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Category: Vintage Treasures

Vampires, Frozen Worlds, and Gambling With the Devil: The Best of Fritz Leiber

Vampires, Frozen Worlds, and Gambling With the Devil: The Best of Fritz Leiber

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In my last post I reviewed The Best of Stanley Weinbaum, the first volume in Del Rey’s Classic Science Fiction Series. In this one I’ll review the second in the series, The Best of Fritz Leiber (1974). The introduction was done by the excellent sci-fi/fantasy author Poul Anderson (1926-2001). The cover was by Dean Ellis (1920-2009), though a later 1979 printing (see below) has a cover by Michael Herring (1947-).

Fritz Leiber is probably best known for his Fafhrd and Grey Mouser sword and sorcery tales. At least, that was my introduction to him. He also produced some of the most well-loved horror tales of the twentieth century, such as “Smoke Ghost” and “The Girl with the Hungry Eyes.” I’ve read some of his science fiction in The Book of Fritz Leiber (Daw, 1974) and Fritz Leiber: Selected Stories (Night Shade Books, 2011), edited by Jonathan Strahan and Charles N. Brown. But it was interesting to read a book dedicated completely to Leiber’s science fiction (though there are one or two stories that I’m not sure fit this moniker).

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New Treasures: The Late Breakfasters and Other Strange Stories by Robert Aickman

New Treasures: The Late Breakfasters and Other Strange Stories by Robert Aickman

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Robert Aickman was one of the finest horror writers in our field. He received the World Fantasy Award in 1975, and the British Fantasy Award in 1981, the year he died.

Not familiar with Aickman? Great! There’s never been a better time to try him. The marvelous Valancourt Books has returned much of his work to print, including The Late Breakfasters and Other Strange Stories, an omnibus collection of his early work, released in hardcover and an affordable trade paperback format last week. It contains his debut novel The Late Breakfasters (1964), half a dozen short stories, and a new introduction by Philip Challinor.

I first discovered Valancourt by standing in front of their booth at the World Fantasy Convention a few years ago, and being absolutely astounded at how many terrific books they have in their back catalog. Here’s a few I’ve managed to highlight recently at Black Gate.

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Galaxy Science Fiction, July 1953: A Retro-Review

Galaxy Science Fiction, July 1953: A Retro-Review

galaxy-science-fiction-july-1953-smallThe July, 1953 issue of Galaxy Science Fiction is bereft of a serialized novel, so a curious reader could jump into it without feeling a need to commit to something larger. I suggested the same thing for the June, 1953 issue as well, so here are two issues to choose between. Or read them both.

“Kindergarten” by Clifford D. Simak — Peter lives in the country, having moved out of the city after being diagnosed with cancer. He lives a simple life until he discovers a strange machine on his property. When he touches it, it dispenses a remarkable piece of jade.

Other people discover the machine soon enough, and with each touch, it dispenses an item specific to the person. As word spreads, the police become involved, followed by the military. The machine, though clearly alien, isn’t too disturbing until it begins laying a foundation for something much larger.

Simak’s story works really well. I think he did a good job with Peter’s character — showing his pain with cancer. And I like that the source of his pain or why he lived in the country didn’t come out immediately. I expected after reading it that nothing else in the issue would top this story, but I later found something else that edged it out as my favorite.

“Caretaker” by James H. Schmitz — An exploring party visits the planet, Cresgyth. A man named Hulman crashed on it over twenty years ago — the lone survivor of his crew. He was saved by other humans — the only humans known to exist beyond Earth. Those humans, however, are threatened by other humanoid creatures that Hulman calls snakes. The humans won’t fight back, and Hulman believes the humans will become extinct unless something is done about the snakes.

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Fantastic, November and December 1963: A Retro-Review

Fantastic, November and December 1963: A Retro-Review

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I recently looked at a couple of issues of Fantastic with a Brak the Barbarian serial by John Jakes, and here’s another pair with a Brak serial. Indeed, this was Jakes’ first SF/Fantasy novel, and his second Brak story.

The editorials cover first, Freeman Dyson’s ideas about using gravity as an energy source (for transportation), and second, the notion of having astronauts use crayons in orbit. The covers are by Alex Schomburg (November) and Paul E. Wenzel (December), in neither case, perhaps oddly, illustrating Jakes’ novel. Interiors are by Lee Brown Coye, Virgil Finlay, and Peter Lutjens (each of them appeared in both issues). (I will note that I find Coye okay as a pure horror illustrator, which seems to have been his forte, but I thought his illustration for Jack Sharkey’s “The Aftertime” just terrible.)

There is a letter column in November (Fantastic’s lettercol, which only appeared occasionally at this time, was called According to You ...). The letters this time are by David T. Keil, Paula Crunk, and Dennis Lien. I’ve known Denny online for quite some time, first on Usenet and later via email, so that was interesting. Keil has praise for Keith Laumer and Brian Aldiss and Thomas Disch, some (generally positive) discussion of Fritz Leiber, and scorn for David R. Bunch. Paula Crunk is happy with Leiber and Laumer, but complains about some of the other dreadful stuff the magazine published. And Lien disputes a claim in an earlier letter that fantasy has gotten short shrift in Hugo nominations relative to SF. (He notes the several examples of fantasy that were nominated — 3 at least of the five short fiction nominees the previous year — and also notes that, after all, the Hugos are given at a “Science Fiction” convention.)

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Old Dark House Double Feature IV: Two Haunted Honeymoons

Old Dark House Double Feature IV: Two Haunted Honeymoons

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For this Old Dark House Double Feature I’ve chosen two films that are unrelated except for the fact that they share a title — Haunted Honeymoon. You might rightly make the argument that the earlier of these movies is more of a standard whodunit than an old dark house movie, but the coincidence was too good for me to pass up.

Haunted Honeymoon
Metro-Goldwyn-Mayer (1940)
Directed by Arthur B. Woods
Screenplay by Monckton Hoffe, Angus MacPhail, and Harold Goldman
Starring Robert Montgomery and Constance Cummings

Dorothy Sayers isn’t really a household name nowadays but she was a rather well-known mystery writer during the so-called Golden Age of mysteries, which lasted for a few decades, starting more or less in the Twenties. Busman’s Honeymoon, the source for this movie, first saw the light of day as a play, in 1936. A year later Sayers converted it to a novel and a few years after that it made its way to the big screen. Over on this side of Atlantic the movie was given the name Haunted Honeymoon, since few of us Yanks probably known what a busman’s holiday is (a holiday where you spend doing the same kind of thing that you usually do for your job, says Merriam-Webster).

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Series Architecture: The Same But Different in EC Tubb’s Dumarest

Series Architecture: The Same But Different in EC Tubb’s Dumarest

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Oddly compelling…

EC Tubb’s Dumarest serial is oddly compelling… so oddly compelling that, if you like the first book, you end up slowly chugging through the series.

For those who’ve just tuned in, this is an incredibly long mid-20th century low Space Opera serial that influenced the roleplaying game Traveller. Note, series not serial: though there is forward momentum, each book is standalone — it’s more Deep Space Nine than Babylon 5. Also note the low. This isn’t exactly Conan in Space, but the Cimmerian would not be out of place.

So, Dumarest wanders a Grapes of Wrath galaxy — think how we met Rey in The Force Awakens — in search of Earth while pursued by the fanatical Cyclan, cyborg monks with no emotions other than the hunger for power and pride in their intellect.

It’s very much The Fugitive does Space Western. There are exceptions, and Tubb often kicks off with a short story before settling down the real meat. However, in almost every episode, Dumarest is the archetypal Drifter who becomes involved in gothic goings on in one of the local great houses, usually because that house faces some external threat.

(The houses are usually Gormenghast-style piles crammed with extended family and fuelled by dwindling fortunes. However, from time to time he swaps in military unit, spaceship, expedition, clan or band, with similar effect.)

This happens so consistently, that the books should be too formulaic to keep coming back to.

But we do. Each novel is the same but different.

How did — does — he do it?

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Space Barbarians and Uranium Mining on Mars: Rich Horton on Empire of the Atom by A. E. Van Vogt and Space Station #1 by Frank Belknap Long

Space Barbarians and Uranium Mining on Mars: Rich Horton on Empire of the Atom by A. E. Van Vogt and Space Station #1 by Frank Belknap Long

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It’s been a month or two since I’ve been able to make time for some classic pulp SF. But over at his website Strange at Ecbatan, Rich Horton has piqued my interest in a 1957 Ace Double, pairing A.E. van Vogt’s Empire of the Atom and Space Station #1 by Frank Belknap Long. Here’s Rich:

I approached Empire of the Atom with some caution. It is another “fix-up”, though a fairly coherent one, comprising five novelettes first published in Astounding in 1946 and 1947. It was published in hardcover by Shasta in 1957, followed the same year by this abridged Ace Double edition…. I have to say I was pleasantly surprised…

It is set some 10,000 years in the future, after humans have colonized the planets of the Solar System, and then been reduced to barbarism on each of these worlds. A city-state, Linn, arose, and in the recent past it conquered the world and began to try to annex the barbarians on Venus, Mars, and even outer satellites such as Europa. The ruler, or Lord Leader, is a vigorous man but getting older. A new child is born to his scheming second wife, Lydia. (These are, of course, analogues to Augustus and Livia.) The new baby, named Clane, turns out to be a mutant — Lydia was accidentally exposed to radiation — this society uses radioactive metals (and worships the “Atom Gods”) but has no idea how they work. As a mutant Clane should be killed. However, a leading Temple Scientist wants to raise him and show that mutants, if treated properly, have the same potential as anyone. So Clane is raised, somewhat isolated, and becomes an unusual but very intelligent young man… There is a sequel, The Wizard of Linn, serialized in Astounding in 1950.

Empire of the Atom was one of Van Vogt’s most popular novels, with over a dozen editions from multiple publishers over the next four decades.

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How We Got Where We Are, or Go Adam West, Young Man

How We Got Where We Are, or Go Adam West, Young Man

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Gather round, kiddies, and I’ll tell you a story. Hey — are you listening? Turn off the TV (oh, excuse me, put away your device) and stop watching Agents of Shield, Supergirl, Daredevil, Gotham, Arrow, or The Flash, for just one minute! Hold on a second — don’t run out the door! This won’t take long, and I promise you won’t be late for the start of X-Men: Apocalypse, Deadpool, or Suicide Squad. Pay attention, and put away the deluxe slipcased fifty dollar hardcover editions of The Sandman or V for Vendetta or The Dark Knight Returns. I know, but you can finish your doctoral dissertation on Mimesis and Mutation: Gender Fluidity in the X-Men some other time! Please — close the browser; you can read later about how the two Avengers movies alone have taken in three billion dollars at the box office (not counting home video or merchandising money).

Three billion dollars. That’s two movies. Just Marvel movies. Out of over forty Marvel movies. Add in the take from the less aesthetically pleasing but still insanely profitable DC side of the street and the figure simply stops making sense. The number is more incomprehensibly mind boggling than Galactus showing up to eat the world, more wildly absurd than Bruce Banner being mutated into a huge green monster by gamma rays, more utterly improbable than a blue-blanketed baby escaping an exploding Krypton in a homemade rocket, and more sheerly ridiculous than a smoking-jacket wearing millionaire dilettante somehow getting the notion that bats strike fear and terror into the hearts of criminals. It’s just un-flippin’-believable.

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Rich Playboys, Mad Scientists, and Venusian Monsters: The Best of Stanley Weinbaum

Rich Playboys, Mad Scientists, and Venusian Monsters: The Best of Stanley Weinbaum

The Best of Stanley G WeinbaumA few short years ago, here at Black Gate, John O’Neill did several posts on Del Rey’s Classic Science Fiction series. Those posts were loving, nostalgic homages.

I have never been a huge sci-fi book fan. Fantasy and horror are more my thing. Yet, I found those posts really intriguing, especially the cool covers. I had read some of the stories of certain of these writers, but by and large John’s posts introduced me to most of these authors for the first time. After reading a couple, I was hooked and eventually tracked them all down through eBay and Abebooks.

As a newcomer to these books, and to many of these authors, I thought I would give a review of each. As with John’s original posts, I hope these reviews inspire some newer readers to seek out some of these older treasures, or at least to track down some other works by these authors.

Before reviewing our first volume, let’s get a little background on this series. The Internet Speculative Fiction Database (isfdb.org) refers to these books as Ballantine’s Classic Library of Science Fiction. However, I can’t find that designation on any of the books so I’ll simply refer to them as “Del Rey’s” (an imprint of Ballantine) “Classic Science Fiction” series, just like the covers say. This series began in the early seventies and continued to be published up through the eighties, sometimes with multiple printings of certain volumes. There were twenty-two books published in all.

Each book in this series was a collection of short stories highlighting a single author within the Del Rey publishing fold. According to John O’Neill, this was one way for Del Rey to promote the authors in their stable (especially de Camp, Eric Frank Russell, and others). That’s why there are no volumes dedicated to Asimov, Heinlein, Clarke, etc. None of those “big guns” were Del Rey authors. That’s not to say that there weren’t some heavy hitters in this series though. Writers like Philip K. Dick and Fritz Leiber, to name only two, have dedicated collections within.

I thought it might be best to go through this series in chronological order of publication. Each post will focus on one volume. My main goal is try to give some brief reviews of some of the stories within, at least those that struck me as the most enjoyable, but I’ll also give my overall impressions about the book, and writer, as a whole.

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The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

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Michael McDowell’s Blackwater was a paperback horror series originally published in six volumes by Avon in 1983. It’s a tough set to track down these days, but not impossible. For those wiling to settle for a modern edition, Amazon offers a complete omnibus Kindle volume for just $9.99 and, at the other end of the spectrum, Centipede Press produced a hardcover slipcased set of all six books in 2014 for $350.

I don’t own any of the original Avon paperbacks (although it’s certainly possible that one or two are buried somewhere in my basement). But my interest was piqued this week by a September 22 Facebook post by author Nathan Ballingrud:

I’m in the midst of reading Blackwater, by Michael McDowell. It is, you might say, as if The Shadow over Innsmouth was written as a generational family saga set in rural Alabama. It is strange, funny, warm, and frightening, and a true pleasure to read.

You gotta admit, as blurbs go, that one certainly gets your attention.

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