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Immortals Sucks. Sorry I Don’t Have a Funnier Title Than That

Immortals Sucks. Sorry I Don’t Have a Funnier Title Than That

immortals-posterlImmortals (2011)
Directed by Tarsem Singh. Starring Henry Cavill, Stephen Dorff, Mickey Rourke, Freida Pinto, Isabel Lucas, Luke Evans, Kellan Lutz.

Relativity Media and Rogue Pictures should be thankful that they released Immortals the same week as Adam Sandler’s Jack and Jill, which has turned into the One-Stop Shopping place for hilariously negative reviews. The Adam Sandler beat-up took the attention away from Immortals’s poor reviews, and likely helped push the film to its #1 spot at the box office for the weekend. I can imagine the scene at the multiplexes:

“So, honey, what do you want to see?”

“Anything but Jack and Jill.”

“Okay, how about that thing that looks like Clash of the Titans?”

But even though watching Immortals meant that I wasn’t watching Jack and Jill and therefore helping the betterment of global society, I ain’t letting Immortals off the hook for a moment. Except to praise the wacky headgear.

In a development so startling it may upset the balance between Law and Chaos, Immortals manages to be a worse fantasy movie than the recent Conan the Barbarian. If you understand how much I loathe the Marcus Nispel Conan fiasco, you know that I do not make that statement lightly.

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Hunger Games Trailer Released

Hunger Games Trailer Released

200px-hunger_gamesYoung adult fiction has a lot going for it in recent years. In the wake of the Harry Potter craze, there’s an entire generation of young people who have grown up with the understanding that reading is a cool way to spend your time and entertain yourself.

Certainly, there has been some fall out from this positive trend. Personally, I can’t stand the Twilight films (although, in fairness, my wife assures me that the novels are much better), which have definitely inherited the youth mania mantle from young Mr. Potter. Vampires and zombies are all the rage, often because it’s what this “Harry Potter generation” seems to be choosing to read.

While the fantasy and young adult horror genres have had commercial success, there’s also been a growth among young adult science fiction. Specifically, dystopian science fiction set in an indistinct future era, focusing mostly on social issues. This sort of “soft science fiction” has long been part of the genre, but it’s really coming into its own withsome of the recent series. Among them was Scott Westerfeld’s fantastic Uglies trilogy (Amazon, B&N), now being made into a film, and Ally Condie’s Matched (Amazon, B&N) and Crossed (Amazon, B&N). These books speak to young people, in part because it resonates with the ever-present sense among the young that the world isn’t fair and that the people with power to make things better don’t care or, even worse, are actively out to get them. In these books, that is often quite literally the case.

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Goth Chick News: Ridley Scott Fans Rejoice

Goth Chick News: Ridley Scott Fans Rejoice

image014Raise your hand if you’re a Ridley Scott fan.

Hands up now.

Okay, well that’s pretty much everyone so I’m probably about to make you all very happy.

For those of you who are less familiar with the offerings Scott is famous for, let me begin with a short history lesson.

In the recent past Ridley Scott was the director behind Robin Hood (the Russell Crowe version not that abomination with Kevin Costner), and Gladiator.  In the 90’s it was Thelma and Louise, and Black Rain.

But way back in the late 70’s and early 80’s Scott hit consecutive home runs with only his second and third directorial outings; Alien in 1979 and Blade Runner in 1982.

The sci-fi and horror genres would never be the same.

Both movies took place in the future. Yet very contrary to most depictions of snowy white flight decks and Jetson-like gadgetry, Scott’s future was grimy, inconvenient and crawling with things that wanted you dead.  Whether it was an erotic dancer who could crush your skull with her inner thighs or an eight-foot drooling crustacean that could eat off your face with not one but two protruding jaws, the movie-going-public was clearly scarred and addicted simultaneously.

The cult-of-Scott may not have been instantaneous but it was darn near close.

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A Stoner Fantasy Review: Your Highness

A Stoner Fantasy Review: Your Highness

yourhighnessSometimes a film comes along which redefines a genre. It brings a new, vibrant life to traditional storytelling structures. It makes you look forward to the new tales that will be inspired by it.

Your Highness is not one of those films.

No, this film is a straight-up satire. It’s from the director of Pineapple Express which was the Seth Rogen and James Franco film that tried to carve out a difficult niche. It was a stoner action film.

Your Highness, on the other hand, is a stoner fantasy film.

And, even on that premise, I don’t think it worked. The problem is that the various stoner film traits – drug use, vulgar language, blatant sexual comments – were applied so thickly that they proved distracting. At each and every turn, it served only one purpose: to completely pull you out of the story and draw attention to the fact that you were watching a film.

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Here’s That Other Thing … The One From Another World

Here’s That Other Thing … The One From Another World

thing-from-another-world-51The Thing from Another World (1951)

Directed by Christian Nyby and (uncredited) Howard Hawks. Starring Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, Douglas Spencer, James Young, Dewey Martin, Robert Nichols, William Self, James Arness.

John W. Campbell’s novella “Who Goes There?” has now produced three film adaptations: two classics and a footnote. After recovering from reviewing the footnote, it occurred to me that The Thing 2011 has two positives I failed to mention: it makes viewers appreciate how great John Carpenter’s 1982 version is, and how great Howard Hawks’s 1951 version is.

More than enough ink and bandwidth has covered The Thing ’82, and as much as I adore that movie, I have nothing new to contribute to the discussion of it beyond the comparisons I made in last week’s review. (Edit: Unless I choose to survey John Carpenter’s career.) However, the 1951 film, The Thing from Another World, hasn’t gotten nearly the attention it deserves in the current collective bashing of the new movie. If I’m going to point out how poor The Thing ’11 is, it’s only fair that I smash it with the Howard Hawks film as well. Why should John Carpenter have all the fun?

The Thing from Another World is a great film in its own way. When John Carpenter set out to re-make it, he made the intelligent decision not to duplicate its style and instead return to the source material and create something new. The result was two Things that can stand side-by-side, each adding to the other.

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Behind the Mask: Dr. Phibes Rises Again from Script to Screen

Behind the Mask: Dr. Phibes Rises Again from Script to Screen

doc-phibestumblr_lfvzefdggz1qc1sduo1_500Dr. Phibes Rises Again (1972) brought back Vincent Price and director Robert Fuest for a second go-round with AIP’s favorite madman. Phibes’ original screenwriters William Goldstein and James Whiton penned the first draft of the sequel entitled The Bride of Dr. Phibes. While the resulting film retained significant elements from this work, AIP chose to hand the writing chores over to Robert Blees with director Robert Fuest making final revisions on the produced script. Whiton and Goldstein’s sequel script would resurface several times over the years for AIP as a possible third film re-titled Phibes Resurrectus and later for AIP’s successor, New World Pictures for a revival titled Phibes Resurrected. Between these attempts, Goldstein came very close to getting a television series, The Sinister Dr. Phibes off the ground with comic book legend Jack Kirby providing the designs for the network presentation. A survey of the development of the sequel makes the film’s international title, Frustration seem all too apt.

The October 1971 draft of The Bride of Dr. Phibes makes it evident that Goldstein and Whiton (like many screenwriters before and since) were cheated of a story credit for the sequel since much of the resulting film’s structure is derived from their unproduced script. Phibes’ carefully-planned resurrection and his scheme for reanimating his late wife are exactly as one finds in the finished film. Additionally, the central characters of Emil Salveus and his mistress Daphne Burlingame are virtually identical to the film’s central characters, Jonathan Biederbeck and Diana Trowbridge. Goldstein and Whiton focus the sequel on a the Institute for Psychic Phenomenon which houses a Satanic cult led by the now adult Lem Vesalius seeking vengeance against Phibes nine years after the events of the first film. The Scotland Yard stalwarts, Trout, Schenley, and Crow return to good effect. Although Crow’s role seems better suited to his direct report, Waverley who is missing here. There’s a gripping sequence set at Wembley Arena that is remakably similar to a scene in one of the early Fantomas novels where the detectives think they’ve nabbed Phibes only to discover it is one of his automatons. It is easy to see why this excellent script would not die and resurfaced several times under variant titles over the ensuing decade.

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Movie Review: It Don’t Mean The Thing if It Ain’t Got That Swing

Movie Review: It Don’t Mean The Thing if It Ain’t Got That Swing

thing-prequelThe Thing (2011)

Directed by Matthijs van Heijningen Jr. Starring Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen.

A dialogue that occurs in the 1982 John Carpenter movie The Thing, as scientist Blair (Wilford Brimley) explains the nature of the twisted dog-mass corpse on his operating table:

Blair: See what were talking about here is an organism that imitates other life-forms, and imitates them perfectly. When this thing attacked our dogs it tried to digest them, absorb them, and in the process shape its own cells to imitate them. This, for instance … [points to bone] That’s not dog. It’s imitation. We got to it before it had time to finish.

Norris: Finish what?

Blair: Finish imitating these dogs.

Now imagine this conversation repurposed slightly:

Blair: See what were talking about here is a movie that imitates a popular movie with enormous name-recognition, and imitates it outwardly perfectly, while inwardly lacking its essential qualities. When it attacked John Carpenter’s The Thing it tried to digest it, and in the process shape its screenplay to imitate it while masquerading as a prequel. This, for instance … [points to film on screen] That’s not The Thing or a prequel to it. It’s a cosmetic imitation. We didn’t get to it before it finished.

Norris: Finished what?

Blair: Finished re-making The Thing while pretending that it wasn’t.

And so my review is finished.

But, if you want some further details, there is a bit more after the jump.

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Goth Chick News: A Perfect Day

Goth Chick News: A Perfect Day

image020“It’s a what?”

“A ‘celebrity show’.”

I’m chatting with my sometimes-Goth-Chick-News-photographer Chris and I’m afraid this is yet another attempt on his part to talk me into doing something questionable. Like the time we covered a Halloween celebration at a world-class amusement park and he convinced me to ride one of the US’s largest wooden roller coasters… backwards.

I’m wondering if this latest suggestion will also result in throwing up on myself.

As it turns out, he is proposing we attend an event at a hotel in downtown Chicago. Apparently, the premise is that movie and TV stars set up tables and for a fee you can have your picture taken with them and have a little chat.

They will also sign items you bring with you (also for a fee). If you ever wondered where those eBay sellers get Happy Days lunch boxes signed by ‘The Fonz,’ this is apparently the source.

Chris is pushing a flyer into my hands listing all the attending celebrities and assuring me I will, without a doubt, get material for Black Gate out of the venture.

At first perusal, I can’t identify a single “celebrity” on the list. But two of them self-identify as “adult film stars.”

Seriously…?

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Movie Review: TrollHunter Is the Found-Footage Film Norse Myth Nuts Having Been Waiting For!

Movie Review: TrollHunter Is the Found-Footage Film Norse Myth Nuts Having Been Waiting For!

uk-troll-hunter-posterTrollHunter (2011)
Directed by André Øvredal. Starring Otto Jespersen, Glenn Erland Tosterud, Johanna Mørck, Hans Morten Hansen, Tomas Alf Larsen, Urmilla Berg Domaas.

I love any review that gives me an excuse to use “ø.” Next I will have to find an Icelandic movie so I can write a review using “þ” and “ð.”

In the recent glut of “found footage” films that followed the successes of Cloverfield and Paranormal Activity, the Norwegian film TrollHunter (Trolljegeren) is a true gleaming piece of uncovered dwarf’s gold. It ditches the gloom that hangs over the other movies in this subgenre and lets the audience have a good time along with its light scares. And while most found footage films are horror movies, this one is a fantasy. A fantasy with dark thrills, but nonetheless a fantasy.

TrollHunter first screened in the U.S. at Fantastic Fest 2010, where Magnet Distribution picked it up for release in Summer 2011. (Magnet has picked up some terrific small films and done simultaneous VOD and limited theatrical release patterns for them, including Hobo with a Shotgun and Centurion. Anything that Magnet picks up catches my interest now.) The film is currently available on DVD, Blu-ray, and Netflix streaming, and anyone who gets a high from fairy-tale fantasy or Norse myth should give this film a look despite the overused faux-documentary trappings.

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Goth Chick News: Logan’s Re-Run

Goth Chick News: Logan’s Re-Run

image011Recently, I made a DVD acquisition that is a tad off the beaten path at Chateaux Goth Chick. While admittedly my movie collection is somewhat top-heavy with an equal mixture of black and white classic horror and modern day scream-fests, there are the occasional outliers such as all the Terminator movies and the complete Harry Potter series.

Apparently, this choice was an outlier of the outliers.

When Logan’s Run arrived in my mailbox, Mr. Goth Chick groaned out loud, announcing that is was very nearly the “cheesiest film of all time.” He then went on to abuse my admiration of what I consider a classic from 1976 until I set him straight on a few points.

For instance.

Did you know that in 1977 Logan’s Run was nominated for two Oscars (Best Art Direction and Best Cinematography) and won a Special Achievement Award for Visual Effects?

The Academy of Science Fiction, Fantasy and Horror Films gave it six “golden scrolls” that same year, primarily for the special effects that at the time were cutting edge.

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