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Stories That Work: “Log Entry” by Kevin J. Anderson, and “Sweetly the Dragon Dreams” by David Farland

Stories That Work: “Log Entry” by Kevin J. Anderson, and “Sweetly the Dragon Dreams” by David Farland

The War of the Worlds 1953 poster-small When Worlds Collide poster-small This Island Earth poster-small

Space-based science fiction drew me into reading hard when I started. The fact that my dad was an aeronautical engineer who worked at Martin Marietta, designing the first rockets in America’s space program, probably helped. Copies of Sky and Telescope were scattered about the house, and Dad’s amateur astronomy often became a part of dinner conversation. He ground his own mirror for a reflecting telescope he built and mounted in the backyard, and several times he invited my class at the elementary school over for hot chocolate and star gazing.

Tom Corbett, Robert Heinlein’s Space Cadet, and E.E. Doc Smith’s Skylark of Space started my fascination with space travel. When I was young I thought “space fiction” and “science fiction” were interchangeable terms. Hooray for Buck Rogers and Forbidden Planet, War of the Worlds, When Worlds Collide, and, especially, This Island Earth.

However, science fiction contains way more than space-based stories even as it continues to tell them in film in Star Wars, The Expanse, Battlestar Galactica, Star Trek, and others.

Still, what is a reader to do when looking for short, space-based science fiction? Analog almost always features a space story or two, as do the other major magazines. But what if you want to mainline the stuff? What if you just want to strap into a ship and blast to the stars?

What if you want to feed your inner twelve-year-old space jockey?

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Untangling Twisted Timelines: Now Then and Everywhen by Rysa Walker

Untangling Twisted Timelines: Now Then and Everywhen by Rysa Walker

Now, Then, and Everywhen-small Now, Then, and Everywhen - back-small

Now Then and Everywhen
By Rysa Walker
47North (528 pages, $14.95 paperback/$4.99 digital, April 1, 2020)

I’m a sucker for a good time travel story, so when the opportunity came up to read an advance copy of Now Then and Everywhen I jumped (sadly just to my couch, not to a different timeline). I haven’t read Rysa Walker’s earlier CHRONOS novels, so I had zero expectations or previous knowledge of the universe. Now Then and Everywhen will entice readers that have read Ms. Walker’s earlier work, as this novel explains CHRONOS origins, but you don’t need to be familiar with the previous books in the series as this one examines CHRONOS through a new historical lens.

We begin in the year 2136 with Madison Grace, a grad student in Maryland who discovers a small disk that lights up at her touch buried in her grandmother’s overgrown garden. Suddenly she finds herself off the coast of what turns out to be 1906 Florida. She makes the jump back to her own time and begins to research the strange ties that her family seems to have to the time travel organization called CHRONOS. More than a century later, in 2304, Tyson Reyes is researching the civil rights movement. He’s a historian working for CHRONOS and he’s undercover in 1965, working to understand the intricacies of a historical moment.

Tyson and Madi notice odd occurrences as they begin to cross each other’s timelines. Then, a massive time shift drastically changes both of their home timelines. Millions of lives have been erased and historical moments like the assassination of Dr. King have changed. The two time travelers believe it to be the fault of the other… until they meet and realize there are other, darker forces at play. The two team up to set things straight.

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Captured at Capricon: The Lucky Devil Series by Megan Mackie

Captured at Capricon: The Lucky Devil Series by Megan Mackie

The Finder of the Lucky Devil-small The Saint of Liars-small

I spent last weekend at Capricon 40, a long-running and very friendly science fiction convention here in Chicago with interesting panels, delightful readings, and a great Dealers Room. One of the highlights of the Dealers Room (besides the jewelry vendors, where I spent a small fortune on gifts for Alice to make up for missing Valentine’s Day) was the Bad Grammar Theater booth manned by Chicago authors Brendan Detzner, K.M. Herkes, R.J. Howell, and Megan Mackie. Bad Grammar is a reading series featuring local authors, and the books they had on display looked darn enticing. I ended up buying a whopping 8 titles  at that booth alone.

Truthfully, I bought a lot of books at the convention — including an overflowing box from Greg Ketter of Dreamhaven Books — and I hope to cover the most interesting titles here over the next few weeks. But the one that leaped into my hands when I finally settled in my big green chair was The Finder of the Lucky Devil, the self-published novel by Megan Mackie, and the opening novel in her Lucky Devil series. It’s got an intriguing premise, and that beautiful cover doesn’t hurt any.

The Finder of the Lucky Devil is an urban fantasy… of sorts. Yes, it’s a fantasy. But it’s also set in a dystopian future Chicago ruled by corporations. I did my homework before digging in, and found it’s been well reviewed at Windy City Reviews and Good Reads, where it enjoys a rating of 4.08 and comments like “a fun read with some heart stopping moments… a fresh urban detective-style fantasy with wizards, fairies, corporate spies, shapeshifters, and even a mermaid dog stylist” (from Rebekah). Here’s a look at the back cover of Lucky Devil and its sequel The Saint of Liars, plus a snippet from one of my favorite reviews.

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Future Treasures: The Hidden Girl and Other Stories by Ken Liu

Future Treasures: The Hidden Girl and Other Stories by Ken Liu

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Jacket design by Richard Yoo

It good to see a few mainstream publishers still producing collections. The Hidden Girl and Other Stories is Ken Liu’s second, and his second with Saga Press. It follows 2016’s The Paper Menagerie and Other Stories, which was nominated for a World Fantasy Award and won the Locus Award for Best Collection, and about which Amal El-Mohtar wrote, “I have never been so moved by a collection of short fiction. I was at times afraid to read more.”

There’s fine reviews of the new collection at Kirkus and Publishers Weekly, but the most insightful reviewer I’ve found is Paul Di Filippo at Locus Online, who compares Liu to Philip K. Dick, Zelazny, and Heinlein.

“The Reborn” shows us an Earth conquered by aliens who impose their own brand of mutable personalities on humans who resist them. A kind of PKD vibe of surreal memory games pervades the creepy piece…. A wave of Zelaznyian SF-fabulism overcame me as I read “Grey Rabbit, Crimson Mare, Coal Leopard,” which blends shape-changing with the lives of the “midden miners,” poor citizens scavenging the remnants of our era… “The Hidden Girl” is the first pure fantasy in this volume, set in a kind of Asian neverland evocative of Crouching Tiger, Hidden Dragon. A young girl, trained as an assassin, is forced to acknowledge a higher oath… There’s a faint flavor of Podkayne of Mars inherent in “The Message,” which finds an archaeologist father and his sulky, willful teen daughter marooned on a planet amidst alien ruins.

Here’s the book description.

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Vintage Treasures: Heritage of Flight by Susan Shwartz

Vintage Treasures: Heritage of Flight by Susan Shwartz

Heritage of Flight-small Heritage of Flight-back-small

Cover by Wayne Barlowe

Susan Shwartz has had a fine career, with five Nebula nominations for short fiction under her belt, a Hugo nom, and other accolades. She’s produced over a dozen novels, including Queensblade (1988), Arabesques: More Tales of the Arabian Nights (1988), and Hostile Takeover (2004).

Her 1989 novel Heritage of Flight was nominated for the Philip K. Dick Award. It began life as a pair of novellas published in Analog, “Heritage of Flight (April 1983) and “Survivor Guilt” (February 1986). Not everyone found the blend even; here’s part of one of the more detailed Good Reads reviews (from reviewer Jon).

It starts of excellently with some really good, thought through, detailed SF – A space battle, not unlike Battlestar Galactica (The modern version) in some respects, but more engaging technically. Unfortunately the whole middle section of the book is ‘wild frontier’ stuff with virtually no real ‘Sci’ in it at all – you could imagine it being set in the Wild West or Australian Outback with few changes (Think Little House on the Prarie (sic) for adults).

Ian Sales has a lengthy and thoughtful (though very spoilery!) review at SF Mistressworks. Here’s an excerpt.

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Thrilling Magical Realism: Call Down the Hawk by Maggie Stiefvater

Thrilling Magical Realism: Call Down the Hawk by Maggie Stiefvater

Call Down the Hawk CoverMeet the brothers Lynch. While all three of them became orphans when their father died, not all of them are human. Arguably none of them are, since their father was a dreamer, someone who can dream things (and people) and bring them back into reality upon waking.

Declan, the eldest, seems the most humanish, since his mother appears to have been a real woman.

Ronan, the middle brother, seems less so, since his mother was a dream. Quite literally. One of the things Ronan’s father brought back from his slumber was an imaginary version of Declan’s mother. This dream woman gave birth to Ronan, who, like his father, is a dreamer.

The youngest brother, Matthew, is most certainly not human. As a child, Ronan dreamed him into existence.

Being not-quite-human is a problem for the Lynch brothers. According to the prophets, a dreamer will someday conjure up the apocalypse, and fire will consume the world. Governments worldwide have created teams of Moderators to stamp out this menace.

Carmen Farooq-Lane, a young woman of extraordinary elegance and poise, is one of these foot soldiers. But no matter how many dreamers she tracks down and kills – including her own brother – the oracles’ visions stay the same. Still, the world is going to burn.

If she finds Ronan, he’s toast.

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New Treasures: The Unspoken Name by A. K. Larkwood

New Treasures: The Unspoken Name by A. K. Larkwood

The Unspoken Name-small The Unspoken Name-back-small

Cover by Billelis

Well, damn. We’re midway through February and I haven’t read any fantasy debuts yet. Sub-par performance for someone who’s supposed to be keeping you informed. Fortunately Tor sent me a review copy of their next big-budget debut, The Unspoken Name by A. K. Larkwood. It has the obligatory breathless blurbs (“Spine-tingling prose, gorgeous worldbuilding, powerful older women” — Emily Tesh), starred reviews (“[A] phenomenal debut. Csorwe, a 14-year-old orc princess, is betrothed to the Unspoken One, her world’s god, and is slated to be sacrificed… Epic fantasy fans are sure to be impressed.” — Publishers Weekly), and enough grumpy press to keep everyone honest (“A moderately promising entry” — Kirkus). And it’s hefty (463 pages), and it’s about an orc priestess who turns into a wizard’s assassin.

I don’t think I can reasonably ask for any more than that. Here’s the publisher’s description.

What if you knew how and when you will die?

Csorwe does ― she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.

But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin―the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.

But Csorwe will soon learn ― gods remember, and if you live long enough, all debts come due.

The Unspoken Name is the opening novel in The Serpent Gates. It was published by Tor Books on February 11, 2020. It is 463 pages, priced at $25.99 in hardcover, and $13.99 in digital formats. The cover is by Billelis. Read the first 8 pages of Chapter One here, or download a free preview here. See all our recent New Treasures here.

Space Pirates, a Murderous AI, and a Haunted House in Space: The Shieldrunner Pirates Trilogy by R. E. Stearns

Space Pirates, a Murderous AI, and a Haunted House in Space: The Shieldrunner Pirates Trilogy by R. E. Stearns

Barbary Station-small Mutiny at Vesta-small Gravity of a Distant Sun-small

Covers by Martin Deschambeault (left, middle) and Jon McCoy Art (right)

R. E. Stearns’s science fiction debut Barbary Station, the opening novel in the Shieldrunner Pirates trilogy, featured two engineers who hijack a spaceship to join a band of space pirates, only to discover the pirates are hiding from a malevolent AI. Kirkus called it “Super cool… It mixes unpredictable mysteries, a murderous AI, space battles, [and] an awesome and fashionable Pirate Leader… a blend of Die Hard and The Illuminae Files.” We covered it enthusiastically in 2017Mutiny at Vesta arrived in 2018, and in her Tor.com review, Liz Bourke wrote:

If Barbary Station was a variant on the gothic novel in space (complete with a haunted house in the form of a space station), Mutiny at Vesta is a nested, layered series of capers in which Adda and Iridian work with limited resources and the pressure of time and other people’s competing priorities to pull off the damn-near impossible… Stearns writes measured, tense, and intense space opera, filled with a diverse selection of believable characters. I really enjoyed this book.

The Shieldrunner Pirates trilogy is the kind adventurous space opera I really enjoy. Unfortunately, if Amazon reviews are anything to go by, it doesn’t seem to have found an audience. Barbary Station had a healthy 32 reviews when it was released in 2017; Mutiny at Vesta had only two, a disaster in publishing terms. The third, Gravity of a Distant Sun, will not have a hardcover release; it arrives in trade paperback on February 18.

If you’ve read and enjoyed this series, do me a favor and write an online review. And if you haven’t, here’s a peek at the back covers for all three books, with just a sample of the praise they’ve received. Have a look — this just may turn into your favorite new series.

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Rebecca Diem on The New Golden Age of the SFF Novella

Rebecca Diem on The New Golden Age of the SFF Novella

The Lights Go Out in Lychford-small Riot Baby-small Prosper's Demon-small Upright Women Wanted-small

I complain frequently about modern publishing (where did mass market anthologies go, damn it!?) but  really, there’s a lot to like. One of the most positive recent trends has been the resurgence of the novella. We’ve spent a lot of time at Black Gate covering popular new novellas like Amal El-Mohtar and Max Gladstone’s This Is How You Lose the Time War and Tor.com‘s exciting release schedule (in Intergalactic Wars, Ancient Gods, and Living Ships: New Novellas from Tor.com, among others), but we’re not the only ones who have noticed.

Over at Tor.com Rebecca Diem, author of the 4-volume Tales of the Captain Duke novella series, salutes the modern age of the novella. She touches on many truths in her article; here’s a small taste.

With a good novella, I’m able to dip my toes into an adventure, especially when a busy schedule prevents me from dedicating time to longer works. Short stories pair well with your morning coffee; novels are best for long stretches of uninterrupted time on evenings or weekends. Novellas fit nicely into a tote bag for your commute and all those spare moments collected over the course of the day, but can also be finished in a couple hours for a satisfying and immersive reading experience.

When I was researching market opportunities in 2014 after finishing my first novella, I stumbled on a lot of advice similar to this 2008 Writer’s Digest piece advising novella writers to “stick it in a drawer” or pad it out to a full-length work… But novellas are now being actively solicited by all major publishers, and early adopters of the trend toward shorter works (including Tor.com) are leading the field with awards and accolades.

The novella’s comeback can be attributed to the emergence and increasingly popularity of e-books, print-on-demand publishing, and alternative distribution models, making them a more attractive, lucrative option in the digital age. There are rich opportunities here for both writers and readers of concise, efficient storytelling.

Rebecca’s article is Long Live Short Fiction: The New Golden Age of the SFF Novella; it’s well worth the read. And while we’re on the topic, here’s a handful of Tor.com‘s upcoming releases that caught my eye, including Sarah Gailey’s “good old-fashioned horse opera for the 22nd century” (Charles Stross) Upright Women Wanted.

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Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

The Watchmaker of Filigree Street-small The Lost Future of Pepperharrow-small

Cover design by David Mann 

Natasha Pulley reunites the heroes from her breakout fantasy The Watchmaker of Filigree Street in a brand new novel, The Lost Future of Pepperharrow, on sale next week. In his review of the first book for us, Damien Moore was enchanted by Pulley’s narrative gifts.

Pulley’s descriptions of High Society London burst from the pages. The exquisite portrait she paints of the interior of a quiet tea shop will linger in your mind long after you’ve read about it. So, too will Pulley’s descriptions of the watchmaker’s wondrous creations. If they don’t enchant you, well, then I guess you’re not into the whole gorgeous automaton craze. Hopefully, Pulley succeeds in getting you to fall in love with Mori’s creations.

The sequel switches up the setting, moving the action to 19th-Century Japan. It’s being enthusiastically received; Kirkus Reviews says “Pulley’s witty writing and enthusiastically deployed steampunk motifs — clockwork, owls, a mechanical pet, Tesla-inspired electrical drama — enliven [the] plot.” Here’s a look at the back covers for both books, and an excerpt from the starred review at Publisher’s Weekly.

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