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Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Birthday Reviews: Jennifer Roberson’s “Mad Jack”

Lord of the Fantastic
Lord of the Fantastic

Jennifer Roberson was born on October 26, 1953.

She collaborated on The Golden Key with Melanie Rawn and Kate Elliott, which was nominated for the World Fantasy Award for Best Novel in 1997.

Roberson wrote “Mad Jack” for inclusion in the memorial anthology Lord of the Fantastic: Stories in Honor of Roger Zelazny, edited by Martin H. Greenberg in 1989. She has also republished the story in her own collection, Guinevere’s Truth and Other Tales, released in 2008.

“Mad Jack” tells the story of a man who lost his infant son to random gun violence. Unable to cope with his loss, his life falls apart and he comes to the decision that he needs to go on some sort of epic quest to make things right and find a simpler time. His decision causes strife with his wife and his boss, but he eventually makes the journey to Scotland via bus and train to find something that has been missing from his life for a long time.

Roberson’s description of Jack and his attempts to come to terms with his son’s death is a focused look at one individual’s grieving process. Although there is reference to the way others view his needs, Jack never interacts with any of them within the confines of the story; his thoughts turn almost entirely internal. While he notes that his wife and boss both think he is mad, there are no overt signs of madness.

Roberson plays the story close to her chest. It is clear that Mad Jack is supposed to be recognizable, although who he is, or even the time period in which the story takes place, is not entirely clear until the end. Once they story reaches its conclusion, the question of whether Jack is mad, has reverted to childhood, or is having an actual experience is ambiguous, which is one of the strengths of fantasy as a genre.

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Perfect Halloween Fare: The Dreadful Tale of Prosper Redding by Alexandra Bracken

Perfect Halloween Fare: The Dreadful Tale of Prosper Redding by Alexandra Bracken

The Dreadful Tale of Prosper Redding-small The Dreadful Tale of Prosper Redding-back-small

Prosper Redding lives in small town where everyone knows everyone else’s business. But when a stranger – dressed up like a Pilgrim and everything – shows up to the local Founders Day celebrations, nobody else even seems to see him. What’s worse, he steals some chestnuts from a vendor right before Prosper’s eyes, and then has the audacity to grin at him and wink.

When the clock strives five, though, Prosper has to find his sister Prue, leave the festival, and go home. Waiting for them is a surprise family reunion convened by his evil grandmother, comprised of relatives who dislike him. Prosper’s instincts tell him to run, but Prue takes his elbow and propels him into the house. Which is really more like a castle.

Things get worse when his absent father calls in a panic and tells him to grab his sister and run for their lives. Prosper tries to obey, but his uncles catch him. They pack him and Prue off to the dungeon, which is set up for an occult ritual.

All the relatives are there, and they’re all staring at Prosper. A small table draped with velvet – an altar, really – has been placed in the front of the room, and hundreds of flickering candles provide the only illumination. Prosper’s grandmother yanks the cloth off the table, revealing an ancient book. She asks Prue to start reading from it, but Prue just looks at her blankly. “But… It doesn’t say anything…”

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New Treasures: An Easy Death by Charlaine Harris

New Treasures: An Easy Death by Charlaine Harris

An Easy Death-smallCharlaine Harris was the first really big interview we ever scored at Black Gate. This was thirteen years ago, before the breakout success of the True Blood HBO series based on her Sookie Stackhouse novels, but she was already hugely popular. Goth Chick met with her at a restaurant, before a big signing event here in the suburbs of Chicago, and came back totally charmed. We included the interview in Black Gate 8, the Summer 2005 issue, and it was a big hit with readers.

Harris has reached a point in her career where she can do whatever she wants. Fortunately for us, what she wants to do appears to be tell Weird Western tales. Her latest, An Easy Death, is set in a southwestern country known as Texoma, where magic is common and a young gunslinger named Lizbeth Rose takes a job to be a local guide for a pair of Russian wizards. But all is not what it appears to be, and dark forces are aligning against Lizbeth and her clients. It was published in hardcover earlier this month by Saga Press.

The beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, and the Midnight Crossroad trilogy adapted for NBC’s Midnight, Texas, has written a taut new thriller — the first in the Gunnie Rose series — centered on a young gunslinging mercenary, Lizbeth Rose.

Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it. They’re searching through the small border towns near Mexico, trying to locate a low-level magic practitioner, Oleg Karkarov. The wizards believe Oleg is a direct descendant of Grigori Rasputin, and that Oleg’s blood can save the young tsar’s life.

As the trio journey through an altered America, shattered into several countries by the assassination of Franklin Roosevelt and the Great Depression, they’re set on by enemies. It’s clear that a powerful force does not want them to succeed in their mission. Lizbeth Rose is a gunnie who has never failed a client, but her oath will test all of her skills and resolve to get them all out alive.

An Easy Death was published by Saga Press on October 2, 2018. It is 306 pages, priced at $26.99 in hardcover and $7.99 for the digital edition. The cover is by Colin Anderson. Read the complete first chapter here.

Future Treasures: Mage Against the Machine by Shaun Barger

Future Treasures: Mage Against the Machine by Shaun Barger

Mage Against the Machine-smallIn his feature at The Verge earlier this month, 9 new sci-fi and fantasy books to check out this October, Andrew Liptak describes Mage Against the Machine as “Harry Potter meets The Terminator,” which certainly got my attention.

I don’t quite know what to make of it, though. It’s the debut novel by Shaun Barger, so I can’t look to his previous books for any clue. There aren’t a lot of early reviews. It’s got a mage army, vast machine intelligences, a human resistance, Arnie posters, heroes with cybernetic enhancement, and even a dome. I love all those things.

Will they be great together? I gotta know. And there’s only one way to find out.

The year is 2120. The humans are dead. The mages have retreated from the world after a madman blew up civilization with weaponized magical technology. Safe within domes that protect them from the nuclear wasteland on the other side, the mages have spent the last century putting their lives back together.

Nikolai is obsessed with artifacts from twentieth-century human life: mage-crafted replica Chuck Taylors on his feet, Schwarzenegger posters on his walls, Beatlemania still alive and well in his head. But he’s also tasked with a higher calling — to maintain the Veils that protect mage-kind from the hazards of the wastes beyond. As a cadet in the Mage King’s army, Nik has finally found what he always wanted — a purpose. But when confronted by one of his former instructors gone rogue, Nik tumbles into a dark secret. The humans weren’t nuked into oblivion — they’re still alive. Not only that, outside the domes a war rages between the last enclaves of free humans and vast machine intelligences.

Outside the dome, unprepared and on the run, Nik finds Jem. Jem is a Runner for the Human Resistance. A ballerina-turned-soldier by the circumstances of war, Jem is more than just a human — her cybernetic enhancement mods make her faster, smarter, and are the only things that give her a fighting chance against the artificial beings bent on humanity’s eradication.

Now Nik faces an impossible decision: side with the mages and let humanity die out? Or stand with Jem and the humans — and risk endangering everything he knows and loves?

Mage Against the Machine will be published by Saga Press on October 30, 2018. It is 512 pages, priced at $25.99 in hardcover, $16.99 in trade paperback, and $7.99 for the digital edition. The cover art is by Marko Manev. See all our recent coverage of the best in upcoming SF and Fantasy here.

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

A Ghosts & Scholars Book of Folk HorrorArguably the major living expert on the body of work of Rev. Montague Rhodes James, the cult British author of classical “ghost” stories, Rosemary Pardoe has been the editor of the journals Ghosts & Scholars, The Ghosts & Scholars MR James Newsletter, and the three volumes of the anthology series The Ghost & Scholars Book of Shadow (Sarob Press).

Here’s yet another short story anthology by Pardoe, entitled A Ghosts & Scholars Book of Folk Horror.

Traditional folklore is the basis not only for a good portion of Jamesian stories, but of classic British horror in general, so the new anthology is consistent with Pardoe’s previous work in this area. It assembles seventeen tales, ten of which are reprinted from the journals mentioned above, and seven which are original to this anthology.

Let me tell you right away that, not surprisingly, the best contributions are to be found among the reprints, first of all the outstanding “Meeting Mr. Ketchum” by Michael Chislett. This superb, creepy tale, perfectly in keeping with the anthology’s theme, depicts how ancient horrors come back to terrify a couple of accidental tourists exploring a desolate landscape.

Other excellent offerings include “Where are the Bones..?” by Jacqueline Simpson, a delightful story featuring MR James himself, in which old legends cast a dark shadow on an innocent boy, and” The Walls” by Terry Lamsley, a very unusual tale of supernatural horror, describing the eerie trip taken by two men to find a friend lost in a deserted area near abandoned lead mines that hide unfathomable secrets. Lamsley’s recent disappearance from the British horror scene is still sorely lamented.

The book features also some very conventional yet effective ghost stories such as CE Ward’s “The Spinney” and Kay Fletcher’s “The Peewold Amphisbaena,” both quite enjoyable and well worth reading. The same applies to “Loreley” by Carol Tyrrell, an offbeat tale portraying a case of unconventional vampirism.

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Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Birthday Reviews: Allan Weiss’s “Heaven and Earth”

Cover by Colleen McDonald
Cover by Colleen McDonald

Allan Weiss was born on October 23, 1939.

Weiss has twice been nominated for the Aurora Award. His first nomination was in 1993 for his short story “Ants,” in the Best Short Form in English category. He received a second in 1996 when he was nominated with Hugh Spencer for Best Other Work in English for “Out of This World,” an exhibit they produced at the National Library.

“Heaven and Earth” was published in Tesseracts Nine in 2005. The volumes was co-edited by Nalo Hopkinson and Geoff Ryman. The story has not been reprinted.

Steven is part of a team exploring an alien life form dug up on a distant planet. His description of the study is interspersed with memories of his Uncle Martin, who helped raise Steven during and after his parents’ divorce, teaching him both the study of Judaism and Talmud and how to espouse atheism, which are by no means mutually exclusive.

Steven’s relationship with his uncle is the strongest one in the story, although it is mirrored by his relationship to fellow-scientist Kelly Defalco, who refuses to give him straight answers about her own theories and research and causes him to question his own assumptions, just as Uncle Martin did when he was younger. This questioning becomes important when the evidence before his eyes regarding the physiognomy of the Castormondian alien species seems to contravene everything about biology that he knows from a lifetime of studying humans.

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Magic and Politics in the Desert: Deborah A. Wolf’s The Dragon’s Legacy

Magic and Politics in the Desert: Deborah A. Wolf’s The Dragon’s Legacy

The Dragon's Legacy-small The Forbidden City-small

I was browsing the shelves at Barnes and Noble last week when I came across the two volumes above. They caught my eye immediately. Especially the second one, with its  gorgeous depiction of a moonlit desert city… plus a supergiant bull, whatever the heck that’s about.

I didn’t pick them up right away. Derek Kunsken’s The Quantum Magician, some Angry Robot paperbacks and a bunch of SF magazines were already in my stack, and I’m trying to pace myself. But I did some research when I got home, and I admit I’m intrigued. Deborah A. Wolf is also the author of the Daughter of the Midnight Sun urban fantasy series; the first novel Split Feather came out last year. The Dragon’s Legacy is a planned trilogy, the first volume was a nominee for the 2018 Morningstar Award. Publishers Weekly praised “Wolf’s opulent visual imagination and sly humor” in their review:

Wolf’s epic fantasy debut, the first of a trilogy, is a well-crafted, intricate blend of the politics and magic of multiple cultures. Hafsa Azeina, dreamshifter of the Zeerani desert tribes, can kill her foes as they sleep. She has spent years protecting her daughter, Sulema, from the assassins hunting them, and Sulema has had the chance to come of age as a Zeerani warrior. But Sulema’s father, who may have sent the assassins, has found them. He is the dragon king of the nearby country of Atualon, and his magic prevents the dragon that sleeps under the world from waking and cracking the planet like an egg. Sulema and Hafsa must navigate shifting alliances, ongoing assassination attempts, and manipulation by both friend and foe to try to settle the balance of power and succession…

Titan Books has published two books in the trilogy so far; the third is due next year. Here’s the details:

The Dragon’s Legacy (400 pages, $24.95 hardcover/$14.95 trade/$13.99 digital, April 18, 2017)
The Forbidden City (517 pages, $24.95 hardcover/$16.99 digital, May 15, 2018)
The Seared Lands ($24.99 hardcover/$16.99 digital, April 2, 2019)

The cover artist is uncredited. See all of our recent coverage of the best in series fantasy here.

A (Black) Gat in the Hand: Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)

A (Black) Gat in the Hand: Joe Bonadonna’s ‘Hardboiled Film Noir’ (Part One)

I reached out to some friends to help me with A (Black) Gat in the Hand, as I certainly can’t cover everything and do it all justice. Our latest guest is author and fellow Black Gater, Joe Bonadonna. And Joe delivered an in-depth look at hardboiled adaptations on the silver screen. In fact, he covered so much ground, it’s gonna be a two-parter! So, let’s dig in! 


Hardboiled Film Noir: From Printed Page to Moving Pictures (Part One)

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Prologue

Bonadonna_HardboiledAnthologyCrime does not discriminate. From city streets and slums to quiet suburbia, from the mansions of the rich to the boardrooms of the powerful, crime is alive and well. It can be found in dance halls, beer halls and gambling halls . . . speakeasies, seedy gin joints, smoke-filled pool halls, dive hotels, and wharf-side saloons. Crime exists everywhere, and writers and filmmakers have been telling stories about crime since Gutenberg invented the printing press.

This article deals mainly with American pulp fiction, novels and films, and a few theatrical plays, too. I’m going to give a little background history on the source material for these films and on some of the writers who penned the original stories upon which they were based.

Long ago, long before television came along, the film industry turned to books, magazine stories, theatrical plays, and radio shows for their source material, as well as original screenplays. Movie moguls bought the rights to numerous best-selling novels, mined the pages of pulp magazines, comic books, and even newspaper comic strips.

Many films made during this period were Saturday matinee serials such as Flash Gordon, Buck Rogers, Superman, Batman, Captain Marvel, and The Shadow. Dick Tracy was actually given a series of stand-alone films, and of course we had Edgar Rice Burroughs’ Tarzan.

Most of these serials were the “comic book” films about pulp fiction superheroes, caped crusaders, masked avengers, and magical crime fighters. Many others films, however, were turned into “programmers,” as they were sometimes called: B-pictures with low budgets, made by up-and-coming directors, and featuring actors who had not yet attained A-list status.

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New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

New Treasures: The Promise of Space and Other Stories by James Patrick Kelly

The Promise of Space and Other Stories-small The Promise of Space and Other Stories-back-small

James Patrick Kelly is one of the best short story writers we have. His Hugo-winning tale “Think Like a Dinosaur” is one of the finest SF stories of the past 25 years (perhaps the finest), and his fiction has been collected in such essential volumes as Think Like a Dinosaur and Other Stories (1997), Strange But Not a Stranger (2002), and The Wreck of the Godspeed and Other Stories (2008). His novels include Planet of Whispers (1984), Look Into the Sun (1989), Freedom Beach (1985, with John Kessel) and Wildlife (1994).

A new James Patrick Kelly collection is a major event, and I purchased The Promise of Space and Other Stories as soon as it arrived in July. It contains 15 stories published between 2007 and 2016, plus one new tale, “Yukui!” It also contains an introduction by Sheila Williams, and an Afterword by the author. Here’s a snippet from Gark Wolfe’s review in the Chicago Tribune.

The idea of uploading your whole personality into a computer matrix as a hedge against death isn’t new, but should it become a legal right (as in “Declaration”) or face religious opposition (as in “One Sister, Two Sisters, Three”)? Could it even lead to most humans disappearing, leaving the world to intelligent chimps (“”The Chimp of the Popes”)?

For that matter, can technology ever really replace a mind? In the most heartbreaking story, “The Promise of Space,” a wife tries to connect with her brain-damaged astronaut husband, whose own faulty memory is supplemented by thousands of hours of personal video, but who can’t emotionally understand the facts he calls up.

Kelly also has a clear grasp of other genres, but uses them in unexpected ways. “The Last Judgment” is set in a world from which all the men have been snatched away by aliens, but takes the form of a hard-boiled mystery. “The Rose Witch” takes on the tone and form of a fairy tale, complete with a life-changing moral choice the heroine faces. In nearly every story, Kelly offers a master class on how short fiction works.

You can read the title story in Clarkesworld here. The Promise of Space and Other Stories was published by Prime Books on July 31, 2018. It is 383 pages, priced at $15.85 in trade paperback and $6.99 for the digital edition. The cover is by Piotr Foksowicz. See all of our recent New Treasures here.

Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

Old-School Sword and Planet with a Modern Attitude: An Excerpt from The MechMen of Canis-9

Three Against the Stars-cover-small The MechMen of Canis-9-small

The MechMen of Canis-9 is my seventh novel. I’ve always wanted to write some sort of action-packed Sword and Planet Adventure, with some planet-building involved, and that’s what I hope I’ve accomplished with this “sequel” to my Space Opera, Three Against The Stars. The Foreword below should pretty well set the stage for the excerpt that follows. I hope you enjoy it and it interests you in checking out my novel. Thank you!

This time out, Sergeants Seamus O’Hara, Claudia Akira, Fernando Cortez and a platoon of Marines are deployed to Canis-9 — Devoora, the Ocean Planet. Their mission: find seven indestructible robot warriors hidden there for seventy years. Most of the platoon survives a crash-landing but are left stranded in a hostile environment of deadly sea predators. Rescued by native Tulavi islanders, the Marines get caught up in a war between this mysterious, maritime civilization and another indigenous race, the Malvarians, who hunt and harvest the eggs of the giant kaizsu — the Sea Dragons sacred to the Tulavi. As the Marines set out to complete their mission they discover a secret known only by the Tulavi: the endangered kaizsu are the key to Devoora’s ecosystem and the future of all life on the planet.

The MechMen of Canis-9 is now available in both paperback and Kindle editions. Thank you!

Read an exclusive excerpt from The MechMen of Canis-9 here.