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Future Treasures: A Master of Djinn by P. Djèlí Clark

Future Treasures: A Master of Djinn by P. Djèlí Clark

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A Dead Jinn in Cairo (Tor.com, 2016), The Haunting of Tram Car 015 (Tor.com, 2019),
and A Master of Djinn (Tor.com, 2021). Cover art by Kevin Hong (left) and Stephan Martiniere (right two)

I get a lot of email from Black Gate readers. Stuff like, “Hey John, I’m boarding a five hour flight to LA , what should I put on my Kindle?” Seriously? Come on, people. I have a life. I don’t have time to drop everything to be your personal librarian.

Ha-ha-ha-ha. I know, right? Like I have a life, outside of being your personal librarian. So let’s get to this. Got five hours? Here’s what you do: You download P. Djèlí Clark’s novelette “A Dead Djinn in Cairo,” (originally published at Tor.com), and his Locus, Nebula, and Hugo-nominated novella The Haunting of Tram Car 015, set in the same alternate fantasy Cairo.

And then when you land, you can pre-order the next book in the series, Clark’s debut novel A Master of Djinn, on sale from Tor.com on Tuesday. Here’s the details.

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A Gothic Story: The Castle of Otranto by Horace Walpole

A Gothic Story: The Castle of Otranto by Horace Walpole

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The history of the novel in the West is long, complex, and complicated. Suffice it to say, by the middle of the 18th century the novel was a popular form of entertainment no longer confined to aristocratic readers. The romances of the Middle Ages and Renaissance had been largely supplanted by more realistic tales, but with the advent of Gothic literature, romantic fiction rose again in popularity, proceeding directly from Horace Walpole’s 1764 novel, The Castle of Otranto.

Gothic fiction is defined in the Encyclopedia Britannica as “European Romantic pseudomedieval fiction having a prevailing atmosphere of mystery and terror.” The deliberate admixture of realistic and fantastic elements in Otranto was a huge success. While Gothic fiction’s popularity has ebbed and flowed over the years, it has never receded completely. Horror fiction, as well as certain strains of romance and thriller writing, all trace their roots to this era.

Walpole was the youngest son of Sir Robert Walpole, 1st Earl of Orford, the first real prime minister of England. His time at Cambridge led to skepticism of certain aspects of Christianity, a strong dislike for superstition, and, in turn, the Catholic Church. Walpole was elected to Parliament multiple times from assorted rotten boroughs (electoral districts that had lost most of their populations but still sent an MP to the House of Commons — and which he never visited) and his father secured several adequately remunerative sinecures for him over the years. A Whig, Walpole opposed efforts he saw as supportive of making the monarchy more powerful. On the death of his nephew in 1791, at the age of 74, he became the 4th and final Earl of Orford.

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New Treasures: Sorrowland by Rivers Solomon

New Treasures: Sorrowland by Rivers Solomon

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Rivers Solomon’s debut novel An Unkindness of Ghosts was one of the breakout books of 2017, listed as a best book of the year in The Guardian, NPR, Publishers Weekly, Library Journal, and others, a finalist for the Locus, Lambda, Tiptree, and John W. Campbell Awards. Faer latest novel Sorrowland was published this week, and Bookpage calls it “terrifying… a truly powerful piece of storytelling.” Here’s the publisher’s description.

Vern — seven months pregnant and desperate to escape the strict religious compound where she was raised — flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.

But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future — outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.

Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.

Sorrowland was published by MCD on May 4, 2021. It is 368 pages, priced at $27 in hardcover, $13.99 in digital formats, and $50.99 in audio formats.

See all our recent New Treasures here.

Life Beyond Us Kickstarter closes May 12!

Life Beyond Us Kickstarter closes May 12!

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Hey there, Black Gate people! Breaking from my usual pattern of reviews and interviews to let you know about an awesome anthology being Kickstarted right now: Life Beyond Us: An Original Anthology of SF Stories and Science Essays. Award-winning Canadian publisher Laksa Media has partnered with the European Astrobiology Institute (EAI) and the European Science Foundation to bring this to life, and they are so close to being funded. The Kickstarter closes May 12th, so there’s only a few days left to get in on this project and help it succeed!

Editors Julie Nováková, Susan Forest and Lucas K. Law are at the helm of this one. The ToC for this anthology combines authors and essayists from a variety of scientific fields, and people at the top of the science fiction game: Eugen Bacon, Stephen Baxter, Gregory Benford, Tobias S. Buckell, Eric Choi, Julie E. Czerneda, Tessa Fisher, Simone Heller, Valentin Ivanov, Mary Robinette Kowal, Geoffrey A. Landis, Rich Larson, Lucie Lukačovičová, Premee Mohamed, G. David Nordley, Malka Older, Deji Bryce Olukotun, Tomáš Petrásek, Arula Ratnakar, DA Xiaolin Spires, Bogi Takács, and Peter Watts.

It feels like the past year has seen a ton of excellent anthologies on Kickstarter, and not all of them have made it, unfortunately. Besides the ToC, I love the motivation behind the anthology and the backer rewards being offered. If you can, please consider backing the Kickstarter or signal boosting it to your friends!

Here’s some more info, direct from the editors.

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Stories of Isolation and Lonely Death: The Dead Astronaut by Playboy Science Fiction

Stories of Isolation and Lonely Death: The Dead Astronaut by Playboy Science Fiction

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The Dead Astronaut (Playboy Press, 1971). Cover by Pompeo Posar

Last summer I came across an intriguing aside on the SF anthology The Dead Astronaut by Playboy Press (1971). I can’t remember the name of the blogger who had re-cracked it, but the person noted that with everyone locked down and socially distanced, these decades-old stories of isolation and lonely death, mostly written between Sputnik and the Apollo landing, felt newly relevant. I agree.

While I admit I don’t have the knowledge base of some of the vintage SF reviewers here, I did like the stories enough highlight the collection and offer a quick review in case others wanted to experience the unintentional “prophetic” element of science fiction, as the editorial introduction labels it.

The collection’s introduction is signed simply “The Editors” but according to The Science Fiction Encyclopedia Ray Russell (1924-1999) edited it, offering a tidbit about each author and a story note or two in his brief introduction.

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Vintage Treasures: The Past Through Tomorrow by Robert A. Heinlein

Vintage Treasures: The Past Through Tomorrow by Robert A. Heinlein

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The Past Through Tomorrow (Berkley Medallion, January 1975). Cover uncredited

I’ve never been a big Heinlein fan. Not my fault. I enjoyed Starship Troopers well enough, but the next two novels I tried — The Moon is a Harsh Mistress and especially Friday — I bounced off pretty hard. I never tried again.

It didn’t help that I made most of my discoveries through short fiction in those days, and Heinlein almost never showed up in anthologies. Sometimes editors would apologize for omitting him, admitting (with some frustration) that they just couldn’t get the rights to the Heinlein tales they wanted. The problem was that by the mid-70s Heinlein was a star, the top-selling author in the field, and his entire short fiction catalog was locked up in his own bestselling collections.

I read collections, of course. Lots of them. But the seminal Heinlein collection, the one containing virtually all of his really important short work — including classics like “The Roads Must Roll,” “Blowups Happen,” “The Man Who Sold the Moon,” “Gentlemen, Be Seated,” “The Green Hills of Earth,” “Logic of Empire,” “The Menace from Earth,” “If This Goes On —”, and the short novel Methuselah’s Children — was the massive The Past Through Tomorrow. And that 830-page beast was just a bridge too far for a traumatized veteran of the first 100 pages of Friday.

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A Uniquely Terrifying Voice: To Drown in Dark Water by Steve Toase

A Uniquely Terrifying Voice: To Drown in Dark Water by Steve Toase

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To Drown in Dark Water (Undertow Publications, April 2021). Cover by Stefan Koidl

Undertow Publications, one of the finest small press publishers on the continent, just announced Open Submissions for novels and novellas. It’s caused a huge swell of excitement among many of the writing circles I keep tabs on — and a flurry of folks asking, “Wait, what kind of books do they want?”

Read the guidelines, people. Even better, pick up one of their excellent previous releases, including Simon Strantzas’s Nothing is Everything, V. H. Leslie’s Skein and Bone, Grotesquerie by Richard Gavin, or their top-notch magazine Weird Horror.

Or you could buy their latest, Steve Toase’s debut collection To Drown in Dark Water, just released this week with a magnificently creepy cover by Stefan Koidl. It’s already accumulated strong notices. Nathan Ballingrud calls it “an outstanding first collection,” and Bram Stoker winner Sarah Read says:

There are masters of folk horror and masters of weird horror; there are masters of cosmic horror and masters of psychological horror. But on the Venn diagram where all those intersect, there is only Steve Toase. To Drown in Dark Water is a masterpiece.

Here’s a quote from the rave review at Booklist.

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New Treasures: Wings of Fury by Emily R. King

New Treasures: Wings of Fury by Emily R. King

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Wings of Fury (47North, March 2021). Cover by Ed Bettison

Emily R. King is the author of the popular Hundredth Queen series. For her latest fantasy series she mines Greek Mythology to tell a tale of titans, gods, oracles, and an 18-year old girl who takes them all on. This one looks like a lot of fun. Publishers Weekly says “King ably weaves Greek mythology into a cat-and-mouse spectacle… This is a winner.” Here’s an excerpt from the full review.

Set in ancient Greece, this sumptuous adventure from King (the Hundredth Queen series) sees a fierce heroine contending with brutal Titans, suspicious vestals, and a petulant Boy God. Eleven-year-old Althea Lambros witnesses her mother die while giving birth to a half-Titan baby after having been raped by the god Cronus, the most powerful Titan. At her dying mother’s request, Althea vows to protect her older sisters, Cleora and Bronte. But when Althea is 18, Cronus’s goons kidnap Cleora. Althea seeks advice on how to defeat Cronus from the oracle Clotho, who tasks Althea with retrieving the 15-year-old Boy God Zeus from the island of Crete, where he’s been hidden from Cronus…. King ably weaves Greek mythology into a cat-and-mouse spectacle. Readers will cheer for Althea as she upholds her family’s honor and fights belligerent gods with determination and confidence. This is a winner.

The second and final book in the series, Crown of Cinders, will be released on October 5th.

Wings of Fury was published by 47North on March 1, 2021. It is 301 pages, priced at $14.95 in trade paperback, $4.99 in digital formats, and $14.99 for the audio CD. The cover was designed by Ed Bettison. See all our recent New Treasures here.

Rakefire and Other Stories’ Sum Is Greater Than Its Parts

Rakefire and Other Stories’ Sum Is Greater Than Its Parts

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Rakefire and Other Stories released July 2020 via Pulp Hero Press

Nine weird adventures span the 216 pages of this grimoire. Penned by emerging thaumaturgist Jason Ray Carney, Rakefire promises to corrupt any reader. So let us get this disclaimer out of the way: the mere reading of this tome may thicken your blood with wonder. Red turning to black, your blood will never bleed the same. Read this review at your own risk.

The book blurb labels this “Fever Dreams of Sword & Sorcery in an Eld Realm of Unfathomable Beauty and Cruelty” and it also contains “enigmatic tales of horror and fantasy in the pulp tradition.” That summary is spot on. Most of the tales focus on the sorcery end of the spectrum. Jason Ray Carney’s writing style is reminiscent of Lord Dunsany and Clark Ashton Smith (full of pregnant shadows and intellectual skullduggery!). Excerpts throughout this review reinforce what to expect.

The majority of the stories (6/9) have been published in various magazines, but reading them piece-meal is like eating random snacks instead of a five-course meal. The confluence amplifies the lore threading them all together (lore discussed below). Plus, the three newly published tales extend the impact. Each is recapped below, and most have excerpts that emphasize the style and common milieu (while avoiding spoilers). This serves as a tour guide into Jason Ray Carney’s strange world.

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Vintage Treasures: Judgment Night by C.L. Moore

Vintage Treasures: Judgment Night by C.L. Moore

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Judgment Night (Dell, 1979). Cover uncredited

Every new generation of SF readers has to put up with old timers lecturing them about how much better science fiction was decades ago. I had to endure it when I was growing up, my kids sure as hell did, and I expect twenty years from now my grandkids will have to cope with the same annoyance, as they try to peacefully enjoy their favorite manga by the pool while grandad angrily shouts at them to read a damn book once in a while. I hope they ignore him.

From time to time some curious young reader will ask me for a recommendation from the pulp era of science fiction I’m always going on about, “You know, something actually good.” It’s a fair enough request. Sometimes I point them towards Charles Tanner’s Tumithak stories, or Robert E. Howard, or Clark Ashton Smith. But recently I’ve been suggesting C.L. Moore. And especially her 1979 paperback Judgment Night, which collects five tales from the pulp era of Astounding. Here’s Paul Di Filippo’s review of the title story, published here at Black Gate a decade ago,

A primal space opera, it concerns the star empire of the Lyonese, whose central world is Ericon, where ancient patron gods live, remote from day-to-day affairs of the empire.

But now the vast holdings of the Lyonese are crumbling under the assault of a younger race, the H’vani. The Emperor’s heir is Juille, a daughter, and she’s determined her dynasty will continue. She wages a one-woman campaign against the wishes of her doddering father to save all that her ancestors built.

But she doesn’t count on falling in love with the H’vani ruler — or the machinations of Ericon’s living deities.

“Judgment Night,” published in the August 1943 issue of Astounding, is a complete short novel in itself, but that lovely paperback also contains the novella “Paradise Street” and three long novelettes. It’s a delightful introduction to what pulp science was all about — and one of its finest practitioners.

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