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Vintage Treasures: The Astounding-Analog Reader edited by Harry Harrison and Brian W. Aldiss

Vintage Treasures: The Astounding-Analog Reader edited by Harry Harrison and Brian W. Aldiss

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The Astounding Analog Reader Volume 1-small The Astounding Analog Reader Volume 2-small

The Astounding-Analog Reader (Sphere 1972 and 1973). Covers by unknown (left) and Chris Foss (right)

I used to scoff at the idea of online bookstores. How will you browse for books?, I demanded to know. You’ll never replace that wonderful moment of discovery, of serendipity, finding a treasure you weren’t looking for, which happens all the time in great bookstores.

Of course, these days I find books online all the time. I’m a huge fan of Harry Harrison and Brian W. Aldiss’s top-notch science fiction anthologies, like the long-running The Year’s Best SF series and Farewell Fantastic Venus! But I had no idea they’d collaborated on a two-volume collection of Golden Age pulp SF, The Astounding-Analog Reader, until I stumbled on a copy of the second volume on eBay a few weeks ago. I tracked down the first one, ordered both, and have been dipping into them ever since they arrived.

The Astounding-Analog Reader is a fantastic assortment of (generally longer) fiction from the pages of Astounding, circa 1937 — 1946. It was originally published in hardcover as The Astounding-Analog Reader, Volume 1 by Doubleday in 1972, and reprinted in paperback in the UK by Sphere as The Astounding-Analog Reader, Book 1 and Book 2 in October 1973. It has never has a paperback edition in the US.

The editors completed the series a year later with The Astounding-Analog Reader, Volume 2 (Doubleday, 1973), which contained stories from 1947-1965. That volume has never had a paperback edition, which makes me sad.

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Future Treasures: The Broken Heavens, Book 3 of the Worldbreaker Saga by Kameron Hurley

Future Treasures: The Broken Heavens, Book 3 of the Worldbreaker Saga by Kameron Hurley

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The Mirror Empire Kameron Hurley-small Empire Ascendant Kameron Hurley-small The Broken Heavens Kameron Hurley-small

Covers by Richard Anderson

Kameron Hurley has had a charmed career, and she’s just getting started. Her debut novel God’s War was nominated for a Nebula Award, and she won a Hugo in 2014 for Best Related Work. But her most ambitious work so far has been the Worldbreaker Saga. Opening novel The Mirror Empire came in third in the 2015 Locus Poll for Best Fantasy novel, and Library Journal said “This is a hugely ambitious work, bloody and violent… [an] imaginative tangle of multiple worlds and histories colliding.” In his feature review of the second volume Empire Ascendant at Grimdark Magazine, Sean Grigsby wrote:

Kameron Hurley’s Worldbreaker Saga is about as grimdark as fantasy literature can get… To catch you up, The Mirror Empire introduced us to a world where the people worship four distinct celestial bodies: Tira, Para, Sina, and Oma. Certain gifted individuals can call on the “breath” of these bodies to help them perform all kinds of cool magic. However, only one body is in the sky at a time, sometimes not returning for a thousand years. Those gifted by the ascendant star are more powerful than those whose comet is in decline.

But it’s when Oma appears, that everyone gets worried. It signals the clashing of worlds, when the thread between parallel universes becomes so thin that crossing between them becomes possible. But the catch is that your “mirror” self has to be dead in the universe you want to cross into. So when Kirana’s world is coming to a cataclysmic end, she has a lot of people to kill on the other side so all of the people in her world can come over…

There were many awesome moments in Empire Ascendant. Some that had me severely creeped out or squirming in my seat. One especially intense scene that I really enjoyed is when legionnaire Zezili crawls into the lair of monsters and comes across a disgusting creature straight out of nightmares. If Hurley ever tried her hand at horror, she’d do fantastically.

The closing book in the trilogy, The Broken Heavens, arrives next month from Angry Robot. Here’s the publisher’s description.

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Battle of the Sexes: Sword & Circlet Volume 1 by Carole Nelson Douglas

Battle of the Sexes: Sword & Circlet Volume 1 by Carole Nelson Douglas

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Art: Steven Hickman
Art: Steven Hickman

Art: Steve Crisp
Art: Steve Crisp

Art: Luis Royo
Art: Luis Royo

Earlier this year I wrote about two books by Carole Nelson Douglas which became known as the Kendric and Irissa duology. These eighties’ fantasy classics spawned a subsequent trilogy, The Sword and Circlet. Whilst I had this trilogy on hand, I thought a break was in order after completing my review of Six of Swords and Exiles of the Rynth. John had been enticing me to visit some other neglected volumes on my shelf through his ongoing Vintage Treasures posts which saw me breeze through some Wyndham and Vance (which I posted mini-reviews for, in the comments of each article). With this post, I am back to focus on Carole Nelson Douglas.

When one starts to read volume one of the Sword and Circlet Trilogy it becomes immediately clear that this is no afterthought, or clumsy tack on to ride the wave of success the first two books experienced.  Keepers of the Edanvant picks up almost immediately where Exiles of the Rynth left off, pausing only to provide a small prologue and recap of what had gone before.

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New Treasures: Of Wars, and Memories, and Starlight by Aliette de Bodard

New Treasures: Of Wars, and Memories, and Starlight by Aliette de Bodard

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Of Wars and Memories and Starlight-small Of Wars and Memories and Starlight-back-small

Cover by Maurizio Manzieri

I met Aliette de Bodard at the Nebulas weekend in 2015, on the way to a party in the Palmer House hotel, and we ended up chatting for about 20 minutes. She was charming, articulate, humble, and a very stylish dresser. And you know, that’s just not a combo you see very often, especially at a science fiction convention.

Anyway, she’s also won, like, ALL THE AWARDS. Her Universe of Xuya series may be the most honored SF story cycle of the last decade, with numerous Hugo, Nebula, Locus, and BSFA nominations and wins. John Clute’s entry for Aliette in the Encyclopedia of Science Fiction reads in part:

Mostly comprising shorter works, the Universe of Xuya sequence – beginning with “The Lost Xuyan Bride” (December 2007 Interzone) and including On a Red Station, Drifting (2012), a short novel – is an Alternate History series in which China settles North America from the west, with complex consequences for earlier settlers like the Aztecs; some stories are set in space…

The Tea Master and the Detective… in the loose Xuya Universe sequence, is a Space Opera whose protagonists – Holmes and her shipmind Watson – are both female; it won a Nebula as best novelette.

Subterranean Press issued her first major collection on September 30 of this year. Of Wars, and Memories, and Starlight contains 14 tales, including many award winners: 11 Xuya stories, a novelette in her acclaimed Dominion of the Fallen fantasy series, and an original novella, “Of Birthdays, and Fungus, and Kindness.”

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A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

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Mirage Somaiya Daud-smallThe nameless young Andalaan boy has yet to reach his majority, so he doesn’t have his face tattoos yet. But that’s what makes him a perfect assassin. The evil Vath invaders won’t be able to trace him back to his family and tribe.

For his whole young life, the boy has known the cruelty of the Vath. If he kills their crown princess, he’ll win a cottage for his family and a husband for his sister. He knows it’s a suicide mission, but he accepts. He readies his weapon and goes to the event where the Vath heir appears.

She looks so much like his own people. Her blood is only half Vathek – her mother was a native of this planet. But she’s rumored to be even more vicious than her iron-fisted father.

He raises his blaster and fires twice.

Amina is an Andalaan girl on the verge of becoming a woman. On the night that she gains her majority, she goes to the festival with her family to have her face tattooed. This is one of the few Andalaan traditions that persist. And since the Vath have burnt the farmers’ fields, leaving no provisions for the upcoming winter, the whole tribe needs an excuse to come together and enjoy an evening of ritual, however brief.

But the ink on Amani’s face hasn’t even dried before a squadron of Vath droids burst into the gathering. They separate Amani and the other teenage girls from the rest of the tribe and make them stand in a line.

One by one, the robots move down the row, scanning the girls’ faces. One by one, the scanners flash a green light, clearing them with a beep.

Amina hasn’t done anything wrong. She hasn’t aided the rebels or raised a hand against the Vath. Still, when a droid scans her face, an alarm erupts and the robots seize her. They drag her away and load her onto a Vath spaceship even while the droids set fire to the building that holds her family and friends.

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A (Black) Gat in the Hand: Norbert Davis goes West(ern)

A (Black) Gat in the Hand: Norbert Davis goes West(ern)

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Davis_DeadMansBrandEDITED

You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Wasn’t sure what to write about this morning. I went on a mini Sword and Sandals kick and recently finished Scott Oden’s Men of Bronze, and Howard Andrew Jones’ Desert of Souls (reviews coming, time willing). I’ve played a lot of Conan Exiles the past few months (when I could) and I definitely want to do a post on that. It’s Minecraft on Steroids (now THERE’S a post title!). My Game Night group dug into Shadows of Brimstone earlier this year and that was a lot of fun (not as brutal as Descent). And my son and I are revisiting Star Wars Destiny (a neat card/dice game).

I’ve continued to work on what I hope will be the definitive Max Latin (Norbert Davis) essay. Though, to be honest, there isn’t really much competition for that honorific. His Latin stories are even more woefully neglected than Davis himself is. Being in a Davis mood, I decided to get Black Dog Books’ Dead Man’s Brand. Davis is best known for his screwball hardboiled comedies (a style that didn’t get him many sales to Cap Shaw, famed editor of Black Mask).

But he wrote for several pulp genres, as well as for the higher-paying slicks. This collection includes eight solid westerns from the pulps, including Dime Western Magazine and Star Western. There’s a good introduction by Bill Pronzini, and in the afterword, Ed Hulse talks about the lone movie adapted from a Davis story (there’s further proof of the under-valuing of Davis’ work).

Maybe I can talk James Reasoner or Duane Spurlock into doing a much better essay on Davis’ westerns than I could possibly ever hope to write, but I’m just going to talk about the first story: “A Gunsmoke Case for Major Cain,” which appeared in Dime Western in October, 1940.

We don’t learn all the details right away, but the story opens with a young girl named Missy trying to crawl under a covered wagon while her drunken uncle (Pops Reese) whips her with a quirt (a short-handled riding whip with a braided leather lash). The coffee she gave him was too hot and burned his tongue. That’s the kind of guy he is. Well, that, and he’s taking her to the town of Cranston to sell her to the local boss – presumably to become a whore in his saloon.

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The Golden Age of Science Fiction: Amazons!, edited by Jessica Amanda Salmonson

The Golden Age of Science Fiction: Amazons!, edited by Jessica Amanda Salmonson

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Cover by Michael Whelan
Cover by Michael Whelan

The World Fantasy Award was established in 1975 as part of the World Fantasy Convention. Seen as a fantasy version of the Hugo and the Nebula Awards (neither of which are strictly for science fiction), the nominees and winners are selected by a panel of judges, although currently, two positions on the ballot are opened up to nominations from members of the World Fantasy Convention. The Anthology/Collection Award was presented from 1977, when it was won by Kirby McCauley for Frights, through 1987 when James Tiptree, Jr. won it for Tales of the Quintana Roo.  For two years prior to the award’s establishment, a Best Collection Award was presented. In 1988, Best Collection and Best Anthology were each split out into their own categories and remain so until this day. Originally, the trophy was a Gahan Wilson created grotesque bust of H.P. Lovecraft. In recent years as more and more authors, fans, and winners of the award spoke out against Lovecraft’s misogyny and racism, the trophy was replaced by a sculpture of a tree created by Vincent Villafranca. In 1980, the award was won by Jessica Amanda Salmons for the anthology Amazons!

Salmonson’s introductions to each of the stories are lengthy and provide insight not only into the stories that follow, but also her process in creating the anthology. She discusses her motives for putting the book together, her reasons for selecting the specific stories, related anecdotes about how the stories came to her and, in the case of Charles Saunders’ story, addresses the fact that only one story by a male writer appears in the anthology.

Following the general introduction by Salmonson, in which she discusses both historical and mythological warrior women, the book presents the short story “The Dreamstone,” by C.J. Cherryh, which the author would eventually combine with her novella “Ealdwood” and publish as the novel The Dreamstone in 1983.

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Future Treasures: The Shadow Saint, Book 2 of The Black Iron Legacy by Gareth Hanrahan

Future Treasures: The Shadow Saint, Book 2 of The Black Iron Legacy by Gareth Hanrahan

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The-Gutter-Prayer-medium The Shadow Saint-small

Covers by Richard Anderson

We’ve covered a surprising number of titles by Gareth Hanrahan here at Black Gate… but most of them haven’t been novels. He made a name for himself first in the gaming industry, with many releases that greatly impressed me for Ashen Stars, 13th Age, Trail of Cthulhu, and Traveller.

But his breakout book was definitely his debut novel The Gutter Prayer, the opening title in The Black Iron Legacy series. Publishers Weekly praised its “thrilling action sequences and imaginative worldbuilding,” and Holly at GrimDark Magazine wrote:

To say that the hype surrounding this book is intense would be an understatement. Anticipation levels have been through the goddamn roof… Briefly, it features three friends, thieves, who get caught up in an ongoing magical battle. Shenanigans abound….

It’s evident that Hanrahan writes role-playing games, because he took all of the best things from RPG’s & made it into something even more mesmerizing within this fantasy epic. The world building is just wondrous. The characters are intriguing (I loved Aleena. She is such a badass!). The storytelling is phantasmal. It’s a book that I had to stop and turn around in my head for a bit once it had ended.

The Gutter Prayer is incredibly original… Within, there is a smorgasbord of imaginative beings littering the universe. Monsters, humans, sorcerers, Lovecraftian ghouls, Gods, saints, Tallowmen (warriors made from wax), AND… WORM CREATURES THAT FEAST ON THE DEAD.

There’s a lot about this book that caught my attention, and I’m delighted to see the sequel, The Shadow Saint, scheduled for release next month. Here’s the description.

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Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

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The New Voices of Science Fiction-small

Cover by Matt Dixon

If I consider types of stories as a Venn diagram, two of the circles are “entertaining stories” and “moving stories.” They overlap but a large number of stories are one but not the other.

By “entertaining,” I mean that the situation, characters, events and writing are sufficiently distracting that I fall into the story and forget I’m reading. When I get to the end I feel my time was well-spent, but I’m not particularly changed by the experience. The story was fun. It’s the reading equivalent of watching The Last Starfighter. A great example of entertaining works I’ve read lately were Martha Wells’ The Murderbot Diaries.

A “moving” story gets to me emotionally/intellectually at the end. The writing may also be entertaining (remember that the circles overlap), but how I feel when I walk away is different. I’m thoughtful, emotional even. The story changed me.  Saving Private Ryan or Schindler’s List are films that I’d say were “moving.” By my definitions, though, they weren’t “fun.” I can say a lot about those two stories, but I wouldn’t describe them as “entertaining” without a few caveats. Keye’s Flowers for Algernon moved me, as did Willis’s Lincoln’s Dreams and Leiber’s “A Pail of Air.”

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Jim Baen, Warren C. Norwood, and The Hitchhiker’s Guide to the Galaxy

Jim Baen, Warren C. Norwood, and The Hitchhiker’s Guide to the Galaxy

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Pierce Watters, Anne McCaffrey, Warren Norwood, and Linda Sanders 1978-small

Pierce Watters, Anne McCaffrey, Warren Norwood, and Linda Sanders (1978)

I got an Advance Review Copy of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy at Worldcon ’81 (in Denver).

Jim Baen was handing them out at the Simon & Schuster suite. I was working for Ace, sharing my room with Warren C. Norwood, budding author, and one hell of a good friend. A great drinking buddy, too. The night before, Warren and I spent too much time in the SFWA suite and its free beer.

We saw William F. Wu and James Patrick Kelly. Kelly, Wu, and I, all three of us 1974 Clarion East graduates, were there.

I don’t quite remember how we acquired the copies of the book, but I remember Baen’s grinning face in there somewhere.

I like to call that the night Warren and Pierce almost fell out of a hotel window. Don’t try this if your hotel is higher than the first story. If the curtains in your room somehow come loose and now reside on the hotel room floor, leave them there.

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