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Category: Series Fantasy

Earth, Air, Fire and Water: The Elemental Blessings Series by Sharon Shinn

Earth, Air, Fire and Water: The Elemental Blessings Series by Sharon Shinn

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Troubled Waters Sharon Shinn-small Royal Airs Sharon Shinn-small Jeweled Fire Sharon Shinn-small Unquiet Land Sharon Shinn-small

I’ve been friends with Sharon Shinn ever since we co-hosted a writing workshop at Capricon here in Chicago some years ago. Turns out that’s a great way to bond: giving grueling assignments to aspiring writers while grading their efforts with a cruel eye. Try it some time!

Something else you should try is Sharon’s Elemental Blessings series, which just wrapped up with the fourth volume, Unquiet Land, which arrived in hardcover in November. C.S.E. Cooney, in her report on Royal Airs, described it as follows.

The Elemental Blessings series… take place in the Kingdom of Chialto. It’s an exciting time in this secondary world, with “smoker cars” taking over for horse-drawn carriages, the blushing dawn of flying machines, alliances forming and falling apart with realms across the mountains and seas, the delicate balance of power between the regent, the primes of the Five Houses, and the heirs to the throne.

All of this and magic too!

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New Treasures: Kings of the Wyld by Nicholas Eames

New Treasures: Kings of the Wyld by Nicholas Eames

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Kings of the Wyld-smallA few weeks ago I spotted an intriguing trade paperback in the New Arrivals section at Barnes and Noble. But I didn’t buy it (I’m making an effort to reduce all those impulse purchases, thank you) and, by the time I got home, I’d completely forgotten the title. I spent a fruitless hour online, paging through New Release sections at multiple online sources, before I gave up. Fortunately, it was waiting for me when I returned to B&N a week later, and I bought it immediately. The moral of this terrifying story? Buy good books when you find them, damn it.

That new guiding principle served me well this week when I stumbled on Nicholas Eames’ debut fantasy novel Kings of the Wyld, which grabbed me immediately with its central conceit: an aging mercenary attempts to get the band back together for one final mission. Corrina Lawson at the B&N Sci-Fi & Fantasy Blog gives it two hearty thumbs up.

Kings of the Wyld… manages to be a comedy, an adventure tale, a consideration on growing older, and a sendup of fantasy conventions, all at the same time. It also has heart. In short: it rocks.

The heart comes in the form of our protagonist, Clay “Slowhand” Cooper, the moral center of the mercenary group known as the Kings of the Wyld. Or, well, “formerly known as,” because Clay is retired, working a boring job as a city guard…. It’s inevitable Clay would answer his old friend Gabriel’s call to get the band back together to tackle one more seemingly impossible task: rescuing Gabriel’s grown daughter from a city under siege. Accompanying Clay is his trusty shield, Blackheart, made from the wood of a sentient tree Clay killed. The first half of the book is a trip across the fantasy kingdom as Clay and Gabriel attempt to put their band, Saga, back together. Not so easy, especially as Gabriel first must liberate his magic sword from his ex-wife and her new husband…

The setting Eames builds around these characters made me wish this story existed in graphic novel form. There’s the Wyld Forest, teeming with treacherous inhabitants; and an amazing action sequence in a floating arena, where the group finally gets it mojo back; a pursuit via magical airship; a tense chase sequence across an ice bridge; and, of course, the inevitably epic finale. Did I mention the fight with the dragon? It isn’t really an epic fantasy until the dragon shows up.

Read Corrina’s complete review here.

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Final Thoughts on Narnia. The Last Battle: A Criticism and a Defense

Final Thoughts on Narnia. The Last Battle: A Criticism and a Defense

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the last battle 1Well, these were my books. You know, the ones that got me forever hooked on fantasy worlds and addicted to stories untethered from the things we know. I was eight, in the second grade, when I began reading them, and they were the first to begin teaching me that precious lifelong lesson: that though you might not trod in Faerie with your flesh-and-bone feet, there are many other pathways thither.

It was this shared knowledge that made an eight-year-old American boy feel he had much more in common with an old British professor who had died a decade before he was born than he did with most people he met day to day. And that remains true to this day. My spirit is more kindred with a New York woman born in 1918 (Madeleine L’Engle) than with my next door neighbor, closer to a Japanese man born in 1941 (Hayao Miyazaki) than to many of my blood kin.

It’s because we all share the secret – both those of us who weave the stories and those who are the audience willing and eager to fall under their spell – that there are doors to Faerie hidden in our own imaginations. Whenever and wherever we might have lived, wherever we might be. It’s a gift that goes back to the Beowulf poet, and back further to Homer, and back further still; indeed, it is one of the first magical abilities that separated man from the beasts.

But lest I diverge into a long-winded tribute to the power of fantasy, let me get to the issue at hand today. I have recently revisited Narnia, this time with a fellow traveler newly discovering the wonders of other realms. My daughter, just turning eight – the exact age I was when I first went through the wardrobe – has become a big fan.

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New Treasures: Prophets of the Ghost Ants by Clark Thomas Carlton

New Treasures: Prophets of the Ghost Ants by Clark Thomas Carlton

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Prophet of the Ghost Ants-small Prophet of the Ghost Ants-back-small

Clark Thomas Carlton is the author of precisely one previous book, the novelization of the John Travolta/Nicolas Cage film Face/Off, which was published 20 years ago. His newest novel is completely different, a science fantasy set a billion years in the future, which Carlton says was “inspired during a trip to the Yucatan when I witnessed a battle for a Spanish peanut by two different tribes of ants.” It’s perhaps the most fascinating premise of any novel I’ve seen so far this year. It was published as a 598-page mass market paperback by Harper Voyager last month. Annalee Newitz, reviewing the self-published paperback edition in 2011 at io9, wrote:

I’m fascinated by the worldbuilding in Clark T. Carlton’s novel Prophets of the Ghost Ants, which Carlton says “takes place a billion years in the future when the human race has been reduced to the size of rice grains and has intertwined with the insect world in order survive, essentially becoming the parasites of ants…” Journey into a strange future of insect battalions and a power-mad aristocracy that’s more antlike than human.

Prophets of the Ghost Ants is described as Book One of the Antasy Series (although it first appeared six years ago, and there’s been no sign of a second one, so take that with a grain of salt). It was published by Warner Aspect on January 24, 2017. It is 598 pages, priced at $7.99 in paperback and $3.99 for the digital version. The cover artist is not credited. Read the prologue and the first three chapters at WattPad.

Edgar Rice Burroughs’s Pellucidar Saga: Tanar of Pellucidar

Edgar Rice Burroughs’s Pellucidar Saga: Tanar of Pellucidar

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tanar-of-pellucidar-original-printing-coverA long time has passed, both on the surface of the Earth’s sphere and within it. On the surface, it’s been almost fifteen years since Edgar Rice Burroughs wrote the second of his inner world adventures, Pellucidar. During this time, ERB penned another ten Tarzan novels, a couple more Martian ones, and a few of his finest standalone tales. Burroughs incorporated himself and set up the offices of Edgar Rice Burroughs, Inc. in a part of the San Fernando Valley soon to be named Tarzana. It seemed unlikely he would return to writing about Pellucidar after almost a decade and a half … but then he hatched a plan to give the Tarzan series a boost using the fuel of the Earth’s Core.

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Tanar of Pellucidar (1929)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915)

The Backstory

The gap between Pellucidar and Tanar of Pellucidar is fourteen years, the longest hiatus for any of ERB’s major series. Despite numerous pleas from readers, Burroughs apparently had no intention to explore Pellucidar further. But at the end of the 1920s, he devised a plan to jolt life back into the Tarzan books by sending the Lord of the Apes somewhere stranger than the usual lost jungle cities. He already had that “somewhere stranger” waiting to be used: Pellucidar was the perfect Tarzan destination vacation!

But first, Pellucidar needed a bit of a dusting-off to set it up for Lord Greystoke’s arrival, as well as to remind the reading public that the setting existed. Burroughs put into action a two-book plan, starting with a new standalone Pellucidar novel to lure readers into the upcoming Tarzan adventure.

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In 500 Words or Less: The Heroes by Joe Abercrombie

In 500 Words or Less: The Heroes by Joe Abercrombie

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The Heroes Joe Abercrombie-smallThe Heroes
By Joe Abercrombie
Orbit (592 pages, $11.46 paperback, October 2011)

(This one is a little above 500 words because of an excerpt. Just roll with it.)

The last time I discussed Joe Abercrombie in this column, my disappointment in Best Served Cold earned a few comments from the community. (Side note: I love getting comments, so keep them coming.) You might be happy to learn that, as promised, I gave the next First Law book a chance. And I loved it.

The Heroes is everything that I appreciate from Abercrombie, including the bits that were missing from Best Served Cold. It has the same sort of darkness, openly focusing on the idea that there’s no such thing as a hero in any conflict, balanced with the rich humor that originally hooked me on Abercrombie’s work. The entire story is basically an epic battle staged over a series of days, but the action is never boring, and always does something to advance the story. What’s really interesting is several chapters where Abercrombie starts the POV on a character on one side of the conflict, who then dies at the hands of another character who takes over the POV, who then dies … and so on. Some of these characters are newly-introduced – but we’re made to care about them with a Tom Clancy-level of talent – and then suddenly a character we’re familiar with will appear, which doesn’t exactly bode well once you figure out what Abercrombie is doing.

One of my main issues with Best Served Cold was connected to characters – not an issue here. Caul Shivers, essentially a cardboard cut-out of another character previously, seems to have changed again, but this time it works. In a story where almost every character is a soldier, each one is distinct, which is not an easy task (I’ve tried). What’s especially delightful is the return of characters from the First Law trilogy, particularly mad wizard Bayaz, who continues to manipulate events; when a character doesn’t know him challenges his authority, I actually held my breath, waiting for Bayaz’s wrath. But the show-stealer for me was Bremer dan Gorst, who we last saw as the opponent of Jezal dan Luthar and later his protector when Jezal is crowned king. I’ve said before that Inquisitor Glokta from the First Law trilogy is possibly the most amusing character I’ve ever read … but damn if Gorst doesn’t come close. His criticisms of the people around him are exactly what you wish you could say to the worst people in your life, made funnier by the hopelessly pathetic existence that Gorst is trapped in.

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In Viriconium by M. John Harrison

In Viriconium by M. John Harrison

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oie_213541TcmWZhNHAnd so we come to the end of M. John Harrison’s trilogy of novels set in the far, far future of our world. For In Viriconium (1982) Harrison drops almost all elements of heroic fantasy in presenting the story of the artist Ashlyme. Ashlyme’s effort to rescue another artist, the reclusive Audsley King, from a plague outbreak is set against the antics of two manic deities. Woven through the novel are characters and clues that tie it to the previous two, The Pastel City and A Storm of Wings (reviewed at the links). Some build on the earlier stories while others seem to deconstruct and reconfigure them.

The Low City, the poorer section of Viriconium and the one most given over to decay, has been struck by a strange malady:

The plague is difficult to describe. It had begun some months before. It was not a plague in the ordinary sense of the word. It was a kind of thinness, a transparency. Within it people aged quickly, or succumbed to debilitating illnesses — phthisis, influenza, galloping consumption. The very buildings fell apart and began to look unkempt, ill-kept. Businesses failed. All projects dragged out indefinitely and in the end came to nothing.

Day by day it is spreading, restricting travel in and out of a growing portion of the Low City. Hidden away in her rooms above the Rue Serpolet, Audsley King remains the most famous and sought after artist in Viriconium. Even as the plague pares away the substance and people of the city, her agent, Paulinus Spack, is hoping to produce a new play with sets designed by her. All across the High City, Viriconium’s wealthy district, patrons are itching to invest in something featuring King’s creations. She, for that to happen, must leave the Low City — but she does not wish to. In addition to her acceptance of eventual death from the plague, she is repulsed by her potential benefactors:

“Besides,” she said, “I would not go if they did. Why should I go? The High City is an elaborate catafalque. Art is dead up there, and Paulinus Rack is burying it. Nothing is safe from him — or from those old women who finance him — painting, theater, poetry, music. I no longer wish to go there.” Her voice rose. “I no longer wish them to buy my work. I belong here.”

Spurred by a desire to save one of Viriconium’s most important figures, Ashlyme agrees to convince King to flee to the High City. If she cannot be convinced he will, with the help of the astronomer Emmet Buffo, kidnap her and bring her out anyway.

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Future Treasures: The Vorrh Book II – The Erstwhile by Brian Catling

Future Treasures: The Vorrh Book II – The Erstwhile by Brian Catling

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The Vorrh and The Erstwhile-small

Early last year, Matthew David Surridge reviewed the Vintage trade paperback edition of The Vorrh here at Black Gate, calling it:

A powerful, fascinating book that defied easy categorization; epic fantasy or epic horror, magic realism or magic surrealism, it seemed bigger and stranger than whatever one might think to call it. Set mostly in Africa and mostly in the years after World War I, it deals with a forest called the Vorrh, where reality and time and logic become confused. A hunter tries to cross the forest, another man tries to stop him, yet another man tries to stop the second. Meanwhile, in a colonial German city that exists inside the forest, a young cyclops is educated by peculiar automata…

Vintage has announced the impending arrival of the sequel, The Erstwhile, which will be released in trade paperback next month.

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Get Reacquainted with the Gentlemen Bastards in Scotty Lynch’s The Bastards and the Knives

Get Reacquainted with the Gentlemen Bastards in Scotty Lynch’s The Bastards and the Knives

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The Lies of Locke Lamora-small Red Seas Under Red Skies-small The Republic of Thieves-small The Bastards and the Knives-small

I hear nothing but good things — really, nothing but great things — about Scott Lynch’s Gentleman Bastards series. The opening novel, The Lies of Locke Lamora, was nominated for the World Fantasy Award and placed second in the Locus poll for First Novel, and became a bestseller in paperback. The Republic of Thieves placed third in the 2014 Locus poll for Best Fantasy Novel.

The series so far is composed of:

The Lies of Locke Lamora (June 2006)
Red Seas Under Red Skies (June 2007)
The Republic of Thieves (October 2013)

Next month Gollancz releases The Bastards and the Knives, an omnibus collection of two prequel novellas in the series, “The Mad Baron’s Mechanical Attic” and “The Choir of Knives.” Both are previously unpublished.

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Vintage Treasures: The Novels of Lawrence Watt-Evans

Vintage Treasures: The Novels of Lawrence Watt-Evans

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Lawrence Watt Evans-small

My introduction to Lawrence Watt-Evans was his brilliant short story “Why I Left Harry’s All-Night Hamburgers” which originally appeared in the July 1987 issue of Asimov’s Science Fiction, and which I read in his 1992 collection Crosstime Traffic. It won the Hugo Award for best story of the year. And while the overall tone of the tale is downbeat, even melancholic, it is hands-down one of the most optimistic and life-affirming short stories I’ve read in any genre. Check it out if you haven’t had the pleasure already — it appears in a bunch of different anthologies, including The New Hugo Winners, Volume II (1992), The Greatest Science Fiction Stories of the 20th Century (1998), and a 2013 Escape Pod podcast.

Lawrence’s most significant contribution to the genre, however, has been his novels — and he’s written a lot of them. His first, The Lure of the Basilisk, appeared in 1980; since then he’s produced five novels in The Lords of Dûs series (which Bob Byrne wrote about here), The Worlds of Shadow trilogy, The Obsidian Chronicles trilogy, thirteen novels set in the world of Ethshar (originally developed as a role-playing game setting), beginning with The Misenchanted Sword (1985), The Annals of the Chosen trilogy, The Fall of the Sorcerers series, and many others. Under his Nathan Archer pseudonym he’s produced a pair of Star Trek novels, Spider-Man: Goblin Moon (1999), two Predator novels, and much more.

I tend to like my SF and fantasy dark and gritty, and Lawrence’s work — especially his early novels — had a reputation for being light hearted and fun. So for much of his career I tended to ignore his work, which I’ve recently come to realize was a significant oversight. So when I found the lot of vintage Lawrence Watt-Evans novels above for sale on eBay for just $7.95 (shipping included), I found it irresistible. It arrived last week.

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