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Cyborgs in Space: Hullmetal Girls by Emily Skrutskie

Cyborgs in Space: Hullmetal Girls by Emily Skrutskie

Hullmetal-Girls-smallerOnly the most desperate try to become Scela warriors. That’s because few humans survive being fused with the robotic exoskeletons. Yet Aisha sits with thirty others, waiting for her turn, while the body of her mentor, ripped in half, is carried past on its way to the incinerator.

She knows she’s probably going to die. But this is her last chance to save her siblings. Her younger brother is dying of a wasting disease, and treatment is expensive. She’ll also do anything to keep her younger sister from working in the dyeing plant that killed their mother. So that’s why Aisha has signed on for the chance to become a Scela. She has never wanted to be a soldier for the State. But if she can survive the process of becoming a cyborg, her salary will be enough to support her family.

The surgery is even worse than she’d imagined. But when she wakes, the full truth hits her – she hasn’t just signed away her human body. She’s also surrendered her mind. The exo seems to have a will of its own. And since the Scela fighters are literally the hands the State, the authorities can override her will at any time. She’s nothing but a tool, a drone. She can no longer control what her body does.

Of the thirty people in that waiting room, only Aisha and three others survive. It’s hard enough for each of them to control their own bodies individually. When the trainer flips a switch, yoking their minds together, all four are suddenly four places at once.

Aisha’s new teammate Key’s mind has been destroyed so badly, she can’t even remember why she signed up to become a Scela in the first place. Since she’s from the upper class, it makes no sense that she would risk her life to do so.

The only boy in the squad, Wooj, was caught in a felony and forced to become a Scela. While he managed to survive the procedure, there’s something wrong with his exo. Sometimes, it’s too loose. Others, the robot eclipses his humanity completely.

Praava’s life doesn’t matter. Only her older sister’s does. Praava knows her sister will solve the puzzle of the wasting disease and save humanity, but only if she has enough money for her research. That’s why she went under the blade.

With their vastly different backgrounds and agendas, these four will never be able to work together. Except they must, if humanity is going to survive.

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When Surviving the Apocalypse is Only the Beginning: The Road to Nowhere Trilogy by Meg Elison

When Surviving the Apocalypse is Only the Beginning: The Road to Nowhere Trilogy by Meg Elison

The Book of the Unnamed Midwife-small The Book of Etta-small The Book of Flora-small
The Book of the Unnamed Midwife-back-small The Book of Etta-back-small The Book of Flora-back-small

It’s good to see Meg Elison, who made such an impressive splash with her debut novel The Book of the Unnamed Midwife, finally start to connect with wider audiences.

The Book of the Unnamed Midwife (2014) won the 2014 Philip K. Dick award and was a Publishers Weekly Best Book of 2016. The second novel in The Road to Nowhere Trilogy, The Book of Etta (2017) was also a finalist for the Philip K. Dick Award. And in April of this year the highly anticipated third volume, The Book of Flora, was published in paperback by 47 North. As each book has arrived the acclaim and recognition for the series has grown, and when I checked tonight I was surprised and delighted to discover that the first book in the series had reached the #3 position in Amazon Kindle Best Sellers in Science Fiction.

Back in 2016, Slate called The Book of the Unnamed Midwife the 2014 Sci-Fi Novel that Eerily Anticipated the Zika Crisis. More germane to those of us looking for a good story, Sci-Fi Scary labeled it “moving and intelligent work. Brutal and chilling at times, but also hopeful and very human. It immersed me right from the start and kept me gripped to the last page.” Now that the series is a proper trilogy, we’ll get to work baking it a cake.

All three volumes are available in trade paperback from 47 North. Click the images above for apocalypse-sized versions.

Vintage Treasures: The Weird Tales Anthologies

Vintage Treasures: The Weird Tales Anthologies

Weird Tales Peter Haining-small More Weird Tales Peter Haining-small

Weird Tales and More Weird Tales (Sphere, 1978). Covers by Les Edwards

Weird Tales is unquestionably the most storied and respected American fantasy magazine. It first appeared in March 1923, and published its last issue in Spring 2014 — a nearly 91-year run. That’s impressive by any standard.

Of course, Weird Tales isn’t measured purely by its longevity. The three greatest pulp fantasy writers — Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith — did their most important work in its pages, and it also published classic fiction by Edmond Hamilton, C.L. Moore, Henry Kuttner, Algernon Blackwood, E. Hoffmann Price, Robert Bloch, Manly Wade Wellman, Seabury Quinn, Ray Bradbury, Fritz Leiber, Eric Frank Russell, Fredric Brown, Mary Elizabeth Counselman, Theodore Sturgeon, and hundreds of others. It remains the most collectible and desirable fantasy pulp, and individual issues sell for hundreds (sometimes thousands) of dollars.

There have been numerous anthologies and collections gathering much of the best work from Weird Tales over the years. Most were produced by Arkham House, the publishing house founded in 1939 by August Derleth and Donald Wandrei to preserve the work of H.P. Lovecraft. Arkham mined Weird Tales for decades, issuing many hardcover volumes, and in the process preserved the work of many fine writers. Many of their reprints are now highly collectible on their own, which doesn’t help those of us looking for an inexpensive introduction to the glories of Weird Tales.

Fortunately for folks like you and me, there are a number of affordable and highly readable books out there that can do the job. Here’s a dozen to get you started.

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IMHO: A Personal Look at Dystopian Fiction — Part One

IMHO: A Personal Look at Dystopian Fiction — Part One

George Orwell 1984-small George Orwell Animal Farm-small Brave New World Aldous Huxley-small

For the sake of this 2-part article, and not wanting to rely on memory alone, I’ve used a brief synopsis of each novel mentioned here, courtesy of Wikipedia.

I haven’t read a dystopian novel in decades. Why? First, because I’ve read enough of them and after a while I got burned out. Second, because I started to see the direction in which our governments and our world were and are heading. Reality intruded upon fiction, and such novels began to depress me, even if they ended on a happy, upbeat and optimistic note. I now read for escapism, to be entertained, or educated if I’m reading history or biographies.

During the Depression of the 1930s, and even through WWII, escapist entertainment was extremely popular, especially in films, because people wanted to forget, even for a few hours, what was happening in the real world. Today, in the Information Age, we are bombarded by both real and fake news, and by the landslide of dark, world events. And yet, dystopian fiction, in both literature and the cinema, are more popular now than ever. Is this the new escapist entertainment for the 21st century? Perhaps. Now, I don’t know what every writer and film maker had or has in mind, but I do know that in the past, authors always had a clear agenda: they were writing cautionary tales.

What I intend to do with the first part of this 2-part article is to introduce readers to early and perhaps all but forgotten dystopian novels that I’ve read. These are books I think should not be forgotten, books that are must-read novels. Part 2 will deal with more recent fiction, as well as an “incomplete/partial” list of films. So let’s begin, shall we?

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The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of May 2019

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of May 2019

Children of Ruin Adrian Tchaikovsky-small Westside W M Akers-small Empire of Grass Tad Williams-small

It’s the last day of May, and you know what that means. You’re another month behind in your reading.

Fortunately for you, there are some excellent resources out there to help you discover just how badly you blew it (yet again) by not spending every spare moment in May reading. My new favorite is The Barnes & Noble Sci-Fi and Fantasy Blog, which does a terrific job month-after-month of letting us know just how bad we suck. Here’s some of the highlights from Jeff Somers summary of The Best Science Fiction & Fantasy Books of May 2019.

Children of Ruin, by Adrian Tchaikovsky (Orbit, 576 pages, $15.99 trade paperback/$9.99 digital, May 14)

The sequel to the British Science Fiction Award-winning Children of Time returns to the unlikely new cradle of humanity, a colony planet whereupon a disastrous terraforming attempt resulted in the creation of a new society of uplifted ants and spiders whose civilization evolved at breakneck speed before the desperate remnants of the a ravaged Earth could arrive. Now unlikely allies, the humans and the insects catch fragmentary signals broadcast from light years away, suggesting there might be other survivors from their shared homeworld. A mixed expedition sets out to solve the mystery, but what’s waiting for them out in space is another calamity set in motion by long-dead Earth scientists’ arrogant and desperate efforts to ensure the survival of their species. Children of Ruin managed to completely deliver on a truly absurd premise, and the sequel offers similar pleasures.

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In 500 Words or Less: Titanshade by Dan Stout

In 500 Words or Less: Titanshade by Dan Stout

Titanshade-smallTitanshade
By Dan Stout
DAW Books (416 pages, $26.00 hardcover, $7.99 paperback, $12.99 eBook, March 12, 2019)
Cover by Chris McGrath

Jake Peralta and I have something in common: a deep love for Die Hard. That was what got me into cop-centered stories (moving on from Pokemon and Power Rangers), leading me to the likes of Lethal Weapon, Nash Bridges and more. The reason I still love those stories is because of the focus on a dysfunctional, imperfect hero trying to grapple with internal and external pressures, and sometimes not handling them very well. That’s part of why one of my favorites shows of all time is Fringe – none of the characters are perfect, they all have demons, there’s a procedural element, and it’s a weird-frightening-amazing science fiction show.

Dan Stout manages to give the procedural a fresh twist with Titanshade, which centers on police detectives in a northern town trying to transition from oil to renewable energy, in a world populated by humans and other races. The cover looks like a rehash of Bright, which is just unfortunate timing, apparently, since this novel sold to DAW earlier. More importantly, Stout’s story is way more original and engaging (though I actually enjoyed Bright). It’s not just orcs and elves running around with humans; it’s Mollencampi, with multiple mouths and an array of expressions using their pincers, and Gillmyn, sort of like bipedal whales who more easily adapt to Titanshade’s cold. Oh, and they aren’t running around what’s basically present-day Los Angeles with fantasy creatures thrown in; Titanshade is built around a mountain formed from a dying god whose lifeblood gives the community heat, which is good since the material component for magic is running out even faster than the old oil reserves.

Between the 8-track players, disco music and pagers, the rampant police politics and focus on a detective past his prime paired with a young go-getter, Titanshade reads a lot like a love letter to shows like Miami Vice or Hawaii Five-0. But at the same time there’s a ton of nuance and breaking of traditional molds. Carter, our past-his-prime detective, is far from a carbon copy of Martin Riggs or Sonny Crockett, and the problems he and his partner Jax deal with are more X-Files than Blue Bloods. Limiting magic makes it a subtle tool throughout this novel, but a crucial component for the story, and the focus on moving away from oil makes me wonder if we can classify this as a solarpunk story (or maybe solarpunk-adjacent?).

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New Treasures: The Outlaw and the Upstart King, Book 2 of The Map of Unknown Things by Rod Duncan

New Treasures: The Outlaw and the Upstart King, Book 2 of The Map of Unknown Things by Rod Duncan

The-Queen-of-All-Crows-medium The Outlaw and the Upstart King-small

Rod Duncan is the author of The Fall of the Gas-Lit Empire trilogy, a supernatural mystery series featuring Elizabeth Barnabus, who lives a double life as herself and as her brother, a private detective. The first volume, The Bullet-Catcher’s Daughter (2014) was a finalist for the 2014 Phillip K. Dick Award.

His next project is The Map of Unknown Things, a new series set in the same world that follows the continuing adventures of Elizabeth. It began with Queen of all Crows (2018), which was warmly reviewed by several of my favorite review sites. Sydney Shields at The British Fantasy Society said “Duncan’s Gas-lit Empire reads and feels like the world of a Victorian detective adventure (think Sherlock Holmes, the Blake & Avery Mysteries, Charles Dickens) but the twist is that the year is actually 2012… Definitely recommend.” And The Speculative Shelf gave it an enthusiastic write-up:

Fresh off her battle with the International Patent Court, Elizabeth Barnabus finds herself working on behalf of that very organization that brought her so much trouble in the past. She sets sail to investigate the disappearance of an airship that went down in the Atlantic.

The concept of the worldwide alliance that maintains world peace at the cost of technological advancement continues to be a fascinating one…Duncan has crafted a solid adventure story that featured some superb scenes and passages. I remain impressed by Duncan’s skills as a writer. His prose is clean, readable, and rich. There’s a great theatricality infused into his stories that make the mundane seem grand… this is another enjoyable adventure featuring a great protagonist and set of side characters.

The second volume in the series, The Outlaw and the Upstart King, was published by Angry Robot earlier this year. Here’s a scan of both back covers.

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The Golden Age of Science Fiction: Don Maitz

The Golden Age of Science Fiction: Don Maitz

R. Bertram Chandler's The Far Traveler
R. Bertram Chandler’s The Far Traveler

C. J. Cherryh's Hestia
C. J. Cherryh’s Hestia

Jeff Rovin's Fantasy Almanac
Jeff Rovin’s Fantasy Almanac

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs. The Best Artist Award has been part of the award since its founding, when it was won by Lee Brown Coye. In 1980, the year Maitz received the award for his work, the convention was held in Baltimore, Maryland. The judges were Stephen R. Donaldson, Frank Belknap Long, andrew j. offutt, Ted White, and Susan Wood.

After graduating from the Paier School of Art in 1975, Don Maitz broke into the field with a black and white illustration for and ad that appeared in Marvel’s Kull and the Barbarians. In 1976, he provided the cover for the Science Fiction Book Club edition of Leigh Brackett’s The Book of Skaith: The Adventures of Eric Stark as well as books by L. Sprague de Camp, Lin Carter, and Lloyd Alexander.

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Vintage Treasures: Emergence by David R. Palmer

Vintage Treasures: Emergence by David R. Palmer

Emergence David Palmer-small Emergence David Palmer-back-small

Cover by Jim Burns

The mid-80s were a good time to be a science fiction short story author. If you had a pair of popular tales in top-selling magazines like Analog or Asimov’s SF, that’s all it took to catapult you near the top of the field.

Take David R. Palmer, for example. His first published story, “Emergence,” was published in the January 1981 issue of Analog; it won the magazine’s Readers Choice awards, and was nominated for a Hugo Award for Best Novella. He followed it with his second (and last) short piece, the novella “Seeking,” in the February 1983 Analog, which also won the Analog award, and was nominated for both a Hugo and Locus Award for Best Novella. Palmer used the stories as the first two parts of his first novel Emergence (Bantam Spectra, 1984) and voila. He had a best seller.

Emergence made a major splash, especially for a first novel. It won the Compton Crook Award for Best First Novel, and was nominated for the Hugo, Locus, and Philip K. Dick Awards. The long-awaited sequel, Tracking, appeared 14 long years later. It was serialized in Analog magazine between the July and October issues, but has never been published in book form. In fact, other than a single follow up novel (Threshold, 1985), Palmer has never published another book — or short story, for that matter. Despite rumors over the years, he has yet to deliver on the astonishing promise of his first book.

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On Release Day for My Latest Novel, I Ponder My Inspirations

On Release Day for My Latest Novel, I Ponder My Inspirations

Time's Children DB Jackson-small Time's Demon new hires-small

Two weeks ago, John O’Neill was kind enough to publish in Black Gate my review of Guy Gavriel Kay’s newest novel A Brightness Long Ago. In the review, I mention that Guy Kay’s work has long been an influence and inspiration for my own. As John and I discussed what I might write for a post marking today’s release of my latest work, Time’s Demon, book two in my Islevale Cycle, he reflected on that line in my review and asked if I might want to put together a piece on the works that have shaped my writing and my career. This is why the man is a World Fantasy Award-winning editor.

Authors writing about our inspirations quickly find ourselves in tricky territory. The fact is that everything we read influences us, just as does every other thing we experience. Our creativity comes from a deeply personal place, and each of us is the sum of, among other things, our experiences, our emotions, the people with whom we interact, and, yes, the art to which we’re exposed. Anything I read can help to shape my work-in-progress – even the worst book ever penned might at least point me in the direction of things I don’t want to do with my next scene. So clearly, when we talk about our influences, we mean something deeper and more substantive.

Then there is the fact that many of our closest friends are also colleagues, and we don’t wish to offend with an act of omission. Again, all that I read influences me in some way, and I am constantly inspired by the talent, vision, and passion of writers I know and care about.

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