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Vintage Treasures: The Hormone Jungle by Robert Reed

Vintage Treasures: The Hormone Jungle by Robert Reed

The Hormone Jungle Robert Reed-small The Hormone Jungle Robert Reed-back-small

Robert Reed is one of the most acclaimed and prolific writers at work in SF today. He was nominated for the John W. Campbell Award for Best New Writer in Science Fiction in 1987, and won the Hugo Award for his 2006 novella “A Billion Eyes.” He’s sold some 200 short stories to numerous markets, including Asimov’s Science Fiction, Clarkesworld, Interzone, Albedo One, Postscripts, F&SF, and Daily Science Fiction, and published over a dozen novels, including Down the Bright Way (1991), An Exaltation of Larks (1995), and Marrow (2000).

But back in 1988 he was a young writer with just one novel under his belt, The Leeshore (1987). His second, The Hormone Jungle, was published in hardcover that year by Donald Fine, and reprinted in paperback a year later by Popular Library with a cover by Luis Royo. Unlike the sophisticated space opera for which Reed is known today, The Hormone Jungle was packaged as a straight-ahead adventure story tailor made for a film treatment staring Arnold Schwarzenegger. Set “on an Earth overrun by a trillion species,” it featured a square-jawed “professional hero,” a beautiful lady android in distress, and a noir edge. That didn’t help it find a market, however… it pretty much vanished without a trace, and has never been reprinted. Copies aren’t hard to find, but it nonetheless took me a while to acquire one. I finally found one on eBay recently for $4.99 (including shipping).

Our previous coverage of Robert Reed includes:

Is Robert Reed the New Century’s Most Compelling SF Voice?
New Treasures: The Greatship

The Hormone Jungle was published by Questar/Popular Library in June 1989. It is 300 pages, priced at $4.50 in paperback. The cover is by Luis Royo. Read more at Reed’s website, and see all our recent Vintage Treasures here.

New Treasures: Shattered Minds: A Pacifica Novel by Laura Lam

New Treasures: Shattered Minds: A Pacifica Novel by Laura Lam

Laura Lam False Hearts-small Laura Lam Shattered Minds-small Laura Lam Shattered Minds-back-small

Laura Lam is the author of the Micah Grey series (Pantomime, Shadowplay) from Pan, and the self-published Vestigial Tales (The Snake Charm, The Fisherman’s Net, The Tarot Reader, The Card Sharp). Last year Tor published her first Pacifica novel False Hearts, which A. M. Dellamonica called “A taut futuristic thriller, set in a San Francisco where everybody is beautiful… Two unusual sisters are caught in a war for control of a society that quietly suffocates its outsiders, rebels, and the damaged.” Last week Tor released the sequel in hardcover.

Carina used to be one of the best biohackers in Pacifica. But when she worked for Sudice and saw what the company’s experiments on brain recording were doing to their subjects, it disturbed her ― especially because she found herself enjoying giving pain and contemplating murder. She quit and soon grew addicted to the drug Zeal, spending most of her waking moments in a horror-filled dream world where she could act out her depraved fantasies without actually hurting anyone.

One of her trips is interrupted by strange flashing images and the brutal murder of a young girl. Even in her drug-addicted state, Carina knows it isn’t anything she created in the Zealscape. On her next trip, she discovers that an old coworker from Sudice, Max, sent her these images before he was killed by the company. Encrypted within the images are the clues to his murder, plus information strong enough to take down the international corporation.

Carina’s next choice will transform herself, San Francisco, and possibly the world itself.

My interest in the book was piqued by Liz Bourke’s Tor.com review, in which she called it “A tight, tense and nail-biting science fiction thriller, informed by cyberpunk influences like Nicola Griffith’s Slow River and Melissa Scott’s Trouble and Her Friends as much as by the near-future extrapolatory science fiction tradition. It’s damn good.” (David B. Coe reviewed Slow River for us earlier this year.)

Shattered Minds was published by Tor Books on June 20, 2017. It is 386 pages, priced at $25.99 in hardcover and $12.99 for the digital edition.

An Original and Unpredictable Interstellar Romp: Defy the Stars by Claudia Gray

An Original and Unpredictable Interstellar Romp: Defy the Stars by Claudia Gray

Defy the Stars Claudia Gray-smallThe action starts right away in New York Times bestselling author Claudia Gray’s latest novel, Defy the Stars. Teenage fighter pilot Noemi Vidal only has twenty days to live, since she has volunteered for a suicide mission to protect her world. But time runs out when evil mechs – robot warriors from Earth – burst through the intergalactic Gate and start shooting at Noemi’s squadron while they’re still training.

One of the deadly machines attacks her best friend, Esther, who was never supposed to see combat. Noemi rushes to defend her and successfully beats off the mech. Still, Esther will die if Noemi doesn’t get her medical care fast. The only prospect of first aid is an enemy starship drifting nearby, abandoned during a previous assault.

What Noemi doesn’t know is that Earth’s most advanced mech, Abel, has been trapped in that mothballed hulk, all alone, for thirty years. Docking her fighter in the ship from Earth, Noemi reactivates its systems and frees Abel, whose first priority is to kill her.

A Young Adult novel, Defy the Stars will please both young and old science fiction fans with an original, engaging, and unpredictable interstellar romp. In the universe Gray has created, Earth has degenerated into a dystopian, post-apocalyptic husk, and its citizens are desperate to immigrate to Noemi’s lush colony world, Genesis. Fearing that humanity will only repeat its past mistakes and ruin Genesis’s environment just like Earth’s, the authorities on Genesis have long sent warriors like Noemi to prevent such an influx. Accordingly, when Noemi learns it’s possible to destroy the Gate between the two star systems, she seizes the chance to do so. Acquiring the necessary tools, however, requires her not just to partner with Abel, but also to become the first Genesis citizen in generations to pass through the Gate and visit other star systems, where she witnesses the plight of others.

In addition to Noemi’s mission to destroy the Genesis Gate, her relationship with Abel drives the book forward. Love stories often take two people who are supposed to hate each other, throw them together, and turn the screws until love blooms. Gray’s version goes beyond this, taking two sworn enemies in an interstellar war and adding an even more unlikely twist: What if the protagonist’s love interest isn’t recognized as a person? What if he’s only supposed to be a machine?

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Future Treasures: The Year’s Best Science Fiction: Thirty-Fourth Annual Collection edited by Gardner Dozois

Future Treasures: The Year’s Best Science Fiction: Thirty-Fourth Annual Collection edited by Gardner Dozois

The Year's Best Science Fiction Thirty Fourth Annual Collection Dozois-smallI look forward to Gardner’s Year’s Best volume every year. It was the first science fiction Year’s Best I read regularly — starting way back in 1989, with the Sixth Annual volume, while I was in grad school. And while I didn’t always make time to read every volume cover to cover, year after year, I always read Gardner’s summation, the indispensable annual report card that captures all the relevant news, industry trends, hot books, overlooked gems, and of course Gardner’s cranky observations and ruminations on the future of the field.

A few years ago I noticed that Gardner lists my name in the “Acknowledgements” section every year, and that he has every year since 2004. I’m not sure why. But I’m always surprised and delighted to see it.

Gadrner’s Year’s Best Science Fiction is by far the largest and most comprehensive of the annual Year’s Best volumes. The Thirty-Fourth — thirty-fourth! — arrives in hardcover and trade paperback from St. Martin’s Press in ten days. Here’s a taste of Gardner’s Summation, in which he comments on an unwelcome trend I’ve noticed myself: the gradual disappearance of the mass-market paperback.

Like last year, 2016 was another relatively quiet year in the SF publishing world, although there were some changes down deep… One such effect that may eventually become noticeable to the average reader is the dwindling of mass-market paperback titles, once the most common way (at one point, almost the only way) for SF books to be published, from bookstores shelves. The publishing industry has been trying to find the right balance between traditional print publishing and the publishing of titles as e-books for a number of years now, and one area where publishers seem to be switching away from print publication to e-book only publication is in the mass-market paperback market niche. At least in the science fiction/fantasy publishing world, the number of mass-market paperbacks published was down for the eighth year in a row, hitting a new record low, down 11 percent since 2015. I think this may be a mistake, myself.

The Thirty-fourth volume of The Year’s Best Science Fiction contains 39 stories — more than 300,000 words of fiction — from Alastair Reynolds, David Gerrold, Carolyn Ives Gilman, Paul McAuley, Aliette de Bodard, Rich Larson, Geoff Ryman, Sam J. Miller, Shariann Lewit, Gregory Benford, Nina Allan, James Patrick Kelly, Ken Liu, Eleanor Arnsason, Paolo Bacigalupi, Charlie Jane Anders, and many others. I was especially pleased to see contributions from Black Gate authors Derek Kȕsken and Bill Johnson.

Here’s the complete TOC.

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Angels, Demons, Necromancers and a Badass Heroine: The Hellhound Chronicles by Caitlin Kittredge

Angels, Demons, Necromancers and a Badass Heroine: The Hellhound Chronicles by Caitlin Kittredge

Black Dog Caitlin Kittredge-small Grim Tidings Caitlin Kittredge-small

Just two weeks ago we were talking about the death of the paranormal romance. When it was 60% of what was on the shelves, I frankly didn’t have much time for it. But now that it’s virtually vanished, I admit I’m curious… at least about some of the quirky stuff that appeared at the edges of the genre.

What’s guiding my interest? Sometimes it’s the author, sometimes it’s recommendations from reviewers I trust. Sometimes it’s just the cool covers. And sometimes, like with Caitlin Kittredge’s Hellhound Chronicles, it’s the fact that brand new copies of the opening volume are available for just $1.45 at Amazon.com (and Bookoutlet is selling the second one for just $4.79.)

The Hellhound Chronicles is more urban fantasy than paranormal romance (although the two are frequently indistinguishable.) It follows the adventures of the “hellhound” Ava, an indentured servant of an angel of death who tracks down errant souls and sends them to hell. When Ava meets up with a necromancer who tells her there’s a way out of her servitude, it leads to unforeseen consequences… and a series of misadventures involving the demon Lilith, the Walking Man, and zombie vampires. Melissa de la Cruz calls it “A riveting, fun and dangerous ride with angels, demons, necromancers and a badass heroine,” and Kirkus Reviews says it’s “A fast-paced read perfect for lovers of dark fantasy.” Here’s the back covers.

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A Tale of Two Covers: The Race and The Rift by Nina Allan

A Tale of Two Covers: The Race and The Rift by Nina Allan

The Race Nina Allen-small The Rift Nina Allen-small

Last July Titan Books released Nina Allen’s debut novel The Race, which was nominated for the British Science Fiction Award and short-listed for both the John W. Campbell Memorial Award and Locus Award for Best First Novel. Her second novel The Rift arrives from Titan next month, and I immediately assumed — based on the strikingly similar art, title font, and cover design — that it was a sequel.

Turns out looks are deceiving (maybe?) Nothing I can find points to any kind of connection between the two. The Race (which we covered here last year) is a loosely connected set of four stories set in a near future Britain ravaged by ecological collapse, and The Rift is about two sisters re-united after two decades, when one of them claims to have been abducted by aliens.

There’s nothing wrong with using similar cover designs for disconnected books. I suppose it’s more of a refection of the times, in which the default assumption for a second novel is automatically that it’s a sequel. Of course, if it turns out the two books are connected, then ignore everything I just said. In fact, here’s the description for The Rift. Make up your own mind.

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In 500 Words or Less: Revenger by Alastair Reynolds

In 500 Words or Less: Revenger by Alastair Reynolds

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Alastair Reynolds
Orbit (544 pages, $15.99 paperback, $9.99 eBook, September 2016)

Alastair Reynolds is one of the few authors I’ve read who manages to draw me into a standalone novel, immerse me with compelling characters and a complex world, and leave me begging for a sequel by the time I read the last page. He accomplished it with Terminal World. Then he did it again with House of Suns. And with my latest Reynolds read, Revenger, I sat back again and demanded out loud, “But wait – what happens next?!”

No one should be surprised when I say that Reynolds is a masterful storyteller. If you’re a fan of science fiction, you’ve probably at least heard his name – and if you haven’t, go pick up one of his books right now. Probably the best part about his writing is that it’s very much hard science fiction, but isn’t overly detailed or cumbersome the way I find a lot of hard SF writers to be (I lean way more toward soft SF and fantasy).

Reynolds’ work is always fast-paced and interesting, weaving the detailed science with just enough of the fantastic to add that sense of wonder and a perfect balance of action and character work. Revenger, for example, has the pacing of Firefly or Star Wars, so that even as he’s explaining the steampunkiness (is that a word?) of the starships and personal technology in the novel, you’re never mired in an info-dump or bored by too much scientific description, just to understand how everything works.

Revenger is particularly good because it’s a very human story: it focuses on two sisters who want to escape their homeworld and sign on with a starship crew not for pure escapism like Luke Skywalker, but specifically to earn money to help their father’s struggling business. What begins as a story of adventure and wild-eyed wonder as these sisters get to know their very first crew becomes a dark and harrowing tale almost immediately, as Reynolds takes his protagonists through multiple twists and unexpected locales.

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Vintage Treasures: Agents of Insight by Steven Klaper

Vintage Treasures: Agents of Insight by Steven Klaper

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These days blending genres is fairly routine. Like supernatural mob crime novels? Try Chuck Wendig’s The Blue Blazes. Enjoy human P.I’s in a fantasy setting? Try Glen Cook’s Garrett, P.I.. Vampire detectives? P.N. Elrod’s The Vampire Files. Zombie private eyes? There’s lots to enjoy! Check out Tim Waggoner’s The Nekropolis Archives or Stefan Petrucha’s Hessius Mann series.

Science fiction and spy thrillers… now that’s a slightly rarer breed. There are a few, but you have to look around. The earliest one I can think of is Agents of Insight, a mid-80s SF novel by Steven Klaper. Agents of the psi-spy agency Insight are being murdered around the world, and two agents have to expose the sinister nemesis behind the scenes, in a fast-paced race for the truth across a futuristic Earth — and beyond.

I don’t know much about this Steven Klaper fellow. Nuthin’, really. He published this single novel, and nothing else. No short stories, no articles, no reviews. Is Klaper a pseudonym for a more well-known writer? I have no idea. Anybody know?

Agents of Insight was published by Tor Books in October 1986. It is 224 pages. priced at $2.95. It has never been reprinted, and there is no digital edition. The cover is by Barclay Shaw. See all our recent Vintage Treasures here.

New Treasures: Want by Cindy Pon

New Treasures: Want by Cindy Pon

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One thing I look for in modern SF is exotic locales. When I read science fiction, I want intrepid explorers in strange landscapes… and what could be more exotic than a near-future Taipei plagued by viruses and strange pollutants? Cindy Pon’s new novel Want features a group of teens who take on a corrupt society to save their city, and soon discover that their enemies may be even more dangerous than they thought. It was published in hardcover this month by Simon Pulse.

Jason Zhou survives in a divided society where the elite use their wealth to buy longer lives. The rich wear special suits, protecting them from the pollution and viruses that plague the city, while those without suffer illness and early deaths. Frustrated by his city’s corruption and still grieving the loss of his mother who died as a result of it, Zhou is determined to change things, no matter the cost.

With the help of his friends, Zhou infiltrates the lives of the wealthy in hopes of destroying the international Jin Corporation from within. Jin Corp not only manufactures the special suits the rich rely on, but they may also be manufacturing the pollution that makes them necessary.

Yet the deeper Zhou delves into this new world of excess and wealth, the more muddled his plans become. And against his better judgment, Zhou finds himself falling for Daiyu, the daughter of Jin Corp’s CEO. Can Zhou save his city without compromising who he is, or destroying his own heart?

Want was published by Simon Pulse on June 13, 2017. It is 327 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Jason Chan. Get more details at cindypon.com.

Tournaments, Isolated Outposts, and Strange Magic: The Wall of Night Trilogy by Helen Lowe

Tournaments, Isolated Outposts, and Strange Magic: The Wall of Night Trilogy by Helen Lowe

The Heir of Night-small The Gathering of the Lost-small Daughter of Blood-small

There are times when I want a quick read. And there are times when I want something edgy and new. And then there are times when I just want to sink back into my chair with a comforting 2,000-page fantasy trilogy, featuring squabbling royal houses, dark forces, river cities, tournaments, honor guards, wind-swept bastions, strange magic, wild lands, isolated outposts, black treachery — and a towering mountain wall that’s the last defense against the ravening hordes.

Helen Lowe’s The Wall of Night trilogy fits the bill nicely. The opening novel, The Heir of Night, won the Gemmell Morningstar Award for Best Fantasy Newcomer, and The Gathering Of The Lost was nominated for the Gemmell Legend Award for the Best Novel. The series wrapped up last year with Daughter of Blood. Here’s the complete publishing deets.

The Heir of Night (466 pages, $7.99 paperback/$2.99 digital, September 28, 2010) — cover by Gregory Bridges
The Gathering of the Lost (672 pages pages, $7.99 paperback/$3.99 digital, March 27, 2012)
Daughter of Blood (768 pages, $7.99 paperback/$4.99 digital, January 26, 2016) — cover by Don Sipley

All three are paperback originals from Harper Voyager; all three are still in print. Here’s the back covers.

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