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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

NOTE: The following article was first published on May 2, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ColliersSivainsidious6“The Call of Siva” was the fifth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in February 1913. The story would later comprise Chapters 13-15 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for its U.S. publication). Rohmer had built several of his Fu-Manchu stories on protracted paranoia and had previously made good use of a Limehouse opium den as a setting, but “The Call of Siva” sees him letting his plotline be dictated by the altered state of the waking dreamer for the first time and to great effect.

The story opens with our narrator, Dr. Petrie relating a strange dream which begins with him writhing on the floor in agony. Rohmer makes good use of Stygian darkness, Oriental tapestries, and Mohammedan paradise as suggestive imagery that Petrie’s queer dream, at once both mystifying and terrifying, is uniquely Eastern in origin. This point is confirmed as Petrie awakens with Nayland Smith as his cell mate. Only at this point does Rohmer resume something approaching a conventional narrative with Petrie’s murky recollection of he and Smith rushing to warn Graham Guthrie that he has been marked for assassination when they are abducted by unseen assailants from a passing limousine.

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GreyDogTales on Equation Thrillers

GreyDogTales on Equation Thrillers

Stories in the Dark-small Dracula's Brood-small Bone to His Bone-small

Yesterday my friend Neil Baker, publisher at April Moon Books, introduced me to blogger John Linwood Grant, who blogs at GreyDogTales. I wandered over to his corner of the internet, and was delighted to find a fascinating discussion of the Equation Chillers, a line of British horror anthologies I’d never heard of.

Right, let’s go back a few years. Nearly three decades, in fact. One of our finds of the late eighties was the short-lived Equation Chillers series. Sadly, only eight books were ever produced directly under the imprint. We have battered copies of all of them which we bought at the time, thank goodness.

They were, in a way, the precursor of the Wordsworth Editions, where lost, rare or unusual stories of the supernatural suddenly became available at an affordable price. Equation revived a whole haunted house full of Victorian and Edwardian short stories, and it’s worth noting all eight volumes here, with the occasional comment from us.

Anything in the spirit of the delightful Wordsworth Editions Tales of Mystery and the Supernatural (or, as we prefer to call them, TOMAToS) has my immediate attention. Check out John’s full article — with plenty of marvelous cover scans — here. And it looks like I’ll be spending some quality time at his website.

The Abuses of Public Domain Fiction

The Abuses of Public Domain Fiction

cover225x225publicdomainPublic domain is a tricky issue. We all know the horror stories of a certain  bloodsucking literary estate who clings to the last remaining copyrights of their Victorian property and frequently demand exorbitant fees for usage in new works. There are also tales of a well-known property where a dubious claimant to the literary rights regularly files nuisance lawsuits and is often paid off by the big conglomerates just to avoid the hassle of dealing with the allegedly loopy individual in question. Both have generated their share of sympathy for the public domain cause.

Greedy bastards only interested in money and wealthy loons fighting to prove they own something they don’t are certainly unlikable characters. I know a good number of publishers and writers who thrive upon reviving properties that have slipped into public domain. So long as too many cooks aren’t in the kitchen churning out new soups with the same basic ingredients, it should be a harmonious situation that serves to keep the originals in print and grows fan interest in otherwise forgotten characters.

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New Treasures: The Chimes by Anna Smaill

New Treasures: The Chimes by Anna Smaill

The Chimes Anna Smaill-smallAnna Smaill is the author of one book of poetry, The Violinist in Spring, but beyond that I don’t know much about her. Except that her debut fantasy novel is being called “What might be the most distinctive debut of the decade” by Tor.com, and “A melodic, immersive dystopian tale set in a London where writing is lost and song has replaced story” by Kirkus Reviews. And Pulitzer Prize-winner Geraldine Brooks calls it “”A highly original dystopian masterpiece, an intricately imagined, exquisitely invoked world in which music instills order and ravages individuality.”

Sounds like I need to check it out. It goes on sale in hardcover this week from Quercus Books.

After the end of a brutal civil war, London is divided, with slums standing next to a walled city of elites. Monk-like masters are selected for special schooling and shut away for decades, learning to write beautiful compositions for the chimes, played citywide morning and night, to mute memory and keep the citizens trapped in ignorance.

A young orphan named Simon arrives in London with nothing but the vague sense of a half-forgotten promise, to locate someone. What he finds is a new family — a gang of scavengers that patrols the underbelly of the city looking for valuable metal to sell. Drawn in by an enigmatic and charismatic leader, a blind young man named Lucien with a gift for song, Simon forgets entirely what originally brought him to the place he has now made his home.

In this alternate London, the past is a mystery, each new day feels the same as the last, and before is considered “blasphony.” But Simon has a unique gift — the gift of retaining memories — that will lead him to discover a great injustice and take him far beyond the meager life as a member of Lucien’s gang. Before long he will be engaged in an epic struggle for justice, love, and freedom.

The Chimes will be published by Quercus on May 3, 2016. It is 287 pages, priced at $26.99 in hardcover and $12.99 for the digital edition. The cover artist is uncredited.

Future Treasures: War Factory by Neal Asher

Future Treasures: War Factory by Neal Asher

War Factory Neal Asher US-small War Factory Neal Asher UK-small

I’ve been in the mood for fast-paced space opera recently. Something with big guns, bigger ships, and nasty aliens. I’m thinking Neal Asher.

The first book in his Transformation trilogy, Dark Intelligence, was published in February 2015. It introduced us to Thorvald Spear, dead for a hundred years after being betrayed by Penny Royal, the rogue AI sent to rescue his team on a hostile world. When Spear wakes up in a hospital, returned to life by strange technology, he finds the war versus the alien Prador has been over for a century. But Penny Royal is still on the loose, and Spear vows revenge at any cost.

Publishers Weekly called Dark Intelligence “Beautifully paced… space opera at a high peak of craftsmanship.” War Factory is the second volume in the trilogy, and the newest title set in Asher’s Polity universe (Prador Moon, The Line of Polity, Brass Man, The Skinner, and many others).

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Vintage Treasures: The Elsewhere Anthologies, edited by Terri Windling and Mark Alan Arnold

Vintage Treasures: The Elsewhere Anthologies, edited by Terri Windling and Mark Alan Arnold

Elsewhere Volume 1-small Elsewhere Volume 2-small Elsewhere Volume 3-small

Terri Windling is a superstar in the field of fantasy. She’s been awarded the World Fantasy Award nine times, and she’s also won the Mythopoeic Fantasy Award, the Bram Stoker Award, and the 2010 SFWA Solstice Award. As an editor at Ace she discovered and promoted first novels by Charles de Lint, Emma Bull, and many other important authors; with Ellen Datlow she co-edited 16 volumes of the seminal Year’s Best Fantasy and Horror from 1986–2003. She’s also an author in her own right, with several highly regarded works to her credit, including the Mythopoeic Award-winning novel The Wood Wife, and a number of children’s books, such as The Raven Queen and The Winter Child.

But believe it or not, she got her start in this industry as an artist. I didn’t discover that until I interviewed Ellen Kushner for my Tale of Two Covers article on her Basilisk anthology earlier this month. Here’s Ellen:

It’s an anthology I’m still really proud of. It’s also how I met Terri Windling, who did the interior illustrations (which much more accurately represent the aesthetic of the stories). She’d just come to town, and was showing her art portfolio around. Jim [Baen] thought I’d like her work, and that he wouldn’t have to pay her much… Terri, of course, essentially took over my job as fantasy expert for Jim a few months after I left Ace.

Ellen reached out to Terri as we were fact checking the article, and in the process Terri gave me the fascinating back story on how she began her career as one of the most respected and admired editors in the field with the Elsewhere series of anthologies, the first of which won the World Fantasy Award. Here’s what she said.

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New Treasures: Starflight by Melissa Landers

New Treasures: Starflight by Melissa Landers

Starflight Melissa Landers-small Starflight Melissa Landers back-small

Black Gate is a fantasy site, and there’s more than enough fantasy releases to keep us busy every month. But sometimes adventure SF — especially off-world space opera — reads an awful lot like great fantasy. It’s too early to see if Melissa Landers’s latest novel Starflight will go down in the annals as classic space opera, but it’s sure got the ingredients… including a plucky heroine, lawless outer realms, long-buried secrets, and an eccentric crew on a fast ship.

Solara Brooks needs a fresh start, someplace where nobody cares about the engine grease beneath her fingernails or the felony tattoos across her knuckles. The outer realm may be lawless, but it’s not like the law has ever been on her side. Still, off-world travel doesn’t come cheap; Solara is left with no choice but to indenture herself in exchange for passage to the outer realm. She just wishes it could have been to anyone besides Doran Spaulding, the rich, pretty-boy quarterback who made her life miserable in school.

The tables suddenly turn when Doran is framed for conspiracy on Earth, and Solara cons him into playing the role of her servant on board the Banshee, a ship manned by an eccentric crew with their own secrets. Given the price on both Doran and Solara’s heads, it may just be the safest place in the universe. It’s been a long time since Solara has believed in anyone, and Doran is the last person she expected to trust. But when the Banshee‘s dangerous enemies catch up with them, Solara and Doran must come together to protect the ship that has become their home – and the eccentric crew that feels like family.

Starflight was published by Disney-Hyperion on February 2, 2016. It is 368 pages, priced at $17.99 in hardcover and $9.99 for the digital version.

Future Treasures: Nebula Awards Showcase 2016, edited by Mercedes Lackey

Future Treasures: Nebula Awards Showcase 2016, edited by Mercedes Lackey

Nebula Awards Showcase 2016-smallThe 2015 Nebula Awards were a pretty big deal for me. They were presented here in Chicago, and I was able to attend for the first time. I was also asked to present the award for Best Novelette of the Year, an honor I won’t soon forget.

In addition I got to catch up with old friends, and meet plenty of new faces — folks like Rachel Swirsky, Liz Gorinsky, Aliette de Bodard, Lawrence M. Schoen, Cixin Liu, and many more. The Nebula Awards Weekend is relaxed, fun, and attended by the best and brightest writers and editors in the industry. It’s a great place to meet and chat with your favorite writers — not to mention get lots of free books.

They also give out some Nebula Awards, of course. And the Nebula Awards Showcase collects the winners and finalists in a handsome anthology, as it has every year since 1966. The Nebula Awards Showcase 2016 is the 50th volume in the series, and it looks like one of the strongest in recent memory.

This year editor Mercedes Lackey elected to take a rather eclectic approach — to include every short story and novelette nominee and winner, and limit herself to excerpts in the novella category (with the exception of the winner). Here’s the complete TOC.

Short Story

“Jackalope Wives,” Ursula Vernon (Apex 1/7/14) — Winner

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Pirates, Weather Sorcery, and Desperate Nautical Adventure: The Drowning Eyes by Emily Foster

Pirates, Weather Sorcery, and Desperate Nautical Adventure: The Drowning Eyes by Emily Foster

The Drowning Eyes Emily Foster-small The Drowning Eyes Emily Foster back-small

I started a new job two weeks ago, and for the first time in my life I’m commuting to downtown Chicago by train every day. Sixty minutes both ways, give or take. You know what’s perfect for a two-hour daily commute? Tor.com‘s new novellas, that’s what. They’re the ideal length, they’re written by the top fantasy writers in the field — and some great emerging talent — and the price is right. The first one I tried was The Drowning Eyes, and I’m glad I did.

According to Emily Foster’s bio in the back, she’s a fresh-faced graduate from the University of Northern Colorado, which likely makes her less than half my age. There are times, in this fast-paced tale of pirates, weather sorcery, and desperate nautical adventure, when her youth is apparent, especially in moments of dialog between Tazir, the grizzled Captain of the Giggling Goat, and her frequently cranky crew. But most of the time it’s not — which frankly is even more annoying. When punk kids start turning out polished gems of adventure fantasy like The Drowning Eyes, it takes all the joy out of cranky reminiscences about the good ole days of pulp fantasy. They’re even taking that away from us.

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New Treasures: Fall of Light, Book Two of the Kharkanas Trilogy by Steven Erikson

New Treasures: Fall of Light, Book Two of the Kharkanas Trilogy by Steven Erikson

Forge of Darkness-small Fall of Light-small

Steven Erikson’s 10-volume Malazan Book of the Fallen is one of the great works of fantasy of the 21st Century. It began with Gardens of the Moon in 1999; by 2012 the series had sold over a million copies worldwide.

In August 2012, Erikson kicked off The Kharkanas Trilogy, a prequel trilogy dealing with the Tiste before their split into darkness, light and shadow, with the opening novel Forge of Shadow. That book delved into events hinted at in the earlier series, and featured important characters from the Malazan Book of the Fallen such as Spinnoch Durav, Anomander Rake, and Andaris.

Erikson picks up the tale with Fall of Light, hot off the Tor presses this week, continuing the tragic story of the downfall of an ancient realm thousand years before the events of the Malazan Book of the Fallen. Civil war is ravaging Kurald Galain, as Urusander’s Legion prepares to march on the city of Kharkanas, and Silchas Ruin seeks to gather the Houseblades of the Highborn families to him and resurrect the Hust Legion in the southlands… but he is fast running out of time.

Fall of Light was published today by Tor Books. It is 864 pages, priced at $29.99 in hardcover and $14.99 for the digital edition. See all our recent New Treasures here.