Black Gate

I saw Winter of the Gods at the bookstore last month, and was captivated by the striking cover. I didn’t realize it was the second novel in a series until today, when I did a little more homework. The first volume, The Immortals, was released in hardcover by Orbit last year; it’s now available in paperback.

Winter of the Gods, the second volume in the Olympus Bound series about the ancient Greek gods in their new home in Manhattan, arrived in hardcover on Valentine’s Day. The third volume will be titled Olympus Bound; it doesn’t yet have a release date.

Here’s the summary for Book One.

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Superheroes rule at the box office, and have for nearly a decade. They’ve pretty much conquered television as well. And of course, they’ve been the predominate genre in American comics since the 1960s.

But novels? Not so much. For whatever reason, the massive popularity of American superheroes just hasn’t translated to prose. There have been some solid attempts, however, perhaps most notably Peter Clines’s Ex-Heroes series and George R.R. Martin and Melinda Snodgrass’s long-running Wild Cards shared universe (now in development for television at Universal Cable Productions).

One of the most interesting to me personally is Carrie Vaughn’s two-volume series After the Golden Age, about the children of famous superheroes, struggling to find their way in the world and form their own fledgling supergroup. Publishers Weekly called the first novel “A loving homage to classic superheroes,” RT Book Reviews says it’s “More than a superhero story… an adventurous story that is much more about the emotions than the ability to fly,” and Locus gave it a very enthusiastic review, calling it “A thrilling yarn… good old-fashioned comic book fun.”

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Successful fantasy novels evolve towards a series. That’s like the fourth law of Thermodynamics. An expression of the natural order of the universe. Readers demand it; publishers are more than happy to accommodate, and authors…. well, what author can refuse her public?

Kristen Britain’s debut novel Green Rider was very successful. It was only the second hardcover fantasy debut DAW ever published (the first was Tad Williams’s Tailchaser’s Song), and the extra effort paid off. I received a review copy while I was the editor at SF Site in 1998, and when I gave it to my niece Sabrina to get her opinion, her mother called to complain that she spent all her time in her room reading, and wouldn’t come down for dinner. I wasn’t at all surprised to see it become a New York Times bestseller, and kick off one of the first major fantasy series of the 21st Century.

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I met Aliette de Bodard at the Nebula Awards Weekend here in Chicago in 2015, and I was totally charmed. She is smart, self-deprecating, and very funny (and a very sharp dresser, as I recall). That was a few months before the debut of her major fantasy novel The House of Shattered Wings, which won the 2015 British Science Fiction Award, and which Tim Powers called “A Gothic masterpiece of supernatural intrigues, loves and betrayals in a ruined and decadent future Paris… this novel will haunt you long after you’ve put it down.” On her website, Aliette describes the books as:

A series of dark Gothic fantasies set in a turn-of-the-century Paris devastated by a magical war – featuring magicians, witches, alchemists, Fallen angels, and the odd Vietnamese ex-Immortal…

The second novel, The House of Binding Thorns, arrived in trade paperback from Ace last month, and it’s already winning wide acclaim. F&SF called it “dizzying and beautiful,” and the B&N Sci-Fi Blog called it “A truly grand story, brimming with action, heart, representation, and magic.”

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