Adventures in Art Collecting: Windycon XXX

Adventures in Art Collecting: Windycon XXX

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Art from the Gordon R Dickson collection: Cover to Sleepwalker’s World
(DAW, 1972) and The Pritcher Mass (DAW, 1973). Art by Kelly Freas

When folks ask me for advice on how to collect original science fiction and fantasy art, I pass along some tips I’ve learned, but I also tell them that sometimes, you just have to get lucky. Case in point…

Classicon is a one day pulp and paperback show near Lansing, MI, generally held twice per year (at least when things are normal!). It’s organized by a friend of ours, Ray Walsh, who owns Curious Book Shop. Back in 2003, the fall edition of Classicon was to be held on November 9, and Deb and I planned on attending.

That same weekend, the Chicago area’s largest science fiction convention, Windycon, was taking place (Windycon XXX, which ran November 7-9, 2003). We weren’t able to go to Windycon that Friday due to work, but decided to make a short detour to it as we drove to Michigan on Saturday. We planned to just spend an hour or so there, to drop off fliers for the 2004 Windy City Pulp and Paper Convention, take a quick tour through the dealer room and art show and say hi to some friends.

All was going to plan until we made the last of our stops and entered the art show. As we walked in, we spotted two of our friends, Bob Weinberg and Alex Eisenstein, in close conversation. Walking over to them, they didn’t seem quite as excited to see us as we were to see them. They kindly remarked, quite insistently, that there was nothing to see here, and that our time would be better spent anywhere else other than at the art show. Not surprisingly, their helpful advice immediately raised our suspicions, and they soon came clean.

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Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

Underground Bazaars, Generation Ships, and the Mountains of Madness: November/December Print SF Magazines

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Covers by Kurt Huggins, Eldar Zakirov, and David A. Hardy

Things have finally settled down in the magazine section of my local Barnes & Noble, and my favorite print magazines are reliably showing up again. I have to say, I’m relieved they all survived the chaos — in distribution, the market, and to their readers — caused by the pandemic. Magazines are fragile things at the best times, and fiction magazines particularly so.

Having said that, the recent issues are well worth a look. This crop contains brand new stories by George Zebrowski, Jack McDevitt, Connie Willis, James Gunn, Matthew Hughes, Albert E. Crowdrey, Nick DiChario, Juliette Wade, Clancy Weeks, Alaya Dawn Johnson, Chen Quifan, Sam Schreiber, and Marissa Lingen (twice!)

Analog Science Fiction/Science Fact

Analog wraps up its 90th anniversary year with a solid issue overstuffed with fiction — a whopping 19 stories! — including a classic reprint by Gordon R. Dickson, the 1967 Nebula Award-winning novelette “Call Him Lord.” The issue is edited by Trevor Quachri. Here’s all the details.

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Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

Uncanny X-Men, Part 25: The Proteus Saga and My First Comics!

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Welcome to the 25th installment of my reread of The Uncanny X-Men from 1963’s issue #1. We’re now in 1979 and this post will cover issues #125-#128. This is a really memorable run for me for a few of reasons.

First of all, it’s an amazing 4-issue story with huge stakes and high drama, and an example of the Claremont-Byrne team entering their creative peak.

Second, in these 4 issues, some really messed up stuff starts to be revealed about the psychological manipulation of Phoenix that puts the whole series and Marvel history on a collision course with the Dark Phoenix Saga.

Third, issue #128 was one of the first four comics my mom gave me after she came back from a trip, and I remember reading it with a sense of wonder and confusion as I learned by myself how to read comics. I very shortly ended up trading parts of my fledgeling collection to a friend in return first for issue #125, and then finally issues #126 and #127 (and #137!). So my inexperience with the form as well as the non-linear way in which I absorbed the story are indelible parts of my view of what later became known as the Proteus saga.

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New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

New Treasures: Rebel Sisters, Book 2 of War Sisters by Tochi Onyebuchi

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Cover by Nekro (left) and unknown (right)

In his enthusiastic review of War Girls here at Black Gate, Jeremy Brett wrote:

War Girls is a novel of intense, determined hope in the face of overwhelming obstacles; in this current historical moment it’s exactly the book we need. In 2172, the world is a damaged place. Climate change and war have destroyed much of the Earth, and millions have fled the planet…  The war has left much of the area saturated in radioactivity that kills or mutates the local wildlife, and battles are fought using unmanned drones, human-piloted mechs, and augmented soldiers refitted with bionic limbs.

Onyii is such a soldier, a young woman and war hero who lives to protect both her new nation and her adopted orphaned sister Ify. When the two become separated through the usual vagaries of war, they find themselves on opposite sides of the conflict….  Part of the greatness of this book lies in Onyebuchi’s multidimensional descriptions of war. Yes, giant mechs fly through the skies and attack each other with gun and sword, which is always fun and exciting and begs to be a movie. But also, children are taken and augmented to become pitiless warriors, at the cost of their humanity and that of the people who build and direct them… There are exciting gunfights, but there are also moments of quieter emotional and physical healing.

The sequel Rebel Sisters arrived in hardcover last month, and it looks like a worthy follow up. Kirkus Reviews calls it “A thought-provoking, action-packed addition to the series,” and there’s been plenty of interest here in our offices. Looks like I’ve found a good 2-book series to dive into over the Christmas break.

Rebel Sister was published by Razorbill on November 17, 2020. It is 464 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover artist is uncredited. Read an excerpt (or listen to an audioclip) here.

See all our latest coverage of the best new releases in SF and fantasy here.

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

A Heist in a Sword and Sorcery World: A Hazardous Engagement by Gaie Sebold

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Cover by Duncan Kay

I’ve had my eye on Gaie Sebold ever since I bought her brilliant and funny short story “A Touch of Crystal” (co-written with fellow Brit Martin Owton), the tale of a shopkeeper who discovers some of the goods in her New Age shop are actually magical, for Black Gate 9.

She’s been well worth the watch. Her debut novel Babylon Steel (described as “Sword & Sorcery for the girl who wants to be Conan”) kicked off a successful 2-book series at Solaris; you can get both books in a giant 1,000-page omnibus, The Babylon Steel Adventures. Her 2014 effort Shanghai Sparrow was a Far Eastern steampunk tale of Espionage, Etheric Science, and Murder.

Her latest is A Hazardous Engagement, volume #6 in the NewCon Press Novellas line, a prestigious imprint that has published Alastair Reynolds, Tom Toner, Kari Sperring, Adam Roberts, Hal Duncan, Liz Williams, Simon Clark, Alison Littlewood, and loads more. My friend Arin Komins reviewed it on FB this week, saying:

A Hazardous Engagement novella from Gaie Sebold… Delightful heist story in a sword and sorcery world. From NewCon Press. Excellent and swift read, and quite good. Would make a good series of novellas or stories.

That’s all the endorsement I need…. I put it in my Amazon cart immediately. A Hazardous Engagement was published by NewCon Press on June 19, 2019. It is 120 pages, priced at $8.99 in paperback and $4.75 in digital formats. The cover is by Duncan Kay. See all the latest releases by Black Gate writers and staff here.

Goth Chick News: Christmas Spirits

Goth Chick News: Christmas Spirits

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As I enter the last leg of my doctoral studies, I couldn’t help taking advantage of my university’s very impressive library to take a bit of an intellectual detour. I did a search on the origins of modern-day Christmas traditions. Not unsurprisingly our current celebrations owe most to pagan winter festivals, and the rest to mid-19th century England; either way, very little has changed.

And because you’re here at Goth Chick News, you’ve got to know that I zeroed in on the association between Christmas and ghost stories. That particular practice, as it appears in American celebrations, is actually a Victorian tradition which was as much a part of Christmas to them, as Santa Claus is to us.

“Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories,” wrote British humorist Jerome K. Jerome as part of his introduction to an anthology of Christmas ghost stories titled Told After Supper in 1891. “Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about specters.”

The most obvious example of a Victorian holiday ghost story is Charles Dickens’ A Christmas Carol, which has become such a ubiquitous part of the season that most people don’t even wonder why Dickens chose ghosts to bring about Ebenezer Scrooge’s transformation. So, what is it about Christmas and ghosts that go so well together?

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An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

An Ode to Books and Writing: The Hell’s Library Series by A.J. Hackwith

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Cover design by Faceout Studio/Jeff Miller

One of the delights of fantasy is its diversity. Good fantasy should always surprise readers with its inventiveness, and it certainly needn’t be confined to the mundane world we live in. Case in point: A.J. Hackwith’s Hell’s Library series, which opened last year with The Library of the Unwritten, is set in a library in Hell.

That’s intriguing enough on its own. But what really got my interest was the brief plot synopsis: Hell’s Librarian, a resourceful and determined woman named Claire, learns that pages from the Devil’s Bible have been found on Earth. Authored by Lucifer himself, the pages are so dangerous that Hell and Heaven are both hellbound to find them. Together with her small staff, Claire sets out to prevent an unholy war that would likely destroy her library. Library of the Unwritten received starred reviews from Library Journal and Publishers Weekly; here’s a snippet from the former.

The Unwritten Wing in Hell is home to all stories unfinished by their authors. Claire is the head librarian. Sometimes she must chase down and return characters who have escaped from their pages. When one such hero heads to Earth to find his author, Claire, her current assistant and former muse Brevity, and the demon Leto try to capture him. The trio are attacked by the angel Ramiel, who thinks they are looking for the same tome he is: the Devil’s Bible. Deliberately lost on Earth for centuries, the Devil’s Bible could put the power of either heaven or hell in control. Claire and her companions must find it before the two realms decide to declare war… Elaborate worldbuilding, poignant and smart characters, and a layered plot make this first in a fantasy series from Hackwith… an ode to books, writing, and found families.

The Library of the Unwritten was published by Ace on October 1, 2019. It is 384 pages, priced at $17 in trade paperback and $11.99 in digital formats. Sequel The Archive of the Forgotten arrived on October 6, 2020; it is 368 pages, priced at $16/$11.99 digital. The covers were designed by Faceout Studio/Jeff Miller. See all of our recent coverage of the best new fantasy series here.

Neverwhens, Where History and Fantasy Collide: When History Gets in the Way of a Good Story

Neverwhens, Where History and Fantasy Collide: When History Gets in the Way of a Good Story

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It’s been a little while since we visited. If you don’t recall, last time, I took to task G. Willow Wilson for writing a lovely tale in The Bird King, that at the same time it has been hailed for providing strong feminist and Muslim characters, did so by perpetuating centuries old stereotypes about the Spanish Inquisition and creating antagonists that literally could never have existed. In short, to tell the tale she wanted, Wilson mangles Iberian history, and doesn’t provide so much as a footnote to acknowledge it.

I ended that column with:

Wilson is one of a number of authors doing a beautiful job of mainstreaming and normalizing Muslim characters and settings in fiction. But it is problematic doing so while promulgating false historical narratives. Please, give us a more realistic presentation, a detailed Author’s Note at the end, or just make it a secondary world that is so obviously based on our own, but the names have been changed to protect the guilty. Guy Gavriel Kay has made an entire career at just this, and is probably blurring the line between Historical Fantasy and Low Fantasy. He’s absolutely one of my favorite writers.

Now, I get to have my Marc Antony moment: Friends, Readers, Countrymen, I come to critique Guy Gavriel Kay, not to praise him….

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Ellsworth’s Cinema of Swords: Tony Curtis Goes Yonda

Ellsworth’s Cinema of Swords: Tony Curtis Goes Yonda

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Tony Curtis and Piper Laurie in The Prince Who Was a Thief (1951)

In the early Fifties, Tony Curtis was still honing his skills as an actor, but he was good-looking, athletic, and gosh, people liked him, so Universal decided to make him a star. Fortunately for us, for his first two swashbucklers Universal paired him with Piper Laurie, who was even more good-looking, athletic, and likeable than Curtis. And knowing that by the late Fifties Curtis would become a pretty decent actor, it’s interesting to watch him develop over his first few features.

The Prince Who was a Thief

Rating: ***
Origin: USA, 1951
Director: Rudolph Maté
Source: ATI Entertainment DVD

This is the first of many sword-swinging starring roles for Tony Curtis, whom you really can’t avoid if you’re watching historical adventures made in the Fifties. Everybody mocks Curtis, and it’s somewhat deserved, since he didn’t have the smarts of a Burt Lancaster or even a Louis Hayward, but he wasn’t terrible so much as mediocre. Somebody was persuaded that he was movie star material, but it took Hollywood about ten years to figure out that he was best employed as a reliable second banana. Fortunately, he’s offset in this film by engaging performances from Everett Sloane and Piper Laurie, who even this early in her career knew exactly what she was doing.

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Vintage Treasures: Threats… and Other Promises by Vernor Vinge

Vintage Treasures: Threats… and Other Promises by Vernor Vinge

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Threats… and Other Promises (Baen, November 1988). Cover by E. M. Gooch

Vernor Vinge is one of our greatest modern science fiction writers. He’s widely credited with introducing the singularity into modern parlance with his 1993 essay “The Coming Technological Singularity.” He’s won the Hugo Award five times, for his novels A Fire Upon the Deep, A Deepness in the Sky, and Rainbows End, and his novellas “Fast Times at Fairmont High,” and “The Cookie Monster.”

His first short story collection True Names … and Other Dangers appeared in 1987; it was followed quickly by Threats … and Other Promises in 1988. Both were paperback originals from Baen, and both were nominated for the Locus Award for Best Collection. The latter is remember today chiefly for the novella “The Blabber,” the first story in Vinge’s celebrated Zones of Thought universe, setting for much of his most popular fiction. I first learned about it from Alan Brown’s insightful review at Tor.com, here’s the bit that grabbed my attention.

“The Blabber” describes a human colony world settled by emigrants from the American Great Lakes region. Both Earth and this new colony are located in the “Slow Zone,” a region where travel and communications are limited to the speed of light, and superhuman intelligence is impossible. Beneath this region, in the “Unthinking Depths,” even human-level intelligence is impossible… The fringes of the galaxy are the “Beyond,” where the speed of light is no longer a limiting factor, and superhuman beings and intelligences live.

In “The Blabber,” the human colony, located just within the Slow Zone, is visited by a trading expedition from the Beyond, looking to trade advanced technology for cultural artifacts from the humans. The story is a bravura effort, mixing thoughtful scientific extrapolation with wonders that would be right at home in the space opera tales of science fiction’s pulp era. Vinge found a way to escape the bounds of rigid extrapolation, but in a way that was internally consistent. There is a joy and sense of wonder in “The Blabber” that I had not seen in Vinge’s work before. So when I heard that A Fire Upon the Deep would be set in that same universe, I looked forward to it with great anticipation. Anticipation that was rewarded in abundance.

If you’re like me and you like to sample authors with short fiction first, Threats…. and Other Promises is a great place to start. Here’s the complete Table of Contents.

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