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A (Black) Gat in the Hand: MORE Cool & Lam!!!!

A (Black) Gat in the Hand: MORE Cool & Lam!!!!

Top of the Heap-small“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” — Phillip Marlowe in Raymond Chandler’s The Big Sleep

Last week’s post was on Hard Case Crime’s upcoming reissue of The Count of Nine. Since I was in a Cool and Lam mood, I went ahead and re-read the prior reissue from Hard Case, Top of the Heap, which was only the third book from the imprint. I recommend reading one of my prior posts on the Cool and Lam series to help provide some background for this post. You can find them here, here, and here (last week’s).

As usual, a client is not up front with them, but he pays well, so also as usual, Bertha doesn’t care. Donald is always a little cautious, but business is business and he quickly delivers results. Once again, Bertha does nothing. But Donald keeps digging and the client stops payment on the check. Bertha is pissed at Donald.

As always, there’s a lot going on and Donald has angles everywhere, heading up from Los Angeles to San Francisco for most of the case. He’s actually less cagey with the police than he usually is, but the bay area’s Lieutenant Sheldon doesn’t think so and wants Lam picked up and brought to headquarters.

A dead gangster’s moll, a dead businessman, missing bodies, a wounded gangster, mining companies, an undercover gambling joint, a yacht club: you need a scorecard for this one.

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Live. Die. Repeat. That’s What Hell’s All About — an Excerpt from Andrew P. Weston’s Hell Gate

Live. Die. Repeat. That’s What Hell’s All About — an Excerpt from Andrew P. Weston’s Hell Gate

HELL-BANNER-medium

As promised in my last article, Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell, here is the excerpt from Andy Weston’s forthcoming novel, Hell Gate. This is the excerpt featured in Lovers in Hell. It is copyright © 2018, Perseid Press, all rights reserved.

Black Gate Online Fiction: An Excerpt from Hell Gate

There you have it, folks — a tantalizing morsel from Andy’s forthcoming Hell Gate. Tune in next time for the final part of my examination of the Doomed and the Damned when I bring you an excerpt from my story in Lovers in Hell… a Gothic little love story I call “Withering Blights.”

Thank you!

Birthday Reviews: Steven Erikson’s “Goats of Glory”

Birthday Reviews: Steven Erikson’s “Goats of Glory”

Cover by Brian Carré
Cover by Brian Carré

Steven Erikson was born on October 7, 1959. Trained as an anthropologist and archeologist, Erikson’s real name is Steve Lundin.

Erikson was nominated for the World Fantasy Award for his novel Gardens of the Moon in 2000 and in 2017, the ten book series begun with that novel, Malazan Book of the Fallen, was nominated for the Aurora Award for Best of the Decade. The Malazan books are set in a world which Erikson and his friend, Ian Cameron Esslemont, created in 1982 for their role-playing games. In addition to the novels Erikson has written, Esslemont has also written books set in the same world.

Originally published in Swords & Dark Magic: The New Sword and Sorcery, edited by Jonathan Strahan and Lou Anders in 2010, Paula Guran selected “Goats of Glory” for inclusion in her 2017 anthology Swords Against Darkness.

“Goats of Glory” tells the story of a band of five warriors who are escaping a huge defeat. Originally known as Rams for the pins they wear, they have re-dubbed themselves goats following the loss and have stumbled across the tiny and remote village of Glory. As soon as their arrival is made known, one of the villagers begins digging graves for them, expecting that they will visit the ancient ruins of the castle on the hill and be killed by the demonic inhabitants.

Erikson splits his narrative between the points of view of Swillsman, Glory’s innkeeper, Graves, the gravedigger, and the five goats. By shifting viewpoints, Erikson successfully manages to build suspense as to which of his characters will succeed and which will die, although once the Goats go up against the demonic hordes, the suspense quickly evaporates. The battle sequences between the five goats and the demons are, perhaps, the weakest part of the story, although Erikson does break them up by revisiting the other characters to show them making plans for the heroes’ eventual defeat and deaths, clearly showing that the heroes aren’t the first to brave the abandoned fortress.

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Talking to Ghosts: Keri Arthur’s Outcast Trilogy

Talking to Ghosts: Keri Arthur’s Outcast Trilogy

Keri Arthur City of Light-small Keri Arthur Winter Halo-small Keri Arthur The Black Tide-small

I quit reading urban fantasy and paranormal romance sometime around 2008, when you couldn’t browse bookshelves without being blinded by a sea of leather-clad heroines wielding crossbows. I mean, I love Buffy the Vampire Slayer and Angel as much as the next person, but man. That show has a lot to answer for.

Now that it’s safe to shop again, I’m kinda curious about those books that survived the mass extinction of urban fantasy. I pull them off the shelves at Barnes & Noble and say, “What are you doing here?” They’re like the rebel pilots that survived the attack on the Death Star. They can hold reunions in a phone booth.

Like any publishing boom-and-bust cycle, it’s only the best that endures. So I was naturally intrigued to find Keri Arthur’s City of Light at B&N earlier this year. Arthur is the author of the Souls of Fire, Dark Angels, and the New York Times bestselling Riley Jenson, Guardian series. She’s written more than forty books, and won Romantic Times‘ Career Achievement Award for urban fantasy. City of Light is the opening novel in the Outcast trilogy, a post apocalyptic tale set a century after a devastating war tears a hole in reality, and the last remnants of humanity cling to life in brightly-lit cities that shield them from terrifying spectres. It’s a promising blend of SF and paranormal horror (even if it does have a crossbow on the cover), and has sort of a Resident Evil vibe, with a superhumanly powerful heroine who faces off against both undead nasties and an evil pharmaceutical company whose experiments on adults and children bring unexpected horrors.

City of Light won plenty of acclaim, with Library Journal praising it for “An intriguing world and a marvelous heroine who speaks to ghosts,” and The Speculative Herald calling it “Exciting and well written… a remarkable mix of intrigue and action.” The first two books in the series were published in paperback by Signet, but it didn’t do well enough for them to pick up the third volume, so Arthur self published it in the US in December of last year.

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In 500 Words or Less: The Quantum Magician by Derek Künsken

In 500 Words or Less: The Quantum Magician by Derek Künsken

The Quantum Magician-smallThe Quantum Magician
by Derek Künsken
Solaris (480 pages, $11.99 paperback, $6.99 eBook, October 2, 2018)

When I reviewed Yoon Ha Lee’s Ninefox Gambit last year, I joked that there’s a reason why I teach in the humanities, which is the same reason I don’t read a lot of hard science fiction. For me to enjoy a hard SF novel enough to discuss it here is a big deal – and I really enjoyed Derek Künsken’s The Quantum Magician, even though I’m sure that like Ninefox, I didn’t get as much out of it as someone else might have.

To be clear, the worldbuilding here is intricate, compelling and absolutely fascinating. From the moment concepts were introduced I wanted to know more, especially the different subsets of humanity that Künsken presents, each the product of generations of genetic manipulation. I mean, an entire population of neo-humans nicknamed Puppets because of their diminutive size, who double as religious zealots worshipping their divine beings’ cruelty? Or an intergalactic political hierarchy based on the economics of patrons and clients, complete with the inequalities and social issues you might expect? These demand further unpacking, which Künsken does with deliberate skill, slowly revealing more and more about humanity’s divergent offshoots and the galaxy they inhabit.

But I can’t say that I walked away from The Quantum Magician with a crystal clear sense of what I read. The core plot is a con game perpetrated by a team of ragtag scoundrels, trying to sneak a flotilla of warships through a wormhole controlled by another government… but don’t ask me to explain more than that. Künsken does an amazing job of presenting a bunch of quirky protagonists who play off each other well, but the characters that stand out do so powerfully; between that and the rich worldbuilding of things like the Puppets, I forgot about that flotilla and the original aim of the con for a good third of the novel, until they came back into focus.

Much as I rooted for protagonist Belisarius (who would be the Danny Ocean of these scoundrels) and his partner/love interest Cassandra (who I suppose is Tess and Rusty from Ocean’s Eleven combined), the secondary characters stole the spotlight for me, particularly AI-on-a-religious-mission Saint Matthew and the creepily dangerous Scarecrow hunting these scoundrels down.

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Douglas Draa’s What October Brings is a Lovecraftian Celebration of Halloween

Douglas Draa’s What October Brings is a Lovecraftian Celebration of Halloween

What October Brings-smallHalloween and Lovecraft. Two great things that belong together. And Weirdbook editor Douglas Draa is the man to make it happen.

His new anthology What October Brings is a handsome collection of original stories by Adrian Cole, Storm Constantine, Tim Curran, Cody Goodfellow, Nancy Holder, Brian M. Sammons, John Shirley, Lucy A. Snyder, Chet Williamson, Black Gate writer Darrell Schweitzer, and many others — all packaged under a gorgeous cover by Italian artist Daniele Serra.

It’s from UK publisher Celaeno Press, a new name to me, but they clearly do good work. Here’s the description.

Halloween, a time for laughing children in white bedsheets and superhero costumes. A time for chocolate candy, and pumpkins, and Trick-or-Treat.

… a time for dark things everywhere to slink out of the shadows and into our lives, reminding those unlucky few that our charades of Halloween cannot erase the centuries of history and pain behind the facade…

What October Brings celebrates the dark traditions of the autumn rituals, of Halloween and Samhain, in homage to the uniquely fascinating fiction of HP Lovecraft. Masters of the short story offer you a “once in a lifetime” Trick-or-Treat experience…

…perhaps your last!

This is a sizable anthology packed with long stories. Over half are 18+ pages, and one, Lucy A. Snyder’s “Cosmic Cola,” is a generous 30 pages. Here’s the complete Table of Contents.

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Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

The-Book-of-Dust-Pullman-smallThe venerable Philip Pullman returns to the universe of the classic His Dark Materials series after 17 years with his latest fantasy, The Book of Dust: La Belle Sauvage. As a longtime fan of the saga, I thoroughly enjoyed this chance to return to his steampunk alternative “Brytain,” with its changeable daemons, anbaric lamps, peculiar gadgets, and peripatetic intellectuals. Opening this book felt like being wrapped in a blanket and having tea around a fire with old friends.

Surprisingly mature, well-mannered and handy eleven-year-old Malcolm Polstead is a natural spy, since working at his parents’ riverside inn gives him access to all manner of travelers and their gossip. When three dangerous visitors arrive, he’s swept into a secret war against the forces of arrogant religious authority.

Joining a shadowy resistance movement, he risks his life to protect a baby who’s prophesied to change the world. At first, this means thwarting villains’ attempts to kidnap her. But then a hundred-year flood devastates the town, and he must grab her from her cradle – already floating – and ride the surging waters in his trusty canoe, La Belle Sauvage, which is the title of this first volume in the series.

The baby herself? Her name is Lyra. Yes, The Book of Dust: La Belle Sauvage is a prequel.

The Book of Dust: La Belle Sauvage was published in October 2017 and spent 13 weeks on the New York Times bestseller list for YA Hardcover, finally slipping off at the end of January 2018. Yet I would argue that it isn’t really a YA book as conventionally understood, and that adults are its natural audience. After all, we are the ones most likely to revel in its slower pace and sly tendency to say one thing while meaning another.

Moreover, the official target audience for YA is 12 to 18, and teenagers are notorious for wanting to “read up” about people older than them. Malcolm’s age, at only eleven, would make him more naturally a “Middle Grade” hero. Yet the novel’s content is probably too subtle and sophisticated for such young readers.

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Future Treasures: The Book of Magic, edited by Gardner Dozois

Future Treasures: The Book of Magic, edited by Gardner Dozois

The-Book-of-Magic-Gardner-Dozois-smallerWe lost Gardner Dozois unexpectedly in May of this year. Certainly there were bigger names, but somehow Gardner always seemed to be the heart of science fiction to me. Fan, historian, gifted writer and brilliant editor — indeed, perhaps the greatest editor science fiction has ever seen — Gardner had his finger on the pulse of the field better than anyone I knew.

It was a terrible blow to lose him. But I took some consolation in the fact that his career was not over — not yet, anyway. He still had three major books in the pipeline. The Year’s Best Science Fiction: Thirty-Fifth Annual Collection appeared in July; the final volume in what may be the greatest anthology series in genre history. And The Very Best of the Best: 35 Years of The Year’s Best Science Fiction, a fitting cap to an amazing career, will arrive in February of next year.

But the one I’m really looking forward to is The Book of Magic, a big 576-page hardcover collecting brand new fiction from many of the top fantasy writers we have. It’s a companion book to his 2017 sword & sorcery anthology The Book of Swords, and it arrives from Bantam in two weeks. Here’s the description.

A new anthology celebrating the witches and sorcerers of epic fantasy — featuring stories by George R. R. Martin, Scott Lynch, Megan Lindholm, and many others!

Hot on the heels of Gardner Dozois’s acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf… and a Saruman. For every Dorothy, a Glinda… and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore… and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped — or misshaped — by the potent magic they seek to wield. Yet though their abilities may be godlike, these men and women remain human — some might say all too human. Such is their curse. And their glory.

In these pages, seventeen of today’s top fantasy writers — including award-winners Elizabeth Bear, John Crowley, Kate Elliott, K. J. Parker, Tim Powers, and Liz Williams — cast wondrous spells that thrillingly evoke the mysterious, awesome, and at times downright terrifying worlds where magic reigns supreme: worlds as far away as forever, and as near as next door.

And here’s the stellar table of contents, including sixteen all new stories and a reprint novelette by George R. R. Martin.

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Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Cover by Ed Emshwiller
Cover by Ed Emshwiller

Radell Faraday Nelson was born on October 3, 1931. Nelson has published under a variety of pseudonyms, including Ray Nelson, R. Faraday Nelson, and Jeffrey Lord. Nelson is also an artist.

Nelson’s novel The Prometheus Man received a special citation Philip K. Dick Award in 1983. In 2001 he was nominated for a Retro-Hugo in the Best Fan Artist category.

“Time Travel for Pedestrians” was published in Harlan Ellison’s Again, Dangerous Visions in 1972, and has been reprinted in the various versions of that anthology, but has not been published outside of that work.

While the framing device in Ray Nelson’s “Time Travel for Pedestrians” may have been transgressive in 1972, when it was first published, the combination of rumination on masturbation and drug trips seems self-indulgent at a forty year distance.

Going beyond the framing device, as least as much as possible, the story offers numerous past life regressions for Nelson’s narrator, each one set earlier than the one before, each focusing on the conflict between the spread of Christianity and its competing belief systems, and each ending with the death of Nelson’s protagonist.

Intriguingly, the further back in time the narrator finds himself, the more receptive he is of Christianity, starting with a new age paganism, eventually becoming a priest in the Inquisition, and finally taking dictation from Mary Magdalen. While Nelson’s reflections on each of these vignettes offers different views on religion and belief, the framing mechanism intrudes, raising the question of whether the narrator is actually reliving past lives or if everything is part of the drug trip he has initiated, and which undermines Nelson’s story.

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Books and Craft: Parables for the Modern Reader

Books and Craft: Parables for the Modern Reader

WizardofEarthsea-small The Tombs of Atuan-small The Farthest Shore-small

The Earthsea Trilogy (Bantam, 1975). Covers by Pauline Ellison

Early last year, I began a column here at Black Gate that I call “Books and Craft.” The idea was to shine a light on the writing elements that contribute to the greatness of classic works in our genre. (You might care to read my previous pieces on Nicola Griffith’s Slow River, and Guy Gavriel Kay’s Tigana .) I intended to write these on a regular basis, but life and work intervened. Today I’m happy to be back with a new “Books and Craft” post about books that have long been deeply special to me.

Ursula K. Le Guin died earlier this year after a stellar career of nearly sixty years. She was a master of speculative fiction, one of the most decorated writers ever to grace our genre. She was perhaps best known for her science fiction novels set in the Hainish Universe, but personally, I am most fond of her fantasy, specifically the first three of her Earthsea novels: A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore. (In fact, my newest series, The Islevale Cycle, is set in a world of islands and seas that I meant as an homage to Earthsea and Le Guin.)

These three early Earthsea novels, often referred to as The Earthsea Trilogy, were published as children’s books. They were written, though, with a spare sophistication and elegance that appealed to a broad audience and brought them critical and commercial success. Earthsea is a world of myth, rich culture, and social complexity. By creating a network of islands and archipelagos, Le Guin ensured that her land would be home to a variety of traditions, customs, and people. And in making Ged, the hero of the series, dark-skinned, she brought a non-traditional protagonist to a genre that had, until that time, been overwhelmingly white.

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