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Sea Trolls, Spaceship Captains, and Immortal Warriors: Publishers Weekly on Warrior Women

Sea Trolls, Spaceship Captains, and Immortal Warriors: Publishers Weekly on Warrior Women

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Publishers Weekly has given a starred review to Paula Guran’s latest book Warrior Women, calling it an “Epic anthology… truly impressive.”

Two dozen stories of women warriors form this epic anthology of stories about those forced to fight, those who chose to fight regardless of odds, those who ran from their destiny as warriors, and those who will end war at any cost. In Caitlín R. Kiernan’s “The Sea Troll’s Daughter,” the titular daughter of a fearsome beast reluctantly confronts the woman who slew her father. In Carrie Vaughn’s nonspeculative “The Girls from Avenger,” a WWII pilot tries to determine the cause of her friend’s mysterious crash. An immortal wandering warrior meets an immortal prisoner in George R.R. Martin’s hopeful but bleak “The Lonely Songs of Laren Dorr.” Spaceship captain Tory Sabin must battle bureaucracy and physics to locate a missing friend in “The Application of Hope” by Kristine Kathryn Rusch. The warriors include girls as well as grown women: young Thien Bao is offered the chance to end a cataclysmic war at an unimaginable cost in Aliette de Bodard’s “The Days of the War, as Red as Blood, as Dark as Bile,” and a girl who discovers her father is a “monster” grows into a woman who tries to save others from his fate in Ken Liu’s “In the Loop.” Each story contains strength and compassion, even when the personal cost is high. The depictions of battle and trauma are rarely graphic, but they’re as hard-hitting as the subject demands. This is a truly impressive accomplishment for Guran and her contributors.

See the complete table of contents here, and the complete Publishers Weekly review here. Warrior Women will be published by Prime Books on December 17, 2015. It is 384 pages, priced at $15.95 in trade paperback. The cover is by Julie Dillon. See more details at the Prime Books website.

Future Treasures: Your Brother’s Blood by David Towsey

Future Treasures: Your Brother’s Blood by David Towsey

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Your Brother's Blood-smallHere’s an imaginative debut novel set centuries in the future, that sounds more like a weird western than science fiction. And you know how we feel about weird westerns! I’ve already pre-ordered a copy.

An unnamed event has wiped out most of humanity, scattering its remnants across vast and now barren lands reminiscent of the 19th century western frontier of America. Small clusters of humans still cling to existence in a post-apocalyptic world that is increasingly overrun by those who have risen from the dead — or, as the living call them, the Walkin’.

Thomas, a thirty-two year old conscripted soldier, homeward bound to the small frontier town of Barkley after fighting in a devastating civil war, is filled with hope at the thought of being reunited with his wife, Sarah, and daughter, Mary, both named after characters in the Good Book. As it turns out, he also happens to be among the Walkin’.

Devoid of a pulse or sense of pain, but with his memories and hopes intact, Thomas soon realizes that the living, who are increasingly drawn to the followers of the Good Book, are not kindly disposed to the likes of him. And when he learns what the good people of Barkley intend to do to him, and to his family, he realizes he may just have to kidnap his daughter to save her from a fate worse than becoming a member of the undead.

When the people of Barkley send out a posse in pursuit of father and daughter, the race for survival truly begins…

Your Brother’s Blood will be published by Jo Fletcher Books on December 1, 2015. It is 336 pages, priced at $24.99 in hardcover and $11.99 for the digital edition.

Collecting Philip K. Dick

Collecting Philip K. Dick

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Recently I wrote here about a handsome collection of 35 books by Isaac Asimov I bought on eBay for $82.17 — a lofty price for vintage paperbacks, but I wasn’t the only one who noticed what great shape they were in. Last week I also reported on the set of 32 paperback of the same vintage by Arthur C. Clarke I purchased at the same time. Clarke is still highly regarded these days, but not in the same category as Asimov. I expected to pay much less for them, and I was right — I won the auction for $27.

The same seller was also offering the striking set of Philp K. Dick books above (click for bigger version). While not virtually brand new like the Clarke and Asimov collections, they were nonetheless in terrific shape, especially for 40-year old paperbacks. I bravely took part in the auction, but bowed out before it hit $100. I expected it to go a lot higher, and it did.

The set sold for $536 and change, about $9.50 per book — a bargain, considering what Dick paperbacks in that kind of condition sell for individually.

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Decadent Alien Races and Electricity Creatures: Rich Horton on Warlord of Kor/The Star Wasps

Decadent Alien Races and Electricity Creatures: Rich Horton on Warlord of Kor/The Star Wasps

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Terry Carr made his reputation in the field as an extremely talented editor. He edited 16 volumes of the Best SF of the Year, from 1972-1987, five volumes of Fantasy Annual (1978-1982), 17 volumes of Universe, and over a dozen standalone anthologies. But early in his career he also wrote a small number of novels, starting with Warlord of Kor, an Ace Double paired with Robert Moore Williams’ The Star Wasps (1963). Over at Strange at Ecbatan, Rich Horton took a look at the book as part of his ongoing series of Ace Double reviews.

This one qualifies as pretty forgotten, and mostly for good reasons… But it does feature a major major SF figure, Terry Carr. Carr is not widely known as a writer, but he was a hugely significant editor… while he didn’t write a whole lot of fiction, some of it was very good, including an admired novel (Cirque (1977))…

In all honesty, Warlord of Kor isn’t all that bad, though it’s not all that great either… The protagonist is Lee Rynarson, something of an archaeologist who is studying the only intelligent race humans have ever found in their expansion through the Galaxy (or perhaps multiple galaxies). These are the Hirlagi, sort of a horse/dinosaur mix on Hirlaj. There are only 26 Hirlaji surviving — they seem a tired [and] decadent race. They have a long racial memory, and Rynarson, in talking with one of them, hears stories of a warlord in the distant past, who united much of the planet, only to decide, after “communing” with the mysterious god Kor, that the Hirlaji must abandon not just war but science… a reasonable first effort.

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Writing in Shared Worlds: An Introduction to Hellmaw

Writing in Shared Worlds: An Introduction to Hellmaw

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Hellmaw logo-smallEd Greenwood, of Forgotten Realms fame, just announced a slew of new worlds he’s created, all under the banner of Onder Librum. These are all shared world initiatives, meaning that creatives can come and create their own stories in the setting.  These worlds offer a variety of settings for readers, including sword and sorcery, space opera, hard SF, gothic romances… something for everyone.

It’s freaking cool, and at a scale that I’m not sure has ever been done before.  As soon as Ed told me about these new worlds, I jumped in enthusiastically and without looking (still falling off that cliff, and still haven’t hit a cactus). I signed up with a tight deadline for book set in Hellmaw, a dark urban fantasy shared world.  With daemons. It’s pretty fun (the second book in the series, Dragon Dreams by Chris Jackson, just came out).

I was a bit concerned about writing in a shared world. Questions bounced around my head like pop rocks in my mouth. Will I feel stifled? Will I understand the lore well enough? Will there be enough coffee????

So, with these concerns in mind, here’s what writing in a shared world helped me learn about my writing.

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Vintage Treasures: A Treasury of Fantasy, edited by Cary Wilkins

Vintage Treasures: A Treasury of Fantasy, edited by Cary Wilkins

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In the mid-90s, Gramercy Books had some success with a line of titles focusing on the supernatural and the occult, including The Book of the Dead, The Witchcraft Delusion, and A Treasury of Witchcraft (a collection of spells from ancient sources, which today has accumulated some hilarious Amazon reviews from folks reporting on their various effectiveness.) All of these were (at least nominally) non-fiction, but in early 1995 they added to their line up A Gothic Treasury of the Supernatural, a thick collection of half a dozen classic horror novels repackaged in an attractive hardcover.

The latter must have been successful enough for Gramercy to dabble in fiction anthologies at least one more time, since later in 1995 they repacked a 1981 Crown anthology by Cary Wilkins, A Treasury of Fantasy, with a brand new wraparound Romas cover (looking very much like Michael Whelan). Except for a rather embarrassing typo on the cover (they misspelled the editor’s name as “Wilkens”), this is the preferred edition of a thick omnibus collection of three novels and eight short stories by William Morris, George MacDonald, Lord Dunsany, H.P. Lovecraft, Robert E. Howard, Ursula K. Le Guin, and others.

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New Treasures: Night Music by John Connolly

New Treasures: Night Music by John Connolly

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John Connolly is the bestselling author of thirteen thrillers featuring P.I. Charlie Parker, which The Independent calls “the finest crime series currently in existence.” Ten years ago he published Nocturnes, a collection of supernatural tales. This follow-up volume contains thirteen new tales — eleven short stories and two novellas, the multi-award-winning “The Caxton Private Lending Library & Book Depository” and “The Fractured Atlas – Five Fragments” — set in Britain and Ireland. Here’s a clip from Mike Berry’s review in Portland Press Herald:

“The Blood of the Lamb” takes place in Dublin, focused on a married couple as they await the arrival of two Vatican priests who will examine their daughter. The girl has begun to exhibit miraculous healing powers, and her encounter with the visitors reveals itself to be a chilling exercise in misdirection. “Lamia” follows a woman’s quest for vengeance against her rapist, and “The Hollow King” employs the structure of a fairy tale to explore a hellish bargain.

It’s difficult to do anything new with the classic ghost story, but Connolly displays a sure hand when he puts his mind to the task. “A Dream of Winter” spins a creepy spell in exactly 300 words, and “A Haunting” examines the end of a long, loving marriage through the prism of a spectral visitation. Connolly moves farther afield geographically with “Lazarus,” in which the friends and family of the title character discover that corporeal resurrection has its drawbacks. And in “Razorshins,” a group of Maine bootleggers during Prohibition face off against a creature that demands tribute from any who cross its path…

The centerpiece of Night Music is “The Fractured Atlas – Five Fragments,” another tale of the magical properties of literature. Across the centuries, unfortunate individuals in the book trade encounter a mysterious tome that seems intent upon rewriting the very essence of reality. The short novel is nastier and far more unsettling than most of the other offerings here, reminiscent of the darkest horrors of Clive Barker and H.P. Lovecraft.

Night Music: Nocturnes 2 was published by Atria/Emily Bestler Books on October 6, 2015. It is 464 pages, priced at $17.00 in trade paperback and $12.99 for the digital edition. Click on the covers above for bigger versions.

Jeffrey Ford on Scott Nicolay’s After

Jeffrey Ford on Scott Nicolay’s After

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Scott Nicolay After-smallJeffrey Ford took a chance on an unknown magazine, and sold us a story for the very first issue of Black Gate. (And a terrific story, too — a gonzo mystery set on an alien world, “Exo-Skeleton Town.” You can read the entire thing at Infinity Plus.) We’ve been pals ever since. One of the things I like about Jeff is he treats his Facebook friends to great, punchy mini-reviews of some excellent (and often hard-to-find) titles. That was the case yesterday, when he wrote the following about Scott Nicolay’s creepy horror tale After. He gave me permission to post it here. Enjoy.

if you get a chance, check out Scott Nicolay’s stand alone novella, After. About a woman who returns to her home in Seaside Heights after super storm Sandy to check on the damages. FEMA says she’s not allowed to stay but she does only to find out that some strange creature has been brought in by the storm and is lurking beneath her house.

This one’s got everything I like in a horror story — the slow burn, deep characterization so I care about the character, and the rare instance of a metaphorical resonance between the fearsome aspect of the world (the monster) and the defining condition of the character (in this case an abusive relationship). All this in a neat little book, well made (from Dim Shore Press) with a great cover and nice illustrations by Michael Bukowski.

Scott Nicolay is also the author of Do You Like to Look at Monsters? and Ana Kai Tangata: Tales of the Outer the Other the Damned and the Doomed.

After was published by Dim Shores on August 4th 2015. It is 104 pages, priced at $10 in trade paperback. The cover is by Michael Bukowski. The Dim Shores website is here.

See all of our recent Reviews here.

Mysterion: Rediscovering the Mysteries of Crowdfunding

Mysterion: Rediscovering the Mysteries of Crowdfunding

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Mysterion’s Front cover

One of the risks of telling people you don’t need money is that they’ll take you at your word.

When my wife and I decided to do Mysterion: Rediscovering the Mysteries of the Christian Faith, an anthology of speculative fiction which engages with Christianity (which I introduced to Black Gate here), one of the first things we did was talk to other small press publishers, including Chizine’s Sandra Kasturi and Black Gate’s own John O’Neill.  Based on our talks with them, we figured out what it took to do an anthology, and how much it would cost, including cover art, interior layout, and the story budget. Then once we figured out the budget, we determined whether we could afford it without crowdfunding. If we were committing to this project, we wanted to make sure we could do it regardless of the results of any fundraising. The answer was that we could.

And then we decided to do some crowdfunding anyway. Not to make the anthology happen, but to make it better. We fully intend to do the anthology whether anyone gives us money or not.

“We don’t need it, but give us money anyway” turns out not to be such a great crowdfunding pitch.

So let me try a better one. Now I could go into what donors get as rewards (The ebook at half the retail price and a month early! Both ebook and paperback at less than the retail price! Free shipping almost anywhere in the world!) or what your money will do for us (More stories! Higher rates! We’ll do it again!), but what I really want to talk about is why I’m excited about this anthology, and you should be too.

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New Treasures: Styx by Bavo Dhooge

New Treasures: Styx by Bavo Dhooge

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This flourishing sub-genre of undead detective fiction? I like it. Recent examples include Tim Waggoner’s zombie detective saga The Nekropolis Archives, Stefan Petrucha’s Dead Mann series, Stephen Blackmoore’s Eric Carter books, Chris F. Holm’s Dead Harvest, Simon Kurt Unsworth’s The Devil’s Detective (a detective in hell), and Ian Tregillis’s Something More Than Night (a detective in heaven).

Bavo Dhooge’s Styx promises an intriguing spin on the zombie detective. Rafael Styx is a corrupt Belgian cop who is gunned down in pursuit of a diabolical serial murder. In death he meets the famous nude painter Paul Delvaux, who gives him his first real clue… and Styx finds his cop instincts won’t let him rest. Returning as a zombie (with an inconvenient taste for human flesh), Styx takes up the case again. Even death won’t stop him from capturing his murderer.

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