Black Gate – Page 610 – Adventures in Fantasy Literature

A Secret Conflict During the Civil War: The House Divided Series by Sean McLachlan

Sunday, September 18, 2016 John ONeill Comments 0 Comment

Sean McLachlan, our Wednesday afternoon blogger, is primarily known around our offices as the guy with the enviable travel budget. His recent travelogues have taken him to Roman ruins in Spain, Wallingord Castle in England, a volcanic island in the Canary Islands, the National Archaeological Museum in Madrid, a writing retreat in Tangier, Morocco, and even more exotic places.

But Sean is also a prolific author. A former archaeologist, he is now a full-time writer who specializes in history, travel, and fiction. He won the 2013 Society of American Travel Writers Award for his Iraq reportage, and his historical fantasy novella “The Quintessence of Absence” appeared in Black Gate. He currently has several series on the go, including Toxic World, a post-apocalyptic science fiction adventure, and the Trench Raiders action series set in World War One. And his contemporary thriller, The Last Hotel Room, will be released later this month.

But my current favorite is his Civil War horror series House Divided, which so far consists of two novels: A Fine Likeness and The River of Desperation. Here’s what Sean told me when I asked him about the origin of the series.

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Amazing, May 1963: A Retro-Review

Sunday, September 18, 2016 Rich Horton Comments 2 comments

This is one of the best issues of Cele Goldsmith’s Amazing I’ve encountered. Only four stories, but all decent, one really good.

The cover is by Ray Kalfus, illustrating Henry Slesar’s “Jobo” in a fashion that gives away one of the story’s secrets (not that it’s that big of a secret). Interiors are by Leo Summers, George Schelling, and Virgil Finlay.

Norman Lobsenz’ Editorial opens thusly:

The New Yorker magazine, which normally does not care to admit of the existence of such a literary form as science fiction (probably because sf stories have plots with beginnings, middles, and ends, which the New Yorker fiction editors abhor)…

Plus ça change! The occasion is an approving New Yorker review of Arthur C. Clarke’s Tales of Ten Worlds, and in particular their praise for the story “Before Eden,” which was first published in Amazing in 1961.

“… Or So You Say”, the letter column, is mostly occupied with complaints about a letter in the January issue from Lorne Yacuk, which apparently complained about the “new” type of stories published in those days, particularly that they featured dull “common men” instead of “supermen.” The writers are James C. Pierce, W. D. Shephard, and Gil Lamont. In addition, Paul Gilster (from St. Louis!) praises Albert Teichner’s “Cerebrum” (mentioned in these reviews some time ago).

The Spectroscope, S. E. Cotts’ book review column, covers The Space Child’s Mother Goose, by Frederick Winsor; Moon Missing, by Edward Gorey; They Walked Like Men, by Clifford Simak; and Anything You Can Do…, by Darrel T. Langart (Randall Garrett). The only one he really approves of is the Simak.

There are two “fact” articles. One is called “A Soviet View of American SF,” by Alexander Kazantsev. It’s a reprint (translated by John Isaac) of the introduction to an anthology of American SF published in the Soviet Union. The author (Kazantsev) is said to be famous for suggesting that the Tunguska event was caused by the explosion of a Martian spaceship. His views of the stories mentioned are politically tinged to the point of parody. The other article is by Ben Bova, “Where is Everybody?”, and it’s a look at the Fermi Paradox.

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The September Fantasy Magazine Rack

Sunday, September 18, 2016 John ONeill Comments 0 Comment

I’ve been relying more and more on Charles Payseur’s Quick Sip Reviews to point me towards the fiction that will interest me each month. Charles doesn’t just tell me why he enjoys each story… he gives me enough detail to let me know which stories will grab my attention right out of the gate. Here he is on Rich Larson’s 12,000-word novelette “The Green Man Cometh” in the latest issue of Clarkesworld, for example.

This is a rather thrilling story about technology and damage, about ideology and fanaticism… [it] shows a nicely cyberpunk vision of Earth post-Calamity (which sounds familiar and I can’t remember if I’ve read a story or stories set in this world before), where most of the population has concentrated into one megacity. And in that megacity Eris is a cab driver with prosthetic arms and a bit of a chip on her shoulder because she was born on a neoprimitive colony and then sent away because of her disability… The action is fierce and the characters are fun. I quite liked the play between Eris and Kit, the government agent that gets assigned to her. The tech and the setting are richly explored and it’s a fun story with some nice points… Eris has to grapple with her own frustrations with the system against the terror that is what the cult plans. And yeah, it’s fun and it’s fast and it hits a lot of nice beats with its twists and turns. For an edge-of-your-seat thrilling science fiction, look no further. Very fun and very worth checking out!

Read his complete review of the issue here.

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New Treasures: The Year’s Best Science Fiction: Thirty-Third Annual Collection, edited by Gardner Dozois

Saturday, September 17, 2016 John ONeill Comments 0 Comment

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When my copy of The Year’s Best Science Fiction: Thirty-Third Annual Collection arrived last week, I was pleased (and a little flattered) to see this quote on the back.

There are roughly ten Year’s Best volumes currently being published in the speculative fiction market, but they all bow before Gardner Dozois’ The Year’s Best Science Fiction… To read Gardner’s The Year’s Best Science Fiction every year is to get the pulse of the entire industry. All the new writers, literary movements, shakeups, and happenings in the field ― it’s all there at your fingertips. ― Black Gate

That’s taken from my article on last year’s volume, The Year’s Best Science Fiction: Thirty-Second Annual Collection.

I’ve covered eight Best of the Year anthologies so far this year, from editors like Rich Horton, Jonathan Strahan, Neil Clarke, and John Joseph Adams. But the gold standard remains Gardner Dozois’ massive The Year’s Best Science Fiction, now in its 33rd annual volume.

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It’s Not Too Late to Sample Theresa DeLucci’s 5 Horror Reads for Summer

Saturday, September 17, 2016 John ONeill Comments 2 comments

The last day of summer is September 22. Which means I have four days left to keep the promise to myself I made when I read Theresa DeLucci’s Tor.com article Bright Days, Dark Fiction: 5 Horror Reads for Summer, and read at least two of her tantalizing selections. Top of my list right now are Michael Wehunt’s Greener Pastures and I Am Providence by Nick Mamatas. But I’m also considering Daniel Braum’s debut collection The Night Marchers.

Braum has a knack for describing the indescribable in extraordinarily accessible language. No mean feat when one is relating stories of extra-dimensional creatures and ancient, pissed-off gods. The plight of the underrepresented features prominently in a number of stories, like the title story (conquered gods of Hawaii,) “The Ghost Dance” (Native American spirits,) and “The Green Man of Punta Cabre” (ancient gods of Guatemala.) The latter story in particular was full of pathos as a missionary struggles to understand the true gods of his flock, and the ugly exploitation they suffer at the hands of civil war and invading corporation’s greed… My favorites were the desert horror of “The Moon and the Mesa” and the final story, one original to this collection, “The Sphinx of Cropsey Avenue.” A melancholy surrealist piece about riddles, misfortune, and familial duty finds a man, his fortune-telling girlfriend, and her son all linked as a found family, inextricably connected to a larger universal mystery steeped in ambivalence.

Read Theresa’s complete article here.

Arin Komins on the September 2016 Locus

Saturday, September 17, 2016 John ONeill Comments 1 comment

Locus magazine publishes a quarterly Forthcoming Books wrap-up, and have been doing so for at least the last 25 years, and the latest one appears in the new September issue. In years gone past I spent a lot of time pouring over those lists, making shopping lists and then calling Mark Zeising Books in California to make an order (or two). So reading the following brief post by my friend and follow book collector Arin Komins brought back a wave of nostalgia.

Spent the evening with the quarterly Locus Mag forthcoming books list in hand, highlighting happily (books to buy for the next 6 months or so.)

This will be followed by the quarterly pre-ordering frenzy, I suspect.

This says something sad about me, I am sure 🙁

It’s funny how publishers catch and lose my interest, too. Finding less and less on the Tor list (with a few notable exceptions), and more and more on the Titan one. Still have a few holdouts with Ace, Roc, Del Rey, etc, but Pocket is all but dead to me anymore.

Still, well pleased to see a new Norman Spinrad coming… and 2 new Kim Newman books. A couple of new Ken MacLeod. The expected 2 new L.E. Modesitt Jr books (of which Recluce Tales is what I am most waiting on.). No new non-Star Wars Alan Dean Foster (sad!). A handful of fun looking anthologies. Jared’s new book! New non-YA by Rachel. New Simon R. Green (Moonbreaker). Misc various others, including guilty pleasure reading (latest Cal Leandros book, newest Valdemar, Butcher anthology, new Chris Golden anthology, some Ari Marmell,etc.). Latest pretty thing from Charnel House that I won’t be able to afford.

Ah the exciting life of a book fiend. Don’t you envy me? (Hah!)

As a matter of fact I do, Arin! These days I spend all my time writing blog posts, and not nearly enough reading magazines. But I did recently renew my subscription to Locus. So that’s a step in the right direction.

See all the details on the September 2016 issue of Locus here. We last covered Locus with the July 2016 issue.

Much of a Muchness: Phyllis Eisenstein’s Born to Exile

Friday, September 16, 2016 James Enge Comments 4 comments

fabian-born_to_exile — First edition of Eisenstein’s **Born to Exile**

Fantasy Fiction, editorial, detail — Why was the editor of *Fantasy Fiction* getting stories full of mystical strangeness? We cannot tell.

Recently I was reading an editorial in Fantasy Fiction, an old magazine from near the end of the pulp era. This is the kind of thing I’m apt to do, especially when I should be getting some work done, but in this case I was hooked by the title, which was one of Latin’s greatest hits about reading: NON MULTA, SED MULTUM (“not many things, but much of a thing”).

The message of the editorial was that the editor was seeing too many stories that overdid the number of fantastic elements: “Recently a story came in which had everything — ghosts were making a compact with a group of trolls to defeat the Greek gods, now about to retake the world with a bunch of Hebraic letter incantations.”

The editor felt this was bad and stopped reading on the third page. I say it sounds awesome and the editor should have been banished to the outer darkness where there shall be wailing and gnashing of teeth. But I’m of the opposite school of fantasy — the “more cowbell” school, you might call it (to allude to another classic). Some people will try to tell you that less is more, but “more cowbell” people insist that only more is more: more miracles, more fireballs, more talking squids in space.

The truth is that neither school is right or wrong; it’s just a question of what works in a given story. The advantage of the non multa, sed multum approach is that it allows the writer to explore the ramifications of a fantastic concept, and maybe work in a character or two, not to mention a more carefully detailed world.

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Future Treasures: The Ferryman Institute by Colin Gigl

Friday, September 16, 2016 John ONeill Comments 2 comments

Here’s another debut fantasy with an original and intriguing premise: ferryman Charlie Dawson, condemned to transport souls to the underworld for all eternity, finds his existence unraveling after he prevents a young woman from committing suicide. And his life — such as it is — rapidly gets very complicated. In her review, Jaclyn Fulwood at Shelf Awareness writes,

Since the moment of his near-death more than two centuries ago, Charlie has been in the employ of the shadowy Ferryman Institute, guiding newly deceased souls through the departure process. When a Ferryman fails to convince a spirit to cross over, it becomes a vengeful ghost; Charlie Dawson, star of the Institute’s stable, never fails… In an age when the Institute competes with comparable organizations like the Sisters of Valhalla, Charlie is simply too good to let go. Supported by his refined mentor Cartwright, but stalked by internal affairs liaison Inspector Javrouche (the only person who actively despises him), Charlie limps through his malaise until he receives a special assignment from the president of the Institute — to see to the soul of one Alice Spiegel, a soon-to-be suicide — and is surprised with options: “Be a Ferryman or save the girl. Your choice.”

Gigl pays homage to Greco-Roman mythology while poking fun at corporate structure, but this fast-paced fantasy has its serious side, taking the real-life problem of getting stuck in a dead-end job to a more mystical but still weighty extreme. Gigl seems to realize his concept treads familiar ground; readers will find easy laughs here, but more introspection than in novels with similar premises.

The Ferryman Institute will be published by Gallery Books on September 27, 2016. It is 432 pages, priced at $16 in trade paperback and $7.99 for the digital edition. Click the images above for bigger versions, or read an excerpt at the Simon & Schuster website.

When a Trilogy Becomes a Sextuplet

Friday, September 16, 2016 Managing Editor Howard Andrew Jones Comments 0 Comment

After the launch of his newest book a few weeks ago I asked writer Michael J. Sullivan if he could spare some time to talk about his writing process. In addition to being talented, Michael also happens to be one of the humblest and kindest writers it’s been my pleasure to meet. It’s my pleasure to turn the blog over to him.

I recently released Age of Myth, the first novel in my new series. It’s the one with the big tree on the cover. Since people ignore advice, and nearly everyone actually does judge books by their covers, it’s a good thing for me that trees appear to be popular (no pun on poplar intended… okay maybe it was).

My first series The Riyria Revelations is six books long. This new series was supposed to be a trilogy. You’ll note I used the word supposed in that sentence. When I write a novel it almost always tops off around the 100,000-130,000 word mark (around 375-450 pages). I don’t plan it that way — just happens. It’s the length I need to tell a self-contained tale. Apparently I also have a set number when it comes to how many books it takes to write a series. You guessed it, my trilogy grew to six books long (okay, you had help from the post’s title). No, the publisher didn’t make me expand it, and Peter Jackson had nothing to do with it. The story takes place during a great war, but the story stopped before all the conflicts were over. I had a suspicion readers weren’t going to like that. I didn’t either. Quitting before the war was 100% resolved felt unfinished.

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Can-Con: The Conference on Canadian Content in Speculative Arts and Literature

Friday, September 16, 2016 Violette Malan Comments 0 Comment

cover Last weekend I attended Can-Con as a Special Guest. The Guests of Honour were Eric Choi (Science), Tanya Huff (Author), Sam Morgan (Agent, JABberwocky Literary Agency), and Sheila Williams (Editor, Asimov’s Science Fiction Magazine).

It’s a small con, as these things go, and as the full name of it indicates, its mandate limits it to speculative arts and literature in Canada – though I don’t think the attendees felt much in the way of limitation. There were workshops, and panels, and publishers and parties. The workshops covered building (both worlds and plots), researching the science, and using mythic worlds. The organizers cleverly scheduled the workshops outside of the regular programming, so attendees didn’t have to choose between workshopping or panelling.
They also did something I’ve never seen before, they turned the entire con into an adventure game, where attendees who wished to could create characters, gain points by attending panels, book launches, getting autographs, etc, and then, with sufficient points, challenge monsters.

There were four tracks of panels, plus two extra tracks that covered readings, interviews, agent pitches, etc. The panels themselves covered topics as diverse as building a reading list to cultural barriers to translation, to Earth as a terraforming project, to superhero TV, to Lovecraft and Race – you know what? Check the website and go over the schedule yourself. I defy you to find an hour where there wasn’t something you would have liked to attend.

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