Black Gate – Page 704 – Adventures in Fantasy Literature

Future Treasures: Swords of Steel II edited by D.M. Ritzlin

Wednesday, January 20, 2016 John ONeill Comments 5 comments

Dave Ritzlin’s Swords of Steel anthology, published last February by DMR Books, was a popular topic here at Black Gate and elsewhere. In his review, Fletcher Vredenburghw wrote:

When John O’Neill posted a few weeks ago about Swords of Steel, edited by D.M. Ritzlin, I knew I had to read it. The hook was simple: swords & sorcery stories written by members of metal bands. Tons of heavy bands — Uriah Heep, Iron Maiden, Manowar, Metallica, Megadeth, to name several — have drawn on the themes of heroism, monster-fighting, and sorcery for lyrics and look… Ritzlin set out to recreate a 1970s-style anthology akin to Lin Carter’s Flashing Swords! or Andrew Offutt’s Swords Against Darkness, and has succeeded.

I’m very pleased to report that a second volume is in the works, to be released next month. I asked Dave for a quote, and here’s what he told me:

The Swordsmen of Steel return! Attacking once more now with twice as much strength, the most epic practitioners of the heavy metal arts fill another volume with tales of terror and heroic adventure. Swords of Steel II features stories by such artists as E.C. Hellwell (MANILLA ROAD), Byron Roberts (BAL-SAGOTH), Mike Scalzi (SLOUGH FEG) and Howie Bentley (CAULDRON BORN). A total of eight stories (each accompanied by an illustration) are contained herein, as well as two poems and an essay by David C. Smith (author of the Red Sonja and Oron novels). Don’t read this book unless you have nerves of STEEL!

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January/February Magazine of Fantasy & Science Fiction now on Sale

Wednesday, January 20, 2016 John ONeill Comments 2 comments

The January/February issue of F&SF is all about the planet Mars — starting with a great cover, titled “Martian Vortex,” by Bob Eggleton. Here’s editor C.C. Finley:

Usually we start with a story and commission a cover for it but when Bob Eggleton sent us the Martian landscape that adorns this issue, we snatched up the illustration and went looking for stories to match. In the end, we found you not one, but three, all of them very different in tone and focus.

The Three Tales of Mars promised on the cover are by Gregory Benford, Alex Irvine, and Mary Robinette Kowal. The issue also includes stores by Alex Irvine, David Gerrold, Matthew Hughes, Terry Bisson, Albert E. Cowdrey and others.

Here’s the complete Table of Contents.

NOVELETS

“Number Nine Moon” – Alex Irvine
“The White Piano” – David Gerrold
“Telltale” – Matthew Hughes

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Some Vintage Genre Fiction Still Worth Reading (and Why)

Tuesday, January 19, 2016 Comments 41 comments

We love our vintage Historical Adventure, Science Fiction, Fantasy and Sword and Sorcery/Planet/ Sandal/Wombat etc. Call it Vintage Genre Fiction. This despite the fact that most old stuff is crap.

Seriously.

Listen: We’re on a road trip and my wife — Driver’s Privilege, and bear with me — puts on a retro chart show for 1968. We bop along to The Rolling Stones and some Soul, then on comes a song called MacArthur Park.

Go on, click the link I dare you. You’ll love the maudlin delivery, the lush strings and perky keyboard arrangement. Better yet are the lyrics. Here’s the refrain:

Someone left the cake out in the rain,
I don’t think that I can take it,
‘Cause it took so long to bake it,
And I’ll never have that recipe again, oh noooooo

At this point the kids and I are howling with pain.

Now if you like 60s music, know about, then right now you’re fighting the urge to dive down to the comments and start explaining why it’s good (please don’t). And it’s true, if you have a specialist interest then your cultural pleasures aren’t always mainstream.

Everybody else is still trying to unhear that song (Someone left the cake out in the rain/ I don’t think that I can take it/ Cause it took so long to bake it…).

And that, my friends, is how most people react to Vintage Genre Fiction.

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A Horror-Movie Imagination: The Old Dark House We Lived In

Tuesday, January 19, 2016 Nick Ozment Comments 8 comments

Introduction

My frame of reference is at least partly informed by years of being entertained by horror stories and films. Frame of reference shapes expectation, and expectation influences perception. In other words, if you’re a horror fan, you may feel a little twinge of nervous anticipation every time you go alone into the basement. You’re primed for it.

Even if you don’t for one second think that anything is actually lurking down there more frightening than a basket of laundry or a bit of black mold (which actually can be pretty scary, health-wise: not good to breathe that stuff), it’s just that you’ve seen so many artful and artless portrayals of What. Might. Be. Down. There… You get that twinge, a frisson that can be quite delightful, given that you know there’s no real bogeyman waiting to pounce from behind the furnace, just the thrill of imagining there is one. Which is why you’re a horror fan.

I am a storyteller, yes. Sometimes I write horror stories, and I am an aficionado of the genre: guilty as charged. But everything I recount in the following pages really happened. I have restrained myself from the storyteller’s natural tendency to exaggerate for the sake of effect. In this case, the facts are arresting enough without embellishment. My aim is simply to reconstruct some of the thoughts and impressions that went through my head at the time, thoughts and impressions colored by a horror-movie imagination. This may thereby serve to illustrate how one’s perspective can shape perception.

Some of what follows may seem a bit strange. But if you doubt any of it, just ask my ex: it might have gotten weird at times, but to the best of my memory it all happened. (Except for the part where she claims I screamed like a little girl. Take that with a grain of salt. When I am startled, I tend to think of my vocalization as a deep, throaty, manly yell.)

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Bradley W. Schenck Shows Us Grace Keaton on Her Aeroflite Flying Scooter

Tuesday, January 19, 2016 John ONeill Comments 0 Comment

Over on his Webomator blog, artist Bradley W. Schenck has posted a work-in-progress I like a lot, part of his ongoing Retropolis art series. He tells this brief story to go along with the painting.

Here’s Grace Keaton on her aged but serviceable Aeroflite flying scooter; it’s a work vehicle, standard issue for couriers in the Retropolis Courier Service. Grace makes her deliveries on the notoriously dangerous Route X and she’s the longest-lasting (in fact, the only surviving) courier on that route.

Route X couriers make four times the wages of normal couriers and Grace works half days. That’s a comfortable living for a graduate student. Unless you weaken. But somebody has to deliver along Route X. How else would the denizens of Retropolis’ Experimental Research District get their ‘mildly’ toxic chemicals, their suspiciously glowing minerals, or their generally illegal biological specimens?

See all the details here.

I Don’t Mean to Alarm Anyone, But We’ve Discovered Giant Insects on Monster Island

Tuesday, January 19, 2016 John ONeill Comments 7 comments

Seriously. Monster Island. Scientists at the Melbourne Zoo have now started breeding these giant insects, because apparently no one at the Melbourne Zoo has ever watched a single monster movie.

Four years ago, NPR’s Robert Krulwich’s wrote an in-depth feature on the astounding discovery made by a determined group of Australian scientists who scaled Ball’s Pyramid, the fragment of an ancient volcano that juts out of the South Pacific off the coast of Australia (that’s it above. What did I tell you? Monster Island). Climbing that crag of rock in the middle of the night, the scientists discovered a tiny colony of Lord Howe stick insects, Dryococelus australis, or “tree lobsters,” the heaviest flightless stick insect in the world. Tree lobsters were native to Lord Howe Island, and were long thought extinct.

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Mutants, Burger Creatures, and Genetically Engineered Sharks: Orbit 12, edited by Damon Knight

Tuesday, January 19, 2016 William I. Lengeman III Comments 0 Comment

Orbit 12
Edited by Damon Knight
Berkley Medallion (240 pages, $0.95, March 1974)
Cover by Paul Lehr

If I’ve got my story straight, there were 21 volumes of Damon Knight’s Orbit anthology series in all — and The Best of Orbit. The first of these saw the light of day in 1966.

Obviously, that puts this volume somewhere in the middle of the pack as far as the chronology goes. Reviewing is a subjective thing and we all like what like, but I’ve got to say that I wasn’t very impressed. I’ll start with a look at the two stories I liked, and move on to the many more that I liked less.

PICKS

“What’s the Matter with Herbie?,” by Mel Gilden

Nine stories into this volume and this is the first story that appealed to me. It’s a tale of two very alien aliens in a universe where strange aliens seem to be the norm. There’s not much to the plot but Gilden’s imaginative take and whimsical touch made it worth reading.

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New Treasures: The Detainee Trilogy by Peter Liney

Tuesday, January 19, 2016 John ONeill Comments 0 Comment

Why do I always discover exciting new series with the third volume?

I received a copy of the newly-released In Constant Fear a few weeks ago, and was instantly intrigued. Sure, mostly it was that eye-catching reddish-purple cover, which stands out at thirty paces. But I also found the description promising, about a “ragged band of survivors” who’ve escaped from “the hellish reality of the City,” and are eking out a secretive existence in an abandoned town. The cover quote from the Hollywood Reporter, “The Hunger Games for adults,” didn’t hurt either.

But right there at the top were the words The Detainee Trilogy, Book Three. Meaning I somehow missed the first two books. How’d I manage that? A quick trip to BarnesandNoble.com confirms that, yes indeed, there were two previous volumes: The Detainee (March 2014) and Into the Fire (March 2015). All three were released by Jo Fletcher Books here in the US. Apparently I’m not as hip to the publishing scene as I like to think I’m am.

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Ravenloft Returns: Curse of Strahd is Coming

Monday, January 18, 2016 Andrew Zimmerman Jones Comments 2 comments

Dungeons & Dragons returns to the Ravenloft setting with Curse of Strahd. — **Dungeons & Dragons** returns to the *Ravenloft* setting with **Curse of Strahd**.

The rollout of Dungeons and Dragons 5th edition has not been a rapid release of materials, as in some past editions, but a slower and more steady release of consistently good products, which focus on telling great stories over inundating players with new rule options.

I’m currently running my 10-year-old son and his friends through the Rise of Tiamat storyline – the first adventure released for 5th edition, spread across the two volumes of Hoard of the Dragon Queen and Rise of Tiamat. One of the more intriguing aspects of the storyline is a month-long caravan trip north to Waterdeep, with intrigue and subterfuge as you spy on the dragon cultists in the caravan without giving yourself away. Not necessarily the most natural storytelling option for a group of 10-year-olds, but they handled it well, and it gave an interesting change of pace for those who were used to more shoot-em-up style adventure play from video games.

While considering where to go when the dragon-themed plotline finished up, I was thinking of continuing with one of the other adventure books that’s been released so far: either the Elemental Evil storyline in Princes of the Apocalypse or the Rage of Demons storyline told in Out of the Abyss. Then came today’s press release that Dungeons and Dragons is releasing a new adventure module, Curse of Strahd, that returns to the classic Ravenloft setting.

Ravenloft is the classic, gothic horror setting for Dungeons and Dragons, and has long been a fan favorite. While the traditional enemies encountered are thought of as orcs and goblins, in Ravenloft these enemies look like pussycats (very ugly pussycats, to be sure), as dark forces and undead take a far more prominent role. Ravenloft is a realm where even an orc fears the sounds that come from the dark of the night.
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The Ordinary World is a Myth: Marc Levinson’s The Box

Monday, January 18, 2016 Mark Shainblum Comments 2 comments

The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger
Marc Levinson
Princeton University Press (400 pages, $20.95, January 27, 2008)

Just finished reading The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger by Marc Levinson.

Stifle that big **YAWN** for a minute. Especially as a science fiction writer, I love these histories of ordinary technologies, because they remind you that “ordinary” is itself a myth. Some revolutions come with explosions and special effects and some sneak up on you, but they both change the world.

As Levinson himself says in the book’s introduction, shipping containers are just big aluminum shoeboxes, less esthetically interesting than a can of beans, but their effects were just as revolutionary as the microchip and the Internet, and they were probably more important in building the globalized economy we live in today.

Before containers, loading a single ship with cargo was backbreaking, labor-intensive sweatwork that could take multiple gangs of longshoremen a week or longer. Costs were high, efficiency was low, wages and working conditions were terrible, and corruption and theft were endemic. However, at the same time, traditional ports supported a culture of their own, with whole neighbourhoods, factories, and a complete way-of-life centered around them.

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