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Category: Vintage Treasures

Birthday Reviews: Stephen Goldin’s “The Last Ghost”

Birthday Reviews: Stephen Goldin’s “The Last Ghost”

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Cover by Gene Szafran

Stephen Goldin was born on February 28, 1947. Prior to becoming a science fiction author, Goldin earned a degree in astronomy and worked as a civilian space scientist for the US Navy.

Beginning in 1976, Goldin wrote the Family d’Alembert novels, based on a novella by E.E. “Doc” Smith. He followed that series up with the Parsina Saga and wrote the two volume Rehumanization of Jade Darcy series in collaboration with his second wife, Mary Mason.

He co-edited the anthology Protostars with David Gerrold and edited the anthology The Alien Condition solo. Goldin also collaborated with his first wife, Kathleen Sky, on both fiction and non-fiction. He received a Nebula nomination for his short story “The Last Ghost” in 1972.

“The Last Ghost” originally appeared in the 1971 anthology Protostars, edited by David Gerrold and Stephen Goldin. Lloyd Biggle, Jr. reprinted it in Nebula Award Stories Seven. Goldin included it in two of his collections, The Last Ghost and Other Stories and Ghosts, Girls, & Other Phantasms. It has been translated into French twice and German twice.

Goldin looks at a distant future in which immorality of a sort has been achieved by downloading people’s consciousness into machines. His two characters, which he arbitrarily designates as male and female, have both been downloaded into a computer for several thousand years.

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A Demanding Work that Sings all the Stronger in 2018: The Queen of Air and Darkness by T.H. White

A Demanding Work that Sings all the Stronger in 2018: The Queen of Air and Darkness by T.H. White

The Witch in the Wood-small The Witch in the Wood-back-small

In my early teens, I discovered and devoured T.H. White’s omnibus quartet of novels, The Once and Future King. The first and most child-like remains the best known: The Sword in the Stone. After this, and unjustly neglected (by Disney and the world in general), come The Queen of Air and Darkness, The Ill-Made Knight, and The Candle In the Wind.

In my later teen years, I concluded that The Once and Future King, taken as a whole, was the single best novel I had ever read. Having reached the ripe old age of fifty, it’s time to re-evaluate. Is White’s work still worth its weight in gold?

Perhaps you recall Book One, in which the young King Arthur, known affectionately as the Wart, meets Merlyn, gambols through a lifetime’s worth of transformational adventures, and draws a certain sword from a stone. Hysterically funny, dreamy and given to long flights of fancy about hawks and birds, The Once and Future King still works genuine magic, even when its digressions and mood swings threaten to topple the whole everything-plus-the-kitchen-sink mess into a stew of narrative anarchy.

In short, it’s a full meal and then some, and I, along with fantasy lovers the world over, adore it still. (Ursula K. LeGuin, R.I.P., lent her opinion to one edition’s jacket copy, saying, “I have laughed at White’s great Arthurian novel and cried over it and loved it all my life.”) Yet, many seem unaware that the cycle, tracing Thomas Mallory’s Le Morte d’Arthur, continues.

Book Two began life as The Witch in the Wood, and arrived in print in 1939, just as the world fell off a precipice it hadn’t seen coming, and descended into a darkness from which it is still fighting to recover. Revised and expanded, The Witch in the Wood became The Queen of Air and Darkness, and no book better upholds the argument for valuing a work as the sum of its discordant parts.

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A Wrinkle in Time by Madeline L’Engle

A Wrinkle in Time by Madeline L’Engle

A Wrinkle in Time-smallGiven to me by the same friend who told me about A Wizard of Earthsea, Madeline L’Engle’s A Wrinkle in Time (1962) is another of the books that introduced me to fantasy and science fiction. The novel is a mix of science fiction, fantasy, and good dose of Christianity, and is completely unbound by any rules or expectations about genre. A children’s book, it is also an artifact of a time when fantasy wasn’t primarily a commercial designation. There’s a freshness to the book all these years later, and rereading it was an absolute joy.

Meg Murry is the fourteen-year-old daughter of scientists, and sister to twins Sandy and Denys and the strange, brilliant five-year-old Charles Wallace. Her father, employed by the government, has been missing for some time before the book’s opening, and there has been no word about what happened to him.

In her own eyes Meg is gawky and ugly, made so by her “mouse-brown” hair, glasses, and “teeth covered with braces.” Her self-impression and her worry over her father’s disappearance have caused her to become a poor student. Her principal, a man unsympathetic to her worry to the point of telling her she needs to “face the facts” about her father (implying he’s never returning), warns her she’s in danger of having to repeat ninth grade.

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Birthday Reviews: A.M. Dellamonica’s “A Key to the Illuminated Heretic”

Birthday Reviews: A.M. Dellamonica’s “A Key to the Illuminated Heretic”

Cover by Jeff Easley
Cover by Jeff Easley

A.M. (Alyxandra Margaret) Dellamonica was born on February 25, 1968. She began publishing short fiction in 1994 and published her first novel, Indigo Springs, the first novel in a duology, in 2009.

From 2014-2016, she published the Hidden Sea trilogy, beginning with Child of a Hidden Sea and continuing with A Daughter of No Nation and The Nature of a Pirate. With Steve Berman, Dellamonica edited Heiress of Russ 2016: The Year’s Best Lesbian Speculative Fiction.

Dellamonica won the Sunburst Award for Indigo Springs and the Aurora Award for A Daughter of No Nation. She has one other Aurora nomination and has also received nominations for the Lambda Award for novel and the Gaylactic Spectrum Award for short fiction.

“A Key to the Illuminated Heretic” was original published in Alternate Generals III, edited by Harry Turtledove in 2005. It was nominated for the Sidewise Award for Alternate History. Dellamonica later published the story in an e-chapbook.

A.M. Dellamonica creates a world in which Joan of Arc is not burned at the stake on May 30, 1431, instead surviving to continue to be a thorn in the side of not only King Henry VI on England and King Charles VI of France, but also of Pope Eugene IV, continuing her battle not only for the secular realm of France, but also in support of her own heretical sect of Christianity, the Listeners, who follow Joan and believe in her visions.

While much of the story describes her military escapes in France, the focus is really on her relationship with a young artist, Dulice Aulon, and the paintings she created of important moments in Joan’s life. Descriptions of these paintings are found throughout, as if written for an exhibit catalog, and the paintings described help illuminate the action that immediately follows.

Dellamonica notes that Joan was illiterate, which serves to heighten the importance of Aulon’s paintings. They are the way Joan’s story is spread to the masses, gaining Joan adherents who are willing to fight for Joan’s visions and vision for France and support her, particularly the city of Orleans, which Joan had rescued from siege prior to Dellamonica’s point of divergence.

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Green Girls and Planet Texas: The 70s Science Fiction of Zach Hughes

Green Girls and Planet Texas: The 70s Science Fiction of Zach Hughes

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The Signet science fiction novels of Zach Hughes

Zach Hughes’ For Texas and Zed (1976) was one of the very first science fiction novels I ever read, at the tender age of twelve. I probably plucked it from the paperback spinner in the PX on Rockcliffe airbase in Ottawa in the fall of ’76, shortly after we arrived from Nova Scotia — the same place I bought A.E. van Vogt’s Slan a few weeks later. The description on the back of For Texas and Zed was precisely the kind of thing that would have appealed to me at the age of 12, even if I was a little vague on where Texas was, exactly.

Spacemen from Texas on Earth had settled this remote planet centuries ago. While the rest of the galaxy was being divided between two vast warring empires, Planet Texas preserved its independence, created its own unique civilization, developed its own advanced technology. But now all that Planet Texas was and all that it believed in were threatened, as the super-powers of space moved in for the kill.

I was still figuring out what science fiction was all about at the time. But even at 12, I knew For Texas and Zed wasn’t a very good novel (even if if did contain the very first sex scene I ever encountered, with a casual description of female nipples that’s still scorched into my brain four decades later). Slan proved to be a much better book, and I gladly searched out more by A.E. van Vogt. But I never read another Zach Hughes novel (though it’s possible I did furtively flip through them in book stores, on the lookout for the word “nipple.”)

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Birthday Reviews: W.E.B. Du Bois’s “Jesus Christ in Texas”

Birthday Reviews: W.E.B. Du Bois’s “Jesus Christ in Texas”

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W.E.B. (William Edward Burghardt) Du Bois was born on February 23, 1868 and died on August 27, 1963. He was the first black man to earn a doctorate from Harvard University and taught history, sociology, and economics.

Du Bois helped found the National Association for the Advancement of Colored People in 1909. Most of W.E.B. Du Bois’s writings were sociological in nature, focusing on the plight of African-Americans. Throughout his career, he fought for equal rights for blacks and against lynchings and Jim Crow laws.

“Jesus Christ In Texas” was original published in Du Bois’s collection Darkwater: Voices from the Veil in 1920. It has been reprinted numerous times since.

Two of Du Bois’s stories have elements of the fantastic in them, including “Jesus in Texas.” As told in the title, this story is about a visitation of Jesus to Texas. During his brief time, he sees black prisoners used on a chain gang, the whites who are benefiting from their labor, and a prisoner who has escaped.

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Birthday Reviews: Joanna Russ’s “Nobody’s Home”

Birthday Reviews: Joanna Russ’s “Nobody’s Home”

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Cover by Ron Walotsky

Joanna Russ was born on February 22, 1937 and died on April 29, 2011. From her first publications, she became a voice for feminist science fiction in a world which was dominated, but not exclusively, by men.

As important as her science fiction, if not moreso, is her monograph How to Suppress Women’s Writing. Among her notable science fiction are the stories that make of the Alyx cycle, including Picnic on Paradise, and the novels And Chaos Died and The Female Man.

She won the Nebula Award for her short story “When It Changed” and a Hugo for the novella “Souls.” In 1996, she received two retrospective James Tiptree, Jr. Awards for “When It Changed” and for The Female Man. The Female Man was inducted into the Gaylactic Spectrum Hall of Fame. Russ received a Pilgrim Award for Lifetime Achievement for her contributions to science fiction and fantasy scholarship from the SFRA in 1988 and was inducted into the Science Fiction Hall of Fame in 2013. In 2015, Russ received the Solstice Award from the SFWA.

“Nobody’s Home” was originally printed in New Dimensions II, edited by Robert Silverberg in 1972. It was picked up the next year by Terry Carr for The Best Science Fiction of the Year #2. Pamela Sargent included it in Women of Wonder. Silverberg has reprinted it in several of his anthologies over the years, including Alpha 9, The Best of New Dimensions, Great Tales of Science Fiction, and The Arbor House Treasury of Science Fiction. Russ included it in her collection The Zanzibar Cat in 1983. David G. Hartwell reprinted it in The World Treasury of Science Fiction and Gardner Dozois reprinted it in Modern Classics of Science Fiction and Supermen. “Nobody’s Home” was translated into Spanish in 1977 and into Dutch in 1980.

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The Silver Eggheads by Fritz Leiber

The Silver Eggheads by Fritz Leiber

The Silver Eggheads, Ballantine F561, 1962, cover by Richard Powers

Fritz Leiber is one of the grand names of f&sf, winner of six Hugo Awards, three Nebula Awards, and two World Fantasy Awards. He is a member of the SF Hall of Fame, a SFWA Grandmaster, and a lifetime achievement recipient from the World Fantasy, Bram Stoker, and Forry Awards. You wouldn’t think any novel of his from the epicenter of his career could be obscure, neglected, or forgotten. And yet, there’s the case of The Silver Eggheads.

As a novelet, “The Silver Eggheads” graced the cover of the January 1959 F&SF, normally as prestigious a slot available at the time. Yet the story has never been anthologized nor ever included in one of his three dozen collections. Possibly that’s because Leiber expanded it to novel length, published as an original paperback by Ballantine in 1962. (Yes, that is a Richard Powers cover, one of the few representational ones he did.) Ballantine reprinted it twice, but no other American publisher has touched it. This novel has been out of print in English for almost 40 years. A few foreign editions slipped in, for multilinguists and obsessive collectors.

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Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Cover by Nicholas Jainschigg
Cover by Nicholas Jainschigg

Richard Lupoff was born on February 21, 1935. He edited the fanzine Xero, which included articles from Avram Davidson, L. Sprague de Camp, and Roger Ebert. In 1963, Lupoff and his wife, Pat, received a Hugo Award for Best Amateur Magazine for their work. In 2005, a hardcover The Best of Xero would be nominated for a Hugo for Best Related Work.

He published his first novel One Million Centuries, in 1967 and is perhaps best known for Circumpolar! and Circumsolar! Lupoff is not averse to using pseudonyms such as Ova Hamlet or Addison E. Steele. He collaborated on the graphic novel The Adventures of Professor Thintwhistle and His Incredible Aether Flyer with Steve Stiles. Lupoff edited three volumes of short stories he felt should have won the Hugo Award (What If? Volumes 1-3).

“Black Mist” was originally published in the April 1995 issue of Omni Online. Orson Scott Card reprinted it in Black Mist and Other Japanese Futures and Lupoff included it in his collection Claremont Tales. The story was also reprinted in Robert Reginald’s To the Stars—And Beyond: The Second Borgo Press Book of Science Fiction Stories.

Many stories set in the far future of space exploration select a human culture and have them expand into space, as L. Sprague de Camp did with his Viagens Interplanetary series. Often these space-faring cultures have little to do with the original terrestrial country beyond nomenclature. In “Black Mist” Lupoff has postulated a future in which Japan has taken over planetary exploration after the United States and Russia’s programs have collapsed.

The Japanese are attempting to terraform Mars and part of that effort takes place from a small outpost on Phobos. Not only do Japanese ideas of honor and caste play a big role in the story, but other aspects of Japanese society are interwoven and provide an integral part of the plot. “Black Mist” opens with a lowly kitchen worker, Jiricho Toshikawa, discovering the murdered body of a scientists on Phobos. When the body disappears, the head of operations on Mars sends his friend Hajimi Ino to investigate the disappearance.

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Vintage Treasures: The Dragon Waiting by John M. Ford

Vintage Treasures: The Dragon Waiting by John M. Ford

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For the last few years the major streaming players — Netflix, HBO, Amazon, Hulu, and others — have spent untold millions searching for the next Game of Thrones. A tale of dark magics, black-hearted evil, kings and princes, palace intrigue, war, treachery, and sex. I could have saved them a lot of time if they’d just asked me. I would have recommended they film John M. Ford’s The Dragon Waiting.

The Dragon Waiting: A Masque of History was published in 1983. It’s a sprawling alternate history that combines Richard III, Edward IV, the Princes in the Tower, the Medicis, and vampires. Edward IV sits on the throne of England, but his kingdom is threatened by an expansionist Byzantine Empire. The Vampire Duke Sforza is massing a dark army against Florence, and Byzantium is on the march. High in the Alps four people come together: the exiled heir to the Byzantine throne, a beautiful physician forced to flee Florence, a Welsh wizard, and a German vampire. Together they wage a secret campaign against the entire Byzantine Empire, to secure the English throne for Richard, Duke of Gloucester, the future Richard III.

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