December 2016 Clarkesworld Now Available

December 2016 Clarkesworld Now Available

clarkesworld-december-2016-smallIn his article “The Joy of Helping” in the latest Clarkesworld, writer and translator Ken Liu (The Wall of Storms, Invisible Planets) says some splendidly on-point things about helping others.

The truth is: It feels good to help people. Even today, much of my motivation in editing and translating stories from China is still tied up with this satisfaction of helping writers reach readers. Surely I would have written more original works and made more money without these translations — but I think I wouldn’t have been as happy.

And we don’t acknowledge and celebrate the joy of helping enough.

It’s also important to acknowledge that we like to be helped. I have been helped countless times in my career by friends, editors, readers, fellow authors—even Invisible Planets wouldn’t have been possible without the help of all the authors and many others along the way. All of us have probably had experiences where a friend’s insightful comments improved our stories… or we got onto a panel because someone more famous and accomplished thought it helpful to boost our voices. The sun feels brighter on those days, and even the writing seems to come out of the word-mines more easily.

It’s nice to be able to make someone feel that, isn’t it?

As freelancers in the uncertain publishing industry, writers are bombarded with advice on how to develop our careers and to think strategically. Sometimes it almost seems as if we’re supposed to feel foolish if our motivation for doing something is simply to help someone with no expectation of any advantage whatsoever. And if we do receive help, we are conditioned to think of it as part of some implied exchange, a favor owed that might be called in someday. Neither reaction, I submit, is necessary. Helping someone truly is its own reward.

Preach, brother Liu! It’s there’s one thing I’ve learned in 17 years publishing Black Gate, it’s that the biggest rewards always come from promoting others. Read Ken’s complete piece here.

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In 500 Words or Less: The King in Darkness by Evan May

In 500 Words or Less: The King in Darkness by Evan May

the-king-in-darkness-by-evan-may-smallThe King in Darkness
By Evan May
Renaissance Press (267 pages, $14.99 trade paperback/$2.99 digital, July 21 2015)

I haven’t had much luck with writing by Canadian authors set in Canadian cities, regardless of genre — which isn’t to say that those sorts of novels aren’t generally good. I’ve just had bad luck, I think, which started with the Canadian literature I was forced to read in university, and led me until recently to avoid speculative fiction set in, say, Toronto or Vancouver.

Clearly I’ve been missing out, though; a while back I read the first of Linda Poitevin’s Grigori Legacy novels and loved it, and now I’ve hit gold with a second spec fic novel set in a Canadian city: The King in Darkness, the debut novel from Evan May, which takes place in our mutual home of Ottawa.

I’ve considered and abandoned the idea of writing a story set in Canada’s capital several times, always worried about the political essence of Ottawa creeping into the work. May manages to write a novel that uses the physical setting of Ottawa in interesting ways — including the grounds around Parliament and the University of Ottawa — while avoiding any of the baggage that our fair city might bring to the narrative. For an Ottawa resident, recognizing locations is like a video game’s Easter eggs; if you know nothing about Ottawa, you don’t lose anything, either, thanks to May’s clear descriptions.

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New Treasures: Kojiki by Keith Yatsuhashi

New Treasures: Kojiki by Keith Yatsuhashi

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I attended Keith Yatsuhashi’s reading at the World Science Fiction convention in August. He read the opening section of his debut novel Kojiki, and I found myself very intrigued. Afterwards Keith very kindly gave me his reading copy, and I brought it home to Chicago, where it quickly became a favorite here in the Black Gate offices. Angry Robot has announced that the sequel, Kokoro, will arrive early next year.

Every civilization has its myths. Only one is true.

When eighteen year old Keiko Yamada’s father dies unexpectedly, he leaves behind a one way ticket to Japan, an unintelligible death poem about powerful Japanese spirits and their gigantic, beast-like Guardians, and the cryptic words: “Go to Japan in my place. Find the Gate. My camera will show you the way.”

Alone and afraid, Keiko travels to Tokyo, determined to fulfil her father’s dying wish. There, beneath glittering neon signs, her father’s death poem comes to life. Ancient spirits spring from the shadows. Chaos envelops the city, and as Keiko flees its burning streets, her guide, the beautiful Yui Akiko, makes a stunning confession – that she, Yui, is one of a handful of spirits left behind to defend the world against the most powerful among them: a once noble spirit now insane. Keiko must decide if she will honour her father’s heritage and take her rightful place among the gods.

Kojiki was published in paperback by Angry Robot on August 2, 2016. It is 447 pages and priced at $7.99, or $4.99 for the digital version. The cover is by Thomas Walker. The sequel, Kokoro, will be published by Angry Robot on April 4, 2017

Five Reasons Why a Writer Should Stay On Social Media!

Five Reasons Why a Writer Should Stay On Social Media!

...you have to avoid falling into the rabbit hole of long debates where you can't let something stand
…you have to avoid falling into the rabbit hole of long debates where you can’t let something stand

Me: I’m stuck. What kind of sentries would the bad guys set up?

DS Baker (a former soldier): Hang on…

Two minutes later we’re talking face-to-face across the Atlantic. I love the 21st century!

Yes, there are good reasons for a writer to stay on social media.

Well not all the time — and yes you have to avoid falling into the rabbit hole of long debates where you can’t let something stand. However, if you are a writer, then my experience is that properly curated social media is your friend.

I’m not talking about marketing, though it does help to have a wide circle of friendly people who are on your wavelength so might — not that you are entitled to this in any way — give your books a try.

No, I’m talking about more basic stuff.

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Red Sonja 0

Red Sonja 0

red-sonja-0Red Sonja first appeared in the pages of Conan the Barbarian back in the 1970s. Her distinct red hair, iconic chain mail bikini, and total indifference to absurdity quickly made her a fan-favorite. She next appeared in a string of solo adventures for Marvel Feature before getting promoted to her own series. Unfortunately, stories about a woman in a bikini fighting psychedelic monsters just became too silly and sexist as the She-Devil with a Sword made her way into the 1980s. A few years back, some hack wrote a bunch of articles for Black Gate about the glory days of Red Sonja, lamenting that she would never again be as crazy or as fun as she was in her 70s heyday.

Never say never.

Amy Chu and Carlos Gomez are heading up a new Red Sonja series in 2017 and, as a sort of pre-holiday treat, they’re offering a sixteen-page intro story at the super-low price of 25 damned cents. That’s cheaper than a lot of the original Red Sonja issues ran and I’m pretty sure they’re losing money due to printing costs alone. But they’re hoping that potential new readers will risk a quarter on a story that motivates them to stick around for the regular series. Will this gambit pay off? Time will tell.

The issue starts off with a splash page of Red Sonja running up a crumbling stairway, sword drawn in either hand, threatening a Godzilla-sized demon. It’s a badass introduction to our heroine. Or it would be, except for the fact that our first view of the She-Devil with a Sword is an upskirt shot. And Sonja’s not wearing panties. And that’s why I won’t be including panel shots with this review.

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Last Chance to Win The Watcher at the Door: The Early Kuttner, Volume Two!

Last Chance to Win The Watcher at the Door: The Early Kuttner, Volume Two!

The Watcher at the Door-smallAck! Time is running out for you to win one of the two copies of The Watcher at the Door: The Early Kuttner, Volume Two we’re giving away. And trust us, you really want this book. The latest archival quality hardcover from Haffner Press is a massive collection of 30 early weird fantasy tales by Henry Kuttner, and we’ve been awaiting this gorgeous book for a long, long time. We first gave you a sneak peek back in April 2015.

The Watcher at the Door is the second volume in a three-volume “Early Kuttner” set collecting many of Kuttner’s earliest stories, most of which have never been reprinted. The first volume, Terror in the House, was released way back in 2010.

How do you enter? Simplicity itself. Just submit the title of an imaginary weird fantasy story. The most compelling titles — as selected by a crack team of Black Gate judges — will be entered into a drawing. We’ll draw two names from that list, and the two winners will receive a free copy of The Watcher at the Door, complements of Haffner Press and Black Gate magazine.

How hard is that? One submission per person, please. Winners will be contacted by e-mail, so use a real e-mail address maybe. All submissions must be sent to john@blackgate.com, with the subject line The Watcher at the Door, or something obvious like that so I don’t randomly delete it.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Sorry, US only. Not valid where prohibited by law.

The Watcher at the Door: The Early Kuttner, Volume Two is 700 pages in high-quality hardcover format, with an introduction by Dr. Garyn G. Roberts and a foreword by Robert A. Madle. It is edited by Stephen Haffner, and was published October 28, 2016. The cover price is $45. Cover art is by Jon Arfstrom. See the complete TOC here. The book is available directly from Haffner Press.

Future Treasures: The Twenty Sided Sorceress, Volume Two: Boss Fight, by Annie Bellet

Future Treasures: The Twenty Sided Sorceress, Volume Two: Boss Fight, by Annie Bellet

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I love omnibus volumes. I did a series on them a while back, looking at inexpensive paperback omnibus (omnibi?) volumes from C.J. Cherryh, Andre Norton, Murray Leinster, James H. Schmitz, Steven Brust, Jack Vance, and others.

But omnibus novel collections aren’t just for classic writers — oh, no. Saga Press is putting the format to good use collecting Annie Belett’s bestselling fantasy series The Twenty Sided Sorceress, which originally appeared from a small press. The first volume, Level Grind, was published in October; the second, Boss Fight, arrives next month and collects three more novels: Heartache, Thicker Than Blood, and Magic to the Bone. Separated from her friends, their fates unknown, and without her magic, Jade must stop fighting on Samir’s terms or else her next battle will be her last.

Level up. Or die.

Jade Crow and her friends faced their worst enemy, her ex-boyfriend Samir, the most powerful sorcerer in the world, and they now lie defeated, and flung across the wilderness.

Samir had trained Jade to be a sorceress, to mold her in his image, until she rejected him and escaped here to Wylde. Jade must stop fighting on Samir’s terms or else her next battle will be her last. Leveled up and wiser, Jade stands a chance this time, if she follows the true calling of her power, and changes the playing field. Everything has been leading up to this… Roll for initiative!

This is the omnibus of the next three volumes in the USA Today bestselling fantasy series, Heartache; Thicker Than Blood; Magic to the Bone, collected together for the first time in print.

The Twenty Sided Sorceress, Volume Two: Boss Fight will be published by Saga Press on January 3, 2017. It is 397 pages, priced at $27.99 in hardcover and $15.99 in trade paperback.The cover is by Chris McGrath.

For the Love of Monster Comics

For the Love of Monster Comics

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A few months back I spent almost $40 on eBay to acquire two dozen Monsters on the Prowl comics — late 60s and early 70s Marvel monster titles featuring the imaginative work of Stan Lee, Jack Kirby, Steve Ditko, and the entire Marvel bullpen at the height of their creative powers.

It was an impulse buy for sure — not the first I’ve done on eBay, and I strongly suspect it won’t be the last — and I half-expected I’d regret it almost immediately. Or at least, as soon at the package arrived. But the opposite happened. The moment I held those beautiful old artifacts in my hands, I did feel regret. But not the way I expected.

My immediate thought was, Why didn’t I bid on a lot more of these?

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The Poison Apple: An Interview with T.J. Glenn

The Poison Apple: An Interview with T.J. Glenn

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TJ doubling The Toxic Avenger (photo by Robert Griffith)

The Poison Apple is a new semi-regular Black Gate column. Interviewer Elizabeth Crowens will be talking with atypical authors with unusual backgrounds or passions in the speculative fiction arena, and sharing their stories here.

The first “victim” to take a bite out of the Poison Apple is Teel James Glenn, known to most as T.J. Glenn, winner of the 2012 Pulp Ark Best Author of the Year, Epic eBook award finalist, P&E winner, Best Thriller Novel, Best Steampunk Short, multiple finalist for Best Fantasy short stories, author of the bestselling Exceptionals series, the Maxi/Moxie series, the Dr. Shadows series, the Renfairies series, stunt double and fight choreographer, and more.

Crowens: T.J., you seem to be living the dream of what Oscar Wilde would call art imitating life, being pretty much an action fantasy character day in and day out — a cross between Errol Flynn and Qui-Gon Jinn with a touch of James Bond villain thrown in. What attracted you to this world?

T.J.: When I was a kid I wanted to write comic books, draw them and then play the character. Here I am fifty years later, and I’ve sort of done it. I’ve never been able to completely separate them. Sometimes I do full renderings of the rooms my characters live in. I always do physical portraits of them. Often I conceive a character visually and work backwards from there. I’m a better writer because I’m a fight choreographer; I’m a better fight choreographer because I’m an actor; I’m a better actor, because I’m a writer. It all morphs together for me.

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Grimdark Magazine 9 Now Available

Grimdark Magazine 9 Now Available

grimdark-magazine-9-smallOver at Tangent Online, reviewer Kevin P Hallett demonstrates a knack for producing tantalizing three-sentence descriptions for each of the original pieces in the latest issue of Grimdark magazine.

“The Law of the Harvest” by Tim Waggoner

This horror fantasy short story is set in a world where the new power has expelled the old gods from the Dominion. Torvan is a harrower, sworn to find and kill any of these fallen gods that still live. He enters a poor village, where one of the Fallen is living off the people who scratch out a life there…

“The Bed of the Crimson King” by Filip Wiltgren

The Crimson King rose from a simple farm boy to become the hero who defeated the witches in this short fantasy. Now, in his elder years, he yearns for the simpler life of his youth. But a surviving witch is planning her revenge…

“Pre-emptive Revenge” by Rob J. Hayes

“Pre-emptive Revenge” is a short fantasy set in a medieval land. Betrim’s wife will rule this land; but first, all the members of the ruling Jogaren clan must die. Betrim has laid siege to a city and trapped a Jogaren family inside…

The issue also has fiction by Peter Orullian and Teresa Frohock.

The latest issue went on sale October 1. Here’s the complete Table of Contents.

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