Cager’s ever-faithful servant, Rowan. Aboard with them are “cogs” — humanlike android attendants programmed with unsettling, occasionally dangerous emotional instabilities. Then the latest (and last) in a long line of world wars breaks out on Earth below, and Cager and company believe that they’re the last humans in the universe. But before the true horror of that can set in, they must figure out how to defend themselves from the cogs, who have developed a penchant for robotic cannibalism… Those delving into Smith’s zany dystopia will find much to laugh and gasp at, including comedic and serious musings upon sex and violence. But most of all, they will find many deep, essential questions worth pondering.

Read the complete review at Booklist Online here.

Rabbit & Robot was published by Simon & Schuster Books for Young Readers on September 25, 2018. It is 438 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Mike Perry. Read all our recent New Treasures here.

Smithsonian Magazine on how Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine

Smithsonian Magazine on how Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine

Hyperborea Clark Ashton Smith-small Star Wars George Lucas-small A Guide to Barsoom by John Flint Roy 1976-small

Assorted Ballantine paperbacks, 1971 – 1976

Anyone who’s been reading Black Gate for any period of time, or is a fan of vintage science fiction, knows the name Betty Ballantine. With her husband Ian she founded Bantam Books, and later Ballantine Books. Last month Smithsonian Magazine paid tribute to Betty in an article titled Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine, in which they focus on the many ways in which she shaped 20th Century Science Fiction and Fantasy. Here’s a snippet.

The Ballantines made the decision to leave Penguin following the end of World War II due to creative differences, and from there, they went on to found Bantam Books, and, later, Ballantine Books, making them the first outlet to release hardcover and paperback editions simultaneously. Both publishing companies are now part of Penguin Random House, according to the Associated Press.

It was at Ballantine that Betty gave a voice to the then-fringe genre of sci-fi. Tom Doherty, founder of Tor Books, says that before Betty, those works were deemed “unimportant pulp” only fit to be published in cheap magazines and books. But Betty was inspired by the concept of using real science to hypothesize the future of innovation. As if she was a character in her favorite genre, Betty was able to see the potential of science fiction in novel form.

Both Bantam and Ballantine were instrumental in finding, publishing, and promoting early science fiction and fantasy, but Ballantine Books especially was crucial. They were responsible for Lin Carter’s legendary Ballantine Adult Fantasy line, the groundbreaking Best of series (which we have paid tribute to many times), bringing Tolkien to American audiences in an authorized edition, and much, more more.

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Future Treasures: Greystone Secrets #1: The Strangers by Margaret Peterson Haddix

Future Treasures: Greystone Secrets #1: The Strangers by Margaret Peterson Haddix

Greystone Secrets The Strangers-smallMargaret Peterson Haddix is The New York Times bestselling author of a bunch of stuff, including The Shadow Children, Children of Exile, and The Missing series. Her latest is a middle-grade thriller that Booklist says “blends adventure and sf elements into an engrossing mystery… secret rooms, alternate realities, and a cliffhanger ending raise the stakes and delight fans new and old.” It arrives in hardcover on April 2.

What makes you you?

The Greystone kids thought they knew. Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best — acting silly and being adored. They’ve been a happy family, just the three of them and their mom.

But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?

Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Ms. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.

Here’s the rundown from Publishers Weekly.

In Ohio, the Greystone kids — responsible Chess, math-savvy Emma, and excitable Finn — have established a pleasant life with their mother years after their father’s death. Until, that is, the day they find their mother weeping and wan over a news story about three kidnapped Arizona children… After their mom disappears on a “work trip” the very next day, the Greystones receive a cryptic farewell and a coded letter… A secret-stacked, thrilling series opener.

Greystone Secrets #1: The Strangers will be published by Katherine Tegen Books on April 2, 2019. It is 416 pages, priced at $17.99 in hardcover and $10.99 in digital formats. It is illustrated by Anne Lambelet, whom I presume also did the terrific cover. Read the first eight chapters here.

See all our recent Future Treasures here.

The Golden Age of Science Fiction: The 1973 Hugo Award for Best Short Story: “The Meeting,” by Frederik Pohl and C. M. Kornbluth, and “Eurema’s Dam,” by R. A. Lafferty

The Golden Age of Science Fiction: The 1973 Hugo Award for Best Short Story: “The Meeting,” by Frederik Pohl and C. M. Kornbluth, and “Eurema’s Dam,” by R. A. Lafferty

Fantasy and Science Fiction November 1972-small Fantasy and Science Fiction November 1972-back-small

The Magazine of Fantasy and Science Fiction, November 1972; cover by Ed Emshwiller

Steven Silver has been doing a series covering the award winners from his age 12 year, and Steven has credited me for (indirectly) suggesting this, when I quoted Peter Graham’s statement “The Golden Age of Science Fiction” is 12, in the “comment section” to the entry on 1973 in Jo Walton’s wonderful book An Informal History of the Hugos. You see, I was 12 in 1972, so the awards for 1973 were the awards for my personal Golden Age. And Steven suggested that much as he is covering awards for 1980, I might cover awards for 1973 here in Black Gate.

In 1973 there was a tie for the Hugo Award for Best Short Story. (There have been several ties in Hugo history, perhaps most famously for the 1966 Best Novel, shared by Roger Zelazny’s F&SF serial “… And Call Me Conrad” and Frank Herbert’s Dune.) The winners were Frederik Pohl and C. M. Kornbluth for “The Meeting,” and R. A. Lafferty for “Eurema’s Dam.” This was the first fiction Hugo for each of these writers, and the only one for Kornbluth (not surprising, as he died in 1958) and Lafferty. Kornbluth did win a Retro-Hugo in 2001 for his 1950 novelette “The Little Black Bag,” and another posthumous award, the Prometheus Hall of Fame Award for The Syndic. Lafferty won a World Fantasy Life Achievement Award, as well as the Phoenix Award and two Seiuns for Best Story translated into Japanese (“Eurema’s Dam” and “Groaning Hinges of the World”). Pohl’s lists of awards is very long indeed: they include later Hugos for his novel Gateway and his short story “Fermi and Frost,” three Hugos as Editor of If, the Best Magazine winner in 1965-1967, Campbells for Gateway and The Years of the City, Nebulas for Man Plus and Gateway, Locus Awards for his memoir The Way the Future Was and his novella “The Gold at the Starbow’s End,” a late (2010) Hugo for Best Fan Writer, and of course he was named SFWA Grand Master in 1993.

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Cheque Please

Cheque Please

Canadian FlagWe’ve got a odd thing here in Canada that I’m not certain exists anywhere else. Oh I’m sure that other provinces, states and countries have Arts Councils, but I’m not sure that any of them do what the Canada Council for the Arts does for writers. Specifically, they have a little program called Public Lending Rights.

For those of you who don’t already know about this, it’s money the government gives us writers (thank you Canadian tax-payers everywhere, including myself) to compensate authors for the royalties they miss from the use of library books.

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The Assured Place of Superheroes in American Popular Culture

The Assured Place of Superheroes in American Popular Culture

avengers assemble!Some people, 24 (or 25?) movies in, are expressing MCU superhero movie fatigue. (Certainly not me or most of my friends — the films continue to be some of the more fun, thrilling entertainments to be had at the cineplex two or three times a year. Is the quality dropping off? Hell no — try to rank ‘em; I’ll bet several of the ones at the top of the list came out just in the last couple years.) I’m talking about a few critics (some of whom were saying the genre was getting “tired” and “played out” 15 films ago), and a few newcomers who didn’t grow up on four-color comics but jumped on the bandwagon when the culture went crazy for costumed crime-fighters.

I can imagine how it must look to them: Now they turn on their TV and it seems like a dozen streaming and broadcast tv shows are about caped crusaders; they check the movie listings and half the films filling up theater screens are about super-powered beings.

They suggest it will eventually play out. They think audiences will finally be sated, the fad will pass. Everyone will grow tired of beautiful people in spandex.

I’ve got news for them.

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The Golden Age of Science Fiction: Convergent Series, by Larry Niven

The Golden Age of Science Fiction: Convergent Series, by Larry Niven

Cover by Eric Ladd
Cover by Eric Ladd

Cover by Eric Ladd
Cover by Eric Ladd

Cover by Peter Jones
Cover by Peter Jones

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Collection Award was first presented in 1975, when it was won by Fritz Leiber for The Best of Fritz Leiber. Up until that year an award was presented for best reprint anthology/collection, with that award’s final winner also being announced in 1974. In 1980. The Locus Poll received 854 responses.

By 1979, Larry Niven had already delved deep into his Known Universe series, publishing World of Ptaavs, Ringworld, A Gift from Earth, Protector, and Ringworld Engineers as well as numerous stories that had been collected in Tales of Known Space in 1975. Niven was so associated with these stories that when he published the collection Convergent Series in 1979, which did not include any Known Space stories, he felt the need to spell the lack of connection out in the afterword to the first story, “Bordered in Black,” which had the feel, if not the details, of a Known Space story.

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On The Fringes of Ancient Egypt: Exploring the Antiquities of Bahariya Oasis

On The Fringes of Ancient Egypt: Exploring the Antiquities of Bahariya Oasis

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One of the Golden Mummies.
Creative Commons photo courtesy Roland Unger.

As I mentioned in my last post, I recently visited Bahariya Oasis in the Western Desert of Egypt. The oasis became famous in 1996 with the discovery of a series of tombs of the Greco-Roman Period (332 BC-395 AD). They were found accidentally when an Antiquities Guard was leading his donkey on a sandy stretch near the Temple of Alexander the Great when the animal’s hoof broke through the surface. Once he extricated the donkey, he peeked inside and saw an underground chamber.

Famed Egyptologist Zahi Hawass excavated the site and found several tombs, removing more than 250 mummies. Many had gilded masks like the one pictured above, and the site soon became known as The Valley of the Golden Mummies. Hawass believes that he has uncovered only a tiny fraction of the tombs. A few are on display in Bahariya, including the one above, but photography is forbidden, so I wasn’t able to take any shots for you. How Roland Unger got this shot I’ll leave as a riddle unsolved.

Bahariya was an important place in Greco-Roman times, having good agricultural land that could be cultivated year-round, instead of the Nile valley that flooded every year. Thus it was a good spot for growing grapes to make wine.

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A Desperate Battle Against an Alien Enemy: Threshold of Eternity by John Brunner and Damien Broderick

A Desperate Battle Against an Alien Enemy: Threshold of Eternity by John Brunner and Damien Broderick

Threshold of Eternity Threshold of Eternity-back-small

Phoenix Pick (236 pages, $14.99 trade paperback/$3.99 digital, November 2017)

A couple of years ago I read an early John Brunner novel called Threshold of Eternity, published as half an Ace Double. Here’s a bit of what I wrote about that:

Threshold of Eternity was first published in New Worlds, December 1957 through February 1958. The Ace Double version came out in 1959.

It opens in California in 1957 or so, as one-legged Red Hawkins encounters a French-speaking girl who couldn’t possibly be there — and, indeed, it turns out that Chantal Vareze was just in London. What’s stranger is the other person they soon encounter, a man named Burma who turns out to be from thousands of years in the future.

We jump, then, to the future, where one Magwareet is helping to coordinate humanity’s desperate war against mysterious aliens called The Enemy. One of the side effects of their battles, and also of a strange entity called The Being, is temporal surges, which can throw people into the far past. And Magwareet has just realized that his friend Burma has been flung into the past …

Cool stuff, eh? And things continue as Red and Chantal are carried into the far future, where the two eventually agree to help with the war against the Enemy, help which involves more trips to the past, a weird situation where multiple copies of the main characters coexist uneasily, and a wild and transcendent ending concerning the true nature of The Being, leading to an unexpected and not quite successful ending. Here’s how my review closed.

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New Treasures: The Fever King by Victoria Lee

New Treasures: The Fever King by Victoria Lee

The Fever King-small The Fever King-back-small

I gotta admit, the cover of Victoria Lee’s debut science fiction novel The Fever King doesn’t really grab me. My advance copy arrived months ago; I must have picked it up and put it down half a dozen times before I finally gave it a try. Turns out it’s a YA dystopian-superhero mashup with an interesting twist, reminiscent of the alien virus that leaves people twisted or with superpowers in George R.R. Martin’s long running Wild Cards series. In this case though, the result is a disintegrated America with magical elite, witching training centers, and an intriguing form of science-based magic. Here’s the summary from Kirkus Reviews.

In Carolinia, one of the nations of the former United States, magic enters people like a virus, mostly killing them.

If you survive, the magic stays and you become a witching. Noam, the Jewish Latinx son of undocumented immigrants from neighboring Atlantia, is one. With his parents dead, Noam is brought to the witching training center, receiving personal tutoring from the minister of defense, Calix Lehrer. Noam sees this as an opportunity to work from the inside to bring rights to the many refugees who have come to Carolinia to escape the virus that still plagues other areas…. Lee’s debut is a thriller with obvious allegorical connections to today’s political climate, but it doesn’t read as message-y; even those with genre fatigue shouldn’t regret giving it a try… Diverse characters, frank discussions about sexual and mental abuse, and reasonably plausible science-based magic elevate this above many dystopian peers.

The Fever King was published by Skyscape on March 1, 2019. It is 416 pages, priced at $9.99 in trade paperback and $4.99 in digital formats. The cover was designed by David Curtis.

See all of our recent New Treasures here.