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Warhammer Chronicles: The Gotrek & Felix Novels by William King and Nathan Long are Back in Print

Warhammer Chronicles: The Gotrek & Felix Novels by William King and Nathan Long are Back in Print

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Gotrek and Felix Volume 1-small Gotrek & Felix The Second Omnibus-small Gotrek & Felix The Third Omnibus-small

I became a fan of Warhammer through Relic’s Warhammer 40K: Dawn of War series of computer games, and eventually became a huge fan of their audiobooks. But people I respect have been telling me for years that their fiction is worth reading. Howard Andrew Jones in particular recommended Clint Werner’s Brunner novels and Nathan Long’s Blackhearts volumes as fine examples of modern sword & sorcery.

But the series I’ve heard the most about is the long-running Gotrek and Felix, which currently stands at no less than 17 volumes, written by William King, Nathan Long, Josh Reynolds, and David Guymer. King is the originator of the series and he wrote the first seven volumes, which I’ve heard described as “the reference series for Warhammer fantasy.”

The early editions are long out of print, and in fact the original omnibus reprints, which collected three novels each and were issued in 2003-2004, are out as print as well. They’re expensive collectors editions today. So are the second batch of reprints, published by Black Library in 2006-2013, which gathered the first 12 novels.

So I was pleased to see Games Workshop issue a third edition of this classic adventure fantasy series, and bought the first volume as soon as it became available. The second volume arrived in February. and the third is due in June. Here’s the details.

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When Earth is a Graveyard of Gods: Edges by Linda Nagata

When Earth is a Graveyard of Gods: Edges by Linda Nagata

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Edges Linda Nagata-small Edges Linda Nagata-back-small

The Fermi Paradox is relatively simple. It asks, considering the immense expanse of time, the apparent plentitude of planets in our galaxy, and thus the likelihood of intelligent life somewhere else — why don’t we see it? Why is the sky so resolutely silent? Answering this question has become something of a hobby among science fiction writers, with responses ranging from the transcendental to the sobering. Maybe life evolves quickly beyond the physical. Or maybe life is out there but quietly watching and waiting. Linda Nagata’s work offers a more straightforward answer: intelligent life is hunted.

In Nagata’s universe, Chenzeme coursers are living alien weapons: biomechanical vessels coated in hulls of intelligent “philosopher cells.” The ships are programmed to systematically hunt down technological civilizations and sterilize entire worlds. In her previous series, humanity’s spread into the frontier was halted by encounters with these vessels. The coursers were only one prong though in an ancient assault that had long outlasted the ship’s original creators. The other was an ancient virus, which bypassed the frontier worlds and affected the original core planets of humanity’s origins, including Earth, subsuming entire planetary populations into huge group-minds that went on to construct immense Dyson spheres enclosing their stars.

I fell into this universe through a paperback copy of the final book in her previous series, Vast (1998), and was immediately entranced (I reviewed Vast for Black Gate here). Nagata has a way of making the incredible distances, both in space and time, of galactic travel real. Humans are tenuous here, following divergent evolutionary roads, clinging to disparate worlds in the night. Vast followed an expedition from the planet Deception Well to find the source of the Chenzeme coursers and spun out from there into a stunning novel that was at its core a centuries-long chase sequence but managed to explore the characters and the biomechanical and technological realities of life aboard the exploratory ship.

All this to say I was thrilled when I learned that Nagata, after nearly two decades, was returning to this universe with a follow-up series called Inverted Frontier. The first book in this series, Edges, was released this spring and Nagata was kind enough to send me a pre-print for review.

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The Golden Age of Science Fiction: The 1973 Nebula Award for Best Novella: “A Meeting With Medusa” by Arthur C. Clarke

The Golden Age of Science Fiction: The 1973 Nebula Award for Best Novella: “A Meeting With Medusa” by Arthur C. Clarke

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A Meeting with Medusa Tor Double-small

Tor Double #1, October 1988. Cover by Vincent Di Fate

Arthur C. Clarke, of course, was a towering figure in SF circles – when I began reading SF, there was an indisputable “Big Three”: Isaac Asimov, Robert A. Heinlein, and Clarke. And, indeed, that’s how I saw things at that age. Curiously, Heinlein was not really central to my earliest reading, and I didn’t read the bulk of his juveniles until a couple of decades later (though I had read his adult work in my teens.) But Clarke and Asimov were among the “adult” SF writers I first discovered, and I was reading novels like Against the Fall of Night when I was 12.

Clarke was born in 1917. He began publishing SF in 1946 with “Rescue Party” (a story that still gives me a thrill.) He made his mark in SF in the next decade or so with many further fine stories and with novels like The City and the Stars and Childhood’s End. He made his mark in the wider world when the movie 2001 appeared in 1968 – Clarke had written the original story (“The Sentinel”) upon which it was based, and he also worked with Kubrick on developing the story for the movie, and wrote the “novelization.” He had moved to Sri Lanka in 1956, partly because of his interest in scuba diving, but also possibly because he was gay, and homosexual activity was still illegal in England. He was knighted in 1998, at which time disturbing stories accusing him of pedophilia surfaced. He was cleared by the Sri Lankan police, and died a decade later.

“A Meeting with Medusa” first appeared in Playboy in December 1971. (I’m not sure why it was still eligible for the Nebula ballot in 1973 – this was before the “rolling eligibility” period of the Nebulas.) I’d have reproduced a cover image of its first place of publication, but Black Gate is a family website, as so well evidenced by the Margaret Brundage paintings we sometimes feature! I should also mention that this was a period when Playboy published a fair amount of excellent SF — for example, Ursula K. Le Guin’s “Nine Lives”, just a couple of years earlier.

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New Treasures: Winds of Marque by Bennett R. Coles

New Treasures: Winds of Marque by Bennett R. Coles

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Winds of Marque-small Winds of Marque-back-small

You love tales of space pirates, yes? Of course you do. Why did I even ask?

Bennett R. Coles is the author of the Virtues of War trilogy, which we covered here around this time two years ago. His latest, Winds of Marque, is a tale of star-sailing ships, secret identities, dashing commanders and plucky quartermasters, not to mention “interplanetary travel, black powder cannons, and close quarter cutlass duels with members of the brutish Theropods and their mighty tail swords” (Booklist). And pirates! Lots of pirates. Kirkus gives it their stamp of approval.

With solar sails hoisted and war with the Sectoids imminent, Imperial Navy Subcmdr. Liam Blackwood, enigmatic quartermaster Amelia Virtue, and the crew of the HMSS Daring must stop space pirates from disrupting human supply lines in the outer sectors in the first book in a new series.

Unable to catch the pirates outright, they pose as opportunistic space merchants to gather intelligence. Any booty they take from the pirates remains their prize, but sailing the system under a false flag comes with great risk: Fail, and the emperor will disavow all knowledge of the mission. Every member of the crew will be dishonorably discharged and made destitute. When Daring commander Sophia Riverton’s orders jeopardize the mission, that threat becomes all too real, and the crew slips closer and closer toward mutiny. Romantic complications notwithstanding, Liam and Amelia have to uncover the truth about Riverton before the pirates discover their ruse and scuttle the mission, destroying any chance humankind has against the relentless Sectoids… Traditional science fiction lovers may get distracted looking for more space tech, but lovers of classic high-seas adventures and those who enjoy genre-bending SF will find this swashbuckling space adventure a worthy read.

Winds of Marque is the opening volume in a new series, Blackwood & Virtue. It is 354 pages, priced at $16.99 in trade paperback and $9.99 in digital formats. The cover is by Damonza. Read a sizable 30-page excerpt, the complete first two chapters, here, and listen to a 4-minute audio sample here.

Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

Future Treasures: Aurora Rising by Amie Kaufman and Jay Kristoff

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Aurora Rising-smallIt wasn’t all that long ago — say, about ten years, when it seemed that 80% of the new release shelf in science fiction and fantasy was adult (and often highly adult) paranormal romance — that it seemed that science fiction just wasn’t attracting new readers any more. And especially, there was no market for young adult SF, and no way for young readers to really discover it, except for those lucky few who stumbled on battered copies of the kid-friendly science fiction I found in my youth, by Heinlein, Simak, Asimov, Le Guin, Poul Anderson, and more.

Man, what a difference a decade makes. Thanks to the gargantuan success of The Hunger Games, Harry Potter, Veronica Roth’s Divergent series, and countless others, YA science fiction and fantasy rules in the bookstore. There’s absolutely scads of it. The YA section at my local Barnes & Noble is nearly as big as the entire SF section — and most of it is genre in one way or another.

I think this is fabulous, especially if SF can keep and nurture these readers. One way to do that it to make sure they know they’re reading science fiction, and not dystopian fiction, or whatever they call it these days. That’s why I’m especially interested in books like the upcoming Aurora Rising, from the the New York Times bestselling writing team of The Illuminae Files, which looks, feels and smells just like SF. Young readers who enjoy this book will come back looking for more space adventure, and there’s a lot to give them. Here’s the description.

The year is 2380, and the graduating cadets of Aurora Academy are being assigned their first missions. Star pupil Tyler Jones is ready to recruit the squad of his dreams, but his own boneheaded heroism sees him stuck with the dregs nobody else in the academy would touch…

A cocky diplomat with a black belt in sarcasm
A sociopath scientist with a fondness for shooting her bunkmates
A smart-ass tech whiz with the galaxy’s biggest chip on his shoulder
An alien warrior with anger-management issues
A tomboy pilot who’s totally not into him, in case you were wondering

And Ty’s squad isn’t even his biggest problem – that’d be Aurora Jie-Lin O’Malley, the girl he’s just rescued from interdimensional space. Trapped in cryo-sleep for two centuries, Auri is a girl out of time and out of her depth. But she could be the catalyst that starts a war millions of years in the making, and Tyler’s squad of losers, discipline cases, and misfits might just be the last hope for the entire galaxy.

NOBODY PANIC.

Aurora Rising will be published by Knopf Books on May 7, 2019. It is 470 pages, priced at $18.99 in hardcover and $10.99 in digital formats. The cover is by Charlie Bowater.

The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

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Cover by MIchael Mariano
Cover by MIchael Mariano

Cover by Darrell K. Sweet
Cover by Darrell K. Sweet

Cover by Jack Woolhiser
Cover by Jack Woolhiser

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Fantasy Novel Award dates back to 1978, when it was won by J.R.R. Tolkien’s The Silmarillion. The award was not presented in 1979, and when it was reinstituted in 1980, this time permanently, Patricia A. McKillip won the award for Harpist in the Wind. In 1980. The Locus Poll received 854 responses.

The 1980 award season seems to have been a good year for final books in trilogies. Just as Dragondrums, the final volume of Anne MCCaffrey’s Harper Hall trilogy received the coveted Balrog Award, the final volume of Patricia A. McKillip’s Riddle-Master trilogy, Harpist in the Wind, won the Locus Poll for Best Fantasy Novel. Apparently, it was also the award season for musically-oriented fantasy novels. One of the biggest differences between Dragondrums and Harpist in the Wind is also what makes McCaffrey’s novel easier to read on its own.

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Tor.com on Abandoned Earths and Inhospitable Planets

Tor.com on Abandoned Earths and Inhospitable Planets

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Worlds Apart Joe Haldeman-small Venus of Dreams-small Vacuum Flowers UK-small The-Exile-Waiting-small
Worlds Apart Joe Haldeman-back-small Venus of Dreams-back-small Vacuum Flowers UK-back-small The-Exile-Waiting-back-small

Everyone knows that Top Ten lists are irresistable clickbait for bibliophiles. That’s why there are so damned many. Top Ten Science Fiction novels of the 80s. Top 50 Fantasy Novels of All Time. Top 100 Hobbits in Science Fiction, Yo. Don’t lie to me, you know you love ’em.

Anyway, over the last few years book sites have gotten a little more clever, spicing up run-of-the-mill Top Ten lists with more interesting themes. A couple of my recent favorites both appeared at Tor.com: James Davis Nicoll’s SF Stories Featuring Abandoned Earths, and Kelly Jensen’s Five Inhospitable Planets from Science Fiction. Both feature topics near-and-dear to my old school heart and, even better, they showcase classic books from Ursula K. Le Guin, Vonda McIntyre, Poul Anderson, Michael Swanwick, Arthur C. Clarke, Joe Haldeman, Mel Odom, and Kim Stanley Robinson, and more, with nods to films like The Chronicles of Riddick and Interstellar.

Really, these things are just excuses to write about books we love, and what’s wrong with that? Nuthin’, that’s what’s wrong with that. This is what the internet is for, people.

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The Lost Literature of J.R.R. Tolkien’s “The New Shadow”

The Lost Literature of J.R.R. Tolkien’s “The New Shadow”

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JRR TolkienRecently, game submissions opened for Coulee Con, a local gaming convention that takes place over one weekend every August. This year I’m offering a scenario based on Tolkien’s “The New Shadow,” which is an aborted sequel to The Lord of the Rings. Christopher Tolkien collected the fragment in 1996’s The Peoples of Middle-Earth.

It’s an interesting piece, obviously, not least because it was intended to become another book set in Middle-earth — a book from no less than the great Tolkien himself! The snippet is maddeningly short, however. Perhaps its brevity results from a malformed conception that precluded it from ever actually becoming anything. This is overstating my view: rather, I believe that Tolkien’s “New Shadow” promises to have been an immensely profound articulation, but (as The Silmarillion that Christopher Tolkien published after his father’s death, to an ambivalent reception from Middle-earth enthusiasts) it likely would have been so different a book from The Lord of the Rings as to be misunderstood by its waiting audience.

I think it’s important to establish that Tolkien was a practitioner of many genres. He earned his living as an academic and therefore published many critical essays. The two most valuable to us fantasy enthusiasts now are “Beowulf: The Monsters and the Critics” and “On Fairy Stories.” As a philologist he translated many epic poems into modern English; the two most visible to us are Beowulf and Sir Gawain and the Green Knight. He practiced poetry himself: many of Middle-earth’s early legends first were conceived in verse; he wrote the epic The Legend of Sigurd and Gudrun; obviously we must mention the many songs and poems in The Lord of the Rings itself. He wrote satirical comedy in “Farmer Giles of Ham,” faerie romance in “Smith of Wootton Major.” Most importantly, he wrote in the long folk/fairy tale mode with The Hobbit, the epic novel with The Lord of the Rings, and Classical epic with The Silmarillion — a terse, condensed style that, in my youth, had me telling my friends that it was the Bible of Middle-earth.

I have heard friends joke about The Silmarillion as the bestselling book that no one ever read (for the record, I have read it many times, of course). I don’t think that “The New Shadow” would have had the same reception, though the attention given it certainly would have been ambivalent. This is because a new book from Tolkien would have occasioned yet one more genre from him. This time, it would have been a thriller.

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New Treasures: Finder by Suzanne Palmer

New Treasures: Finder by Suzanne Palmer

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Finder Suzanne Palmer-smallSuzanne Palmer has become a familiar face in Asimov’s Science Fiction, with over a dozen stories there in the last decade. Her 2018 Clarkesworld novelette “The Secret Life of Bots” won a Hugo Award, and she’s twice been a finalist for the Theodore Sturgeon Memorial Award.

Her debut novel Finder features Fergus Ferguson, interstellar repo man and professional finder, in an action-packed sci-fi caper that Maria Haskins at the B&N Sci-Fi & Fantasy Blog calls “a Ridiculously Fun Science Fiction Adventure… a rollicking ride from a hardscrabble space colony at the outer edge of the galaxy to the conflict-ridden settlements of colonized Mars and back again, with stops on the way at an alien spaceship and a holiday planet.” It’s available now in hardcover from DAW.

Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia’s Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He’ll slip in, decode the ship’s compromised AI security, and get out of town, Sword in hand.

Fergus locates both Gilger and the ship in the farthest corner of human-inhabited space, a backwater deep space colony called Cernee. But Fergus’ arrival at the colony is anything but simple. A cable car explosion launches Cernee into civil war, and Fergus must ally with Gilger’s enemies to navigate a field of space mines and a small army of hostile mercenaries. What was supposed to be a routine job evolves into negotiating a power struggle between factions. Even worse, Fergus has become increasingly — and inconveniently — invested in the lives of the locals.

It doesn’t help that a dangerous alien species Fergus thought mythical prove unsettlingly real, and their ominous triangle ships keep following him around.

Foolhardy. Eccentric. Reckless. Whatever he’s called, Fergus will need all the help he can get to take back the Sword and maybe save Cernee from destruction in the process.

Finder was published by DAW on April 2, 2019. It is 400 pages, priced at $26 in hardcover and $12.99 in digital formats. The cover is by Kekai Kotaki. Read the first ten pages of Chapter One here, and see all our recent New Treasures here.

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

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Cover art for all 12 volumes by Donato Giancola

Every time a trilogy wraps up, we bake a cake at the Black Gate rooftop headquarters. Strangely, we don’t have a protocol for when a 12-book cycle completes, but we’re working on it.

L. E. Modesitt Jr.’s Imager Portfolio series opened with Imager in 2009, and around about book 8, Rex Regis, Tor started referring to it as “The New York Times Bestselling Imager Portfolio.” Modesitt has hit those rarefied heights before — the 20 books in his Saga of Recluse have sold over three million copies — but it was good to see him with another major success.

The final volume in the series, Endgames, arrived in February. This time the publisher refers to it as “the third book in the story arc that began with Madness in Solidar through Treachery’s Tools and Assassin’s Price” and, despite having counted several times, I make Endgames the fourth book in that sequence, but hey, whatever. You count any way you want Tor, and don’t let ’em give you any grief.

However you count his books, L.E. Modesitt deserves some serious respect. He’s produced more than seventy novels, including two science fiction series, the Ghost Books and Ecolitan Matter, four fantasy series, the Imager Portfolio, the Saga of Recluce, the Spellsong Cycle and the Corean Chronicles, and many popular standalone titles such as Solar Express, which Arin Komins at Starfarer’s Despatch calls utterly wonderful. All 12 volumes in the Imager Portfolio series are still in print, which is no mean feat. Here’s the description for the first one.

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