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Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

ellery_queens_mystery_201701-02So how are things going in “The World’s Leading Mystery Magazine?” Quite well, as it turns out, despite some significant format changes that began in the January/February 2017 issue. To save on printing and shipping costs, they’ve made the switch from monthly to bi-monthly issues, but made up for it by providing twice as many pages per issue, meaning that long-time subscribers won’t have to sacrifice a single page of mystery goodness. This issue, for example, has seventeen tales of crime and deduction.

It opens with “A Slaying Song Tonight” by Vicki Weisfeld. Honestly, I had trouble keeping track of all the characters in this one, so that the revelation of “whodunnit” kind of turned into “whowuzzthat.” Basically, one of a group of Christmas carolers commits a murder on their caroling route and it’s up to two of those carolers to suss out the guilty party.

“Flowing Waters” by Brendan Dubois was easily my favorite story of the whole bunch, concerning a military veteran who deals with her PTSD by adopting a dog who’s seen her own share of violence. Don’t feel ashamed if you cry by the end of this one.

“The Twelve Days of Dunwich” by Barbara Nadel provides a rare turn into supernatural territory with a crime story in which the narrator is the victim, who is dead … but not quite gone.

“The Children of Espiritu Santo” by David Dean concerns a gang that’s terrorizing a small town, specifically a church where a possible holy relic has recently been discovered.

“After Closing Time” by Nova Lee Maier is another one of those “plot to murder the spouse goes horribly awry” stories, complete with an appropriate O. Henry-style twist at the end.

“Night Terrors” by Owen Leddy is another standard trope story, this time it’s the one about the man who dreams of committing a murder every night, unsure why he’s plagued by the recurring dreams and terrified that those dreams will soon come true.

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Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

asimovs_science_fiction_201701-02This year marks the 40-year anniversary of Asimov’s and this issue not only includes a brief recap of the magazine’s history in an editorial, but also comments from each of the contributing authors about when they first read the magazine and what it means to them.

Check out the cover art by Maurizio Manzieri. That’s a scene from the first story in the magazine, “Crimson Birds of Small Miracles” by Sean Monaghan. On the surface, the story is about a father taking his two daughters to see the beautiful mechanical birds of the title, but there is also a much deeper and more touching story at work here, illustrating the truth that some tragedies will continue to follow us into the future, no matter how many advances we make with technology.

Next is “Tagging Bruno” by Allen M. Steele, a tale set in the future and on another world, yet concerned with current debates on wildlife preservation. Sure, it gets a little preachy, but the characters are all well-defined and the ending has just a tinge of fun irony to it.

“Still Life with Abyss” by Jim Grimsley starts with that old science fiction trope of the parallel universe and reverses the standard story. It’s set in a research station that monitors activities in all of the parallel universes. Of course, there are the usual “What if?” universes (America lost the Revolution, the South won the Civil War, the Nazis won World War II), but also all of the small changes in individual people’s lives. The idea is that we all have alternate paths that our lives might have taken and on some parallel world, we did. But the research team has discovered one man, one solitary man in all the recorded multiverse, whose life NEVER deviates from a single course, no matter what happens around him.

“Fatherbond” by Tim Purdom follows a group of human colonists who arrive on a new world, only to discover that another race of aliens has already arrived and is forbidding anyone to colonize it. The argument against colonizing is an interesting one. While there is no intelligent life native to the planet, intelligent life might naturally evolve there over hundreds of millions of years. So colonization is wrong not because it would displace current inhabitants, but rather because it would interfere with the natural evolution of future inhabitants. Obviously, some of the humans feel differently and the aliens’ motives aren’t as pure as initially stated.

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February Short Story Roundup

February Short Story Roundup

oie_13616139DhBwLErAnother month, another roundup of solid swords & sorcery short fiction for your enjoyment. Follow along for a look at February’s offerings.

Swords and Sorcery Magazine Issue 61 kicks off its sixth year of publication with a bang; actually, a pair of bangs. The first little explosion comes in the form of a group of friends making stupid decisions in Tom Lavin’s “Trouble in the Viscount Tavern.” Deon surprises his friends Tenny and Ruald with a strange book left behind by an inn guest. Though its cover advertises it as Giselder Farnbrak’s Herbs and Homely Cooking, inside are spells. Despite misgivings from Deon, the others start to read some out loud for a lark. Lavin’s description of the resulting horrors is bone-chilling.

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Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

Kong: Forget Jurassic Park; Book Your Next Family Vacation to Skull Island!

kong skullOkay, I loaded the family up in the van today and we went to see the big ape, the Eighth Wonder of the World tearing it up at the box office.

It delivered pretty much what we all wanted and expected, from the youngest son on up to the oldest boy in the family (that would be me, the boy pushing 45). That is to say, there isn’t going to be any “Oscar buzz” around it (like there is with Logan), but big-budget popcorn B-movies don’t get much better.

A lot of people were excited to see Tom Hiddleston in this movie, and then disappointed to see his performance wasn’t much like Loki: he’s the fairly bland leading man, but he executes the role fine. Likewise for Brie Larson, the anti-war photojournalist who tags along on a hunch that there’s more going on in this expedition to an uncharted island than some mundane mapping (boy is her hunch right!). Samuel L. Jackson and John Goodman have more memorable parts, but those, too, are pretty one-dimensional types. The real stand-out, as you’ve probably heard, is John C. Reilly as the WWII fighter pilot who has been stranded on the island for 28 years.

Enough said about the human cast, because, really, they’re all just bit parts to the Main Attraction: Let the Kaiju Main Event begin!

Kong: Skull Island is a lean, mean movie that barely hits the two-hour mark. Can you believe this Kong is more than an hour shorter than Peter Jackson’s outing with the Primary Primate back in 2005? It cuts out what some critics considered a meandering, overlong first act in Jackson’s film, getting straight to the action and then not letting up – right up to the closing shot that zooms in on Kong’s pupil as it reflects the towering rock formation in the center of Skull Island. It also does not grind the action to a halt to capture the big ape and haul him off to New York: this is all Skull Island, baby. The Island “where evolution is not finished,” and its many, many weird denizens.

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Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

Fantasy & Science Fiction, Volume 132, No. 1 & 2 (January/February 2017)

The Magazine of Fantasy & Science Fiction January February 2017-smallSo I got a late start on this year’s reading, which means that I’ve just finished the January/February issue of The Magazine of Fantasy & Science Fiction. As with any collection of stories from a variety of writers, I liked some more than others.

Before we even start, check out the cover art by Charles Vess. A little girl is using her blue magic hand to befriend a rat and a cat. You hardly even notice that she’s not so much sitting on a bed as she’s squatting up against it. (Click the image to embiggen.)

And the cover image isn’t just a random design. It’s a scene from the first story of the issue, “Vinegar and Cinnamon” by Nina Kiriki Hoffman. Nothing too deep here. Just a young witch in training who accidentally turns her brother into a rat, then has to track him down and figure out how to change him back. The writer doesn’t take the predictable route of focusing on the young witch, instead keeping the point of view on her brother and how being a rat alters his perceptions and priorities.

“The Regression Test” by Wole Talabi presents a variation on the Turing Test, as a computer program is designed to simulate the thought processes of a scientific genius. While the scientists can verify how well the program recalls information, they have no way of judging how close the personality is to the original, so they invite the scientist’s daughter to ask the program questions. Of course, there’s more going on here than a simple question-and-answer session.

“A Gathering on Gravity’s Shore” by Gregor Hartmann continues the Franden series. Since I’ve never read any other stories with this character, it was a little rough to get the character and setting straight at first. It’s basically a garden party in which Franden flirts with a botanist and tries to draw out opinions on a pending civil war.

Next is the novelette, “Homecoming” by Rachel Pollack. Again, this was part of a series of stories featuring Jack Shade, a paranormal investigator cursed to take on the case of anyone holding one of his business cards. This time, the case involves retrieving a missing piece of a woman’s soul. Of course, things go bad and Jack eventually has to enlist some supernatural help to prevent the end of the world.

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Oz’s Bag of Holding, TV Edition: Ash vs Evil Dead, Barney Miller, Parks & Recreation: What do these Sitcoms Have in Common?

Oz’s Bag of Holding, TV Edition: Ash vs Evil Dead, Barney Miller, Parks & Recreation: What do these Sitcoms Have in Common?

ashAnswer: They’re all in my bag of holding. I will now draw them out and discuss them.

Parks and Recreation

Parks and Recreation (2009-2015) has no reason to be mentioned on a site devoted to fantasy, but I’ll rationalize my inclusion of it here by pointing out that the character Ben Wyatt (Adam Scott) is a legit connoisseur of science fiction and fantasy, frequently making allusions and drawing analogies to Star Wars or Star Trek or The Lord of the Rings that fly over his colleagues’ heads. We’ve all been there, surrounded by coworkers (or classmates, or family members) who do not share our outside interests and passions. (Then we found the Internet. And, if we were really fortunate: conventions.)

In one episode, coworkers encourage Ben to take a break for a day, to cut loose and totally indulge himself at the mall. While they’re getting facials and manicures, he purchases and dresses up in a Dark Knight costume.

The refreshing thing about Ben is that he is not written as the stereotypical sitcom caricature of a nerd. He is somewhat socially awkward but smart and sharp, on top of things. He’s actually a more “normal,” down-to-earth, audience-POV person, surrounded as he is by flamboyant and eccentric characters. He is respected and, in one case, adored (he becomes the love interest of Amy Poehler’s lead character Leslie Knope).

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A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

Clark-ashton-smith-end-of-the-story-wildside-press-coverI’ve read the complete works of Clark Ashton Smith. And I’ve been known to write at length about them, or to chat with journalists on the topic. There’s nothing unusual about this, since Smith ranks among my favorite five or so authors of all time.

But only recently did I decide to undertake reading his fantasy stories in the original order he wrote them. I can thank Night Shade Books’ five volume series, The Collected Fantasies of Clark Ashton Smith, for making this an easier task than it would’ve been only a few years ago. When the series started to appear in 2007, the hardcover volumes went out of print rapidly. Even a hardcore fan like myself couldn’t justify a purchase of one of the high-priced used copies.

However, as of 2016, all five of The Collected Fantasies are now available in inexpensive trade paperbacks that can be purchased through online retailers with a few clicks. The texts for these volumes have been meticulously prepared (no simple feat considering the revisions and alternate versions published in the past) and offered in the chronological order of composition.

I’m taking a stroll through these editions to read the stories as they were imagined and committed to paper. Instead of regaling you with further long essays, I’m going to take on the role of sightseer, bringing back notes and a slideshow presentation about the best — and the rest — of each volume.

By the way, if you are new to Clark Ashton Smith, the Night Shade editions aren’t the best way to start out. They’re aimed at the collector and long-time connoisseur. I recommend the Penguin Classics collection The Dark Eidolon and Other Fantasies as a better Smith introduction. If you like the heady journey, there’s much more to explore in the dark fathoms below…

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In 500 Words or Less: Angels of Our Better Beasts by Jerome Stueart

In 500 Words or Less: Angels of Our Better Beasts by Jerome Stueart

The Angels of Our Better Beasts-smallAngels of Our Better Beasts
By Jerome Stueart
ChiZine Publications (300 pages, $16.99 paperback/$9.99 digital, December 2016)

As part of my Short Fiction Spotlight for 2016, I discussed the collection Angels of Our Better Beasts by author Jerome Stueart – specifically his short story “Why the Poets Were Banned from the City,” which focuses on the emotional turmoil of a father who has lost his daughter, and blames the writers who have been exiled for the safety of everyone else in the big city. As I mentioned previously, it’s an emotionally charged story that balances a great premise with a realistic, human situation – which is arguably what every SF writer should strive for.

Stueart’s entire collection is like that: fabulous ideas and even more fabulous characters. I got my first taste of this at World Fantasy 2016, hearing Stueart read from “Lemmings in the Third Year,” where a scientist transported to a world of intelligent animals tries to teach the Scientific Method to a group of lemmings. It’s a hilarious story, as the lemmings have grown accustomed to one of their group being regularly eaten by a neighboring owl, and the scientist’s exasperation reminded me of some days in the classroom where people just aren’t getting it.

And while a lot of the stories in Better Beasts are funny – like “Bondsmen,” where the previous incarnations of 007 try to desperately help the current holder of their legacy – there are an equal number of poignant and heartfelt stories. “Brazos,” for example, focuses on a farmer negotiating for his daughter’s hand with a god, maintaining the tension throughout the entire story as this simple human throws down with an entity who could smite him with a single gesture.

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The End of the Matter: Viriconium Nights by M. John Harrison

The End of the Matter: Viriconium Nights by M. John Harrison

Viriconium Nights-smallThe three novels of the Viriconium sequence, The Pastel City, A Storm of Wings,  and In Viriconium, are not the entirety of M. John Harrison’s intricate, multi-faceted portrayal of the titular city. A fourth book, Viriconium Nights (1984), collects seven stories written between 1971 and 1983. Each is strange, some bordering on the inpenetrable, but all attempt to shine lights onto new aspects of the larger story.

As he did with each succeeding novel, Harrison twists, recasts, and reweaves characters, thematic melodies, and locations first found in The Pastel City.  Sometimes, as with that book’s ostensible hero, tegeus-Cromis, things seem to be exactly as they were before. Other times, particularly with the city of Viriconium itself, they are changed considerably. Its very name becomes mutable, one time being Uriconium, another just Vriko. This reminds us of one of Harrison’s central ideas: that there is no real “there” to Viriconium; it is just a bundle of words painted on a page at its creator’s discretion.

Viriconium Nights commences with “The Lamia & Lord Cromis.” tegeus-Cromis is in search of the lamia, a beast which has slain numerous members of his family. Though he appears to have accepted the same will happen to him, still he sets out accompanied by the wonderfully named Dissolution Khan and the dwarf gladiator, Morgante. The hunt ends in a morass of complications, death, and unclarity.

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Self-published Book Review: Dawn of Wonder by Jonathan Renshaw

Self-published Book Review: Dawn of Wonder by Jonathan Renshaw

Dawn of Wonder coverIt’s been a few months since I’ve done one of these. Partly that’s for personal reasons that I won’t go into here, and partly it’s because I haven’t received a lot of submissions lately, so I went looking for a book to review, and I ended up with one that proved a little longer than I anticipated. (If you’d like to submit a book for me to review, please see the instructions.)

This month’s self-published book review is of Dawn of Wonder, by Jonathan Renshaw, a 700-page novel of epic fantasy. Mr. Renshaw doesn’t need my help selling his book, as he’s sold over 200,000 copies, has over 2,500 Amazon reviews, and has won a bevy of awards. But it is a self-published book, and I was curious whether it could live up to the expectations.

It is certainly a well-written book, with rich and poetic language and strong characterization. Aedan, the main character, is instantly likeable, adventurous and bold but with a grave weakness that will haunt him throughout the novel. We’re first introduced to Aedan as a boy, together with his friends, most notably Kalry, the daughter of the local noble. When tragedy strikes and Kalry is lost to slavers, Aedan is blamed, and his family has to leave the area. It is here that we are introduced to the source of Aedan’s fears and weakness, his father’s abusive temper. When they arrive in the city of Castath, Aedan’s father separates from his family to return to the criminal lifestyle he had practiced before marrying.

Aedan quickly decides that what he wants is to become a soldier, independent of his father and the domineering woman his mother finds shelter with, and more importantly, able to pursue revenge on the nation of slavers who took Kalry. When he seeks out the training to become one, he quickly catches the eye of General Osric, and is offered a place at the Academy, studying to become a gray marshal, the spies and scouts who are Castath’s first line of defense. Believing that becoming one would give him an even better chance to avenge Kalry, he leaps at the opportunity.

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