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For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

For Gonji Lovers: A Hungering of Wolves by T.C. Rypel

oie_6235149uAZhq0luI’ve finally read A Hungering of Wolves, the last published volume of T.C. Rypel’s dimension-spanning swords & sorcery epic series about Gonji, the half Japanese, half Norwegian samurai, fighting his way across Renaissance Europe in hopes of discovering his destiny. It shouldn’t be the last book, but as of now, sadly, it is. While there is a collection of shorter tales scheduled for the near future, the sequel to this book is not.

It was orginally published as Knights of Wonder by Zebra Books way back in 1986. Rypel and his books fell victim to the whims of the publishing industry and an agent who wasn’t a big heroic fantasy fan. My earlier review of the first three Gonji books, collectively called the The Deathwind Trilogy, contains a more detailed account of Gonji’s publishing history.

I tend to avoid series that haven’t been finished because I fear they never will be. My dad went to his grave never seeing the end of Roland Green’s Wandor series. I dread the screams that will pierce the heavens if A Song of Ice and Fire doesn’t reach its end. So when I tell you that I read A Hungering of Wolves knowing it sets up a story that remains unfinished, that should tell you something about how much I like Rypel’s books.

If you have any love for swords & sorcery then you should read the Gonji books. Though thirty years old, Rypel’s books don’t feel dated and avoid the cliches that infect the worst heroic fantasy. Gonji, his associates, and opponents react like real humans, not puppet characters moved about in service to some pre-ordained plot.

While the books have more blood and thunder than even I can handle at times, they also have detailed and nuanced character development contemporary readers expect. For every loud and explosive scene the books have calmer moments that create atmosphere and a believable world. Just enough time is spent with secondary characters to make you care when something happens to them or buy their motives when they act.

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Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Little Green Men, Couriers of Chaos, and Miners on Uranus: Things, edited by Ivan Howard

Things Ivan Howard-smallThings
Edited by Ivan Howard
Belmont (157 pages, $0.50, February 1964)

Belmont Books, publisher of this anthology, apparently thrived throughout the Sixties. Early on it looks like many of their books leaned toward horror, with SF being sprinkled into the mix more as time went on. Things presents itself more as horror (the subtitle is Stories of Terror and Shock by six SCIENCE-FICTION greats) but there’s not much horror content. It’s a short volume that collects six fairly uninspired novelettes and short stories first published in SF magazines in the early Fifties.

Thumbs Up

“The Gift of the Gods,” by Raymond F. Jones

An interesting take on aliens landing on Earth, as the whole affair is somewhat derailed by bureaucracy and pettiness. It could have been a lot shorter and it was a bit preachy in spots but not bad overall.

“Little Green Man,” by Noel Loomis

I like pulp as much as the next guy and maybe a bit more — although it’s best taken in moderate doses. This one’s pretty pulpy, with the LGM of the title beseeching a mining engineer from Earth to evacuate from his home planet of Uranus. Entertaining but not particularly exceptional.

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The Growing Pains of Renner & Quist

The Growing Pains of Renner & Quist

BonesyCheck Out TimeSamhain Publishing has just unearthed Bonesy, their fourth Renner and Quist occult mystery from one of my very favorite authors (and a regular contributor at Black Gate) magazine, Mark Rigney.

The idea of returning from a ten-month hiatus has me a bit nervous, but longtime readers may recall my heaping praise on Rigney’s earlier titles in the series: The Skates, Sleeping Bear, and Check-Out Time. Renner and Quist are an oddball double act in the classic tradition. Renner is a persnickety Unitarian minister, while Quist is a boorish ex-linebacker. Together, this unlikely duo team to solve occult mysteries.

This latest addition to the quirky and delightful series picks up where the last episode left off with Renner and Quist dramatically changed by their experiences. This time out, Renner’s mentor, Iris Buckhalter turns up needing his help.

She has developed an obsession with a brass rubbing of a strangely sexless 16th Century human skeleton she calls “Bonesy.” Her unhealthy obsession seems to have triggered premonitions of her death and she wants Renner, with his obvious occult abilities, to become Bonesy’s caretaker.

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Harder, Better, Faster, Stronger: An Apt Description of the Heroine in Beaulieu’s Twelve Kings in Sharakhai

Harder, Better, Faster, Stronger: An Apt Description of the Heroine in Beaulieu’s Twelve Kings in Sharakhai

Twelve Kings in Sharakhai-smallTwelve Kings in Sharakhai: The Song of Shattered Sands: Book One
By Bradley P. Beaulieu
DAW Books (592 pages, $24.95 in hardcover, $9.99 digital, September 1, 2015)
Cover by Adam Paquette

Eleven years ago, Çedamihn Ahyanesh’ala’s mother was killed by the immortal Twelve Kings that rule the desert city of Sharakhai. Çeda — as she’s known to a few close friends — doesn’t know why her mother was killed. She only has three clues: the Kings carved strange symbols into her mother’s skin before they killed her; a book of poems that belonged to her mother; and the fact that she can never reveal she was her mother’s daughter.

Along with her friend Emre — one of only a handful of people who know her true identity — Çeda earns money on the streets of Sharakhai by delivering messages and cutting the occasional purse. By the time she is a young adult, she earns money with a new identity: the White Wolf, one of the most feared and respected hand warriors in the fighting pits.

Only Emre knows the secret deep within her heart: she means to avenge her mother’s death by killing the immortal Kings that rule the city. But in order to do so, she has to face her fears, make allies out of enemies, and risk losing everything she cherishes.

The world building here is robust yet deft. There are several elements in play, such as the mythology that governs the Kings, the magic of the forbidden forest on the outskirts of the city, and the creatures called the asirim that roam Sharakhai every six weeks to prey upon the city’s inhabitants.

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Locus Online on C.S.E. Cooney’s Bone Swans

Locus Online on C.S.E. Cooney’s Bone Swans

Bone Swans CSE Cooney-smallBone Swans, the long awaited first collection from C.S.E. Cooney, has been loudly acclaimed since its release last month. It received a starred review from Publishers Weekly, and a rave review from Tor.com — especially for “Life on the Sun,” which was originally published here at Black Gate. And Library Journal called it “Five beautifully crafted stories… full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth… [a] gorgeous new collection.” Now Locus Online‘s Paul Di Filippo weighs in, saying:

This is a strong and enduring debut collection… As might be predicated based on its name, the genre dubbed the “New Weird” has its roots in the Old Weird, and one tendril of those roots extends back to the Weird Tales crew. Thus it’s not too surprising that Cooney’s state-of-the-art New Weird tale “Life on the Sun” at times reads like something from the Robert E. Howard canon, with strange tribes, bizarre magics, desert-circled cities, and other nifty pulp tropes. But of course, since Cooney’s poetic, evocative prose is of a higher order of sophistication than Howard’s, the resulting tale is a thing apart. The city of Rok Moris is undergoing a simultaneous assault from without and rebellion from within. At the heart of both movements, it eventuates, is a young woman named Kantu. Her denied birthright contends with her chosen mature allegiances, and she must somehow reconcile them for the survival of her city and all its citizens… Overall, if the byline had been stripped from this tale, one would not be surprised to hear it came from the pen of Tanith Lee…

In his beguiling and affectionate introduction, Gene Wolfe nominates Cooney as a fully formed savant of fantastika at age eighteen. Having matured and honed her skills since then, as seen in this collection, she surely is embarked on a literary odyssey as rewarding and thrilling as any undergone by her bevy of unforgettable heroes and heroines.

Bone Swans was published by Mythic Delirium Books on July 1, 2015. It is 224 pages, priced at $15.95 in trade paperback and $5.99 for the digital version. The cover art is by Kay Nielsen. See the Mythic Delirium website for more details, and the complete Table of Contents here.

The Three Phases of Adam Warlock: Return from the Dead

The Three Phases of Adam Warlock: Return from the Dead

Infinity_Gauntlet_Vol_1_1_001I’ve been taking a look at Adam Warlock, one of my favorite comic characters. In previous posts, I’ve written about his early period as a failed messiah figure on Counter-Earth in the early- and mid-1970s, and then his Jim-Starlin-written tragic middle period as the cosmic champion of life, which led to his heroic death in 1977.

Today, I want to take up the thread of the Adam Warlock saga fourteen years later, when both he and the Champion of Death, Thanos, were resurrected as the core of a massive cross-over event called The Infinity Gauntlet.

This may be timely for some folk who had never read the original or reprinted Warlock runs, because Marvel movies have already teased us with a hero-sized cocoon in a Thor movie and have announced an Infinity War movie for 2018.

So, since the Infinity Gauntlet series is now 24 years old, I’m not going to issue spoiler alerts; I’ll likely just berate you for not having read this already (you can, incidentally, stop reading this post, go pick up the Infinity Gauntlet at comixology.com, and then come back when you’re done; I don’t own Marvel stock or anything, it’s just that much fun).

To remind readers where we left off, in 1977, Adam Warlock, the lonely, tragic Champion of Life, killed Thanos, the nihilistic, insane cosmic Champion of Death. Fast forward to 1991 to Infinity Gauntlet #1, and we find that quite a bit has happened. Death has been chaffing at the imbalance between Life and Death and has pulled out her greatest admirer and lover, Thanos to rectify things.

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Adventures In Benign Cults: Parable Of the Talents

Adventures In Benign Cults: Parable Of the Talents

Parable Of the Talents-smallIf a book vaults from mere printed text to a work of serious literature by virtue of posing a question, and then exploring it through the course of the story, then Octavia Butler’s The Parable Of the Talents fits the bill very neatly indeed.

Its primary question seems to be discovering meaning in what is for Butler a necessarily godless world, but it takes on secondary questions galore. Among these: what is the difference, if any, between a religion and a cult? How fine is the line between healthy determination and destructive obsession? And just how often do we reject others simply on the grounds that they challenge those (shaky) convictions on which we’ve built our lives? In other words, we blame and hold accountable people who represent our own failings.

Butler has a field day with all of these and more in charting the life of Lauren Oya Olamina, founder of Earthseed, a cult that locates God in change — the concept of change — and sets its sights on the stars when life on earth (or at least in the Disunited States of the 2030s) is nothing but chaos.

Formally, Butler’s Parable Of the Talents (the sequel to Parable Of the Sower) is epistolary work. The story is related through select journal entries, mostly Olamina’s, with other voices interspersed. These include her husband, her lost daughter, and her estranged younger brother.

First published in 1998, Parable Of the Talents won the Nebula Award in 1999. Like a good many other Nebula winners (such as The Speed Of Dark, which I wrote about here recently), this is not hard science. If you’re looking for the nuts and bolts engineering or chemistry found in Kim Stanley Robinson or Andy Weir, look elsewhere. Butler’s near-future tale focuses on social disintegration, and its rebirth via the benign (?) cult of Earthseed.

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Getting Closer to Home: A Review of Milton J. Davis’ Saga Changa’s Safari

Getting Closer to Home: A Review of Milton J. Davis’ Saga Changa’s Safari

Changa's Safari-small Changa's Safari 2-small Changa's Safari 3-small

I have been a fan of Milton J. Davis’ saga of Changa Diop ever since I read the first volume, Changa’s Safari, back in 2010. All three volumes are published by MVmedia, LLC. They are:

Changa’s Safari: A Sword and Soul Epic (2010)
Changa’s Safari, Volume Two (2012)
Changa’s Safari, Volume Three (2014)

[Click on any of the images in this article for bigger versions.]

It’s no secret that Davis has been influenced by the father of the Sword and Soul brand of Heroic Fantasy, introduced to the world in the 1970s by the eminent author, Charles R. Saunders, creator of the Imaro novels, the first black, Sword and Sorcery hero and star of his own series.

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Fantastic, June 1965: A Retro-Review

Fantastic, June 1965: A Retro-Review

fantastic June 1965-smallAt last I return to an issue of Fantastic from the Cele Lalli era. Indeed, this is the very last issue of the Cele Lalli era.

The June issues of Amazing and Fantastic were the last published by Ziff-Davis. They were sold to Sol Cohen’s Ultimate Publishing, and resumed appearing as bimonthlies with the August Amazing and then the September Fantastic.

At this time they began publishing mostly reprints, drawing on the huge library of stories published originally in Amazing and Fantastic, for which they had, legally, unlimited reprint rights. (Eventually Cohen was forced or shamed into paying a small fee.)

Perhaps because this is the last issue before the transfer to new ownership, there are no features: no interior art, no book review, no editorial, nothing. The cover is by Gray Morrow, never a favorite of mine, illustrating Roger Zelazny’s “Thelinde’s Song.”

Click the image at left for a bigger version.

I don’t like it much – the color is a muddy red, and the menaced virgin on the altar isn’t very attractive. (Shallow of me, I know, but there you are!)

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