Black Gate

Deep Secret, by Diana Wynne Jones
Tor Books (383 pages, hardcover, March 1999)

Diana Wynne Jones was born August 16, 1934 and died on March 26, 2011. Various writers who knew her have made some excellent biographical posts; I especially recommend stopping by Neil Gaiman’s blog. I never met Ms. Jones myself, but I’ve been a fan of her work since I stumbled upon Howl’s Moving Castle as a teenager. Because of that, I thought perhaps I should review one of her novels this week; preferably something other than Howl’s Moving Castle, which is quite well-known.

Deep Secret is a typical Jones book: it’s complicated. Rupert Venables, junior Magid for Earth, has a number of problems which all seem to converge on him at once. The empire at the center of the multiverse is falling. The late emperor was a paranoid, unpleasant man who hid his heirs and executed them if they discovered their own identities. He also worshipped an evil thornbush goddess. Rupert’s mentor has died, and he has to find a replacement Magid and he hates the most likely candidate on sight. When he decides to simplify matters by gathering all the candidates at a speculative fiction convention, his very odd neighbor wanders through his spell and becomes wrapped up in it. Also, his mentor is now haunting his car and won’t stop playing baroque music.

Maree Mallory, most likely candidate for Magid, has her own set of troubles, albeit more mundane ones. She’s had a bad breakup, she’s broke and living with relatives who dislike her — all except her younger cousin Nick, who she finds charming but slightly amoral. She keeps having dreams about a horrible and insulting old lady who is somehow also a thornbush. And she keeps encountering a person she thinks of as The Prat, also known as Rupert Venables.

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Unquenchable Fire, by Rachel Pollack
Overlook Press (390 pages, $13.95 in trade paperback, March 1992)

Reading fantasy or science fiction, they say, is not as easy as checking a book out of the library and digging in. You need to know the pattern. From the very beginning of the book, you look for clues about how the world works. When odd words are dropped into the narrative, you already know they won’t show up in any dictionary; if there isn’t a glossary in the back, you work them out through context. People who don’t know the code — people who are used to reading mystery, say, or mainstream literature — find themselves lost and frustrated within pages or even sentences. And there’s a similar phenomenon with every genre. It would be ridiculously difficult to read a mystery story, for instance, if you weren’t prepared for misdirection and red herrings.

When I was reading Rachel Pollack’s Unquenchable Fire, I struggled with the strong sense that I didn’t know the code.

Unquenchable Fire is, on the face of it, a fantasy novel set in a near-future America that has been transformed by a magical religion. Some decades ago, a group of people called the Founders converted the whole country with miracles and storytelling, which in this universe are very close to the same thing, and they’re revered somewhat like saints. Spirits and totems are everywhere and often have real physical effects. If someone’s soul rises during a particularly uplifting concert, it really, literally leaves their body and might possibly get caught in the propellers of a low-flying plane. Government agencies and businesses deal with magic; there’s an organization that will find any dream in their catalogue and tell the dreamer what it means, for instance. And it’s quite possible to be threatened by an evil spirit on the streets of New York, then rescued by a good one and given a mysterious task.

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