Merry Christmas from Black Gate

Merry Christmas from Black Gate

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It’s evening in the O’Neill household, the sounds of Christmas music and video games have finally subsided (a little), and it’s almost… quiet. I’m finally in front of my computer, looking out over our backyard, with a peaceful minute to compose my annual Christmas message.

It’s been a helluva year. Plagues and pandemics. Economic uncertainty. Climate change. Endless political rancor. I suppose this is what being an adult is all about: seeing the world as it truly is, with all its dangers and uncertainties. I can see why so many people my age yearn for “a simpler time” — meaning the years when the world’s problems seemed vastly smaller, because they were too young to pay attention.

The world has always has problems, and I guess they’ve always seemed unsurmountable. When we first launched this site over two decades ago, I was consumed with traffic numbers, page views, and deadlines. In the intervening years we’ve achieved the kind of success I never dreamed of, easily surpassing two million pages views a month at our peak. But running Black Gate has taught me that true success isn’t captured in traffic metrics.

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Weird Horror #3 Now Available

Weird Horror #3 Now Available

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Weird Horror #3 magazine (Undertow Publications, October 12, 2021). Cover by Fernando JFL

Merry Christmas weird horror lovers!

I don’t know about you weirdos, but when it’s cold and snowy and the house is quiet I love to curl up by the fireplace with a cat in my lap and a creepy tome in my hand. The always reliable Undertow Publications have launched a brand new twice-yearly magazine, Weird Horror, edited by a man who’s demonstrated an excellent nose for the weird over the past decade, the distinguished Michael Kelly. The magazine is quickly becoming one of my favorite sources for wintry scares.

The first two issues appeared last October and in May, with stories by John Langan, Steve Toase, Suzan Palumbo, Stephen Volk, Catherine MacLeod, Mary Berman, and many more — plus reviews and non-fiction by Lysette Stevenson, Simon Strantzas, Orrin Grey, and others. The third issue was published right on time for Halloween this year, and it was near the top of my Christmas wish list.

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John C. Hocking’s Conan Pastiches Emerald Lotus and “Black Starlight”

John C. Hocking’s Conan Pastiches Emerald Lotus and “Black Starlight”

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Ken Kelly cover art for Conan and the Emerald Lotus

John C. Hocking’s Conan Pastiches

Conan and the Emerald Lotus by John C. Hocking emerged from Tor in 1995 (Ciruelo Cabral cover artist), and was reprinted in 1999 (with a Ken Kelly cover); both paperbacks are insanely expensive now (i.e. $500+ on Amazon, 2021 price). In 2019 Hocking released a 12-part serialized novella “Black Starlight” published in the back of the recent Conan the Barbarian comic (the comic portion was written by Jason Aaron), a direct sequel to “Emerald Lotus” that tracks Conan’s adventures as he returns from Stygia.

An indirect sequel novel by Hocking called Conan and the Living Plague was pulled from publication in 2019 at the last minute. Its future is unknown (by certain graces, the author did provide me with a copy of the manuscript, and we plan to discuss it in an interview planned for 2022).

This post covers Hocking’s Conan pastiche as it evolves from Emerald Lotus in “Black Starlight,” with hints of more.
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Now Streaming: The Rocketeer

Now Streaming: The Rocketeer

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The Rocketeer
The Rocketeer

Based on the comic of the same name by Dave Stevens, The Rocketeer was a nostalgic film that looked back, with a nudge and a wink at the thrilling heroics of yesteryear. The film was a loving tribute to the action serials of a much earlier time while it also wasn’t afraid to look at the seamier side of Hollywood.

Set in 1938, Cliff Secord (Bill Campbell) is a stunt pilot who only cares about flying a beaten up Seabee to qualify for the national air races and spending what little time and money wasn’t invested in flying on his girl, Jenny (Jennifer Connelly). Working to help Cliff achieve his goal was Peevy (Alan Arkin), a washed up mechanic who had an intrinsic understanding of anything mechanical.

After Cliff’s plane is destroyed upon landing, he and Peevy happen to find an experimental rocket pack that was hidden on the airfield by gangsters trying to get away from the FBI. While Peevy is the voice of reason, suggesting they turn the rocket pack over to the authorities, Cliff begs him for the opportunity to try it out, the ultimate flying experience.

Once he flies, Cliff is completely hooked, finding solid reasons to keep the jetpack, like rescuing a pilot who passed out while flying, but when the gangsters figure out that the guy with the jetpack is somehow connected to Jenny, he needs to use the pack to rescue her.

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Ellsworth’s Cinema of Swords: Weird Samurai

Ellsworth’s Cinema of Swords: Weird Samurai

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Lady Snowblood (Japan, 1973)

Japanese chanbara (samurai swordplay) adventure shows and movies had a long history of being adapted from popular manga series. As the Sixties turned into the Seventies, chanbara manga got increasingly bizarre and extreme, and the screen adaptations followed. These historical fantasies drew on the avant-garde film movements of the last Sixties, but also pulled imagery and characters from traditional sources, melding dream-logic with ghostly revenants. Bracing stuff, and if it’s sometimes hard to follow their abrupt 90-degree turns, the stories always sort themselves out in the end.

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Vintage Treasures: Modern Classics of Science Fiction edited by Gardner Dozois

Vintage Treasures: Modern Classics of Science Fiction edited by Gardner Dozois

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Modern Classics of Science Fiction (St. Martin’s Press, 1992). Jacket illustration courtesy of NASA

Back in October I wrote about Gardner Dozois’ 1994 anthology Modern Classic Short Novels of Science Fiction, saying it was one of my favorite fall reads. I noted at the time that it was part of a trilogy of books Gardner did for St. Martin’s that also included Modern Classics of Fantasy (1997), which I called “a book that makes you yearn to be stranded on a desert island.” But I’ve never discussed its sister volume, and first in the sequence, Modern Classics of Science Fiction (1992), and so today I thought I’d correct that egregious oversight.

Modern Classics of Science Fiction is a fabulous collection. Like the books that followed, it’s an eclectic and personal volume, filled not with the most famous and acclaimed short science fiction, but instead Gardner’s highly personal selection of some of the best SF of the 20th Century. It includes 26 stories published between 1956 and 1989, by Theodore Sturgeon, Richard McKenna, Jack Vance, Edgar Pangborn, Roger Zelazny, R. A. Lafferty, Samuel R. Delany, Brian W. Aldiss, Gene Wolfe, James Tiptree, Jr., Ursula K. Le Guin, Howard Waldrop, Lucius Shepard, Michael Swanwick, and many more.

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The Harp and The Blade: A Bard’s Adventures in Old France

The Harp and The Blade: A Bard’s Adventures in Old France

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Belarski cover for ARGOSY, June 22, 1940 issue, featuring Part One of “The Harp and the Blade.”The first printing of John Meyers Meyers’ The Harp and the Blade was serialized in seven parts in the pulp magazine Argosy from June through early August of 1940. Although the Rudolph Belarski painting on the cover of the June 22 issue might suggest that The Harp and the Blade is a fantasy, it is not. It is instead a straight adventure story set in medieval France.

What makes this story really interesting is its feeling of reality and the aliveness of the characters. We do not observe the story as if a Hollywood piece, at a comfortable distance from the action. Nor do we wallow in the filth, fleas, and mud. We are shown the reality of battle, the value of a laugh with friends, the necessity of a drink, and the delight of a kiss from one’s wife. The characters’ values are also of paramount importance, with clear demarcations made between good and bad. When there is a case of muddy morals, there is also a rationale, which may not be to our liking, but which makes sense for the characters involved.

The question is never asked — what makes life worth living? Instead, we are shown the answer in the simple things that the hero wants and that his blood-brother already has. This is a man’s tale, not grandiose, but heartfelt and homey as brown bread and good ale.

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Relive the Glory Days of BattleTech with Shrapnel Magazine

Relive the Glory Days of BattleTech with Shrapnel Magazine

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Shrapnel magazine, issues 4-6 (InMediaRes Productions, March, June & September 2021).
Covers by Florian Mellies (left) and Ken Coleman (middle and right)

I bought a few issues of the new Warhammer paperback magazine Inferno! last year, and was impressed enough to start looking around for similar publications. It wasn’t long before I found Shrapnel, the Official BattleTech Magazine published by InMediaRes Productions, and I picked up the first three issues.

Shrapnel is edited by John Helfers and Philip A. Lee, and published four times a year. In many ways it’s a spiritual successor to the old BattleTechnology print mag from the early 90s, edited by William H. Keith, Jr. and Hillary Edith Ayer. Shrapnel began life as a stretch goal for Catalyst Games’ 2019 Clan Invasion Kickstarter; organizers committed to four issues if they hit the goal. The campaign raised a whopping $2,580,000, and Shrapnel has been with us ever since.

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Future Treasures: Battle of the Linguist Mages by Scotto Moore

Future Treasures: Battle of the Linguist Mages by Scotto Moore

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Battle of the Linguist Mages (Tor.com, January 11, 2022)

If there’s a more exciting publisher in SF and fantasy at the moment than Tor.com, I don’t know what it is. They’ve dominated both award lists and bestseller lists with their recent powerhouse releases, including Martha Wells’ hugely popular Murderbot chronicles, Seanan McGuire’s Wayward Children series, and Tamsyn Muir’s Gideon the Ninth. Just in the last few months they’ve released brand new books by Tochi Onyebuchi, Adrian Tchaikovsky, Catherynne M. Valente, Alix E. Harrow, Charlie Jane Anders, Becky Chambers, and Peter F. Hamilton & Gareth L. Powell.

They’ve got a stellar line-up in place for next year as well, and we’re looking forward to sharing all the details. But the one I’ve got my eye on next month is Battle of the Linguist Mages by Scotto Moore, author of Your Favorite Band Cannot Save You (Tor.com, February 2019). Charles Stross says, “It reads like Snow Crash had a dance-off with Gideon the Ninth, in a world where language isn’t a virus from outer space, it’s a goddamn alien invasion,” and that sounds like something worth canceling a few meetings for.

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Goth Chick News Classics: Ray Bradbury’s “The Wish” Brings New Magic to the Holidays

Goth Chick News Classics: Ray Bradbury’s “The Wish” Brings New Magic to the Holidays

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The Book

In 2019 I finally got around to writing about my first encounter with Ray Bradbury and his story “The Wish.” It isn’t one of his most famous or well known, but when it appeared in the December issue of Woman’s Day magazine in 1973, it touched my 9-year-old self in a deeply personal way. Following its appearance in Woman’s Day, “The Wish” only appeared twice more; once in a compilation called Long After Midnight, which I discovered in my subsequent youthful pursuit of all things Bradbury, and once in a format I only just discovered.

Here is where the magic comes in…

Back in October, 2020 I received an unusual voicemail on my “day job” phone. The gentleman introduced himself and asked if I was the Sue Granquist who writes for Black Gate. If so, he had something for me. If not, he apologized for bothering me and then left his number for me to call. What was exceptionally strange about this is that I don’t even know my office phone number, not to mention my very strict policy of separation of church and state – no one at the day job knows about my gig at Black Gate. So how, exactly, did this gentleman track me down there?

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