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Vintage Treasures: Rudy Gutierrez Does Nalo Hopkinson

Vintage Treasures: Rudy Gutierrez Does Nalo Hopkinson

Brown Girl in the Ring-small The Midnight Robber-small Sister Mine-small

About fifteen years ago, I received an unsolicited fantasy story from a young author in Canada. I rejected it, and the author didn’t take the rejection well. She wrote me a pretty grumpy letter.

You sometimes get grumpy letters when you reject stories. Usually the best thing to do is ignore them. But I didn’t in this case, because the author had a point. It was an excellent story, and she knew it. The author’s name was Nalo Hopkinson, and I had rejected her story because of its frankly adult tone and content.

Well, she took me to task for that. Black Gate was brand new at the time, and Nalo challenged me for rejecting a story purely on the grounds of sexual content. She found it cowardly, and I didn’t blame her. That’s no way to build a reputation for a new magazine, she said. In my response, I told her I would have loved to publish her story — but not in Black Gate, which we had worked very hard to make suitable for readers 12 and up. I thought there was a clear market niche for a family-friendly fantasy magazine, and had set out to create one. Her story was very strong, but no so strong that I was willing to go back on the promises I’d made to our investors, distributors and advertisers. Nalo got that immediately, wrote me a warm and thoughtful response, and we hit it off. I’ve followed her career with great interest ever since — and what a stellar career it’s been.

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A Rose By Any Other Name?

A Rose By Any Other Name?

ClockworkIt was back when I was teaching a course on satire that I understood for the first time the true importance of characters’ names, and the titles of books. It’s more obvious, perhaps, in a satirical work than in any other, but names – whether of people or novels – are vitally important.

It behooves us as writers to pay them great attention.

To illustrate what I mean, let me show you an example from a satirical work that’s also considered SF, Anthony Burgess’ Clockwork Orange. What’s the significance of the title? We all know what an orange is, don’t we? A type of citrus fruit that grows in semi-tropical areas, which can be eaten, or made into juice, or marmalade or some other specimen of usefulness.

We all know what a clockwork is. A mechanism designed and built by humans to run other items or machines, initially clocks (hence the name), but subsequently a variety of other things. On a large scale, they could run factories, on a small scale, toys. We still find people who would say  a “wind-up” or “clockwork” toy, particularly a “clockwork man.”

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The Other Sax Rohmer

The Other Sax Rohmer

bianca HCbianca italiaI recently penned an article examining the possibility that four privately-printed titles by The Theosophical Society of London might have been the work of a young Sax Rohmer since he and the author of the four theosophical works were both born in the UK as Arthur Henry Ward in 1883. Rohmer shared a lifelong interest in theosophy and occasionally wrote non-fiction pieces on the topic and other occult interests. The current article is concerned with a second mystery writer with the name Sax Rohmer or, more correctly stated, Elizabeth Sax Rohmer.

Credited on the back of her lone novel as the daughter of Sax Rohmer, Elizabeth was in fact his wife. Born Rose Elizabeth Knox into a family of Music Hall entertainers, her brother Teddy was one of The Crazy Gang whose influence in British comedy ranged from The Goon Show to Monty Python. While never as prolific as her husband, Elizabeth penned at least two short stories, “Spikey” and ” ‘arker” under the name Lisbeth Knox in 1924 and 1932, respectively. Under the name Elizabeth Sax Rohmer, she scripted a number of radio and television scripts with her husband. Sadly, no copies of the programs survive and her short fiction remains obscure.

Elizabeth Sax Rohmer’s lone novel, Bianca in Black was published in 1958. At the time, her husband was battling poor health and involved in a protracted court case over his literary rights. Strapped for cash, Elizabeth went to work on a novel herself for Thomas Bouregy’s Mystery House imprint in the US and for Ryerson Press in Canada. A paperback edition by Airmont would follow four years later. Elizabeth acknowledged that her husband helped her with the story and writing of the book. While it is clearly his wife’s work primarily, Sax Rohmer’s hand is evident in certain aspects. The story itself has some slight echoes of his 1954 mystery, The Moon is Red.

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Future Treasures: The Assimilated Cuban’s Guide to Quantum Santeria by Carlos Hernandez

Future Treasures: The Assimilated Cuban’s Guide to Quantum Santeria by Carlos Hernandez

The Assimilated Cubans Guide to Quantum Santeria-smallWhen you publish a lot of book reviews, you get used to hearing manufactured publicity from publishers… half-hearted quotes from their other writers, and glib comparisons to best sellers. Which makes it so refreshing when you encounter true buzz building around a wonderful new book — chatter on social media, unsolicited endorsements from other writers, and excited discussions among friends. That’s what I’m seeing with Carlos Hernandez’s first book, a quirky and compelling collection of science fiction stories that’s rapidly building a tidal wave of admiration and anticipation in advance of its release next month.

Curious about all the commotion, I reached out to Carlos to see if I could get him to say a few words about his book, and he was generous enough to send me the comments below. Enjoy.

The title of my collection, The Assimilated Cuban’s Guide to Quantum Santeria, is so esoteric and personal that it might leave a body wondering how it could serve anyone as a guide to anything. But I’ve picked up travel guides to places I am unlikely ever to visit just for the utter delight of reading them, grateful for the maps, the region-specific vocabulary, the window into human experience there aren’t world enough and time for me to get first-hand. The ones I relish most are deeply introspective, well-mannered, street-smart, generous. They understand the transformative power of small acts, of minute observation, of language. And they are, despite everything they have seen in their travels, deeply in love with humanity.

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Taming the Massive Beast of Pathfinder: An Interview with F. Wesley Schneider

Taming the Massive Beast of Pathfinder: An Interview with F. Wesley Schneider

Pathfinder Tales Bloodbound-smallF. Wesley Schneider has had a fascinating career. He was the former assistant editor of Dragon magazine, and co-authored Complete Scoundrel for Dungeons & Dragons. He is the co-creator of the Pathfinder Roleplaying Game, and over the last seven years has produced dozens of Pathfinder adventures and accessories, including Hell Unleashed, Artifacts and Legends, Varisia, and Rule of Fear.

He’s currently the editor-in-chief at Paizo, and in that capacity has overseen the entire line of Pathfinder Tales, including novels by Howard Andrew Jones, Tim Pratt, Dave Gross, and many others. His first novel, Bloodbound, was released this week, and we had the chance to chat with him about this exciting change in his career.

You’ve been writing and designing game supplements and adventures for over a decade. What’s it like to get behind the wheel of a novel instead? How are the challenges similar, and how are they different?


Honestly, after spending so much time working on roleplaying games, writing a novel felt sort of self-indulgent. Working on Bloodbound was far more like the act of playing a roleplaying game than writing an RPG adventure actually is.

For anyone not familiar with roleplaying game adventures, they’re essentially giant outlines that allow a Game Master to tell a particular story without having to do much preparation. An RPG adventure provides the script for a story, descriptions of the settings, and game rules for all the various threats.

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New Treasures: The Best Of Heroic Fantasy Quarterly, Volume 1

New Treasures: The Best Of Heroic Fantasy Quarterly, Volume 1

The Best of Heroic Fantasy Quarterly-smallI’ve been very pleased to watch Heroic Fantasy Quarterly‘s reputation grow by leaps and bounds over the past few years, to the point where it is openly acknowledged as one of the premier sources of adventure fantasy. Howard Andrew Jones calls their output “Stirring, polished adventure fiction [that] needs to be seen by more readers,” and Fletcher Vredenburgh proclaims it “My favorite fantasy magazine… Always true to the traditions of heroic fiction, they yet manage to publish tales that push the genre in new directions.” So I was excited to see a thick anthology of their best work arrive last month — and very honored when I was asked to write the introduction. Here’s a sample.

At its very best, Sword & Sorcery showcases the kind of worldbuilding that twists your head around. It’s the floating pocket dimensions of Adrian Cole’s The Voidal. The savage landscapes of Robert E. Howard’s Hyborian Age. The twisted streets of unmappable Lankhmar, the doomed Atlantis of Kull, the shadow dimensions of Chronicles of Amber

The setting of a Sword & Sorcery tale is fundamentally very different from the setting of Heroic Fantasy. Heroic Fantasy is castles and keeps and barbarian provinces. It’s wind-swept vistas and dark dungeons, elven forests and cloud kingdoms and subterranean cities and the dangerous borders of Mordor. If you’re going to vacation in the lands of Heroic Fantasy, you’ll need an experienced guide. Because one wrong turn and suddenly you’re an orc hostage.

You needn’t trouble with a guide in the world of Sword & Sorcery. Because S&S… man, S&S will kill you.

Heroic Fantasy Quarterly is an ezine dedicated to short works of heroic fantasy. It is edited by Adrian Simmons, David Farney, William Ledbetter, and James Frederick William Rowe, and published four times a year. Issues are are completely free. We last covered HFQ with issue #25The Best of Heroic Fantasy Quarterly: Volume 1, 2009-2011 was compiled by the editors of Heroic Fantasy Quarterly and published on November 27, 2015. It is 226 pages, priced at $9.99 in paperback and $4.99 for the digital edition. The cover is by Justin Sweet. See the complete Table of Contents here.

Gregory Frost’s Tain Returns

Gregory Frost’s Tain Returns

Tain Gregory Frost ebook-smallTwo months ago, in early October, I wrote a brief article about the Cú Chulainn novels of Gregory Frost, both published by Ace and both now long out of print. Several readers commented on how much they’d enjoyed them, and Eugene R. said “Frost… uses a dry, understated wit that really underlines the heroic and tragic parts of the original legends.” On November 20th author Gregory Frost dropped by to say:

Just wanted to alert any of you who are interested that Táin and Remscela are back in the world as ebooks, currently exclusively through Book View Cafe. Táin was just this week re-released, and Remscela will be out in December.

On his blog, Frost goes into considerably greater detail on the origin of the books:

Many years ago, with Terri Windling as my editor, I penned two novels spun from the Irish Táin Bó Cúailnge – the epic fantasy tales of the demigod Setanta, better known as Cú Chulainn. The project became something of an obsession… It was picked up in the late 1990s in a small-press edition that put both novels into one volume called Crimson Spear, and in that form Time-Warner’s early (and ultimately premature) venture into ebook publishing put it out.

Both of those combined editions had a plethora of typos and other minor issues. So I’m delighted to have the rights back to these books. And as of today, the first one, Táin, is again available in ebook format for Nook and Kindle exclusively through Book View Cafe. The sequel, Remscela, will be out in early December, also exclusively from Book View Cafe.

Táin is currently available for $5.99; I note Frost’s debut novel Lyrec is also available for $4.99. Check ’em out here!

Vintage Treasures: Brother Assassin by Fred Saberhagen

Vintage Treasures: Brother Assassin by Fred Saberhagen

Brother Assassin-small Brother Assassin Ace-small Brother Assassin Tor-small

Fred Saberhagen’s Berserker series was one of the most popular military SF series on the market during my formative reading years (the other, to which it was frequently compared, was Keith Laumer’s Bolo.) Today the Berserker novels, with their desperate battles against ancient planet-destroying engines of destruction, would be called space opera, but back then we just called them science fiction.

The first book, Berserker, was a collection of short stories originally published in IF magazine between 1963-66. It was released by Ballantine Books in 1967. But it didn’t become a series until the sequel, Brother Assassin, the first full fledged Berserker novel. It was released by Ballantine with a Richard Powers cover in January 1969 (above left).

This book has an interesting history. The early Berserker books were re-released by Ace Books in the late 70s with brand new covers, with Brother Assassin sporting the exceptionally fine piece by Michael Whelan (above middle). It was so fine, in fact, that the concept was stolen by Arbor House for the cover of the first book in Roger Zelazny’s Merlin series, Trumps of Doom, seven years later (see below).

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Future Treasures: Truthwitch by Susan Dennard

Future Treasures: Truthwitch by Susan Dennard

Truthwitch-smallSusan Dennard is the author of the popular Something Strange and Deadly series from Harper. Next month she launches the Witchland series from Tor with the opening novel Truthwitch. The early reviews have been very strong, with Books of Wonder saying it’s “Full of magic, unbreakable friendships, and purpose… a lush and wonderful adventure tale.” Look for it in early January.

On a continent ruled by three empires, some are born with a “witchery,” a magical skill that sets them apart from others. In the Witchlands, there are almost as many types of magic as there are ways to get in trouble — as two desperate young women know all too well.

Safiya is a Truthwitch, able to discern truth from lie. It’s a powerful magic that many would kill to have on their side, especially amongst the nobility to which Safi was born. So Safi must keep her gift hidden, lest she be used as a pawn in the struggle between empires. Iseult, a Threadwitch, can see the invisible ties that bind and entangle the lives around her — but she cannot see the bonds that touch her own heart. Her unlikely friendship with Safi has taken her from life as an outcast into one of of reckless adventure, where she is a cool, wary balance to Safi’s hotheaded impulsiveness.

Safi and Iseult just want to be free to live their own lives, but war is coming to the Witchlands. With the help of the cunning Prince Merik (a Windwitch and ship’s captain) and the hindrance of a Bloodwitch bent on revenge, the friends must fight emperors, princes, and mercenaries alike, who will stop at nothing to get their hands on a Truthwitch.

Truthwitch will be published by Tor Teen on January 5, 2016. It is 416 pages, priced at $18.99 in hardcover and $9.99 for the digital version.

New Treasures: Ghost in the Cogs edited by Scott Gable and C. Dombrowski

New Treasures: Ghost in the Cogs edited by Scott Gable and C. Dombrowski

Ghost in the Cogs-back-small Ghost in the Cogs-small

I’ve been hearing quite a bit about the new book from Broken Eye Books, Ghost in the Cogs, an anthology of steam-powered ghost stories, and not just because it has a story by our very own Howard Andrew Jones. Here’s what Howard had to say about it:

It’s the first time in years I’ve had a story published that didn’t feature Dabir and Asim or one of my Pathfinder characters. In this instance, it’s an alternate steampunk world with zeppelins and haunted temples and a sort of Robin Hood, Gentleman Jim, who adventures with his trusty second story gal Big Jane. They get into a scrape when they’re hired to steal a fabulous treasure that turns out to come with a few drawbacks. I had a blast writing it and I might draft more in the same world with the same characters.

The book contains no less than 22 stories, from such talented writers as Siobhan Carroll, Howard Andrew Jones, Eddy Webb, Nayad Monroe, Christopher Paul Carey, Scott Fitzgerald Gray, Richard Dansky, Nick Mamatas, Liane Merciel, James Lowder, and many others.

The always reliable Keith West saw fit to give the book a feature review at his excellent blog, Adventures Fantastic. Here’s part of his review.

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