Goth Chick News: Vampire Zombies on a Plane, Snakes Not Included

Goth Chick News: Vampire Zombies on a Plane, Snakes Not Included

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image004I believe everyone has something that unnerves them, which is not in your typical things-that-are-scary category. We’ve already agreed that clowns and little kids with blank stares rank high on the creepy index, but there are other more benign items that cause the hair on the back of our necks to stand up, mainly because they exist on the outside of the everyday.

Allow me to provide an example.

A few years ago I had an opportunity to visit Cape Canaveral in Florida for a night-time launch of the space shuttle. Though the event was scuttled by technical difficulties, there was something strangely frightening about the massiveness of the shuttle (and “massive” hardly does it justice).

This monolithic structure, sitting in the middle of an otherwise vacant launch pad and lit the way it was, seemed strangely terrifying. It didn’t belong there on what looked like a normal airport runway. It was gigantic and alien and out of place. I can’t explain it sufficiently, but I had nightmares about standing near it for several weeks after. Maybe because it was in a place my mind just couldn’t agree it should be, and that turned “normal” upside down.

It was because of the chill that comes from everyday things being displaced that I picked up Guillermo Del Toro’s latest paperback release The Strain to sustain me on a recent, long plane ride. In case you aren’t familiar with Del Toro, he is the owner of the incredible imagination that brought us Pan’s Labyrinth, which was turned into an Oscar-winning film in 2007.

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Art Evolution 9: Jim Holloway

Art Evolution 9: Jim Holloway

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Art Evolution, the collection of role-playing artists spanning thirty years and genres creating a single character, begins here and continues with this week’s ninth representative.

cranston-snords-irregulars-254Okay, now I had a ‘Pathfinder Iconic Lyssa‘, and life was good, but the more I went over what I wanted from this project the more it became clear I couldn’t just do ten artists. There was no way ten artists justified the true landscape and epic scope of RPG art during the past thirty years.

I was at the tipping point, and it was then, in the depth of winter that I decided I’d include everyone who’d not only impacted my life, but the life of gamers all over the world.

If I somehow had the power to collect those already in the project, then asking was no longer an issue, and the sting of a rebuke wasn’t a deterrent against the joy I already felt at the process.

Taking a lead from Dragon Magazine reading, I starting rolling out every name I could think of. Instead of thinking about two representatives from each Era, I’d go for four, and I looked deeper into all the art I’d seen since my youth.

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Realms of Fantasy Returns — Again

Realms of Fantasy Returns — Again

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rofLess than three weeks ago we reported that Realms of Fantasy magazine was being closed by Tir Na Nog Press and publisher Warren Lapine. (And Brian Murphy asked if the end of Realms of Fantasy begs the question: Too much fantasy on the market?)

At the time, Warren offered to sell the magazine for $1 to a responsible party who could continue publication. Now SF Scope is reporting that the magazine has been sold to Damnation Books.

Who the heck is Damnation Books? I admit I never heard of them either. According to their website, they’ve published electronic novels, novellas and short stories by Joshua Martyr, S. A. Bolich, Matthew S. Rotundo, and many others. Their CEO is Kim Richards, and their staff includes William Gilchrist, Tim Marquitz, and Lisa J. Jackson.

Damnation Books plans to release the December 2010 issue (previously only available electronically) in print form, and continue virtually immediately with the February 2011 issue, meaning the magazine’s bi-monthly schedule will suffer no gaps.

All subscriptions will be honored, and Damnation has announced plans for an extra-sized June 2011 volume, to coincide with the magazine’s 100th issue. The website remains at www.rofmag.com, and effective immediately the magazine has reopened to submissions.  No official word yet on whether any of the magazine’s current staff will remain.

This is great news for fantasy fans — and kudos to Warren and Damnation Books for orchestrating what looks like a smooth transition.  Here’s hoping Damnation finds the right formula to keep this grand lady of fantasy alive and thriving.

“Hey Look, It’s Joe Haldeman!”: A First-Time Convention-Goer Looks at World Fantasy 2010

“Hey Look, It’s Joe Haldeman!”: A First-Time Convention-Goer Looks at World Fantasy 2010

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black-gate-booth
Howard A. Jones, John O'Neill, et Ego

I had never attended a major speculative fiction convention until this year. And the World Fantasy Convention is a huge one for a first-timer to go diving into. It’s an especially scary dive if you’re someone like me, who is only starting to emerge from the years of amateur writing into some level of the professional. I’ve won a major writing award, have some stories that will soon be published, and even have an agent and a novel making the rounds at publishing houses, but I felt like a Lilliputian among Brobdingnagians when I entered the Hyatt Regency Hotel in Columbus, OH on 29 October 2010 with the Thirty-Sixth World Fantasy Convention already in motion. There I was, lugging my heavy suitcases from the taxi from the airport, and already around me was a throng of people with their convention badges swinging from their necks and deep in the business of “convening.”

The main reason I had never gone to conventions before (aside from some swing dancing confabs — a different world entirely) was because I didn’t have any people to go with or meet there; most of my close Los Angeles friends are not involved in SF fandom to any degree. I didn’t want to go solo and feel lost in the huge ocean of a major convention. I know my personality — I’d likely leave the convention in a few hours in a sort of junior-high-school-dance-wallflower fear.

But this time, I had the best network and support team possible, the Black Gate folks. This was not only a chance to go to a huge convention, but a chance to meet the people who had formed an important part of life during the past four years, and who until then were known to me as emails and voices on the phone. I finally got to meet John O’Neill, Bill Ward, John Fultz, Jason M. Waltz, and the man responsible for getting me involved in all this in the first place, Howard Andrew Jones, but for whom . . . well, you know the rest. Without Howard’s encouragement, I don’t think I would have pushed myself to be a better writer the way I have over the last few years.

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You Know What’s Cool? Strange Horizons Is Cool

You Know What’s Cool? Strange Horizons Is Cool

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"After the Fall" by Malcolm McClinton
"After the Fall" by Malcolm McClinton

As an upstart n00bie writer in the fantasy field, I tend to be very fond of those editors who actively seek out and nurture upstart n00bie writers in the fantasy field.

I know, right? Shocker!

That’s one of the many reasons I adore Black Gate Magazine with radiant rip-tides of affection. The time and attention these editors bestow on their writers is mind-boggling. You think you’ve written something pretty okay, and then the editors get their scalpels and flensing knives and broadswords right into the meat of it, and your story suddenly becomes EPIC LIKE BEOWULF!

And that’s an experience I had recently with Strange Horizons‘ editor Karen Meisner.

Back in late July, Strange Horizons accepted my story “Household Spirits,” which went live online today.

In the interim between acceptance and publication, there was the Editing Process.

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Writing: Mistakes Are Future Tips

Writing: Mistakes Are Future Tips

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1793-notebook1Several weeks ago I waxed on about how useful I find my Paperblanks writing notebook. I fill one up about once a year, and recently found myself copying over some of the information I always jot down in the first few pages. One of the most important things I keep there is a list of reminders intended to help me be a better writer. On the whole, although I call these writing tips, most of them are mistakes I’ve made. I try to glance over them every few days.

Every writer’s going to have his or her own favorite mistakes; I’m listing the ones I’m most aware of in my own writing in the hope you’ll find some of them instructional. Maybe this list can even help you avoid them.

  • Don’t be too quick to reveal the villain’s plan

In my rough drafts the villains usually are way too obvious. Sometimes it’s good if the readers know exactly what the plan is because that creates tension, but I have a habit of just laying it all out as I’m figuring out the bad guy’s motives and as a result, crush suspense.

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Supernatural Spotlight – Episode 6.7 “Family Matters”

Supernatural Spotlight – Episode 6.7 “Family Matters”

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Poor Sam finds out that he doesn't have a soul.
Poor Sam finds out that he doesn't have a soul.

This week picks up right where last week’s episode left off: upon getting proof that something is wrong with Sam, Dean beat him unconscious. He awakens to find Castiel trying to diagnose him. Sam doesn’t think much of this tactic.

“You really that this–”

“What,” asks Dean, ” you think there’s a clinic out there for people who just pop out of hell wrong? He asks, you answer, then you shut your hole, you got it?”

Sam reveals that he hasn’t slept since returning from the pit. When Castiel answers how he feels – not just physical sensations – he says, “I don’t know.” And when Castiel digs for his soul, he comes up with … nothing. Looks like Sam came back from Lucifer’s prison without his soul.

“So is he even still Sam?” asks Dean.

Castiel replies, “Well, you pose an interesting philosophical question.”

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Novel Writing: Le Morte d’Arthur

Novel Writing: Le Morte d’Arthur

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Idylls of the KingNational Novel Writing Month is well underway for me. I’ve gotten a start on my novel, at the same time as I’m still getting the structure figured out. I’ll have some thoughts on my process, and what I’m learning, a bit later in this post; first, I want to write a bit about the subject I’m wrestling with, the Matter of Britain.

I’m writing an Arthurian fantasy. Like, I’d imagine, most people, I’ve been vaguely familiar with the stories of Arthur and his knights since I was very young. At different times in my life I’ve been more or less intensely interested in different aspects of the Arthurian tales and the way they developed over time; writing a story using that material, though, forces a new perspective on me.

I’ve had to think a lot about what precisely interests me about these stories. And which stories, in particular, have grabbed me? Why do they matter? Why do I want to write about them?

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Win a copy of Terror in the House: The Early Kuttner, Volume One

Win a copy of Terror in the House: The Early Kuttner, Volume One

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kuttnerHaffner Press has released the first volume of their new series The Early Kuttner, titled Terror in the House, and we have no less than three copies to give away.

Haffner’s archival-quality hardcovers  — including the legendary Kaldar: World of Antares by Edmond Hamilton, copies of which now sell for $2,000 and up — are some of the most collectible books in the genre, and Terror in the House promises to be popular indeed. Here’s the book description:

Henry Kuttner was a frequent contributor to the pulp magazines that specialized in the weird, supernatural, horror, and science fiction genre. Beginning in 1936, with the minor classic “The Graveyard Rats,” Kuttner launched a steady stream of short stories aimed at Weird Tales, Mystery Tales, Thrilling Wonder Stories, and others… Kuttner set several stories in Lovecraft’s “Cthulhu Mythos” and several are presented in Terror in the House including: “The Secret of Kralitz,” “The Eater of Souls,” “The Salem Horror,” The Jest of Droom-Avista,” “The Frog,” “The Invaders,” and “The Bells of Horror.”

He contributed reams of copy to the weird-menace (a sub-genre of horror where a seemingly supernatural plot is resolved with a pedestrian ending) pulps, Thrilling Mystery and Spice Mystery… Terror in the House is the first volume in a set collecting many of Kuttner’s earliest stories, most of which have never been reprinted.

Terror in the House is 712 pages in hardcover, with a preface by Richard Matheson and introduction by Garyn G. Roberts, Ph.D. It is edited by Stephen Haffner and illustrated by Harry V. Parkhurst, and has a retail price of $40.

How do you win a copy? Easy! Just send an e-mail to john@blackgate.com with the title “Kuttner Contest,” with a one-sentence review of your favorite Henry Kuttner short story. Three winners will be drawn at random from all qualifying entries, and we’ll publish the best reviews here on the Black Gate blog.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Not valid where prohibited by law. Or anywhere postage for a hefty hardcover is more than, like, 10 bucks. Seriously, these things are heavy and we’re on a budget.

Black Gate at World Fantasy Convention 2010

Black Gate at World Fantasy Convention 2010

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Well, I’ve finally returned to the Black Gate rooftop headquarters here in St. Charles, Illinois, after a weary week of travel. We had the largest team gathering in the magazine’s history at the World Fantasy Convention in Columbus, Ohio last weekend — including several Contributing Editors, half a dozen bloggers, and over two dozen writers and contributors. I started the magazine ten years ago and have been attending conventions for decades, and there were several long-term staff members I met for the first time, including the distinguished Ryan Harvey and John R. Fultz.

Team Black Gate
Team Black Gate: editor John ONeill, contributing editor Bill Ward, author and blogger James Enge, Jason Waltz (Rogue Blades), managing editor Howard Andrew Jones, author and blogger John R. Fultz, and author and blogger Ryan Harvey.

All of us were invited to take part in a podcast on Sword & Sorcery organized by the charming Jaym Gates — stay tuned for the broadcast location and date.  Our Saturday night reading was a rollicking success, as nearly two dozen Black Gate authors read from work sold to the magazine over the past ten years, including James Enge, Frederic Durbin, E.E. Knight, Nina Kiriki Hoffman, L.E. Modesitt Jr, Darrell Schweitzer, Donald S. Crankshaw, Howard Andrew Jones, Martha Wells, Ryan Harvey, Robert J. Howe, John R. Fultz, Myke Cole, Renee Stern, Steven Silver, Michael Shea, S. Hutson Blount, Janet Stirling, F. Brett Cox, and Frederick Tor.

I also got the chance to meet with other contributors including Mike Resnick, Jeffrey Ford, David B. Coe, Ellen Klages (and her charming sister), and Charles Coleman Finlay.  It was a delight to finally meet artist Jim Pavelec in the Dealer’s room, as well as fellow editors Adrian Simmons (Heroic Fantasy Quarterly) and Mike Allen (Mythic Delirium), and make several new friends, including long-term reader Matthew Wuertz. I made the trip with Jason Waltz, publisher of Rogue Blades Entertainment, who shared our table and turned out to be a stalwart traveling companion.

Due to the sheer size of the convention there were also BG writers wandering the halls I somehow managed to miss completely, including Jeremiah Tolbert and Rick Bowes. Ah well, maybe next year. There’s a reason it’s called the World Fantasy Convention. No matter how much you try, life is too short to see it all.