Black Gate

F. R. Tallis is the author of The Sleep Room (2013), The Forbidden (2014), and The Voices (2014). He’s been nominated for the Edgar award, the New London Writer’s Award, and the Crime Writers’ Association Historical Dagger Award. His latest supernatural thriller takes readers under the wartime seas of the stormy North Atlantic in 1942, to a German U-boat with an unnatural passenger… what’s better than the creepy mixture of Nazis and ghosts? I know what I’ll be curling up with this weekend.

1941. A German submarine, U-471, patrols the stormy inhospitable waters of the North Atlantic. It is commanded by Siegfried Lorenz, a maverick SS officer who does not believe in the war he is bound by duty and honor to fight in.

U-471 receives a triple-encoded message with instructions to collect two prisoners from a vessel located off the Icelandic coast and transport them to the base at Brest ― and a British submarine commander, Sutherland, and a Norwegian academic, Professor Bjornar Grimstad, are taken on board. Contact between the prisoners and Lorenz has been forbidden, and it transpires that this special mission has been ordered by an unknown source, high up in the SS. It is rumored that Grimstad is working on a secret weapon that could change the course of the war…

Then, Sutherland goes rogue, and a series of shocking, brutal events occur. In the aftermath, disturbing things start happening on the boat. It seems that a lethal, supernatural force is stalking the crew, wrestling with Lorenz for control. A thousand feet under the dark, icy waves, it doesn’t matter how loud you scream…

The Passenger was published by Pegasus on February 1, 2016. It is 371 pages, priced at $25.95 in hardcover and $12.99 for the digital version.

The Library of America,  a publisher with a fine reputation as a nonprofit cultural institution, has done three previous omnibus volumes of Kurt Vonnegut’s fiction, collecting a dozen novels and many stories published between 1950 and 1985. The fourth and final volume, published earlier this month, gathers his last three completed novels into one archival quality hardcover.

Here are the final three novels of the visionary master who defined a generation. Bluebeard (1987) is the colorful history of a phenomenally gifted realist painter who, in the 1950s, betrayed his artistic vision for commercial success. Now, at seventy-one, he writes his memoirs and plots his revenge on the worldly forces that conspired to corrupt his talent. In Hocus Pocus (1990), a freewheeling prison memoir by a Vietnam vet and disgraced academic, Vonnegut brings his indelible voice to a range of still-burning issues — free speech, racism, environmental calamity, deindustrialization, and globalization. Timequake (1997), the author’s last completed novel, is part science fiction yarn (starring perennial protagonist Kilgore Trout), part diary of the mid-1990s (starring the author himself). The result is a perfect fusion of Vonnegut’s two signature genres, the satirical fantasy and the personal essay, and a literary magician’s fond farewell to his readers and his craft. Rounded out with a selection of short nonfiction pieces intimately related to these three works, this volume presents the final word from the artist who the San Francisco Chronicle, reviewing Timequake, called an “old warrior who will not accept the dehumanizing of politics, the blunting of conscience, and the glibness of the late-twentieth-century Western world.”

Kurt Vonnegut: Novels 1987-1997 was published by Library of America on January 19, 2016. It is 754 pages, priced at $35 in hardcover. There is no digital edition. Our previous coverage of Library of America includes:

The Library of America Publishes Elmore Leonard
A Princess of Mars and Tarzan of the Apes by Edgar Rice Burroughs
American Science Fiction: Nine Classic Novels of the 1950s, edited by Gary K. Wolfe
American Fantastic Tales: Terror and the Uncanny, edited by Peter Straub

See all of our recent New Treasures here.

Science fiction can be as strange and imaginative as the best of fantasy… and that certainly seems to be the case with this slender little neo-noir thriller from French writer Serge Brussolo. While he’s published multiple bestsellers in France, this is his first novel to be translated into English. Check it out.

In The Deep Sea Diver’s Syndrome, lucid dreamers called mediums dive into their dreams to retrieve ectoplasms — sticky blobs with curiously soothing properties that are the only form of art in the world. The more elaborate the dream, the better the ectoplasm.

David Sarella is a medium whose dream identity is a professional thief. With his beautiful accomplice Nadia, he breaks into jewelry stores and museums, lifts precious diamonds, and when he wakes, the loot turns into ectoplasms to be sold and displayed.

Only the dives require an extraordinary amount of physical effort, and as David ages, they become more difficult. His dream world — or is it the real world? — grows unstable. Any dive could be his last, forever tearing him away from Nadia and their high-octane, Bond-like adventures.

David decides to go down one final time, in the deepest, most extravagant dive ever attempted. But midway through, he begins to lose control, and the figures in the massive painting he’s trying to steal suddenly come to life… and start shooting.

The Deep Sea Diver’s Syndrome was translated by Edward Gauvin and published by Melville House on January 19, 2016. It is 196 pages, priced at $24.95 in hardcover and $13.99 for the digital edition. The cover was designed by Christopher King.