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Month: August 2011

Apex Magazine #27 Available

Apex Magazine #27 Available

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gsissue27_medium1Apex Magazine is a monthly on-line publication of science fiction, fantasy and horror edited by Catherynne M. Valente. The current issue features three stories: “The Whispered Thing” by Zach Lynott,  “The Tiger Hunter” by Rabbit Seagraves, “The Secret Protocols of the Elders of Zion” by Lavie Tidhar and, continuing with titles that all start with “The,” poetry by Saladin Ahmed, “The Djinn Prince in America: A Micropic in 9 Tracks.”  Jason Sizemore’s  non-fiction piece is “Five Genre Books that Raise Mind-numbing Philosophical Questions.”

Apex Magazine is sold online for $2.99; it’s also available in Kindle, Nook, and a downloadable format through Smashwords. Previous issues are available through their  store. We last profiled Apex with Issue 23.

You can subscribe and get 12 issues for just $19.99.

In another matter, you can read my review of Thomas Liggoti’s aptly named short story collection, Grimscribe. If you dare.

[Stealth Edited by Editor to add: There is also poetry by Rhysling-nominated poet Elizabeth McClellan in Issue 27, entitled “Down Cycles.” The lady’s work is worth a look!]

Gen Con 2011: Day 2 Recap – Revenge of the Sith

Gen Con 2011: Day 2 Recap – Revenge of the Sith

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darthelijahThe force is strong with this one, it seems. Yes, that’s my beloved son, taking his first steps toward a larger, more gamer-filled world, as he becomes a temporary apprentice to Lord Vader. (Don’t ask me why the Rebel Alliance officer is standing near them. It just doesn’t fit continuity!)

The second day of Gen Con was our family day, as I took my son and wife to the convention with me. This day is was lot more leisurely paced than yesterday, because we spent more time being selective and sitting down to demo games, because with a six-year-old, you really have to be a bit more picky. He’ll lose patience if you’re chatting up designers about setting specifics. He wants some action, and if he doesn’t get it, there will eventually be a meltdown. With summer ending, we’ve been in meltdown territory for the last couple of weeks anyway, so it was touch and go, but we found enough games for him to get up to speed on quickly that it kept him highly engaged.

One game that we found very interesting, though not particularly fantastic (in the narrative sense of being fantasy-driven) was Bears! from Fireside Games. This dice-based game aims to simulate a bear attack during a camping trip … so, you know, it teaches helpful life lessons, as well. Depending on different die combinations, the players are able to escape the rampaging bears by shooting them, running away, or sleeping contentedly in their tents. However, if there are more bears left over when this is all done, then those sleeping in tents get eaten and lose points instead of gaining them.

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Blogging Marvel’s The Tomb of Dracula, Part Twelve

Blogging Marvel’s The Tomb of Dracula, Part Twelve

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tod-59tod-60The Tomb of Dracula #59, “The Last Traitor” starts off with Quincy Harker, Frank Drake, Rachel Van Helsing, and Harold H. Harold feeling uneasy that Anton Lupeski has armed them with rifles and silver bullets as the group plots to assassinate Dracula at a feast in honor of his son’s birth to be held that weekend. Gene Colan’s depiction of Lupeski is eerily lifelike. The group is conflicted by their contempt for Lupeski and their desire to end Dracula’s reign of terror. Marv Wolfman gets in some nice digs about Freedom of Religion protecting Satanists as well as Christians with Lupeski saying that one day they will see whose God is stronger. We then switch to a brief domestic scene between Dracula and Domini as the vampire expresses his awareness that Lupeski seeks to undermine his power at the upcoming feast in his son’s honor. The vampire then sets out to hunt and picks as his victim an attractive night school teacher whom Dracula saves from an attempted rape by one of her students only to attack her himself. From there the action quickly shifts to the night of the feast in Janus’ honor. Lupeski, clad in his ceremonial mask and robes, proclaims the infant Janus the New Leader of the Dark Church just as Quincy, Rachel, Frank, and Harold burst in and the gunplay begins. Lupeski’s bloodlust gets the better of him and he brandishes a rifle as well and in the ensuing battle, Janus is inadvertently struck by a bullet and killed. Dracula is overcome with rage as he knocks Lupeski to the ground and crushes his face with his bare hands, killing the treacherous high priest. Domini turns in prayer to the portrait of Christ that hangs in the deconsecrated church and declares there are to be no more deaths. She orders Quincy, Rachel, Frank and Harold to depart quickly. She then informs Dracula that she acts on Christ’s commands and beseeches her husband to turn aside from his dark path and embrace her Savior. Dracula’s anger gives way to bewilderment as he transforms into a bat and flees from the church telling Domini he cannot do what she asks of him.

#60, “The Wrath of Dracula” is simply a stunning character study of an enraged lost soul in his darkest hour. Dracula drives Domini off and proceeds to destroy the deconsecrated church (with the exception of the painting of Christ that he is unable to touch). As his anger subsides, his grief turns to introspection as he recalls his cruelty to his first wife and his misogynistic behavior toward his female servants and finally his broken relationship with his daughter, Lilith. Overcome with emotion, he flies to the top of a building in downtown Boston in the midst of a terrible storm and declares that his entire life has been a lie that must finally end. Filled with all of the pain he and his family have endured, he swoops down to attack an attractive woman braving the rain far below only to check himself when confronted by her young son. Climbing atop a church tower in the heart of the storm, Dracula begs God to strike him down and end his suffering. When the lightning fails to kill him, he is once again enraged believing that God mocks him because he is already damned. Dracula vows to end God’s power over mankind and transforming into a bat, he flies off into the night. The issue ends with a brief epilogue showing Domini at Janus’ grave at dawn as she promises her son to find a means of resurrecting him.

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Gen Con 2011: Day 1 Recap

Gen Con 2011: Day 1 Recap

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Did I say I was an unapologetic geek? My wife, Amber, offered our son to a dragon at GenCon!
Did I say I was an unapologetic geek? My wife, Amber, offered our son to a dragon at GenCon!

It’s that time of the year again, when all the good little gamers gather in Indianapolis to explores the exhibitor’s booths and discover treasures, new and old. I speak, of course, of Gen Con Indianapolis, the “Best Four Days in Gaming.”

If you recall from last year’s report (see Gen Con 2010 Reflections if you don’t recall), I had a lot of fun last year, mostly because I now have a family to take and with whom I could share the experience.

They also prove useful bait for dragons. (Just kidding. No infants were harmed in the making of this blog!)

Today, however, was all about me. I trekked into Indianapolis to experience the first day of the convention on my own, basically blasting through the Exhibit Hall and trying to look at every booth to find if there was anything interesting for me to report back on.
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Breathing Life Into Dead Gods: The Allegory of Love by C.S. Lewis

Breathing Life Into Dead Gods: The Allegory of Love by C.S. Lewis

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allegory-of-love-cover

The old gods, when they ceased to be taken as gods, might so easily have been suppressed as devils: that, we know, is what happened to our incalculable loss in the history of Anglo-Saxon poetry. Only their allegorical use, prepared by slow developments within paganism itself, saved them, as in a temporary tomb, for the day when they could wake again in the beauty of acknowledged myth and thus provide modern Europe with its “third world” of romantic imagining.

–C.S. Lewis, The Allegory of Love

 

Tracing the roots of fantasy is a fascinating exercise. From whence did works of pure fancy spring? How far back do we go to find their source? Are its origins to be found in works like The Epic of Gilgamesh, or The Iliad and The Odyssey (for a great series of posts on the subject, look no further than Matthew David Surridge’s four part series Worlds Within Worlds ).

In his landmark study The Allegory of Love (1936), C.S. Lewis implies that fantasy’s roots lie not in the classical period, but the Medieval Age. Medieval poets infused “extinct” pagan gods with new life by employing them as allegory. Venus and Mars, Minerva and Jupiter, died and awoke again as concepts, sewing seeds that would eventually give rise to works like Phantastes or The Well at the World’s End.

Go back to the beginnings of any literature and you will not find works of myth and fancy, Lewis claims. Ancient writers wrote stories based on the probable, or events that they believed actually happened. Or they took the marvellous as fact, writing without irony about hippogriffs and sea-monsters. Purely fantastic fiction was unknown (classical poets employed allegory, but not in this manner). Pagan gods as allegory, and the acknowledgement of myth by medieval poets, marked a cosmic shift in artistic technique, paving the paths for writers like Spenser and Shakespeare and Milton and transitioning us to works of pure fantasy. “It is difficult for the modern man of letters to value this quiet revolution as it deserves,” writes Lewis. “Allegory may seem, at first, to have killed them; but it killed only as the sower kills, for gods, like other creatures, must die to live.”

Revelations and gorgeously turned bits of wisdom like these are only a few of the treasures to be found in The Allegory of Love.

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Goth Chick News: The Last Four Things

Goth Chick News: The Last Four Things

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image012The options for your summer reading list are as copious as the Speedo bathing suits which have suddenly appeared on the rooftop sun deck of the Black Gate offices, but not nearly as difficult to speak about.

A couple weeks back I told you about Robert Browne’s The Paradise Prophesy, which hit store shelves on July 21st. This week British author Paul Hoffman brings us the second in The Left Hand of God trilogy, entitled The Last Four Things.

Hoffman’s first book set off a worldwide bidding frenzy among US publishers in 2008. The Left Hand of God (aka The Angel of Death) follows the story of Thomas Cale, a teenager imprisoned in The Sanctuary, a brutal institution that trains boys to become warriors, known as “Redeemers” in an imminent holy war.

Though the trilogy is set in an intriguingly ambiguous medieval realm with modern overtones, this isn’t entirely a fantasy world; much of it is based on Hoffman’s own experiences growing up in an extremist Catholic boarding school.

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Teaching Fantasy II: In Which I Knowingly Assign the Worst Short Story in the History of Sword and Sorcery

Teaching Fantasy II: In Which I Knowingly Assign the Worst Short Story in the History of Sword and Sorcery

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eye-of-argonIt was for his own good, honest.

My student said, “It’s time I learned to proofread. Can we do that next?”

I nearly fell off my chair. He was right, of course, but it’s not a skill students usually ask to work on. “Sure. I’ll see what kinds of exercises I can find in my files at home…”

“No exercises! No fake documents. Please, don’t ask me to proofread something whose only purpose on this earth is to be proofread.” A very reasonable objection. “How about we proofread one of your manuscripts?”

Uh oh.

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Art of the Genre: Cosplay

Art of the Genre: Cosplay

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There are two incredible things in this picture, and they aren't the outfits
There are two incredible things in this picture, and they aren't the outfits

I live in L.A., Tinseltown, Hollywood, the City of Dreams, and you’d think that being here would overwhelm me with fantasy, but in reality it’s never that way. Sure, now and then you’re someplace ordinary and run into a ‘star’, but seeing the reality of that always seems a letdown as well.

I think that’s why having an office next to Ryan Harvey is so special, because he’s even more a Peter Pan than I am, and his creative vision is always spilling out into the reception area. Kandline, or Kandy as I call her, helps too, her ‘I’m going to make it’ and goth-prep style always bringing a smile to my face when I roll in late from a long line at Starbucks.

Still, I live a pretty mundane life if you don’t include trips on the BG Zeppelin. I have a wife, a son, and bills to pay just like most folk in the world, but there are those moments in time when even I dream about what could have been if time worked a bit differently.

What do I mean? Well, I’m talking about those crazy kids today and their ‘Cosplay’. You see, I’m a Halloween junky, like last year I dressed up in full costume each Friday of October to pick up my son from pre-school. That being said, however, I end my persona-swaps after All Hallows’ Eve, but if life were different, if I were younger, and if Cosplay had existed in 1990 I’m pretty sure my life would have been drastically different.

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Cowboys & Aliens: Aliens, Go Home

Cowboys & Aliens: Aliens, Go Home

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cowboys-aliens-posterCowboys & Aliens (2011)
Directed by John Favreau. Starring Daniel Craig, Harrison Ford, Olvia Wilde, Sam Rockwell, Keith Carradine, Clancy Brown, Paul Dano.

Thunderation, aliens. We was havin’ ourselves a fine little Western show here in this town of Absolution. Then you come riding in, a-blastin’ and burnin’ everything like it was a Saturday night after the cowpokes got paid and the whiskey gone dry. You turned our durned movie into about as interesting a place as a salt flat. Hell, we had almost made this Ford fella entertaining again, and it ain’t been since the War of the Southern Rebellion that folks enjoyed anything that city slicker’s done.

So thanks fer nuttin’, alien varmints. Ain’t you got plenty a’ other moving pictures this year that you’re blowing your cannons in? Now stay on yer side of the barb-wire fence, and if we catch you branding one of our cattle again with those laser doohickies, we’re pulling leather on you and leavin’ you for the buzzards and worms who ain’t particular about what their chow is.

The “Weird Western” genre has found its niche along with other subsets of steampunk in literature and comics — but it has never caught fire on the big screen. Wild Wild West and Jonah Hex were failures, and deservedly so. There are also far earlier examples, like 1971’s Zachariah, a rock musical Western based on Siddhartha with music by Country Joe and the Fish and Elvin Jones, and starring Don Johnson. That sounds fun, right? Sorry, it isn’t. Cowboys & Aliens, from Iron Man director John Favreau and based on the Platinum Studios graphic novel, fares better in the quality department, but it is still an inert bore that fails to merge its two genres into anything entertaining. Mostly, it’s a slog.

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