Black Gate – Page 804 – Adventures in Fantasy Literature

Magneto, the Comic Series

Saturday, August 1, 2015 Derek Kunsken Comments 0 Comment

For my my interview with Marvel Comics Assistant Editor Xander Jarowey, one of the covers I enjoyed including in the post was Magneto #1. Magneto is one of Marvel’s most iconic super-villains, having influenced the Marvel Universe in various ways since his appearance in X-Men #1 in 1963.

He started off as an older villain who, from the beginning, served as moral foil to Charles Xavier in the debate about the place of mutants. His arguments in the early days were never deep, and his power faded with various defeats, until by the excellent Savage Land story arc of X-Men #59-63, he was using mechanical devices to simulate his powers, and then in Defenders #16, he was reduced to infancy by one of his creations.

Then, Chris Claremont got a hold of him. In X-Men #104, the new X-Men faced a young, rejuvenated and more powerful Magneto, and he’s downright terrifying in Uncanny #112 (one of my favorites). Claremont revealed Magneto’s full literary power in Uncanny X-Men #150, when he put Magneto’s past squarely in the Nazi concentration camps of World War II as a victim of racism and persecution.

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Vintage Treasures: The Books of Outremer by Chaz Brenchley

Saturday, August 1, 2015 John ONeill Comments 0 Comment

Outremer 1 - The Devil in the Dust-small

Outremer 2 - The Tower of the King's Daughter-small

Back in 2002, Ace Books tried an unusual experiment with Paul Kearney’s The Monarchies of God novels. They were originally published in the UK starting in 1995, but when Ace brought them to the US, they released the books just one month apart.

As I noted in my April article, the experiment wasn’t a success, and the books went out of print fairly quickly. At the time, however, I said that Ace never repeated the experiment, and that’s not actually true. They attempted the same thing at least one more time, with Chaz Brenchley Books of Outremer, originally published in three fat volumes in the UK in 1998-2002, and reprinted as six paperbacks in the US, one every month, between June and November 2003, with covers by John Howe and Barbara Lofthouse.

Near as I can figure out, this experiment wasn’t any more successful. The books were never reprinted, and are now long out of print.

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Belated Movie Review #6: Mad Max: Fury Road

Friday, July 31, 2015 Adrian Simmons Comments 7 comments

I’ve been reading Black Gate over the last month waiting for a Mad Max Fury: Road review… I guess that, if you’re anything like me, after watching the movie all you can manage is to light up a cigarette and take some time to recover.

So! It looks like I need to fire up my modified combat wagon (a ’78 Gremlin with a 79 Fiat Bertone welded on top) and GO TO VALHALLA VIA THE FURY ROAD!

It has taken me a while to come up with a review of Mad Max: Fury Road (MMFR) that isn’t simply “its f-ing awesome!” or “Hell yeah! That’s what I’m talkin’ about!” or even “Oh what a love-eh-lee daay!”

It is a two+ hour fever dream! Modified dragsters and their support motorcycles tearing across a hellscape, bent on destruction! Ah, what the hell, throw in the pack from Gas Town, the Bullet Farmer, the Hedgehogs, and multiple biker gangs while we’re at it!

You know how the original Mad Max was mostly bad things happening and then like a 10-minute chase? Then Road Warrior (Belated Review #4) was bad things happening with like a 30 minute chase? And Beyond Thunderdome (Belated Review #5) threw a curveball by having weird things happen and then a 15 minute chase? Well Fury Road has like 10 minutes of bad things happening, and then IT IS ALL CHASE.

Sometimes they have to find excuses to actually stop chasing for a bit. Mostly so bad things can happen. Sometimes they manage to shout over the screaming engines and groaning metal long enough to engage in the absolute bare minimum of character development. It is so refreshing!

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Future Treasures: The Traitor Baru Cormorant by Seth Dickinson

Friday, July 31, 2015 John ONeill Comments 1 comment

There’s nothing quite like an exciting debut fantasy novel. Fantasy is a genre of limitless potential, and every new writer takes us in a direction never before explored. Seth Dickinson’s The Traitor Baru Cormorant, to be published in hardcover by Tor in September, tells the tale of a young woman from a conquered people who tries to transform a vast empire from within.

Baru Cormorant believes any price is worth paying to liberate her people — even her soul.

When the Empire of Masks conquers her island home, overwrites her culture, criminalizes her customs, and murders one of her fathers, Baru vows to swallow her hate, join the Empire’s civil service, and claw her way high enough to set her people free.

Sent as an Imperial agent to distant Aurdwynn, another conquered country, Baru discovers it’s on the brink of rebellion. Drawn by the intriguing duchess Tain Hu into a circle of seditious dukes, Baru may be able to use her position to help. As she pursues a precarious balance between the rebels and a shadowy cabal within the Empire, she orchestrates a do-or-die gambit with freedom as the prize.

But the cost of winning the long game of saving her people may be far greater than Baru imagines.

The Traitor Baru Cormorant will be published by Tor Books on September 15, 2015. It is 400 pages, priced at $25.99 in hardcover, and $12.99 for the digital edition. The cover is by Sam Weber. Read an excerpt at Tor.com.

Limestone Genre Expo, Kingston Ontario

Friday, July 31, 2015 Violette Malan Comments 0 Comment

Limestone1 Last weekend I took part in the first ever Limestone Genre Expo in Kingston, Ontario (which is known as the Limestone City, hence the name). I had a wonderful time, reconnecting with old friends and making new ones. There’s nothing like an event like this to remind you how many people among your friends and acquaintance are people you’ve never actually met face-to-face.

As I said, this was the first year for this event, and Liz Strange, Barry King and their minions did an excellent job of organization. For one, the event lived up to its billing, in that it was a genre expo. Most of the time there were three tracks, with full panels on Fantasy, SF, Mystery, Horror and Romance, along with readings and workshops

I’ve run small conferences myself, and people always find it strange when I tell them that often the most popular individual events are the workshops. Yes, they are primarily attended by people at one stage or another of a writing career, but a small percentage of attendees are people who are curious about some of the nuts and bolts of writing, and who are looking for insights into literary analysis. There was a wide variety in subject matter from “First Page Critiques” where people came prepared to share their first 250 words with editor and author Caro Soles, to “Building Tension” with Matt Moore, to “How to Market and Sell Short Fiction” with Douglas Smith, a man who knows. Author and editor Nancy Kilpatrick’s workshop was titled “Novel Idea Pitch” in the program, but she herself describes it as “a workshop on brain storming.” I like her version better.

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I Voted For the Hugos

Friday, July 31, 2015 John ONeill Comments 75 comments

Yesterday, I cast my vote for the 2015 Hugo awards.

It was my first time voting for the Hugos (yay!). But I’ve never been nominated for a Hugo Award before either, so this is pretty much the year for milestones all around. For the record, here’s what I ranked in first place in each category:

Best Novel – The Goblin Emperor by Katherine Addison (Tor Books)
Best Novella – No Award
Best Novelette – “The Day the World Turned Upside Down” by Thomas Olde Heuvelt (Lightspeed, April 2014)
Best Short Story – No Award
Best Related Work – No Award
Best Graphic Story – Ms. Marvel Volume 1: No Normal (Marvel Comics)
Best Dramatic Presentation (Long Form) – Edge of Tomorrow
Best Dramatic Presentation (Short Form) – Orphan Black: “By Means Which Have Never Yet Been Tried”
Best Professional Editor (Short Form) – No Award
Best Professional Editor (Long Form) – No Award
Best Professional Artist – Julie Dillon
Best Semiprozine – Beneath Ceaseless Skies, edited by Scott H. Andrews
Best Fanzine – Tangent Online, edited by Dave Truesdale
Best Fancast – Galactic Suburbia Podcast
Best Fan Writer – Laura J. Mixon
Best Fan Artist – No vote cast
The John W. Campbell Award – Wesley Chu

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New Treasures: The Recoletta Novels by Carrie Patel

Thursday, July 30, 2015 John ONeill Comments 6 comments

I’m a sucker for a great fantasy setting. Plot, character, sparkling prose… these all appeal to me as much as the next guy. But give me a fresh, innovative setting, and you’ve got my attention from page one.

One of the most intriguing and innovative settings I’ve come across recently is the fantastical, gaslit underground city of Recoletta, where mankind huddles after a mysterious apocalypse, and whose true origins are shrouded in mystery. It is the setting for two novels (so far) from debut author Carrie Patel: The Buried Life and Cities and Thrones, both published this year by Angry Robot. Here’s a brief bit of enticing description from the starred review at Publishers Weekly:

With Regency-era sensibilities and Agatha Christie’s flair for the subtle conundrum, Patel’s debut novel introduces readers to a subterranean city of the future, centuries after what is dubbed ‘The Catastrophe’, and beautifully manages the delicate balance between entertainment and social commentary. The subtly fantastical story is resplendent with surprisingly deep villains, political corruption, and a gripping whodunit feel.

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The History of the Other Necronomicon

Thursday, July 30, 2015 William I. Lengeman III Comments 6 comments

(With sincerest apologies to H. P. Lovecraft)

Original title, Watdiz Rafaflafla — Rafaflafla being the word used by residents of the greater Pittsburgh area to designate that harrowing sound (made by insects and tiny flying horses) suppos’d to resemble the flatulence of daemons who have been tuned to the key of B flat.

Composed by Haminah Haminah H. Haminah, Esq., a sad clown and learned scholar of the Peoria, in the American caliphate of the Illinois, who is said to have flourished during the early period of the Flock of Seagulls and the A-ha, circa 1983 A.D. He visited the ruins of the Cleveland and he explored subterranean secrets of the Memphis and spent ten years alone in the great southern desert of the Phoenix — the Hoolenah Whooleenah or “Artificially Irrigated Space” of the ancients, which is held to be inhabited by evil blue-haired spirits and sundry other monsters of the retirement catacombs. Of this desert many tedious and mediocre marvels are told by those who have much time on their hands and are usually about two and a half sheets to the wind.

In his last years H. Haminah dwelt in Topeka, where the Necronomicon II was written, and of his final death or disappearance (c. 1989 A.D.) many random and pointless things are told. He is said by Reebeeh Bopaloola (his biographer) to have been seized by an unspeakably vile monster with breath that would stop a tank in broad daylight in the produce aisle of the Safeway and devoured horribly before a smattering of bored witnesses. Who just wanted some arugula and really didn’t want to get mixed up in yet another one of those supermarket devouring incidents.

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Shimmer 26 Now on Sale

Thursday, July 30, 2015 John ONeill Comments 0 Comment

Shimmer #26, cover-dated July 2015, offers four new stories. Two are currently available on the website; the last two will be available in August.

“The Star Maiden,” Roshani Chokshi
A star maiden is not an actual star. If you split her open, you will find neither crumbled moons nor milky pearls. A star maiden is a sliver of heaven made flesh. She is an orphaned moonbeam clinging to one possession only: A dress.

“The Last Dinosaur,” Lavie Tidhar
As Mina drove, a hush fell over the city, gradually, in tiers, and the white fluffy clouds in the sky above London parted gently to open up a riverful of blue. It was a beautiful day for a ride. She hummed to herself, an old song, and her fingers tapped rhythm on the steering wheel.

“Serein,” Cat Hellisen (available 8/4)
I’ve imagined it endlessly: what Claire must have thought as she packed her bag. How leaving is easy, even if you lie and say oh god it’s hard it’s hard it’s hard. Make a clean break, leave everything, let loose your claim to possession: this is my house, this is my bed, these are my albums not shelved alphabetically because I tried and never could keep the world orderly, this is my little library built out of gifts and second-hand forgotten paperbacks.

“States of Emergency,” Erica L. Satifka (available 8/18)
In a no-tell motel just outside Billings, the psychotic cattle rancher known as Paranoid Jack freezes when he sees the baby-blue eyeball glowering at him from the mouthpiece of the Bakelite phone.

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See the Table of Contents for Clockwork Canada: Steampunk Fiction, edited by Dominik Parisien

Thursday, July 30, 2015 John ONeill Comments 8 comments

Editor Dominik Parisien has just announced the Table of Contents for his upcoming anthology Clockwork Canada, to be published by Exile Editions, a Canadian small press, next year.

Exile began publishing Canadian genre anthologies in 2013; so far they’ve published Dead North: Canadian Zombie Fiction (edited by Silvia Moreno-Garcia), Fractured: Tales of the Canadian Post-Apocalypse (edited by Silvia Moreno-Garcia), and New Canadian Noir (edited by Claude Lalumière and David Nickle). They are currently reading submissions for a fifth anthology: Those Who Make Us: Canadian Creature, Myth, and Monster Stories, edited by Kelsi Morris and Kaitlin Tremblay.

Here’s the description:

Clockwork Canada runs the gamut of steampunk, showcasing a wide variety of genre elements, from purely technological contraptions to combinations of the mechanical and magical. The stories in the anthology reimagine important Canadian historical events, provide us with alternate Canadas, and gather inspiration from the Canadian landscape to make us wonder: what if history had gone a different way?

Clockwork Canada will contain fifteen stories; all are steampunk, and all are set in Canada. Here’s the complete table of contents.

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