Witches, Menacing Forests, & the True Meaning of Fairy Tales: A Tale Dark & Grimm by Adam Gidwitz

Witches, Menacing Forests, & the True Meaning of Fairy Tales: A Tale Dark & Grimm by Adam Gidwitz

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Covers by Dan Santat

The Christmas break is usually a bit of a reading vacation for me, a chance to catch up on the year’s big reads. Of course, I don’t always want to read big, important books while I’m on vacation. Sometimes (usually), I just want something fun.

That’s how I ended up reading Adam Gidwitz’s A Tale Dark & Grimm yesterday, the first book in his dark retelling of favorite kid’s stories. The series was published nearly a decade ago, and re-issued with gorgeous new covers by Dan Santat in 2016. The first book was a New York Times bestseller, and it follows Hansel and Gretel as they skip their own story and leap into other classic Grimm fairy tales, meeting witches, warlocks, dragons, and even the devil himself. As they roam menacing forests, the siblings learn the true story behind the famous tales. Here’s a snippet from my favorite review, by Robin Smith at BookPage.

When I teach my second graders about Grimm’s fairytales, they are often shocked by the graphic details… Now that I have read Adam Gidwitz’s take on Hansel and Gretel, I know exactly what my students really feel: sheer terror.

Like any good storyteller, Gidwitz lures his readers into his tale. His light touch, humorous use of direct address (“if such things bother you, we should probably stop right now”) and tongue-in-cheek warnings make the reader want to take up his challenge and turn the page, no matter what. Gidwitz weaves a number of original tales into one satisfying, daring story of a brother and sister making their way in a world where adults, particularly parents, are unreliable, untrustworthy and in desperate need of forgiveness.

The first volume was followed in short order by two sequels. Here’s a closer look at the wraparound covers for all three volumes.

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In 500 Words or Less: Glitter + Ashes, edited by dave ring

In 500 Words or Less: Glitter + Ashes, edited by dave ring

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Cover by Grace P. Fong

Glitter + Ashes: Queer Tales of a World That Wouldn’t Die
Edited by dave ring
Neon Hemlock Press (256 pages, $17.99 paperback, Sept 15, 2020)

I’ve said it before and I’ll say it again – there have been a lot of horrible and stressful things about 2020, but one thing getting me through is the sheer amount of awesome SFF that’s being published right now. Particularly in short fiction, and particularly by smaller presses outside the Big Five (or Big Four, now).

Case in point, Glitter + Ashes: Queer Tales of a World That Wouldn’t Die. Like the editors of the Disabled People Destroy series and New Suns, dave ring has put together an anthology that’s pretty straightforward: queer writers and post-apocalyptic stories. What resonated with me, unsurprisingly, is how inherently optimistic and sometimes funny these stories are. I think I expected most to be dark or depressing, but instead the opening story, “Wrath of a Queer God” by Anthony Moll, takes the “queer agenda” and makes it a literal monster rampaging through town like Godzilla, carrying all the straight people away in their wake.

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Ellsworth’s Cinema of Swords: The 7th Voyage and Its Children

Ellsworth’s Cinema of Swords: The 7th Voyage and Its Children

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The 7th Voyage of Sinbad (1958)

Nowadays you can’t walk down a store’s DVD aisle without tripping over a stack of fantasy films, but not that long ago they were as rare as roc’s teeth and finding a good one was like stumbling on a magic lamp. In that regard, Ray Harryhausen’s 7th Voyage of Sinbad was a watershed, a top-notch fantasy that seemed to leap out of nowhere into magical life (though it had predecessors in the 1924 and 1940 Thief of Bagdad films). Hollywood didn’t quite know what to make of it, so 7th Voyage was followed by just a few copycats that were pitched at children. But it inspired an entire generation of young filmmakers, special effects artists, and game designers, whose work would bear fruit in the fantasy boom that would begin in the early Seventies.

The 7th Voyage of Sinbad

Rating: ***** (Essential)
Origin: USA, 1958
Director: Nathan Juran
Source: Viavision Blu-ray

Before 7th Voyage, Ray Harryhausen was just the creature guy for black-and-white monster movies; after this big-budget full-color fantasy adventure, he was the premier special-effects wizard of his time, not simply because he presented the most convincing and magical fantasy creatures in world cinema, but also because it proved he was a top-notch storyteller into the bargain. This film delights the child, adult, and professional storyteller in me equally, and I love it without reservation.

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Fantastical Kung fu Swordsmen Woven Into Historical Events: Legends of the Condor Heroes by Jin Yong

Fantastical Kung fu Swordsmen Woven Into Historical Events: Legends of the Condor Heroes by Jin Yong

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St. Martin’s Press paperback editions. Cover design by Ervin Serrano

Louis Cha Leung-yung, known more widely by his pen name Jin Yong, was a Hong Kong wuxia author whose tales of martial arts heroes in ancient China made him one of the most popular writers of all time. He wrote 15 books between 1955 – 1972, and by the time of his death in 2018 he was the best-selling Chinese author. The New Yorker proclaimed that “in the Chinese-speaking world, has a cultural currency roughly equal to that of Harry Potter and Star Wars combined,” and The Guardian called him “The world’s biggest kung fu fantasy writer.” CNN said that “Cha’s stories were epic, featuring not just fantastical kung fu swordsmen who can fly and walk on water, but also complex characters and plots woven into dramatic historical events.”

At long last four of his most popular fantasy novels have been given modern English translations, and mass market editions in the US. The Legends of the Condor Heroes series has sold over 300 millions copies worldwide; here’s the Kirkus Review of the first volume.

A somewhat simple-minded young man named Guo Jing, raised by his mother after his father’s untimely death, grows up in a world torn apart by palace intrigues and stewing political factions behind the Great Wall. On the other side, there’s a vast Mongol army led by none other than Genghis Khan… Fighting their way across the landscape with Guo are bands of Song dynasty patriots and traitors as well as legendary martial artists with names like The Eastern Heretic Apothecary Huang and Double Sun Wang Chongyang — oh, yes, and the Seven Freaks of the South… Jin Yong draws on a body of legend, history, Taoist precepts, and various martial arts traditions to serve up a tale of stylized contests…. Fans of sword-and-sorcery fantasy and historical fiction alike will enjoy this hard-hitting yarn.

Here’s the back covers for the first three books.

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A Solstice Story

A Solstice Story

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There’s just something magical about snow at Christmas time. Image by zanna-76 from Pixabay

It’s going to be a rough Christmas for many of us. Where I am, the government is considering an immediate, province-wide shutdown. Just a few days before Christmas. This means that I won’t be able to see my brother, who had been planning to come up and see us (he’s been very good about quarantining, so I feel safe hanging out with him). It is all for the best, though, as cases of our particular plague are spiking and hospitals are struggling to cope as it is. It’s looking increasingly like this Christmas I’ll have my cat, and Zoom. It’s a good thing my cat is a cuddle-monster. I’ll at least have some affection.

What I also have in these difficult times are stories. Stories, in fact, have gotten me, in particular, through so really tough times. Really tough. Since I have nothing else to offer today, I thought that I’d offer a story. I wrote this last year for my publisher’s Christmas season blog hop, so it’s not an original. I mean, it’s original to me, but it’s not new. Sorry. I’ve been a bit caught up making my Christmas gifts this year and I’ve run out of time.

In any case, here it is.

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Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim

Vintage Treasures: The Macabre Reader edited by Donald A. Wollheim

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The Macabre Reader (Ace, 1959). Cover by Ed Emshwiller

Today, December 21st, is the Winter solstice and the longest night of the year in the Northern Hemisphere. What to do with those long winter night hours? Curl up with a blanket, a warm beverage, and a good spooky book, of course.

My pick for tonight is Donald A. Wollheim’s The Macabre Reader, his 14th anthology, published as a paperback original in 1959 and never reprinted in the US. It’s still considered one of his finest anthologies, even today, and has both a fine reputation and the benefit of a good print run — meaning copies are still very inexpensive. There are plenty of reviews out there; here’s an excerpt from one of my favorites, by Dem Bones at Vault of Evil:

Thorp McClusky – “The Crawling Horror”: Hans Brubaker’s farmhouse comes under attack from a colourless jelly which devours rats, cats and cattle before turning [its] attention to human prey. His beautiful young wife Hilda and the local physician Dr. Kurt are the only people who believe his seemingly insane story and help him secure the place versus the shapeless creeping sludge. All is well until eighteen year old Bertha Brandt turns up on the doorstep in the middle of the night…

Zealia Brown Reed – “The Curse Of Yig”: Oklahoma, 1925. An ethnologists’ researches into snake lore amongst the Native Americans leads him to Guthrie Asylum… [and] the tragic history of settlers Walker and Audrey Davis, whose anxieties over her wiping out a nest of baby rattlers culminate in madness, manslaughter and monster births. A pulp classic with a killer ending, reputedly revised by H. P. Lovecraft.

The Macabre Reader contains stories and poems by H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Donald Wandrei, Robert Bloch, Henry S. Whitehead, John Martin Leahy, and many others — all under a killer cover by Ed Emshwiller. It’s perfect for a snowbound winter night.

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The Casablanca Letters

The Casablanca Letters

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I think that Groucho Marx was one of the funniest men who ever lived. And I laugh out loud a the movies he made with his brothers. Well, most of them, anyways. I strongly recommend his book. The Groucho Letters. When word was making the rounds around 1944 that the boys were going to make a movie called A Night in Casablanca, Warner Brothers threatened legal action. Jack and the boys felt that this intruded in the territory of their Humphrey Bogart and Ingrid Bergman movie of a few years before. Casablanca was not yet remotely the classic it is regarded as today. But Warners didn’t want the Marx Brothers trying to make a buck off of their own film.

Groucho penned what has become a well-known letter to the Warners. It’s full of his great wit and is absolutely worth reading. It’s less well-known that he wrote a couple follow-up letters. Here are The Casablanca Letters – with a few footnotes from me.

Dear Warner Brothers:

Apparently there is more than one way of conquering a city and holding it as your own. For example, up to the time that we contemplated making a picture, I had no idea that the City of Casablanca belonged exclusively to Warner Brothers.

However, it was only a few days after our announcement appeared that we received a long, ominous legal document, warning us not to use the name “Casablanca”.

It seems that in 1471, Ferdinand (1) Balboa (2) Warner, the great-great grandfather of Harry and Jack, while looking for a shortcut to the city of Burbank, had stumbled on the shores of Africa and, raising his alpenstock, which he later turned in for a hundred shares of common (3), named it Casablanca.

I just don’t understand your attitude. Even if they plan on re-releasing the picture, I am sure that the average movie fan could learn to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try.

You claim you own Casablanca and that no one else can use that name without their permission. What about Warner Brothers — do you own that, too? You probably have the right to use the name Warner, but what about Brothers? Professionally, we were brothers long before you were. When Vitaphone was still a gleam in the inventor’s eye, we were touring the sticks as the Marx Brothers and even before us, there had been other brothers — the Smith Brothers (4); the Brothers Karamazoff; Dan Brouthers (5), an outfielder with Detroit; and “Brother, can you spare a dime?” This was originally “Brothers, can you spare a dime” but this was spreading a dime pretty thin so they threw out one brother, gave all the money to the other brother and whittled it down to “Brother, can you spare a dime?”

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Adventures in Art Collecting: Windycon XXX

Adventures in Art Collecting: Windycon XXX

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Art from the Gordon R Dickson collection: Cover to Sleepwalker’s World
(DAW, 1972) and The Pritcher Mass (DAW, 1973). Art by Kelly Freas

When folks ask me for advice on how to collect original science fiction and fantasy art, I pass along some tips I’ve learned, but I also tell them that sometimes, you just have to get lucky. Case in point…

Classicon is a one day pulp and paperback show near Lansing, MI, generally held twice per year (at least when things are normal!). It’s organized by a friend of ours, Ray Walsh, who owns Curious Book Shop. Back in 2003, the fall edition of Classicon was to be held on November 9, and Deb and I planned on attending.

That same weekend, the Chicago area’s largest science fiction convention, Windycon, was taking place (Windycon XXX, which ran November 7-9, 2003). We weren’t able to go to Windycon that Friday due to work, but decided to make a short detour to it as we drove to Michigan on Saturday. We planned to just spend an hour or so there, to drop off fliers for the 2004 Windy City Pulp and Paper Convention, take a quick tour through the dealer room and art show and say hi to some friends.

All was going to plan until we made the last of our stops and entered the art show. As we walked in, we spotted two of our friends, Bob Weinberg and Alex Eisenstein, in close conversation. Walking over to them, they didn’t seem quite as excited to see us as we were to see them. They kindly remarked, quite insistently, that there was nothing to see here, and that our time would be better spent anywhere else other than at the art show. Not surprisingly, their helpful advice immediately raised our suspicions, and they soon came clean.

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Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

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Covers by Kurt Huggins, Eldar Zakirov, and David A. Hardy

Things have finally settled down in the magazine section of my local Barnes & Noble, and my favorite print magazines are reliably showing up again. I have to say, I’m relieved they all survived the chaos — in distribution, the market, and to their readers — caused by the pandemic. Magazines are fragile things at the best times, and fiction magazines particularly so.

Having said that, the recent issues are well worth a look. This crop contains brand new stories by George Zebrowski, Jack McDevitt, Connie Willis, James Gunn, Matthew Hughes, Albert E. Crowdrey, Nick DiChario, Juliette Wade, Clancy Weeks, Alaya Dawn Johnson, Chen Quifan, Sam Schreiber, and Marissa Lingen (twice!)

Analog Science Fiction/Science Fact

Analog wraps up its 90th anniversary year with a solid issue overstuffed with fiction — a whopping 19 stories! — including a classic reprint by Gordon R. Dickson, the 1967 Nebula Award-winning novelette “Call Him Lord.” The issue is edited by Trevor Quachri. Here’s all the details.

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Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

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Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

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