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A (Black) Gat in the Hand: Erle Stanley Gardner’s “The Shrieking Skeleton”

A (Black) Gat in the Hand: Erle Stanley Gardner’s “The Shrieking Skeleton”

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Gat_GardnerSkeletonEven the best-selling Erle Stanley Gardner struggled to break into the better markets early in his career. Of these early days, Gardner said, “I wrote the worst stories that ever hit New York City. I have the word of an editor for that, and he hadn’t seen the worst stories because the worst ones I wrote under a pen name.”

Gardner sold his first two stories to Breezy Stories and they were published in 1921. Then we have this bit of fun…

In 1923, under the name of Charles M. Green, he submitted a novelette, “The Shrieking Skeleton” to The Black Mask (‘The’ was dropped for the May, 1927 issue). Gardner said that “It was a major opus as far as I was concerned, and looking back on it, I guess it must have been a dilly.” George Sutton was the editor at this time. While Joseph ‘Cap’ Shaw is given credit for making Black Mask the leading institution of the hardboiled school, Sutton published the first detective stories of Carroll John Daly and Dashiell Hammett and was at the helm when Race Williams and The Continental Op debuted. He played a big part in the development of the genre.

Upon receipt of the story, somebody thought it was so bad, they sent it on to circulation editor Phil Cody (who would succeed Sutton as editor). They told him it was to be the lead story and they wanted a publicity campaign to promote it. Oh, those scamps!

Cody blew his top and sent it back to the editorial department. He wrote that the story gave him a pain in his neck and it was pretty near the last word in childishness. The characters talked like dictionaries and the so-called plot had whiskers on it like unto Spanish moss hanging from a live oak in a Louisiana bayou (???). He foresaw the end from the beginning and the story was puerile, trite, obvious and unnatural. He begged that the story not be used.

The joke having succeeded, the story was sent back to Gardner with the usual rejection slip (which Gardner was receiving by the dozens). The slip stated that just because the story was returned, it did not necessarily imply that there was any lack of literary merit, it simply did not fit in the schedule. Gardner (who later became good friends with Cody) knows this because Cody’s note was inadvertently included with the returned manuscript.

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Birthday Reviews: Homer Eon Flint’s “The Nth Man”

Birthday Reviews: Homer Eon Flint’s “The Nth Man”

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Cover by Frank R. Paul
Cover by Frank R. Paul

Homer Eon Flint was born Homer Eon Flindt on September 9, 1889 and died on March 27, 1924 under suspicious circumstances.

Flint’s career as a speculative fiction author ran from 1918 until his death in 1924, during which time he collaborated with Austin Hall. The majority of his work appeared in All Story and Argosy All Story, which were published by Munsey. Flint’s death is a mystery that remains unsolved. He was killed when a car he was driving in ran over a cliff. Although there have been claims that Flint stole the car at gunpoint with the intent to commit a bank robbery, that charge was put forward by a gangster, E.L. Handley, several years later. There is no evidence that Flint was involved with anything illegal, and may have found himself in the wrong place at the wrong time.

Although “The Nth Man” was originally sold to the Munsey Corporation in 1920, it didn’t appear until after Flint’s death when the rights had been re-sold to Hugo Gernsback and it was published in the April 1928 issue of Amazing Stories Quarterly. It disappeared and wasn’t reprinted until 2015 when it was included in the Wildside Press e-anthology The 26th Golden Age of Science Fiction Megapack.

Flint opens the story with six lengthy vignettes describing miracles that occurred between 1920 and 1933, promising that they were linked in some way, but not offering any explanation for how they occurred. These instances range from the rescue of a nine-year old girl drowning after falling off a cliff to the transportation of a freighter from the middle of a typhoon to the Australian desert, to the disappearance of a bank in Hamburg.

Once he relates all of these miracles, which takes about half of the story, he begins to refocus his tale on the specifics, which tie the various vignettes together. The key vignette to our understanding is the one set in 1920, in which a young Bert Forsburgh meets a young Florence Neil. Fosburgh is the son of a wealthy businessman, Daly Fosburgh, who by the time the main story is set is prepared to economically take over the United States with his son, now a young adult, set to be his figurehead governmental leader.

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Birthday Reviews: Linda D. Addison’s “Little Red in the Hood”

Birthday Reviews: Linda D. Addison’s “Little Red in the Hood”

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Cover by Kandis Eliot
Cover by Kandis Eliot

Linda D. Addison was born on September 8, 1952.

Addison has won the Bram Stoker Award four times for her poetry collections, becoming the first African-American to win. She won her first Stoker for Consumed, Reduced to Beautiful Grey Ashes in 2002. In 2008 she won for Being Full of Light, Insubstantial. Her collection How to Recognize the Demon Has Become Your Friend won in 2012, and her final award in 2014 came for her collaborative collection Four Elements, with Marge Simon, Rain Graves, and Charlee Jacob. She has also collaborated with Beecher Smith and Stephen M. Wilson.

“Little Red in the Hood” appeared in issue 23 of Tomorrow Speculative Fiction in November 1996, edited by Algis Budrys. The following year Addison included it in her collection Animated Objects, which included six stories and several poems. Stefan Dziemianowicz, Robert Weinberg, and Martin H. Greenberg also selected the story for the anthology 100 Hilarious Little Howlers. Its most recent publication was in the e-book anthology Unconventional Fantasy: A Celebration of Forty Years of the World Fantasy Convention, edited by Peggy Rae Sapienza, Jean Marie Ward, Bill Campbell, and Sam Lubell for the 2014 World Fantasy Con in Washington, DC.

Addison’s “Little Red in the Hood” is barely more than a vignette. It tells the story of fairy tale and nursery rhyme characters when they aren’t on duty. Little Red is relaxing at the end of the day in a bar, throwing back a double vodka. The Big Bad Wolf is sitting on the other side of the bar. When Red complains about having to be eaten daily, the wolf points out that he has to essentially have a Caesarian section each day when they retrieve Red after the story ends.

Other characters chime in with their concerns. As traditional characters they worry that the advent of the Power Rangers will knock them out of their roles, although the Red points out that the coming of the Purple People Eater didn’t impact them. The story ends in media res when Red and the Wolf are summoned because someone is reading their story to their child.

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Birthday Reviews: Ralph Robin’s “Inefficiency Expert”

Birthday Reviews: Ralph Robin’s “Inefficiency Expert”

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Cover by Chesley Bonestell

Cover by Chesley Bonestell

Ralph Robin was born on September 7, 1914 and died in December 1983.

Robin worked as a chemist for the National Bureau of Standards as well as working as a Professor of English at American University in Washington. In 1976 he received the Christopher Morley Award from the Poetry Society of America. His career as a science fiction author spanned 1936 to 1953, during which time he published a dozen stories in a variety of magazines.

“Inefficiency Expert” was originally published in the March 1953 issue of The Magazine of Fantasy and Science Fiction, edited by Anthony Boucher and J. Francis McComas. Two years later it was translated into Italian as “Esperto di inefficienza” for publication in Fantascienza #5, edited by Livio Garzanti. It has never been reprinted in English.

Robin has created a society in which people have inhabited two planets, Leu and Tagr. Tagr is the more structured, authoritarian planet while Leu is more easy going, but at the same time introverted. The only citizens of Leu who will generally talk to foreigners are those who hold the title politeman, such as Vorasel. When Tagrian Transportation Executive Dalet-Fraygo-Tapandri-Mil finds himself stranded on Leu while his spaceship is being repaired, politeman Vorasel is assigned to communicate with him, which also results in Vorasel taking Dalet on a tour of some cultural points in Leu.

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CICADA Magazine Closes

CICADA Magazine Closes

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Cicada magazine lot-small

YA lit/comics magazine CICADA has folded effective August 31. It was part of Cricket Media, which also publishes Cricket, Ladybug, and Spider magazines. CICADA was an excellent market for YA fantasy short fiction for over 20 years, and its sudden loss is a blow. Team CICADA posted the following message on their website:

Dear members, contributors, and readers,

Our story began in 1998, and we like to think it’s been a good one — full of twists and turns, ups and downs, and a tasteful amount of werewolves and Vikings. Here’s the thing about all good stories, though: they have to come to an end when it feels right. We think that time has come.

As of August 31, 2018, we will be ending CICADA. It has absolutely been our honor to work with such an amazing community of authors and artists, and it has been our pleasure to share their work with our readers. We’ve always been so inspired by the creativity, kindness, talent, and courage of our online community. It isn’t easy to say goodbye, but we’re really proud of this publication and community, and it’s been an amazing ride.

The website will remain active until September 15, 2018, so we encourage our contributors and readers to download any digital files they may want to keep. We understand that you may have questions — please feel free to reach out to us at cicada@cricketmedia.com or on the forums. Subscribers will be contacted via email with details on refunds for the remainder of their subscription periods.

Thank you again to all our contributors, readers, and Slammers for being part of our story. We are so, so excited to see what you will create in the future.

CICADA had an excellent line-up of modern fantasy writers (and it looked great on my bookshelf). The magazine’s list of favorite writers included Nnedi Okorafor, Daniel Jose Older, Nalo Hopkinson, Kelly Link, Ursula Vernon, Sofia Samatar, Leigh Bardugo, Octavia Butler, and other genre stars. It advertised itself as a magazine “fascinated with the lyric and strange and committed to work that speaks to teens’ truths… Especially welcome: works by people of color, people with disabilities, LGBTQAI+ people, nonbinary people, and other marginalized peoples.” The website will come down on Sept 15; until then you can check it out here.

Birthday Reviews: James McKimmey, Jr.’s “Planet of Dreams”

Birthday Reviews: James McKimmey, Jr.’s “Planet of Dreams”

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Cover by Ken Fagg
Cover by Ken Fagg

James McKimmey, Jr. was born on September 5, 1923 and died on January 19, 2011.

Although McKimmey wrote several science fiction short stories between 1952, when “Tergiversation” appeared in The Avalonian and 1968 when “The Inspector” was published in The Farthest Reaches, the majority of his fiction, including all seventeen of his novels, were in the crime fiction genre. In addition for his writing, he is known for an eleven year correspondence he conducted with Philip K. Dick between 1953 and 1964.

“Planet of Dreams” first appeared in the September 1953 issue of If, edited by James L. Quinn. LibriVox included the story in their 2010 audio anthology Short Science Fiction Collection 042.

Daniel Loveral’s ideal utopian society is to live on a planet in which nobody has to work, their every need from food and water to clothing and tools provided for by machines and their world. To achieve this, Loveral has led a group of immigrants to Dream Planet and instituted the society of his promise. Ironically, Loveral is required to work constantly to ensure that his followers can live in the world he promised them.

When word reaches Loveral that one of his followers, George Atkinson, is working, Loveral goes to discuss the situation with him. If anyone (other than Loveral) works in their utopian world, Loveral sees it as an admission of failure. Furthermore, if Atkinson makes something that only he has, Loveral is afraid that jealousy will also rears its head and cause the society to fail.

Unfortunately, Atkinson has very different views. While Loveral is busy with a project to make sure the society as a whole is what he pictured, he isn’t paying attention to their actual current wants and needs. Atkinson, like so many of the other inhabitants of the planet, are finding that the utopian world which they signed on is a boring place that doesn’t challenge them or give them any real raison e’dtre. Rather than being able to enjoy themselves, they can only focus on how bored they are.

It becomes apparent that although Altkinson appears to be acting alone, he is a representative for all of the citizens. McKimmey portrays Atkinson’s solution as one that is supported by everyone and the only real solution to the problem, however both McKimmey and, apparently, Atkinson seem to have ignored other potential paths towards the goal of revisiting the utopia’s charter and providing the sense of purpose people need, which ultimately weakens the story.

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A (Black) Gat in the Hand: Black Mask — Spring, 2017

A (Black) Gat in the Hand: Black Mask — Spring, 2017

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BlackMask_Spring2017“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

In the Fall of 2016, Altus Press revived the legendary Black Mask magazine, reprinting stories from the old pulps with a mix of new hardboiled tales; including a cover story from my talented friend Paul Bishop. Altus also relaunched two other classic pulps: Argosy (which only lasted one issue) and Famous Fantastic Mysteries (just two issues). However, the fifth issue of Black Mask will be out this Fall (with an essay from yours truly).

Today in A (Black) Gat in the Hand, we’re going to look at each of the entries in the second issue of the new Black Mask, from the Spring of 2017. And this issue starts big!

Carroll John Daly’s “Murder for a Stuffed Shirt” is a previously unpublished tale!

Carroll John Daly was the biggest star at Black Mask in the twenties and thirties. Putting Race Williams on the cover guaranteed increased sales. When he fell out of favor at Black Mask, Daly took Williams to Dime Detective, where he also created Vee Brown (I have a tough time buying into Brown, a hardboiled special DA operative and also a wealthy composer of hit sentimental songs. I wrote about Daly’s creation of the hardboiled genre with “Three Gun Terry Mack” here.

But this issue of Black Mask contains a never-before-seen Daly story, uncovered by his grandson. It feels very much like a pre-hardboiled piece and not one person is shot! It’s different than any other Daly story I’ve read and I liked it.

“Mr. Detective is Annoyed” by William Robert Cox originally appeared in the March, 1938 issue of Captain Satan. Cox had over 130 stories published in the pulps under his own name, plus more using various pseudonyms. He wrote eighty novels, many westerns and was the creator of Cemetery Jones and the Maverick Kid.

The story is one of four to feature Donny Jordine, who doesn’t like to sit around and wait for the machinery of justice to creak along. He makes things happen on his own. “Mr Detective is Annoyed” isn’t a bad story, but it didn’t leave me wanting more Jordine.

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Birthday Reviews: Jack Wodhams’s “Freeway”

Birthday Reviews: Jack Wodhams’s “Freeway”

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Cover by Rowena Morrill
Cover by Rowena Morrill

Jack Wodhams was born on September 3, 1931 he died on August 3, 2017.

Wodhams has been nominated for the Ditmar Award eight times, twice for short fiction and six times for novels, however he has not won the award.

The story “Freeway” has only been published once, when Elinor Mavor printed it in the November 1981 issue of Amazing Stories Combined with Fantastic.

The narrator in “Freeway” learns that he has an amazing power when he is driving in his native Australia and finds himself daydreaming about England. As he drives he suddenly realizes that he and his car have inexplicable transported to England, and he is driving along British highways towards London. He immediately heads to Fleet Street to tell his story to the newspapers, selling the Daily Express exclusive rights. Unfortunately for him, while he counted on the money, he didn’t count on the scrutiny he would be placed under. When the newspaper decided to recreate his time from his arrival in England, he allows himself to daydream and suddenly is driving through France.

As the narrator moves from country to country, Wodhams shows different reactions to his abilities, which are never explained or even fully tested. In France he is treated like someone who may be insane until he takes his captors with him when he transports to San Francisco, sure of his ability even if he doesn’t understand why. In the US, he finds himself on a publicity tour culminating in a planned attempt to transfer himself, resulting in both himself and the television van tailing him appearing back in Sydney. Life isn’t just easy and he finds himself in physical danger when a murderer decides he would be a ticket away from the police.

For the most part, Wodhams plays the story as a lighthearted jaunt, as his narrator goes from place to place, trying to regain his anonymity, and accidentally bringing others with him, despite his best intentions. There is an underlying humor to the story, although no overt jokes. In fact, from the vantage of 2018, perhaps the most unintentionally funny line in the story, in reference to America is “They’d even heard of Rupert Murdoch,” four years before Murdoch would acquire US citizenship and Twentieth Century Fox.

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Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

Future Treasures: Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, edited by Irene Gallo

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Worlds Seen in Passing Ten Years of Tor.com Short Fiction-smallTor.com is one of the finest genre websites on the planet. Originally created to promote Tor Books, it has taken on a very substantial life of its own, with news, art, commentary, thoughtful re-reads of many of my favorite novels (and more than a few that I’ve overlooked)… and especially fiction. It’s become widely renowned for its top-notch fiction, from many of the biggest names in the genre.

How did it all start? Tor.com publisher Irene Gallo tells all in the Preface to Worlds Seen in Passing: Ten Years of Tor.com Short Fiction, a feast of a book collecting 40 of the best stories published at the site over the years.

Tor.com celebrated its tenth anniversary on July 20, 2018 — the forty-ninth anniversary of the first manned moon landing. It started out innocently enough. In 2006, our publisher, Fritz Foy, while attending the Tor Books holiday party, pulled Patrick and Theresa Nielsen Hayden and me aside and said he wanted to create “a river of conversation, art, and fiction” within the SF/F community — an online magazine that crossed the borders between publishers and media.

It took us a couple years to get off the ground. During that time, whenever we felt lost in the process, we’d come back to the word “genuine.” We wanted to build a place that treated science fiction and fantasy (and related subjects) with gravitas and humor, a place to have fun without shying away from weightier, more thoughtful subjects. In short, we wanted to build a place where we wanted to hang out…

We knew from the start that fiction was always going to be at the heart of Tor.com. As publishers it made sense, but also… the entire site is dedicated to storytelling. Of course we wanted fiction to be our focal point. We have since published hundreds of original stories, along with art, reprints, comics, and poems — all of which are a source of pride for us, as well as bringing enjoyment to our readers.

This is a very substantial volume — 567 pages! — and it’s packed with fiction from the best writers in the industry, including Kathleen Ann Goonan, Jeff VanderMeer, Leigh Bardugo, Lavie Tidhar, A.M. Dellamonica, Dale Bailey, Tina Connolly, Max Gladstone, Alyssa Wong, Genevieve Valentine, Kij Johnson, Mary Robinette Kowal, Rachel Swirsky, Ken Liu, Ruthanna Emrys, Isabel Yap, Helen Marshall, Pat Murphy, Kameron Hurley, Yoon Ha Lee, N. K. Jemisin, Carrie Vaughn, Charlie Jane Anders, and many, many others.

Here’s the publisher’s description.

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Birthday Reviews: Steve Perry’s “A Few Minutes in the Plantation Bar and Grill Outside Woodville, Mississippi”

Birthday Reviews: Steve Perry’s “A Few Minutes in the Plantation Bar and Grill Outside Woodville, Mississippi”

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Cover by Kiosea39-Dreamstine
Cover by Kiosea39-Dreamstine

Steve Perry was born on August 31, 1947.

He has written novels in his Matador series and several stand-alone novels as well as the novelizations of Titan A.E. and Men in Black. He has also written books set in the Star Wars and Aliens universes and has collaborated with J. Michael Reaves, Gary A. Braunbeck, Dal Perry, Larry Segriff, and S.D. Perry, his daughter. Steve Perry is not the same Steve Perry who wrote for Thundercats.

Perry’s “A Few Minutes in the Plantation Bar and Grill Outside Woodville” was published in January 2018 in the first issue of the revamped Pulphouse Fiction Magazine, edited by Dean Wesley Smith. Only published earlier this year, the story has not, of course, been reprinted elsewhere.

Deals with the Devil stories are common in science fiction and fantasy to the extent that in 1994, Mike Resnick, Loren D. Estleman, and Martin H. Greenberg edited an anthology entitled Deals with the Devil. One of the things they all seem to have in common is an urbane Lucifer who is trying to trick someone into selling their soul, often without knowing it, in return for dreams coming true. Sometimes people accept the offer, other times, they don’t. Perry’s “A Few Minutes in the Plantation Bar and Grill Outside Woodville” follows the standard offer model.

This is Perry’s fourth story in his “A Few Minutes” series of stories, three of which appeared in Pulphouse (The off-one out appeared in The Magazine of Fantasy and Science Fiction). This story has the Devil approach an aging blues guitarist who is playing in small rooms around the south. He makes his standard offers, but each are rejected. The musician is old and points out that George Harrison left money behind when he died, his career is successful enough for him and at more than seventy he doesn’t have a lot of time left. The Devil becomes more and more insistent in his offers, but is ultimately rejected when Perry provides an interesting twist to the standard story.

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