A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

A (Black) Gat in the Hand: Weird Menace from Robert E. Howard

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

My area of expertise is the hardboiled/Pi genre. But today, we’ll jump over to the ‘shudder pulps.’ In 1933, Popular Publications (Harry Steeger) switched the ailing Dime Mystery over to a new, weird menace format. This started a short fun of success for that pulp sub-genre. Popular jumped in with both feet, shortly after launching Terror Tales, and then Horror Stories. As the tone shifted from weird, eerie, menacing elements to torture, depravity and sadism, a public outcry arose against these shudder pulps and the sub-genre died in the early forties.

Robert E. Howard, always looking for new markets, succeeded in placing “Black Talons” in the December, 1933 issue of Strange Detective Stories. “Fangs of Gold” (a Steve Harrison tale) followed there in February of 1934. Another Harrison story, “The Tomb’s Secret, was in that same February issue, under the pseudonym, Patrick Ervin.

Assuming he was actually getting paid (something that happened with irregularity from Weird Tales), this was a good market for Howard. “Dead Man’s Doom,” the next Harrison story, was slated for the March, 1934 issue. And then, the magazine folded. The story wouldn’t see print until 1978 as “Lord of the Dead” in the Sukll-Face paperback.

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Vintage Treasures: The Budayeen Trilogy by George Alec Effinger

Vintage Treasures: The Budayeen Trilogy by George Alec Effinger

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The Budayeen Trilogy: When Gravity Fails, A Fire in the Sun, and The Exile Kiss
(Bantam Spectra, 1988, 1990, and 1992). Covers by Jim Burns (When Gravity Fails), and Paul Youll & Steve Youll

George Alec Effinger’s Budayeen trilogy, sometimes called the Marîd Audran trilogy, is one of the enduring early classics of cyberpunk.

It had its birth in his short story “The City on the Sand,” originally published in the April 1973 issue The Magazine of Fantasy and Science Fiction. It was his first story set in the futuristic walled city of Budayeen, the city in the sand, a place of dark shadows and even darker inhabitants. Eventually Effinger set nine tales in Budayeen, including his most famous story, the Hugo and Nebula Award-winner “Schrödinger’s Kitten,” and all three of his most popular novels: When Gravity Fails (1987), A Fire in the Sun (1989), and The Exile Kiss (1991), featuring the street-smart detective Marîd Audran.

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A Lush Visual History of Science Fiction: Futures Past by Jim Emerson

A Lush Visual History of Science Fiction: Futures Past by Jim Emerson

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The first two issues of Futures Past, a Visual History of Science Fiction, edited and published by Jim Emerson

Way back in the 90s, before most of you young whippersnappers were born, Jim Emerson had a very fine fanzine called Futures Past, covering the birth of modern science fiction. He published four issues, each covering one year of SF history, from 1926-29.

In 2014 Jim resurrected his fondly-remembered zine as a 64-page digital magazine, with gorgeous full-color pages. The first issue covered 1926, the year Hugo Gernsback founded Amazing Stories. Futures Past Vol. 1 illuminated the Birth of Modern Science Fiction, covering all the highlights of science fiction publishing in magazines and books.

A Kickstarter intended to fund full-color print versions of the new version in 2014 wasn’t successful. Undaunted, Jim funded the project himself, and earlier this year I was surprised and very pleased to receive a print copy of Futures Past, Volume 2 in the mail. Covering the year 1927 and the Dawn of the SF Blockbuster, this 144-page publication is a love letter to a forgotten era, when a brand new literary genre was being born in the pages of pulp magazines, books, and on the silver screen.

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New Treasures: The Best of David Brin

New Treasures: The Best of David Brin

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The Best of David Brin (Subterranean Press, July 31, 2021). Cover by Patrick Farley

Subterranean Press has done a flat-out fabulous job of producing memorable single-author collections over the last decade.

For one thing, Subterranean mastermind William Schafer has terrific taste. He edited a delightful small press magazine (titled, appropriately enough, Subterranean) for many years, and demonstrated admirable skill at selecting and editing short fiction. For another, he’s been working at it tirelessly for decades, and it shows. He’s produced dozens of Best of retrospective collections from many of the top SF, fantasy and horror writers in biz, including Lucius Shepard (two volumes!), John Kessel, Walter Jon Williams, Elizabeth Hand, Elizabeth Bear, Michael Marshall Smith, Harry Turtledove, Greg Egan, Chaz Brenchley, Alastair Reynolds, Gregory Benford, Nancy Kress, Caitlín R. Kiernan, Joe Haldeman, Kage Baker, Neal Barrett, Jr., Robert Silverberg, Peter S. Beagle, Michael Swanwick, Larry Niven, and many others.

And thirdly — these are really gorgeous books. They’re generously sized hardcovers, published in both deluxe limited formats and very reasonable-priced trade hardcover editions, usually around 40 bucks retail. The one that grabbed my eye recently was The Best of David Brin, released just last year. It’s a feast of a book, just the thing I need to settle down with after a long and tiring week.

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Random Reviews: “The Case of the Somewhat Mythic Sword” by Garth Nix

Random Reviews: “The Case of the Somewhat Mythic Sword” by Garth Nix

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Cover by Micah Epstein
Cover by Micah Epstein

“The Case of the Somewhat Mythic Sword” is Garth Nix’s second story about Magnus Holmes, the less capable brother of Sherlock and Mycroft Holmes, a fact that Nix addresses almost immediately when Magnus notes that “Everyone wants Sherlock.” in response to a bar owner’s comment that he was hoping Sherlock had taken the case. However, Magnus and his partner, “Almost-Doctor” Susan Shrike have their own strengths which can be brought to bear in this particular case.

While the Sherlock Holmes stories by Arthur Conan Doyle tend to rely on logic and deduction, Nix’s story about Magnus Holmes focuses more on the supernatural. Magnus, himself, is the subject of an amorphous curse that equates his being in darkness with the death and destruction of those around him. When the nature of this curse is revealed, it has a bigger impact on the reader who has not read Nix’s earlier Magnus Holmes story, “The Curious Case of the Moondawn Daffofils Murder as Experienced by Sir Magnus Holmes and Almost-Doctor Susan Shrike,” which appeared nine years before the current story.

Investigating the tavern’s cellar at the request of the publican, Magnus and Susan discover a medieval knight who has been enjoying the pub’s wine and paying with faery gold. The publican called for their assistance (or actually Sherlock’s) when a river appeared in his cellar around the knight. Discussion with the phantom reveals a link to the Arthurian legends and Magnus determines that he must help the knight achieve his goal in order to resolve his appearance in the cellar

When Mrs. Davies, a magical adept shows up and attacks Magnus, he determines that in order to defeat her, he must voluntarily unleash his curse and the rest of the story involves the battle between Magnus and his opponent and the destruction caused by both as Almost-Doctor Susan Shrike attempts to mitigate further disaster. …

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Magic, Dinosaurs, and Mad Scientists: The Tensorate Series by Neon Yang

Magic, Dinosaurs, and Mad Scientists: The Tensorate Series by Neon Yang

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The Tensorate Series (Tor.com, September 21, 2021). Cover by Yuko Shimizu

I love omnibus volumes. They’re the safety blanket of the fat fantasy market. Let’s face it, if your plane’s going down over a desert island and you can only grab one book, you’re gonna secure yourself a thick omnibus, right? Of course you are. Heaven knows how long it will take until that stately cruise liner arrives to rescue you. I plan all my book purchases with this in mind, and it’s worked out well so far.

It’s great to see Tor.com start to produce omnibus editions of their popular novellas. They did it with Nnedi Okorafor’s Binti. The did it with Andy Remic’s An Impossible War novellas, and Sarah Gailey’s American Hippo stories. They did it with Matt Wallace’s Sin du Jour. They did it with…. well, actually, I think that’s it. But what the hell, it’s a start.

Late last year Tor.com published a tidy omnibus volume of all four of Neon Yang’s Tensorate novellas, a series that has been nominated for the Hugo, World Fantasy, Nebula, and Locus awards, and it was such a great value I snatched it up immediately. I’m ready for the plane to go down, Captain.

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Alan Brown on Cordwainer Smith’s Classic Norstrilia

Alan Brown on Cordwainer Smith’s Classic Norstrilia

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First paperback release of Norstrilia (Ballantine, 1975), with the infamous “dog-derived undergirls”
back cover text (they “smelled of romance all the time.”) Cover by Gray Morrow

For the past six years Alan Brown has had an entertaining biweekly series at Tor.com on our favorite topic — vintage SF & fantasy. He’s covered Keith Laumer’s Bolo, Poul Anderson’s Flandry of Terra, Andre Norton’s The Beast Master, Joe Haldeman’s The Forever War, Spider Robinson’s Callahan’s Crosstime Saloon, David Brin’s Startide Rising, and about a jillion others.

Last week he took a look at Cordwainer Smith’s classic 1975 novel Norstrilia, originally published as two shorter works, The Planet Buyer (1964) and The Underpeople (1968). According to fannish legend, Smith’s publishers at Pyramid Books in the 60s felt it was too long, so he obliged them by breaking it up into two smaller novels. It was eventually published in the original format, under the title Norstrilia, by Lester del Rey at Ballantine Books in 1975.

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A (Black) Gat in the Hand: Heard of Chris London? Didn’t Think So

A (Black) Gat in the Hand: Heard of Chris London? Didn’t Think So

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

In the early fifties, a lot of movie stars took on radio shows, in an effort to boost their incomes. Humphrey Bogart, Alan Ladd, Joel McRea – some big names tried their luck at it. Many were short-lived efforts. You can read my scintillating essay about Bold Venture – a good show which starred Bogie and his wife, Lauren Bacall – here at Black Gate.

NBC had Erle Stanley Gardner create a character specifically for a radio show to go up against CBS’ hugely successful Jack Benny Show. CBS had ‘acquired’ much of NBC’s Sunday night programming. ABC had also hit big with the first music quiz show, Stop the Music (think Name That Tune for radio).

Music ran against the long-time successful The Fred Allen Show. Allen’s show took a big ratings hit, and his health was failing at the same time. So, his show ended. NBC then aired the glitzy, big-budget, Hollywood Calling. Movie stars called common folk, who got a watch and ‘something else’ (like Jennifer Jones’s scarf) if they were at home and answered – no cell phones, ya know! The lucky peasant got to talk to a star, and won money, and got entered for a bigger prize, if they could answer a question.

It didn’t beat Jack Benny in the ratings, it cost a lot of money, and NBC canceled it after only half a season. Enter a replacement detective show – The Adventures of Christopher London.

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Vintage Treasures: The Hugo Winners, Volumes 4 & 5, edited by Isaac Asimov

Vintage Treasures: The Hugo Winners, Volumes 4 & 5, edited by Isaac Asimov

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The Hugo Winners, Volume 4 and Volume 5 (Doubleday, April 1985 and April 1986). Covers by Kiyoshi Kanai and Tita Nasol

Last week I looked back at three of the finest science fiction anthologies ever published, The Hugo Winners, Volumes 1, 2, & 3. The first two volumes, included in my introductory order with the Science Fiction Book Club in 1976, were essentially my introduction to science fiction, and they bear much of the responsibility for turning me into a lifelong fan of SF — and especially short SF.

Asimov eventually edited nine volumes of The Hugo Winners before his death in 1992. Each was enriched with his signature breezy and light-hearted story introductions, which portrayed the entirety of the American science fiction community as a tight-knit clubhouse of friendly and brilliant eccentrics. There may have been an element of truth to that at the start (the number of Americans who made a living as full-time SF writers was surprisingly small in the 60s and 70s), but by the 80s Asimov no longer knew the majority of authors he was introducing personally, and it showed.

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The Timeless Strangeness of “Scanners Live in Vain”

The Timeless Strangeness of “Scanners Live in Vain”

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Fantasy Book No. 6, January 1950, first appearance of
“Scanners Live in Vain” by Cordwainer Smith. Cover by Jack Gaughan

I recently had occasion to reread Cordwainer Smith’s Science Fiction Hall of Fame story “Scanners Live in Vain.” This was probably my fifth rereading over the years (soon followed by a sixth!) — it’s a story I’ve always loved, but for some reason this time through it struck me even more strongly. It is a truly great SF story; and I want to take a close look at what makes it work.

In this series I often discuss the background details of a story’s publication history, and of its author, first — and these are especially interesting in the case of this story; but I don’t want to bury the lede either. So I’ll discuss the story first, and then go over the history of its publication, and its author’s career. As ever in these essays, the discussion will be rife with spoilers.

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