Mel Hunter’s “Flight Over Mercury” is featured on the cover of the January, 1954 issue of Galaxy Science Fiction. It’s much more interesting than the actual surface of Mercury, which looks a lot like our moon.
“Natural State” by Damon Knight — The major cities of the United States operate as industrial nations of their own while the rest of the country becomes agricultural. The cities repeatedly try to subjugate those in the country, but the cities’ technology can’t compete against the genetic engineering of those in the country.
Alvah is sent from New York to open trade with the outsiders — the Muckfeet — in hopes of bringing them into a civilized world and to support the needs of the city. When he meets with the Muckfeet, he finds that they consider him backwards – that those in the cities are the uncultured, uncivilized people. It’s up to a young woman named B.J. to reeducate him, if he’ll listen.
Arthur Byron Cover was born on January 14, 1950. He attended the 1971 Clarion Writers Workshop and made his first sale to Harlan Ellison for inclusion in The Last Dangerous Visions. Cover’s novel, Autumn Angels was nominated for the 1976 Nebula Award. Cover was the owner of Dangerous Visions bookstore in Sherman Oaks, California until the store closed in 2002.
His story “A Murder” was published in the August 17, 1991 issue of Pulphouse Weekly Fiction Magazine and was purchased by Dean Wesley Smith. The story has never been reprinted.
Cover’s “A Murder” is a metafictional and psychological exploration of a brutal murder. He tries to get into the head of both the victim, Stephanie, and the murderer, Bill Prisman. Stephanie is an avid reader of horror novels and stories and when she finds herself being attacked, she is very much aware that it was a complete surprise. There was none of the forewarning or sense of foreboding that she would have expected there to have been in the novels and stories she has read. Prisman’s mind is dark. He has just been released from prison and has a sense of entitlement towards women that he can only fulfill by raping and murdering them.
Cover brings the two of them together and then backs away from the horrible crime be invoking the point of view of the omniscient author. Rather than describing Prisman’s attack, he discusses an alternative to the horror he has set up. This tangent is presented in almost clinical terms and serves to show that certain ideas about criminal behavior, notably reformation, are impractical.
Prisman is the poster child for recidivism, something both he and the law enforcement community know, but their hands are tied by a society and culture which believe that people can change when placed in an environment which actually serves to reinforce their worst tendencies. Once this detour is complete, Cover allows his story to continue to its inexorable ending.
Only two print magazines in the first half of the month, Ellery Queen’s Mystery Magazine and pulp reprint mag High Adventure. Online zines definitely seem to be where the action is. The first magazines of 2018 feature fiction from Tobias S. Buckell, Elizabeth Bear, S.B. Divya, Tamara Vardomskaya, Sunny Moraine, Terence Faherty, Osahon Ize-iyamu, Erin Roberts, Bo Balder, Bao Shu, Arkady Martine, Marissa Lingen, Sunny Moraine, Vivian Shaw, R.K. Kalaw, and many others. Here’s the complete list of magazines that won my attention in early January (links will bring you to magazine websites).
Beneath Ceaseless Skies — the January 4 issue — #242! — has fiction from Tamara Vardomskaya and Hannah Strom-Martin, plus a reprint by A.B. Treadwell Clarkesworld — new stories from Tobias S. Buckell, Osahon Ize-iyamu, Erin Roberts, Bo Balder, and Bao Shu, plus reprints from James Tiptree Jr. and Michael Swanwick Ellery Queen Mystery Magazine — the January/February double issue follows their winter tradition of seasonal suspense and Sherlockian detection, with a new entry in Terence Faherty’s series from the lost manuscripts of Dr. John Watson, “The Noble Bachelor” Nightmare — original fiction from Lori Selke and Vincent Michael Zito, plus reprints by Halli Villegas and Lynda E. Rucker GrimDark Magazine — Alex Marshall is back with his second Crimson Empire novella *Beasts of the Burnished Chain,* plus a story from Anna Smith-Spark, and interviews with Steven Erikson and Erik Scott de Bie The Dark — brand new dark fantasy and horror from Lindiwe Rooney and Bill Kte’pi, plus reprints from Eric Schaller and Carrie Laben High Adventure — three classic tales of air adventure: “War Game” by George Bruce, “O’leary’s Last Supper” by Arthur Guy Empey, and “The Kansas Comet” by William E. Barrett Uncanny — issue #20 contains all-new short fiction by Elizabeth Bear, S.B. Divya, Arkady Martine, Marissa Lingen, Sunny Moraine, Vivian Shaw, and R.K. Kalaw, plus a reprint by Vandana Singh
Click any of the thumbnail images above for bigger images. Our Late December Fantasy Magazine Rack is here.
Jack London was born on January 12, 1876 and died on November 22, 1916. Best known as an adventure author for his novels The Call of the Wild, White Fang, and The Sea Wolf, he also wrote novels which would be considered proto-science fiction, perhaps most notably Before Adam. Active in socialist causes, many of his works supported the rights of workers, including his dystopian novel The Iron Heel, which has appeared as a preliminary nominee on the Prometheus Hall of Fame ballot twice.
“A Thousand Deaths” was purchased by Herman Umbstaetter and published in the May 1899 issue of Black Cat. The magazine reprinted the story in 1917 and it has been published in several science fiction collections over the years, including a reprint in The Magazine of Fantasy and Science Fiction in 1967 when Ed Ferman was the editor. It has been reprinted in various London collections and science fiction anthologies over the years.
“A Thousand Deaths” is the story of a man who has been disowned by his wealthy parents and forced to make his own way in the world. He has found a niche for himself as a merchant marine, but when the story opens, he is drowning in San Francisco Bay, having decided rather precipitously to leave the ship he had been working on. He passes out in the water and when he awakens, he finds himself revived on a pleasure yacht which happens to belong to his father, who does not recognize him.
His father is interested in finding a way to stave off death and has, in fact, brought the narrator back to life. Without revealing his identity to his father, the two agree that the narrator will allow his father to kill him in various ways and bring him back to life to test his various hypotheses. The father is depicted as a monster, reminiscent of Jules Verne’s Captain Nemo or H.G. Wells’s Doctor Moreau. His two assistants, whose only notable characteristic is that they are black, unfortunately, allow the casual racism of the period in which the story was written to shine through.
The narrator eventually tires of the experimentation, especially when he realizes that his father is doing much more to him than his father has told him. He effects an escape after managing an unlikely scientific breakthrough that allows him to follow in his father’s monstrous footsteps.
The story was clearly written at a time when it was believed that science would eventually be able to solve all of life’s (and death’s) problems, and while it doesn’t have a Frankensteinian “There-were-things-man-was-not-meant-to-know” lesson to it, London definitely makes the implication that technological advances needed to be tempered by man’s humanity.
Jerome Bixby was born on January 11, 1923 and died on April 28, 1998. His story “It’s a Good Life” was adapted into an episode of The Twilight Zone and The Twilight Zone Movie. He wrote scripts for four episodes of Star Trek, including “Mirror, Mirror,” and co-wrote a story with Otto Klement which became the basis for the film Fantastic Voyage. He served as the editor of Planet Stories from mid 1950 through July 1951 and went on to serve as Horace L. Gold’s assistant at Galaxy.
When he first envisioned the story that became “The Holes Around Mars,” he was planning on what is now known as flash fiction ending with a joke. He discussed it with Gold, who convinced him to stretch it out and in the writing, he extended it again until it took its present form. It was first published in Galaxy in the January, 1954 issue, edited by Horace L. Gold. The story has been reprinted numerous times and translated into French, German, and Italian.
Algis Budrys was born on January 9, 1931. He died on June 9, 2008. In addition to his career as a writer, Budrys edited and published the magazine Tomorrow, first in print and later on-line. He was also active in promoting the Writers of the Future contest and wrote a long-running and very influential book review column in Galaxy Magazine entitled Benchmarks, many of which were collected into book form in 1986. He was a Guest of Honor at LoneStarCon 2, the 1997 Worldcon in San Antonio. Budrys was inducted into the First Fandom Hall of Fame in 2007 and received the Pilgrim Award for lifetime contribution to SF and fantasy scholarship from the Science Fiction Research Association the same year. In 2009, he received one of the inaugural Solstice Awards from the SFWA.
“Silent Brother” was first published under the pseudonym Paul Janvier in the February 1956 issue of Astounding Science Fiction, edited by John W. Campbell, Jr. and was reprinted five months later in the British edition of the magazine. When Judith Merril included it in SF: The Year’s Greatest Science-Fiction and Fantasy Second Annual Volume the next year, it was attributed to Budrys. Budrys included it in his collections Budrys’ Inferno,The Furious Future, and Entertainment. Isaac Asimov and Martin H. Greenberg included it in The Great SF Stories #18. The story has been translated into German and French.
There’s a great quote in JY Yang’s interview in the January 2018 Locus that I want to share with you. Here it is.
I don’t know how to write poetry. I was on the Writing Excuses cruise recently, and one of the instructors was Jeffrey Ford, and he gave a lecture that was about the last five percent — how you can get your prose to pop. You can write perfectly decent prose, but he was talking about ways you can get your mind to come up with interesting prose…. He gave some examples — one of them was a joke off the internet about how if you’re standing behind someone at the ATM at night, to show them you’re not a threat, you can give them a gentle kiss on the neck. He asked what part of that makes the text sparkle? It’s the word ‘gentle,’ because [it] exaggerates the entire sentiment of the joke. He suggests doing wordplay on a daily basis, and coming up with new terms. That’s something I do. I don’t say I bathe the dog, I say I wash her. I say we prune her instead of cutting her hair and things like that. I try to say or do things in interesting ways, and that comes up in my fiction. I like fiction that has interesting but effective imagery. I don’t like things that are overdone, tortured metaphors or similes, purple prose. A lot of the writers whose prose I admire, like William Gibson and David Mitchell, they express things in interesting ways, but it’s very simple. One interesting adjective in the sentence makes it sparkle. That’s what I try to achieve in my writing.
I think that’s neat. And, speaking as an editor who read through countless thousand submissions in the decade plus we were buying fiction for Black Gate, I think it also contains an essential truth. Before you put that tortured sentence to paper to prove the poetic power of your prose, remember that the core of really effective writing is simplicity. Yang is the author of The Tensorate Series from Tor.com; we covered the first two volumes here. The third, The Red Threads of Fortune, is due in July.
There’s lots of other great stuff in the January Locus, including a feature interview with John Crowley, a column by Cory Doctorow, Best of 2017 lists from Amazon, Audible, Goodreads, and Publishers Weekly, and reviews of short fiction and books by Rich Horton, Gardner Dozois, Gary K. Wolfe, Russell Letson, John Langan, Stefan Dziemianowicz, Paula Guran, Liz Bourke, and lots more.
Last week, I posted a few fanzines that I’d picked up in a SF collection a few weekends ago. These originated from the estate of a Chicago area fan who appears to have been pretty active in the 1960’s and 1970’s, even publishing his own fanzine. He apparently attended a number of SF conventions, including many Worldcons, during that period. Among the material are several program books and other ephemera from cons during that time, including the 1960 Worldcon, known as Pittcon. One of the more interesting items I picked up which has a convention tie-in is a copy of the Fantasy Press edition of E.E. “Doc” Smith’s The Vortex Blaster, which is inscribed by Doc to him, reading, “At the Pittcon 1960. Ain’t we having fun? With very best regards, Edward E. Smith, PhD.”
Among the events at that Pittcon was the organizational meeting of the first organized group of J.R.R. Tolkien fans, The Fellowship of the Ring. The FotR went on to publish the first Tolkien fanzine, I Palantir (the first issue of which contained the first piece of Tolkien fan fiction), edited by Ted Johnstone and Bruce Pelz. Among other contributors was Marion Zimmer Bradley, who had pieces in issues 2 and 3 (the latter under the name Elfride Rivers). I Palantir lasted four issues, from 1960 through 1966, before folding.
The cover to this issue is by George Schelling. Interiors are by Schelling, Virgil Finlay, Jack Gaughan, Leo Morey, and Leo Summer. The editorial is about using computers to determine national policy.
S. E. Cotts’ book review column, the Spectroscope, reviews three anthologies: The Sixth Galaxy Reader, The Best from F&SF, 11th Series, and Groff Conklin’s Worlds of When. Cotts is disappointed in the two magazine-based collections, suggesting that in neither case was there enough first rate material for a book. She is happier with Conklin’s anthology, reserving the highest praise for Fritz Leiber’s “Bullet With His Name.”
I think Cotts was pretty much correct about the Galaxy Reader, which is weak, but dead wrong about the F&SF book — in particular, she failed to note the brilliance of Avram Davidson’s “The Sources of the Nile,” one of the greatest SF stories of all time. She also reviews Robert Silverberg’s The Seed of Earth, and is fairly well pleased with it (noting that it features a cliched setup) — and I pretty much agree with her judgment there.
The science article is the fourth in Ben Bova’s series about extraterrestrial life, this time dealing with the possibility of life around fairly nearby stars. Dr. Bova recently sent me a note crediting Isaac Asimov for his chance to write this series — it seems Goldsmith had asked Isaac to do a series about extraterrestrial life, but he demurred and suggested Bova as an alternative.
The letters are from Charles Dixon (complaining about Edgar Rice Burroughs), J. J. Tilton (responding in an annoyed fashion to S. E. Cotts, who had criticized him for criticizing her for disliking Heinlein’s Stranger in a Strange Land), and Larry Shellum, also mad at Cotts, this time for a recent review of a Damon Knight anthology.
The stories are:
Novelets
“Left Hand, Right Hand,” by James H. Schmitz (12,200 words)
“The Planet of the Double Sun,” by Neil R. Jones (15,300 words)
Most days in 2018, I’ll be selecting an author whose birthday is celebrated on that date and reviewing a speculative fiction story written by that author.
Hayford Peirce was born on January 7, 1942. He began publishing short fiction in 1974 with the story “Unlimited Warfare.” He published his first novel, Napoleon Disentimed in 1987. “Mail Supremacy” was first published in Analog in March, 1975 and grew out of a joke letter that Peirce sent to editor Ben Bova, who encouraged him to develop the letter into a story.
The oddly named protagonist is an anagram for Peirce’s own name. The story has been reprinted in Lester del Rey’s Best Science Fiction Stories of the Year: Fifth Annual Collection, 100 Great Science Fiction Short Short Stories, edited by Joseph Olander, Martin H. Greenberg, and Isaac Asimov, Analog’s Lighter Side, edited by Stanley Schmidt, Imperial Stars 1: The Stars at War, edited by Jerry Pournelle and John F. Carr, 100 Astounding Little Alien Stories, edited by Robert Weinberg, Stefan Dziemianowic, and Martin H. Greenberg. In 2001, Peirce collected the story, along with five other stories featuring Chap Foey Rider into the collection Chap Foey Rider: Capitalist to the Stars, published by Wildside Press. In 1979, the story was translated into Dutch and Italian.
Hayford Peirce’s “Mail Supremacy” is a short, light-hearted story in which Chap Foey Rider begins to wonder about the mail system and how it works. Rider, who runs an import company in New York, laments the loss of multiple deliveries a day and further notes that it seems that something mailed from a shorter distance takes longer to reach its destination than something mailed from a longer distance. He is more likely to receive a letter from his office in Los Angeles first than a letter mailed from nearby Boston.
He begins to test this by having his office managers mail letters and tracking their time in transit. Once he is sure that letters mailed far distances are being delivered quickly, he takes it to the illogical extreme and tries to mail letters to Alpha Centauri. “Mail Supremacy” doesn’t take itself seriously at all and in some ways is a satire on the idea of a Galactic Federation, even as it served Peirce as a starting point for his own series of stories about a Galactic Federation.
