Birthday Reviews: Somtow Sucharitkul’s “Dr. Rumpole”

Birthday Reviews: Somtow Sucharitkul’s “Dr. Rumpole”

Realms of Fantasy, 8/98
Realms of Fantasy, 8/98

Somtow Sucharitkul was born on December 30, 1952. He also writes using the pseudonym S.P. Somtow. In addition to writing science fiction, Sucharitkul is a successful composer and conductor, including the opera The Snow Dragon, which debuted in Milwaukee in 2015, and five symphonies.

In 1981 Sucharitkul won the John W. Campbell Award for Best New Writer. He has published as both Somtow Sucharitkul and S.P. Somtow and won the World Fantasy Award for his novella “The Bird Catcher” in 2002. His short story “Brimstone and Salt” won the International Horror Guild Award in 1997. He has also been nominated for the Hugo Award twice, the Bram Stoker Award, and the Theodore Sturgeon Memorial Award. He also won the Silpathorn Kittikhun Award, presented by the Office of Contemporary Art and Culture of Thailand’s Ministry of Culture. Sucharitkul was guest of honor at the 15th World Fantasy Con, held in Seattle in 1989.

The story “Dr. Rumpole” was published for the first time when Shawna McCarthy printed the story in the August 1998 issue of Realms of Fantasy. Sucharitkul included the story in his 2000 collection Tagging the Moon: Fairy Tales from L.A..

Sucharitkul takes a new spin on the story of Rumpelstiltskin in “Dr. Rumpole,” casting the princess with the impossible task as Adam Villacin, a wannabe screenwriter stuck in the mailroom at Stupendous Entertainment. When he happens to meet the studio head in an elevator, his friend’s fast-talking gets him an assignment as a script doctor. If he can’t turn a turkey of a script into a hit overnight, he’ll lose his job. Into this scenario comes Dr. Rumple, a mythic script doctor who can fix any script. However, he takes everything Villacin is paid for his scripts.

Just as Sucharitkul and the reader are aware that the story is a re-telling of the story of Rumpelstiltskin, the characters also compare their situation to the fairy tale. Knowing how the fairy ends, they also know what they need to do in order to avoid the threat that Dr. Rumpole could conceivably pose for Villacin and his friend/agent, Bobby Detweiler. The story works because Sucharitkul doesn’t follow the formula slavishly. Rumpole’s name doesn’t matter, but it is when Villacin and Detweiler uncover his past that they figure out a way to get out from under his thumb.

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God Of War (2018): Masterpiece

God Of War (2018): Masterpiece

god of war

God Of War (2018) is an incredible work of art. I believe that it is the best game of this generation. I understand this is an incredible claim to make. Each component of the game, story, graphics, and gameplay complement each other, providing a fun and immersive game that resonates with the player.

(Beware spoilers if you have never played a God Of War game)

The God of War series of games began in 2005 on the Playstation 2. The first game was named, appropriately, God Of War, which is also the name given to the entire series.

The story begins in ancient Greece, with a Spartan Warrior named Kratos. Kratos is tricked into killing his wife and daughter by the Greek God Of War, Ares. Kratos, armed with the Blades of Chaos, and fueled by utter rage, kills Ares and ascends to become a God, the new God Of War. In the following titles, it is revealed that Kratos is the son of Zeus. Kratos, disgusted with the behavior and manipulation by the Olympians, embarks on a dark path, destroying allies and foes alike to take down Zeus and the pantheon of Greek Gods.

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Birthday Reviews: Charles L. Harness’s “Child by Chronos”

Birthday Reviews: Charles L. Harness’s “Child by Chronos”

Cover by George Gibbons
Cover by George Gibbons

Charles L. Harness was born on December 29, 1915 and died on September 20, 2005.

Harness’s novelettes “An Ornament to His Profession” and “The Alchemist” were both nominated for the Nebula and Hugo Awards. His novella “Probably Cause” was nominated for a Nebula and the novella “Summer Solstice” was nominated for a Hugo. He was also nominated for a retro-Hugo for the novella “The Rose.” Harness’s novel The Ring of Ritornel was nominated for the Ditmar Award in 1969.

“Child by Chronos” was first published by Anthony Boucher and J. Francis McComas in the June 1953 issue of The Magazine of Fantasy and Science Fiction. The following year, they included it in the anthology The Best of Fantasy and Science Fiction, Third Series. It was translated into French for the magazine Fiction #26 in 1956, in 1966 for the anthology Historiques fantastiques de demain, and again for Planète #33 in March 1967, the last translation being done by Alain Dorémieux. Jacques Sadoul would also include it in his Anthologie de la littérature de Science-Fiction in 1981. It was published in German in 1969 in 9 Science Fiction-Stories, translated by Brigit Ress-Bohusch and in Italian in 1977 in Il future alla sbarra, translated by Roberta Rambelli. Charles Waugh and Martin H. Greenberg included it in 1980’s anthology Love 3000 and it was reprinted in 1998 in the NESFA Press Charles L. Harness collection An Ornament to His Profession.

In the film Somewhere in Time, based on Richard Matheson’s novel Bid Time Return, Elise McKenna (Susan French) gives Richard Collier (Christopher Reeve) a pocket watch in 1972 which he carries back with him to 1912 and gives to a much younger Elise (Jane Seymour). At no time in its existence is the watch out of Elise’s or Richard’s possession, so there is no way for the watch to have been made or purchased, it just is. Charles Harness published “Child by Chronos” 18 years before Matheson’s novel and 23 years before the film, but has a similar paradox at the heart of his story.

Harness’s story focuses on a woman who hates her mother, whom she is amazingly like, and who notes that all the men she has ever loved were also involved with her mother, an unhealthy psychological situation. Her life isn’t made easier by the strange educational regimen her mother instituted. Rather than allow her to attend school, she was made to memorize all the headlines published from the time of her birth. Her mother, who made her living as a highly successful prognosticator, never gives her an explanation for this strange education.

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New Treasures: Zenith by Sasha Alsberg and Lindsay Cummings

New Treasures: Zenith by Sasha Alsberg and Lindsay Cummings

Zenith the Androma Saga-small Zenith the Androma Saga-back-small

I order a lot of books online, and I’m pretty procedural about it. I make regular orders from my favorite sellers, but I have a limited budget and — between novels, anthologies, video games, board games, graphic novels, and blu-rays — a lot of things that catch my eye every month. So I debate long and hard before pulling that new Andy Duncan collection out of my cart to make room for that discounted copy of Dark Souls II.

On the other hand, my bi-weekly trip to Barnes & Noble is a lot more fun, because it’s all about the impulse buy. I’ve brought home a lot of exciting discoveries that way, simply because I give myself the freedom to buy those books that leap off the shelves into my hands.

I usually make a beeline for the SF books. But last month I parked myself in the Young Adult section, three huge and very colorful bookcases, and took the time to browse the latest. Because I already had a decent stack of magazines, I limited my take to a single book.

It was tougher than I expected. When you really take the time to browse, there’s a whole lot to interest the SF and fantasy fan in the YA section, believe me. In the end, my selection surprised me. The book that won out over all the others was an instant New York Times bestseller by two popular YA writers, a tale of an all-girl crew of space privateers getting caught up in “a dark and complex sci-fi drama” (Library Journal), and it just screamed fun. Young Adult it may be (and a romance, to boot), but this book is currently on the top of my TBR pile. Way to go, space girls.

Zenith, the first novel in The Androma Saga, was published by Harlequin Teen on July 31, 2018. It is 556 pages, priced at $9.99 in trade paperback and $1.99 in digital format. The cover was designed by Mark Luna. Read an excerpt at USA Today.

Fantastical Crime Noir for the New Year: Crazy Town edited by Jason M. Waltz

Fantastical Crime Noir for the New Year: Crazy Town edited by Jason M. Waltz

Crazy Town cover-small

Jason M. Waltz may be our favorite independent publisher. His publishing house Rogue Blades Entertainment, newly relocated to Texas, is celebrating its first 2018 release: Crazy Town: A Dark Anthology of Fantastical Crime Noir, and it looks very good indeed.

Jason earned his rep with top-notch titles such as Return of the Sword (2008), Rage of the Behemoth (2009), Demons (2010), and Writing Fantasy Heroes (2013), with original contributions from Brandon Sanderson, Howard Andrew Jones, James Enge, E.E. Knight, Glen Cook, Orson Scott Card, Steven Erikson, Bill Ward, Mary Rosenblum, C.L. Werner, Brian Ruckley, Andrew Offutt, Richard K. Lyon, Cat Rambo, Janet and Chris Morris, and many others.

His latest book is a dark anthology of fantastical crime noir, with a forward by Peter McLean (Drake, Priest of Bones) and new and reprint tales from Jay Caselberg, Michael Ehart, Milo James Fowler, Julie Frost, Matthew Chabin, and many others. Jason has scoured far and wide for the best tales of dark urban adventure, and Crazy Town includes stories from Bards & Sages Quarterly, Dark Wisdom, Damnation and Dames, Liquid Imagination, David M. Donachie’s collection The Night Alphabet, and other fine publications, plus half a dozen pieces original to this book.

Here’s the back cover text and full TOC.

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In 500 Words or Less: Short Fiction Roundup #2!

In 500 Words or Less: Short Fiction Roundup #2!

Rich-Horton-Years-Best-SF-2017-medium The Year's Best Science Fiction & Fantasy 2017 Rich Horton-small

To round out the calendar year, I decided it’s high time I wrote up another Short Fiction Roundup. I will freely admit I read way more novels than short fiction, but here are some of my recent reads that I want to spotlight:

The Year’s Best Science Fiction and Fantasy 2017 Edition

Yes, I realize we’re at the end of 2018, and yes, this edition means stories from 2016. Best Of anthologies are always hit or miss with me, since critic appeal and mass market appeal don’t always mean the same thing. But I was pleasantly surprised here.

Adrian Tchaikovsky’s “Dress Rehearsal” starts with a theater troupe escaping a dangerous patronage and takes a wild turn involving devilish creatures given a furlough from Hell. In “All That Robot Shit,” my Ottawa buddy Rich Larson provides a post-apocalyptic Castaway setting featuring robots that’s equal parts touching and hilarious (which is consistent with Rich). And Charlotte Ashley’s story of honor and respect between paired nemeses in “A Fine Balance” is coupled with the thrills of master warriors hunting each other in the streets. (Oh, and check out Charlotte’s Archipelago project, too!). There are a bunch of other engaging stories here, and I’ll be checking out Rich Horton’s 2018 edition for sure.

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Birthday Reviews: George Zebrowski’s “Lords of Imagination”

Birthday Reviews: George Zebrowski’s “Lords of Imagination”

Black Pockets and Other Dark Thoughts

Cover by Bob Eggleton

George Zebrowski was born in Austria on December 28, 1945. He is married to author Pamela Sargent.

In 1999 Zebrowski’s novel Brute Orbits won the John W. Campbell Memorial Award. In 2000 he and Sargent were presented with the Service to SFWA Award by the Science Fiction and Fantasy Writers of America. He has also been nominated for the Nebula Award for Short Story three times, for “Heathen God,” “The Eichmann Variations,” and for “Wound the Wind.” Zebrowski has collaborated on fiction with Sargent, Charles Pellegrino, Jack Dann, Gerald Hull, and Grant Carrington. He has co-edited anthologies with Thomas N. Scortia, Isaac Asimov, Martin H. Greenberg, Dann, and Gregory Benford.

Zebrowski first published  “Lords of Information” in the Spring 1990 issue of Science Fiction Review, edited by Elton Elliott. He substantially reworked the story and retitled it “Lords of Imagination” for its reprinting in his collection Black Pockets and Other Dark Thoughts in 2006.

“Lords of Imagination” is not just a rumination on the role of science fiction in the world of the future once aliens discover Earth and make it a protectorate, but is also a look at the role science fiction plays in our own time, partly, according to Zebrowski’s character, as a means of preparing mankind for the eventual discovery of alien species, and, by extension, technological and cultural advancement as well.

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Goth Chick News: The Stranger Things Kids Wrap Gifts for Stranger Things Fans

Goth Chick News: The Stranger Things Kids Wrap Gifts for Stranger Things Fans

Stranger Things cast

This is every bit as awesome as it sounds.

As you likely are aware, we have to wait all the way until summer before getting to binge the next eight episodes of Netflix’s Stranger Things so we’ve spent quite a lot of time scrounging for clues on what to expect. Executive producer Shawn Levy already confirmed that season 3 would take place a year after season 2 during the summer of 1985. Steve has graduated from high school and is working at an ice cream shop in the Starcourt Mall, which is where we see him in the teaser trailer. Levy also indicated the romantic pairings of Eleven-Mike and Max-Lucas remained steady and also revealed this tidbit, “We ended season two with a clear signal that the Shadow Monster was not eliminated, and maybe he’s even identified his foe. And that darkness, and the battle that it requires, only grows in Season Three.”

David Harbour, who plays Sheriff Hopper, told The Hollywood Reporter that everyone on the cast was “taking a lot of risks.” These may or may not include Hopper’s new dynamic as Eleven’s adoptive father.

We also know that much like how Season 2 riffed on the release of the first Ghostbusters movie, Season 3 is aiming for something closer to traditional horror in its focus on movies from directors like John Carpenter (Halloween, The Thing), David Cronenberg (The Fly, Videodrome), and George Romero (Night of the Living Dead). We can only guess what that means for the residents of Hawkins, IN.

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Ring in the New Year with the Latest Issues of Asimov’s Science Fiction and Analog Science Fiction and Fact

Ring in the New Year with the Latest Issues of Asimov’s Science Fiction and Analog Science Fiction and Fact

Asimov's Science Fiction January February 2019-small Analog Science Fiction and Fact January Febuary 2019-small

I’m enjoying being off work for two weeks over the holidays. This is one of the few times a year I can tackle some really ambitious reading projects.

But it’s also a marvelous time to get caught up on short fiction. It’s been a while since I’ve read an issue of Asimov’s Science Fiction cover-to-cover…. and over a year since I tried Analog at all. I picked up the latest double-sized issues at Barnes and Noble on Saturday, and the website descriptions for both sound enticing, with brand new stories by Robert Reed, Howard V. Hendrix, Edward M. Lerner, Adam-Troy Castro, Thoraiya Dyer, Mary Soon Lee, S. B. Divya, and others (in Analog), and Robert Reed, Lavie Tidhar, Suzanne Palmer, William F. Wu, Alexander Jablokov, Sandra McDonald, and many more (Asimov’s).

I was surprised to find stories from Robert Reed in both issues, and Leah Cypess credited in both summaries  — even though her Analog tale, “Parenting License,” doesn’t actually appear in the issue. C’est la vie. Here’s Asimov’s editor Sheila Williams on what’s actually in the January/February 2019 Asimov’s SF.

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Birthday Reviews: Fred Lerner’s “Rosetta Stone”

Birthday Reviews: Fred Lerner’s “Rosetta Stone”

Cover by Alan Bean
Cover by Alan Bean

Fred Lerner was born on December 27, 1945.

Most of Lerner’s writing is non-fiction. In fact, “Rosetta Stone” seems to be his only fictional credit. He has published the fanzine Lofgeornost since 1979 and many of his articles have been collected in the A Bookman’s Fantasy. His scholarly work includes The Story of Libraries, A Silverlock Companion, and Modern Science Fiction and the American Literary Community.

“Rosetta Stone” appeared as the first story in the debut issue of Artemis: Science and Fiction for a Space-Faring Age in Spring 2000, edited by Ian Randal Strock. The story has never been reprinted.

One of the stranger books in my collection is a brief treatise written by Terry Belanger in 1985 called Lunacy and the Arrangement of Books, which discusses a variety of ways private collectors have arranged their libraries to allow them to find the books they want, which may seem to make sense to that individual collection but can look random to anyone else.

The main character of Lerner’s “Rosetta Stone” is, like the author, an information scientist who has an interest in books. Dan is called by his old college roommate, Jack Hawkins, who invites him to the lunar base for some consulting on a confidential matter. When Dan arrives, he learns that a base has been discovered on the moon which looks a lot like the ones built by Lunar Labs, but which was not built by anyone known. Furthermore, the base has a library of human books from a variety of countries. Lunar Labs is hoping that Dan might be able to figure out something about the aliens who are believed to have built the base by the way they organize their books.

There are several points raised in the story, but dropped: Who the aliens are, why they chose the books they did, how they got the books up to the moon. Other questions are actually dealt with, although not always successfully. Jack explains why they decided to call on Dan rather than archaeologists or librarians or other people who might have seemed like a better match for the conundrum. In addition to Dan’s ability as an information scientists, he was also chosen because of late night musings he had shared with Jack when they were in college, a weak reason, perhaps, but it manages to fit into the story and Dan does, eventually, begin to provide results.

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