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The IX by Andrew P. Weston

The IX by Andrew P. Weston

oie_235511s7P3HzLYAre you old enough to remember the Kirk Douglas Saturday Night Live sketch from 1980 that asked the important question: “What if Spartacus had a Piper Cub?” Well I am, and it was the first thing that popped into my head when I received a review copy of Andrew P. Weston’s new novel, The IX, from the fine people at Perseid Press. I don’t read or review much sci-fi, but they suspected, quite correctly it turns out, that this would be right up my alley.

No, modern aviation doesn’t save the famous Roman IX Legion from destruction. Instead, the IX — and a host of other soldiers from across the ages — get a chance to play with advanced weapons to stave off a massed army of energy-devouring monsters on a star far across the galaxy from Earth.

The Ardenese, a highly advanced race, rule dozens of worlds, crossing the stars in ships that rip holes in space…until they encounter an enemy they come to know only as the Horde.

First discovered on a colony world, the energy-devouring Horde manage to secrete themselves aboard Ardenese starships. One by one the colonies fall, until all that remains is the homeworld and the capital city, Rhomane.

Even protected by barriers and nearly impregnable walls, the Ardenese know they are doomed. In the end, and it is surely near, they will all die, subject to the hideous ravages of the Horde. To ensure the survival of their race, the handful of survivors turn their fates over to the Architect, a massive AI computer.

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The Public Life of Sherlock Holmes: The Lords of Dus

The Public Life of Sherlock Holmes: The Lords of Dus

Dus_BasiliskThe eighties was full of epic fantasy series’ by the likes of David Eddings, Raymond Feist, Stephen R. Donaldson, Terry Brooks and Katherine Kurtz, to name a few. While many remain giants in the history of the genre, Lawrence Watt-Evans wrote a largely forgotten series: The Lords of Dus.

Watt-Evans has written quite a bit of fantasy, science fiction and horror and is probably best known for his Ethshar series. Ethshar was created as a role-playing game world and he ended up writing many novels and short stories using the setting.

Watt-Evans had flunked out of Princeton’s architectural school and had to wait a year before he could re-apply. He had heard (the possibly apocryphal story) that Larry Niven started his career by deciding to write for one year and if he sold something, continue on: if he didn’t, he’d give it up. Watt-Evans decided to do the same and wrote a slew of short stories, selling one.

He did go back to school, but he wrote a novel (The Cyborg and the Sorcerer) on a summer break and after two years of college, gave it up to make a living with the typewriter (as a writer, not a typewriter salesman).

Influenced by Robert E. Howard, Michael Moorcock and Lin Carter’s anthologies (Flashing Swords, anyone?), he was ready to spin a fantasy saga featuring a non-human (but less effete than a Melnibonian) hero. Thus, the race of overmen.

He wanted to write a ‘quest’ series, so he needed somebody to tell Garth what to do. He borrowed from Robert Chambers and came up with The King in Yellow (yes, people were influenced by Chambers before HBO’s True Detective). So, we had a sort of Elric meets the Labors of Hercules.

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The Future of Fantasy: March New Releases

The Future of Fantasy: March New Releases

The Buried Life-small The Devil’s Detective-small Defenders of Mankind-small

Ah, March in Chicago. The ice finally starts to melt off the porch, and you can find all that lost mail you’ve been looking for (and occasionally, a frozen postal worker.)

March is packed with exciting fantasy releases — featuring a detective in Hell, a subterranean city, a teenage boy who squares off against Deep Ones, mysterious goings-on in an old cemetery,  a new anthology of Lovecraftian fiction, and much more. Sit back and let us do our job, and fill you in on all the noteworthy fantasy fiction coming your way in the next 30 days.

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Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Vintage Treasures: Echoes of Valor III, edited by Karl Edward Wagner

Echoes of Valor III-smallAnd so we come to the end of our all-too-brief series on Karl Edward Wagner’s ambitious and highly regarded sword & sorcery anthologies. Echoes of Valor III was published in paperback by Tor Books in September 1991, just three years before poor Karl drank himself to death in 1994.

The three Echoes of Valor books are perplexing in some regards, especially for collectors. Wagner had taken a huge step towards literary respectability for Robert E. Howard in 1977, by compiling and editing the definitive three-volume hardcover collection of the unexpurgated Conan for Berkley: The People of the Black Circle, Red Nails, and The Hour of the Dragon. It’s clear that he intended Echoes of Valor to accomplish the same feat for a wider rage of his favorite writers, by assembling the defining collection of their best heroic fantasy in hardcover — and with non-fiction commentary that treated them to genuine scholarship.

It didn’t quite work out that way. The first volume of Echoes of Valor appeared only in paperback in 1987, and it had no non-fiction content at all. It was also burdened with a Ken Kelly cover that pretty obviously had originally been intended for Tor’s Conan line — I wouldn’t be surprised if most book shoppers in 1987 mistook it for just another Conan pastiche, and didn’t give it another glance.

With the second volume, Echoes of Valor II, Wagner finally got the book he’d aspired to. It appeared in hardcover in 1989 with an original cover by Rick Berry, and no less than eight non-fiction pieces (autobiographical sketches, forwards, and author appreciations) from four distinguished writers: C.L. Moore, Forrest J. Ackerman, Sam Moskowitz and Wagner himself.

Echoes of Valor II was one of the first books to treat sword & sorcery as serious fiction, and the hardcover format meant that Tor was able to sell it into libraries and schools across the country. It was a groundbreaking book for the genre. So it was a bit puzzling when Echoes of Valor III appeared three years later — exclusively in paperback, and with only one brief essay from Sam Moskowitz.

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New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

New Treasures: The Thorn of Dentonhill by Marshall Ryan Maresca

The Thorn of Dentonhill-smallI don’t know much about this Marshall Ryan Maresca fellow. His short fiction has appeared in Rick Klaw’s anthology Rayguns Over Texas, and Hint Fiction: An Anthology of Stories in 25 Words or Fewer.

But his debut novel sounds like a lot of fun. The Thorn of Dentonhill follows the adventures of Veranix Calbert, diligent college student by day, and crime-fighting vigilante by night. When Calbert intercepts two powerful magical artifacts owned by a local drug lord, he suddenly becomes a major player in the nighttime struggle for control of Maradaine. But he also becomes a major target…

Veranix Calbert leads a double life. By day, he’s a struggling magic student at the University of Maradaine. At night, he spoils the drug trade of Willem Fenmere, crime boss of Dentonhill and murderer of Veranix’s father. He’s determined to shut Fenmere down.

With that goal in mind, Veranix disrupts the delivery of two magical artifacts meant for Fenmere’s clients, the mages of the Blue Hand Circle. Using these power-filled objects in his fight, he quickly becomes a real thorn in Fenmere’s side.

So much so that soon not only Fenmere, but powerful mages, assassins, and street gangs all want a piece of “The Thorn.” And with professors and prefects on the verge of discovering his secrets, Veranix’s double life might just fall apart. Unless, of course, Fenmere puts an end to it first.

This is the first novel set in the fantasy city of Maradaine, but it won’t be the last. DAW has Maresca’s A Murder of Mages: A Novel of the Maradaine Constabulary, the first novel in a new series, on the schedule for July 7, 2015.

The Thorn of Dentonhill was published on February 3, 2015 by DAW Books. It is 400 pages, priced at $7.99 in paperback ad $6.99 for the digital edition. The cover is by Paul Young.

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Future Treasures: Year’s Best Weird Fiction Volume Two, edited by Kathe Koja

Year's Best Weird Fiction Volume 2-smallThe first volume of Year’s Best Weird Fiction looks like it has been an unqualified success.

In his review, James McGlothlin wrote:

We are long overdue to have a year’s best anthology dedicated specifically to the weird… The craft of fine writing is quite exemplar here… Barron has successfully compiled an excellent anthology.

Now Undertow Books has revealed the cover and the complete Table of Contents for Year’s Best Weird Fiction Volume Two, to be published later this year. Here’s the TOC:

“The Atlas of Hell” by Nathan Ballingrud (Fearful Symmetries)
“Wendigo Nights” by Siobhan Carroll (Fearful Symmetries)
“Headache” by Julio Cortázar. Translation by Michael Cisco (Tor.com, September 2014)
“Loving Armageddon” by Amanda C. Davis (Crossed Genres #19, July 2014)
“The Earth and Everything Under” by K.M. Ferebee (Shimmer #19, May 2014)
“Nanny Anne and the Christmas Story” by Karen Joy Fowler (Subterranean Magazine, Winter 2014)

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When I Win the Lottery; Or, I Should Be So Lucky

When I Win the Lottery; Or, I Should Be So Lucky

Jackson LotteryThe phrase “when I win the lottery” seems to be used in two distinct ways. The first and, I hope, the most common usage, has the same “ain’t gonna happen” meaning as “when pigs fly,” and connotes a certain sense of realism on the part of the speaker. The second, and I think sadder, usage stands for a certain lack of foresight. It’s been said, for example, that a sizable percentage of people include winning the lottery as an element in their retirement plans.

In our house the phrase also stands for any unlikely event beyond our control that we would nevertheless welcome. Like “when they finally come up with a retina chip that will fix my right eye,” or, “when the Dhulyn and Parno novels are optioned for TV.”

The lottery as a phenomenon is now so pervasive that it’s almost impossible not to think about lotteries and winning/losing them. The concept has formed the basis of a wide variety of movie and TV plots – mostly on the negative aspects of winning, but I think that’s meant to comfort those of us who, well, lost.

How are lotteries treated in Fantasy and SF writing? I don’t mean games of chance as such, though that gives us magnificent stories like “Gonna Roll the Bones” from Fritz Leiber. Nor do I mean criminal activities like numbers running, or even straightforward betting, whether on or off track or line. No, I mean actual lotteries. You get your ticket, and you wait your chance.

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Goth Chick News: Gather Around, It’s Time for the Annual Stoker Awards

Goth Chick News: Gather Around, It’s Time for the Annual Stoker Awards

A Stoker – the coolest literary trophy ever
A Stoker – the coolest literary trophy ever

Just when you thought you were going to go all Freddy Kruger due to cabin fever, we’ve got a real reason for you to hunker down and stay inside for a while.

The Horror Writers Association just announced the 2014 nominees for the iconic Bram Stoker Award.

Hurrah!

Named in honor of Dracula’s beloved Pappa, the Stokers are presented annually by the HWA for superior writing in eleven categories including traditional fiction of various lengths, poetry, screenplays and non-fiction.

The HWA also presents a Lifetime Achievement Award to living individuals who have made a substantial and enduring contribution to the genre. This year’s Lifetime Achievement recipients are Jack Ketchum (The Box and Closing Time) and Tanith Lee (Cruel Pink and Space is Just a Starry Night).

Presentation of the Stoker will occur during the World Horror Convention in Atlanta, Georgia, Saturday, May 9, 2015.

So get ready to make a list – remember, the groundhog saw his shadow, so you have ample time to get through a few of these.

Here’s the complete list of nominees.

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The Making of a Dark Fantasy Anthology

The Making of a Dark Fantasy Anthology

Cthulhu Lives-smallLike all books, an anthology begins with an idea. In the case of Cthulhu Lives! the idea was simply this: the eerie feel of Lovecraft’s cosmic horror stories without the lengthy exposition and racist diatribes. I called for submissions using the tag line “Lovecraftian cosmic horror stories with a modern sensibility.”

The cool thing about asking creative people to respond to a call is that you will often get more than you expected. For CL, I got some stories about things that Lovecraft never imagined because he was from a very different time. For example, 3D printers, spying internet programs, Higgs bosons – and steampunk Europe.

I didn’t have access to a group of known cosmic horror writers. In fact, I didn’t know when I put out the call if we would even get enough good stories to fill the book. At the same time I put out another call for a different book, this one for dark, modern fairy tales, and I got only three stories that I considered suitable, so I had to cancel that book.

After the open call for Cthulhu Lives!, I had thirteen good stories, stories I felt could make the grade either with or without a bit of extra work from the author. After putting them all together, I only had 55,000 words. Tim Dedopulos, the managing editor of Ghostwoods Books, told me I had to get the word count up to at least 70,000 before we could publish.

At that point, I asked writers I knew who I felt were up to the task. I have to say that Gethin Lynes was amazing here. He had been helping me copyedit the stories I already had. In order to help him grok some of the editing decisions I made, I suggested he read some Lovecraft. (He’s Australian, and Lovecraft isn’t as popular there as in the US.) When I needed stories, he wanted to write one. “The Highland Air” was the result, and it’s one of my favorite stories in the book.

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Chaotic and Lawful Alignments in Poul Anderson’s Three Hearts and Three Lions

Chaotic and Lawful Alignments in Poul Anderson’s Three Hearts and Three Lions

ThreeHeartsI’m willing to bet that Poul Anderson’s Three Hearts and Three Lions published in 1953 in The Magazine of Fantasy and Science Fiction (and Anderson’s close friend and frequent collaborator Gordon R. Dickson’s St. Dragon and the George, published likewise in The Magazine of Fantasy and Science Fiction at about the same time – later republished as The Dragon and the George) owes quite a bit to Mark Twain’s A Connecticut Yankee in King Arthur’s Court. And Anderson doesn’t disguise this, for he at least once overtly references Twain’s historical romance when he has his protagonist, Holger Carlsen (a “Carl” again!), unconvincingly scare away a band of barbarians by using his tobacco pipe to blow smoke out of his mouth. The work further encourages comparisons to Twain’s book through Holger’s use of other “Enlightenment” tricks in a secondary world, and Anderson uses bookends reminiscent of Twain’s. Anderson’s bookends here are worth a closer look.

Holger Carlsen’s history, as relayed by an unspecified narrator, funhouse-mirrors Anderson’s personal history. In a book profiling Supernatural Fiction Writers, Ronald Tweet reports that Anderson was born to Danish parents and lived in Denmark for a while previous to WWII. Holger of Three Hearts and Three Lions is a Dane who, after wandering Europe, starts attending an Eastern university in the U.S. When WWII breaks out, he goes back to Denmark, where, through fairly compressed and elliptical telling, the narrator says that Holger eventually ends up in a pistol fight with Germans. At this point, “all his world [blows] up in flame and darkness.” And Holger finds himself in a fantasy world.

In light of Anderson’s own biographical information, one is tempted to believe that much of this work is the result of a highly personal fantasy, a kind of daydream out of which many fantasies certainly must arise. I’m sure that most of us have fantasized about being an important person in an important place – If only we could get there, somehow!

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