Black Gate

Megan E. O’Keefe’s debut novel Steal the Sky launched an ambitious fantasy series set in an oasis city, featuring a noble conman on the run from some very powerful people who stumbles onto a complicated conspiracy… and a chance to pull off a heist of epic proportions. It was nominated for the 2017 David Gemmell Morningstar award for Best Debut novel, and author Beth Cato (The Clockwork Dagger) summarized it thusly: “Two lovable rogues, a magical doppelganger, and a nasty empire… it’s like an epic steampunk Firefly.” And NPR called it “A buddy tale, a heist caper, a socioeconomic thriller and a steampunk-seasoned fantasia all at once…. And it fires beautifully on all cylinders.”

Still, even a great steampunk adventure isn’t worth much if you have to wait too long between installments, no matter how rollicking the open volume is. But fortunately O’Keefe has kept up the pace with the Scorched Continent novels — the second volume arrived right on time last October, and the concluding novel, Inherit the Flame, was published last month. Now that’s what I like to see. Here’s the complete details on the whole trilogy.

Steal the Sky (448 pages, $7.99 paperback/$2.99 digital, January 5, 2016) — excerpt
Break the Chains (400 pages, $7.99 paperback/$6.99 digital, October 4, 2016) — excerpt
Inherit the Flame (448 pages, $7.99 paperback/$2.99 digital, April 4, 2017) — excerpt

All three volumes are published by Angry Robot, with cover art by Kim Sokol. Check out the links above to sample excerpts from each book.

Sylvain Neuvel’s debut Sleeping Giants was nominated for the Compton Crook Award for Best First Novel. It was the tale of Rose Franklin, who made an incredible discovery as a child: a huge metal hand buried deep underground in South Dakota. As an adult, she’s a celebrated physicist leading the team tasked with uncovering the strange artifact’s secrets — starting with its impossible age and strange composition. When additional pieces are located around the world, hinting at a titanic whole, the mystery only deepens. Chicago Review of Books called it “A complex tapestry with ancient machinery buried in the Earth, shadow governments, and geopolitical conflicts,” and Jason Heller at NPR labeled it “A thriller through and through… one of the most promising series kickoffs in recent memory, [and] a smart demonstration of how science fiction can honor its traditions and reverse-engineer them at the same time.”

Now the second volume, Waking Gods, has arrived in hardcover and significantly raised the stakes, as mankind faces a deadly invasion of colossal machines touching down across the globe. It arrived in hardcover from Del Rey last month.

Sleeping Giants (320 pages, $26 hardcover/$16 paperback/$7.99 digital, April 26, 2016)
Waking Gods (336 pages, $28 hardcover/$13.99 digital, April 4, 2017)

Read an excerpt from Sleeping Gods at the Del Rey/Penguin Random House website here.

I saw Winter of the Gods at the bookstore last month, and was captivated by the striking cover. I didn’t realize it was the second novel in a series until today, when I did a little more homework. The first volume, The Immortals, was released in hardcover by Orbit last year; it’s now available in paperback.

Winter of the Gods, the second volume in the Olympus Bound series about the ancient Greek gods in their new home in Manhattan, arrived in hardcover on Valentine’s Day. The third volume will be titled Olympus Bound; it doesn’t yet have a release date.

Here’s the summary for Book One.

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Superheroes rule at the box office, and have for nearly a decade. They’ve pretty much conquered television as well. And of course, they’ve been the predominate genre in American comics since the 1960s.

But novels? Not so much. For whatever reason, the massive popularity of American superheroes just hasn’t translated to prose. There have been some solid attempts, however, perhaps most notably Peter Clines’s Ex-Heroes series and George R.R. Martin and Melinda Snodgrass’s long-running Wild Cards shared universe (now in development for television at Universal Cable Productions).

One of the most interesting to me personally is Carrie Vaughn’s two-volume series After the Golden Age, about the children of famous superheroes, struggling to find their way in the world and form their own fledgling supergroup. Publishers Weekly called the first novel “A loving homage to classic superheroes,” RT Book Reviews says it’s “More than a superhero story… an adventurous story that is much more about the emotions than the ability to fly,” and Locus gave it a very enthusiastic review, calling it “A thrilling yarn… good old-fashioned comic book fun.”

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Successful fantasy novels evolve towards a series. That’s like the fourth law of Thermodynamics. An expression of the natural order of the universe. Readers demand it; publishers are more than happy to accommodate, and authors…. well, what author can refuse her public?

Kristen Britain’s debut novel Green Rider was very successful. It was only the second hardcover fantasy debut DAW ever published (the first was Tad Williams’s Tailchaser’s Song), and the extra effort paid off. I received a review copy while I was the editor at SF Site in 1998, and when I gave it to my niece Sabrina to get her opinion, her mother called to complain that she spent all her time in her room reading, and wouldn’t come down for dinner. I wasn’t at all surprised to see it become a New York Times bestseller, and kick off one of the first major fantasy series of the 21st Century.

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