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John D. MacDonald: A Writer’s Writer

John D. MacDonald: A Writer’s Writer

MacDonald_Typewriter
That thing he’s using is called a ‘typewriter’

“With sufficient funds to cover four months’ living expenses, he set out and wrote at an incredible pace, providing eight hundred thousand words. Writing for a wide variety of magazines, he kept more than thirty stories in the mail constantly, not giving up on a story until it had been rejected by at least ten markets

In the process he accumulated almost a thousand rejection slips after five months of effort. During this period, MacDonald worked fourteen hours a day, seven days a week, literally learning his craft and gaining the experience of a decade as he went along, which was important for a man who made no serious attempt to write until he was thirty.”

– Martin H. Greenberg, in the introduction to Other Times, Other Worlds.

That is how John D. MacDonald, thirty years old, fresh out of the military in 1946 and with one published short story (which he actually sent to his wife in a letter: she submitted it to a magazine) learned the craft of fiction writing.

One of America’s finest writers (note: I didn’t qualify that with the word ‘fiction’) set himself upon a course that no sane person would have undertaken in that situation.

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Compiling The Big Book of Swashbuckling Adventure

Compiling The Big Book of Swashbuckling Adventure

The Big Book of Swashbuckling Adventure-smallGreetings, Black Gate readers! You may be familiar with my work as the game designer Lawrence Schick – possibly from role-playing material like the White Plume Mountain D&D scenario, video games such as Sword of the Samurai, or my recent work as Loremaster for The Elder Scrolls Online.

But I also write, edit, and translate historical fiction as Lawrence Ellsworth, and in that capacity I have a new title coming out from Pegasus Books, an anthology called The Big Book of Swashbuckling Adventure. Our friends at Black Gate asked me to write an article about compiling that anthology, and here it is.

I’ve been reading and collecting swashbuckling adventure fiction for many years – my whole life, really. A couple years ago, while in the middle of a long (and still uncompleted) translation project, it occurred to me that I probably knew enough about the subject to be able to compile a pretty interesting anthology. The more I thought about the idea, the better I liked it, so I sat down and starting making notes.

I decided the anthology had to meet four criteria. First, it would need to catch the attention of contemporary readers, which meant including recognizable, marquee names, of both characters and authors. Second, it would have to be attractive to mainstream publishers, which meant inexpensive to produce (works in the public domain), and couched in a familiar, saleable format – in this case, a “Big Book,” a fat collection of at least 200,000 words. Third, for variety I wanted a good mix of pirates, cavaliers, and outlaws – and they all had to be cracking good stories that would hold the attention of modern readers. Fourth, not just any stories would do – I wanted carefully hand-picked works that weren’t overly familiar and would re-introduce some of my favorite forgotten authors to the 21st century.

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Hardboiled Pulp: More Than Just a Man’s World

Hardboiled Pulp: More Than Just a Man’s World

nogoodfromacorpsecorpse 2The world of hardboiled pulp is certainly male-dominated, but there have been female authors who have given the masters of the sub-genre a run for their money. Leigh Brackett is certainly the best known female hardboiled writer, if only for her screenplay adaptation of Raymond Chandler’s The Big Sleep (1945) for director Howard Hawks’s acclaimed film featuring Humphrey Bogart as Philip Marlowe. Brackett also adapted Chandler’s The Long Goodbye (1973) for director Robert Altman’s deconstruction of the genre with Elliott Gould as Marlowe. Less well-remembered is the hardboiled novel that won Brackett the chance to first adapt Chandler, No Good from a Corpse (1944).

From the outset, it is clear this is Chandler territory. Brackett’s tough guy private eye hero Ed Clive (named for Brackett’s husband and fellow pulp author, Edmond Hamilton) is very much in the Marlowe tradition and the Los Angeles setting only enhances the authentic feel. More than the trappings, it is the fact that Brackett writes convincingly as a man (particularly in her observations of women as objects of lust who are never to be entirely trusted) that is the most startling. One understands Howard Hawks’s surprise when he hired Brackett as a screenwriter on the strength of this book and found out she was a woman. Murder, blackmail, sultry singers, and beatings and shootings aplenty make No Good from a Corpse an unsung classic of pulp detective fiction.

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New Treasures: Voodoo Tales: The Ghost Stories of Henry S. Whitehead

New Treasures: Voodoo Tales: The Ghost Stories of Henry S. Whitehead

Voodoo Tales The Ghost Stories of Henry S. Whitehead-smallI continue to collect the Wordsworth Editions Tales of Mystery & The Supernatural, which I’ve found to be an inexpensive way to gather a diverse range of early horror writers on a single bookshelf.

My latest acquisition was Voodoo Tales: The Ghost Stories of Henry S. Whitehead, which I bought because it was huge (691 pages!), inexpensive ($3.90!), and ’cause it had voodoo in it (voodoo!). What can I tell you, it was a compelling combo.

I’ve never heard of Henry S. Whitehead, but apparently he was an early Weird Tales writer who had two Arhkam House collections. You’d think I’d be more on top of an author who had a pair of Arhkam House collections, but no. This genre keeps finding more ways to surprise me.

I’m guessing that Whitehead wrote mostly voodoo tales, but I won’t know for sure until I dig into the volume. Until then, I’m relying on the cover and the text on the back, and I’m definitely picking up a voodoo vibe.

“And behind him, like a misshapen black frog, bounded the Thing, its red tongue lolling out of its gash of a mouth, its diminutive blubbery lips drawn back in a murderous snarl…”

Let Henry S. Whitehead take you into the mysterious and macabre world of voodoo where beasts invade the mind of man and where lives of the living are racked by the spirits of the dead. In this collection of rare and out of print stories you will encounter the curses of the great Guinea-Snake, the Sheen, the weredog whose very touch means certain death, the curious tale of the ‘magicked’ mirror, and fiendish manikins who make life a living hell. Included in this festival of shivering fear is the remarkable narrative ‘Williamson’ which every editor who read the story shied away from publishing.

With deceptive simplicity and chilling realism, Whitehead’s Voodoo Tales are amongst the most frightening ever written.

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Vintage Treasures: The Book of Skaith: The Adventures of Eric John Stark by Leigh Brackett

Vintage Treasures: The Book of Skaith: The Adventures of Eric John Stark by Leigh Brackett

Leigh Brackett The Book of Skaith-smallI joined the Science Fiction Book Club in the fall of 1975, when I was in my last year at St. Francis Junior High School in Halifax, Nova Scotia. Before I joined, I agonized over my introductory selection — three books for a just a dollar! — for days, reading and re-reading the tiny paragraphs in the brochure, and then waiting impatiently for my selections to arrive in the mail. My friend John MacMaster enrolled me and I’m pretty sure I’ll remember the contents of my enrollment package until the day I die: The Foundation Trilogy by Isaac Asimov, The Hugo Winners, Volumes One and Two, edited by Isaac Asimov, and Before the Golden Age, edited by (can you guess?) Isaac Asimov.

John had introduced me to science fiction earlier that year, loaning me Clifford D. Simak’s Shakespeare’s Planet and Piers Anthony’s Ox when I was home sick from school. I devoured them both and wanted more. John explained how the club worked and it sounded terrific. “They sometimes have these big collections, a bunch of novels gathered into one book,” he said. “They’re the best.”

John was right. The year after I joined, in 1976, the featured selection for the month was The Book of Skaith: The Adventures of Eric John Stark, an omnibus of three novels by Leigh Brackett, under a new cover by Don Maitz. It was a marvelous introduction to one of SF’s great pulp writers, in an attractive and affordable package offered exclusively through the Science Fiction Book Club.

That’s one of the great things about the SFBC: its exclusive omnibus editions, highly collectible as they are, are generally still available at excellent prices. In February of this year, nearly 40 years after it was published, I bought a copy of The Book of Skaith in excellent condition on eBay for just $2.99.

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Vintage Treasures: Fantastic Novels, July 1948

Vintage Treasures: Fantastic Novels, July 1948

Fantastic Novels July 1948-smallYesterday, I talked about finding a copy of the hardcover edition of Damon Knight’s Science Fiction of the 30’s on a sale table at Windy City Pulp and Paper for just $3.33. Items on the table were priced at 3 for $10, so before I could buy it, I had to find two additional items I could live with.

Didn’t turn out to be that hard. Right next to Knight’s dusty hardcover was a copy of the July 1948 Fantastic Novels magazine, with the gorgeous Lawrence cover at left. Admit it, that cover alone is worth $3.33. I snapped it up and didn’t even look inside.

I didn’t figure there was all that much to know about the contents, anyway. Fantastic Novels was famous for including a complete novel with each issue, which usually didn’t leave much room for filler. In addition to the cover story — Garrett P. Serviss’s 1911 novel The Second Deluge — this issue had only one additional story: Frank Lillie Pollock’s “Finis,” reprinted from the June 1906 issue of The Argosy magazine.

I imagine it had to be pretty cheap to produce a magazine containing only two reprints (assuming the editors paid anything for them at all). So what did the publishers of Fantastic Novels spend their money on? Beautiful art, that’s what. In addition to the cover by Lawrence, this issue had several full pages of art by Lawrence and the great Virgil Finlay. Click on the image at left to see the full-sized version. I have no idea what The Second Deluge is all about, but I want to frame this magazine and put it on my wall.

Alas, there were no other copies of Fantastic Novels to be found on the table — and no other hardcovers of interest. For my third item, I settled on an issue of The Original Science Fiction Stories from January 1956 that looked like it had just come off the printing press. It also has fiction by Randall Garrett and James Blish, so maybe it will turn out to be worth $3.33 too.  Either way, it’s fine by me; I got my ten bucks’ worth — and more — with the first two items.

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Vintage Treasures: Science Fiction of the 30’s edited by Damon Knight

Vintage Treasures: Science Fiction of the 30’s edited by Damon Knight

Science Fiction of the 30s-smallWindy City Pulp and Paper is a fabulous convention and, as its name implies, it’s focused mostly on vintage magazines and paperbacks. Wandering the vast Dealer’s Room is like stepping into a Cave of Wonders for fans of pulp science fiction and fantasy.

But it’s also a den of surprises and a pleasant one awaited me while browsing a table piled high with pulps and digest magazines. A hand-written sign proclaimed all items were “3 For $10,” so I decided to spend a few minutes exploring the heaped stacks. Buried under a loose pile of Science Fiction Quarterly magazines and Amazing Stories, I found a lone hardcover volume: Damon Knight’s pulp anthology Science Fiction of the 30’s, in much better shape than my tattered copy.

Well, that was certainly worth $3.33. It didn’t take much effort to find two other worthy treasures (a July 1948 Fantastic Novels pulp with a classic Lawrence cover and the January 1956 issue of The Original Science Fiction Stories with a James Blish cover story, which looked like it had just come off the magazine rack.) I plunked down my ten bucks and fled before the vendor changed his mind.

Science Fiction of the 30’s was one of two great pulp anthologies I read over thirty years ago — the other being of course Isaac Asimov’s marvelous Before the Golden Age. Those books, together with Jacques Sadoul’s art book 2000 A.D. Illustrations From the Golden Age of Science Fiction Pulps, ignited a love of pulp fiction in me as a young teen that never died.

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The Public Life of Sherlock Holmes: A Man Called Spade

The Public Life of Sherlock Holmes: A Man Called Spade

Spade_FalconbookIn last week’s column, I mentioned The Maltese Falcon, starring Humphrey Bogart. (Did you follow instructions and watch it for the first time?) Over eighty years after its publication, Dashiell Hammett’s The Maltese Falcon stands supreme today as the finest private eye novel ever written. Bogie’s 1941 film proved that the third time is a charm, prior attempts in 1931 and 1936 having failed.

Sam Spade, the quintessential tough guy shamus, appeared in a five-part serial of The Maltese Falcon in Black Mask in 1929. Hammett carefully reworked the pieces into novel form for publication by Alfred E. Knopf in 1930 and detective fiction would have a benchmark that has yet to be surpassed.

Hammett, who wrote over two dozen stories featuring a detective known as The Continental Op (well worth reading), never intended to write more about Samuel Spade, saying he was “done with him” after completing the book-length tale.

But the public wanted more and his agent cajoled him into cranking out three more short stories featuring Spade. The first two appeared in American Magazine and the third in Collier’s in 1932 and they were collected into book form later that year as The Adventures of Sam Spade and Other Stories. In 1999, Vintage Crime published Nightmare Town, a compilation of twenty Hammett stories, including all three Spade short stories.

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Announcing the Winner of the Laurence Manning Giveaway

Announcing the Winner of the Laurence Manning Giveaway

Man Who Awoke 1st edIn my recent review of Laurence Manning’s The Man Who Awoke, I ran a giveaway for a copy of the book, in which the winner would be determined by who best answered the question “Why is pulp era science fiction and fantasy still relevant today?”

I had intended to respond to the entries to generate some discussion, as well as posting a reminder. Then Murphy stopped by for an extended visit, and none of those things happened before the deadline.

However, we had two good entries. The first was from Anthony Simeone. Here’s an excerpt from his answer:

In genre fiction above all other forms of literature, writers act as living lenses, through which we can see the world in a different way. That is one of the great blessings of the passage of time and death: we get to see the world afresh with each passing year, and through each new person that walks the Earth. Fiction, the written word, are telepathic messages sent forward in time for us to experience and enjoy. Ultimately, they are voices from the void of the past, without which the years behind us would be tragically silent.

The other entry was from Daniel J. Davis. Here’s some of what he had to say.

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Doc Savage, The Shadow and The Avenger, Together Again: The Vril Agenda by Derrick Ferguson and Josh Reynolds

Doc Savage, The Shadow and The Avenger, Together Again: The Vril Agenda by Derrick Ferguson and Josh Reynolds

The Vril Agenda-smallOne of the first things I did when I landed at the Windy City Pulp and Paper show on Friday was make a beeline for the Airship 27 booth.

Time is finite and the Windy City Dealer’s room is vast, and to make sure you get the treasures you really want, it helps to be a little determined. The treasures I really wanted this year included B.C. Bell’s 1930’s pulp vigilante novel, Tales of the Bagman, which I wrote about enthusiastically in my report on last year’s show, and Jim Beard’s supernatural detective collection, Sgt. Janus, Spirit-Breaker — both of which are published by Airship 27Plus, I wanted to make sure I had plenty of time to look over their whole table, since it’s always piled high with a tantalizing array of new titles.

As proprietor Ron Fortier happily sold me those two volumes, I casually mentioned that I’d first heard of Sgt. Janus via Josh Reynolds’s splendid Nightmare Men column, published at the fabulous Black Gate website… which, coincidentally, I happened to run, did I mention? Without missing a beat, Ron pointed out one of the many titles on his table, saying, “Josh is a terrific guy. That’s his latest book, a new pulp adventure, right there.”

I was suitably astounded. Here I was, trying to impress Ron by name-dropping Josh Reynolds, and he was able to produce a novel I didn’t even know existed! I know when I’ve been one-upped. Besides, I’ve known Josh as a terrific writer for years, so it was a thrill to discover he’d written a pulp adventure novel.

The Vril Agenda was co-written by Derrick Ferguson, author of Dillon and the Voice of Odin. Derrick does a terrific job of relating how the book came about on his blog and I think I’ll turn it over to him:

It got into my melon of a head a particular obsession to have Dillon be trained in various disciplines by the great pulp champions of the past. Since Dillon is a spiritual son of those heroes, I always thought it would be a gas for him to seek out some of these men and women to learn what they know…  Of course I knew I couldn’t use The Big Three by name. I’m talking about Doc Savage, The Shadow and The Avenger. But I could allude to them…

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