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We Have Always Lived in the Castle by Shirley Jackson

We Have Always Lived in the Castle by Shirley Jackson

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My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are of the same length, but I have to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead.

So opens Shirley Jackson’s final novel, We Have Always Lived in the Castle (1962). Published three years before her death, this introduction to the book’s narrator, better known as Merricat, seems to promise readers they are in for the story of a quirky young woman. It is indeed beguiling but bears only the slightest hint of what’s to come in this short novel. It is a book built of dark and deep shadows, pierced at times by shimmering passages, before becoming darker and more claustrophobic.

Merricat lives with her sister and their crippled and addle-minded Uncle Julian in the great mansion that the Blackwoods have always lived in. Six years ago something terrible happened for which all the townsfolk hate, and perhaps even fear, the Blackwoods. One evening, arsenic found its way into the sugar bowl and the sisters’ parents, younger brother, and aunt died. Their uncle took less sugar and survived, though irreparably broken. Constance, who cooked, who never took sugar — and who cleaned the sugar bowl before the police arrived — was accused and tried. No motive could be found and she was acquitted, but she has never since left the property. Only Merricat braves the village — twice a week — to buy food, take out books from the library, and suffer the staring and unpleasant treatment of the villagers.

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Adventures In Commitment: To Watch Beyond the Pilot?

Adventures In Commitment: To Watch Beyond the Pilot?

Sleepy OneWe live in a Golden Age of television. Quality work springs up every season, clamoring for our attention. Thing of it is, the hours available in any given day have not kept pace. Days on planet earth continue to mete out a mere twenty-four hours total, and I (for one) need to be sleeping for at least seven of those.

For what, then, will I give my precious time?

With books, I have a rule. If a series remains unfinished, I refuse to delve. I call this “The Robert Jordan Rule,” and at present, I am busily applying it to George R.R. Martin. However, I’m feckless, and inconstant besides. I have not applied said rule to Patrick Rothfuss, and I beg you not to apply it to my own burgeoning series of Renner & Quist adventures, the latest of which, Bonesy, arrived September First.

The Robert Jordan Rule proves equally impossible to apply to television. Hardly any series is made with an end point in mind. Most simply peter out when audiences wane, budgets get slashed, or the makers finally admit they have no idea how to wrap things up (and possibly never did). What, then, to do? Does any criteria exist for what show next to watch?

To begin, we must invoke Elton John and Bernie Taupin. Take Me To the Pilot!

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Call for Nominations! Meet Author, T.L. Zalecki, as She Gives an Insider’s Look at the Kindle Scout Program and Discusses Her Current Project: The Lost World (SIRENS Book 2)

Call for Nominations! Meet Author, T.L. Zalecki, as She Gives an Insider’s Look at the Kindle Scout Program and Discusses Her Current Project: The Lost World (SIRENS Book 2)

HeadshotSirensT.L. Zalecki was one of the first speculative fiction authors offered a publishing contract via the Kindle Scout program, and her debut novel, Rising Tide (SIRENS Book 1) was recently published by Kindle Press. Her second book in the series, Lost World, is now up on the Kindle Scout site, where readers can nominate it, and if it is published, receive a free copy. I’m devouring Rising Tide right now. It’s scientifically plausible mer-people in a near future dystopia with government conspiracy to boot!

Tanya was kind enough to sit down with me for a Skype interview to discuss her experience with the Kindle Scout program and share insights into how it works. As one of the first forty authors selected for a publishing contract, she set up her Rising Tide campaign while the site was still in beta. In this interview, we discuss the process of selection on Kindle Scout, the timeline for publication, and the types of rights that the publisher seeks. This program is something to consider if you want the freedom of indie publishing with some of the editing and marketing support of a big publisher.

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The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

The-Book-of-Lost-Tales-2-smallI was a voracious reader of fantasy in my teens and early twenties. Moorcock, Tolkien, Lieber, Kurtz, Feist, Eddings, Brooks, Donaldson, Dragonlance and Forgotten Realms, Thieves World, Heroes in Hell; I devoured series fantasy. And later I would delve into McKiernan, Cook, Howard, Jordan and others.

Now, in the past decade, I’ve made a couple of attempts to re-read The Hobbit and The Lord of the Rings, but given up each time (I can say the same thing about Fritz Lieber’s Fafhrd and Grey Mouser series). I like the stories and the events, but parts of them just read so sloooow. I’ve not run into that problem with Michael Moorcock’s Eternal Champion series, or Katherine Kurtz’s Deryni books. But I’m still a huge Tolkien fan, even though I don’t sit down and read through him any more.

I’m in a rather small minority that prefers The Silmarillion to his two better-known works. And that’s because I’m completely sold on Tolkien as a world builder and storyteller. That’s why he’s still a favorite.

From the story of the Silmarils up to the start of the Third Age, Tolkien set the standard for world building and epic history. I enjoy the vast creations of Robert Jordan, Steven Erickson, Stephen R. Donaldson, David Eddings and many more, but Tolkien was unsurpassed.

One of my first Dungeons and Dragons characters was an elf named Gil Galad, wielding his spear, Aeglos. Fingolfin, the Sons of Feanor, Hurin, Turin, Melkor, Ancalagon, and Glaurung: The Silmarillion is just chock full of heroes, villains, lands, kingdoms and events.

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Blowing the Doors Off the Barn: Expanding the Iron Fist Mythos

Blowing the Doors Off the Barn: Expanding the Iron Fist Mythos

Immortal Iron Fist-smallMarvel’s Iron Fist has not traditionally been one of those characters that attracted me. I first encountered him in a second-hand Power-Man and Iron Fist I got in my first year of collecting comics in 1981.

I didn’t get the odd-couple humor, nor the 1970s movie aesthetic that drove the creation of these heroes. Maybe I just wasn’t ready to dig a character who wore slippers. In my defense, I didn’t cotton to Karnak of the Inhumans either. So maybe it’s was the karate chops.

Power_Man_and_Iron_Fist_Vol_1_77As a teen, I was briefly and underwhelmingly exposed to the black and white magazine-sized martial arts books Marvel published in the 1970s. The only positive sound I ever made when Iron Fist showed up on my radar was when he was drawn by John Byrne and when he briefly crossed paths with the X-Men.

That all changed for me in a 2006-2009 run of The Immortal Iron Fist written by Ed Brubaker, Matt Fraction, and Duane Swierczynski, and pencilled by Travis Foreman and David Aja. Why?

Before 2006, a few things were clear about Danny Rand, the Iron Fist. He was trained in the mystical city of K’un L’un after the deaths of his parents. He is one of a long line of successive possessors of the Chi force that he got from the Dragon of K’un L’un. His arch-enemy is the Steel Serpent, a bit of a bad apple from K’un L’un. It’s a tight superhero set-up, and to my taste, a bit tepid.

But in “The Last Iron Fist Story” (issues #1-6 of the Immortal Iron Fist), Brubaker and Fraction reveal that Danny is not the only living Iron Fist. His predecessor is still alive and kicking (sorry…); he’s been hiding in an opium haze for decades.

When the enemies of K’un L’un find him, he has to leave opium, in anticipation of something called the Tournament of the Seven Capital Cities.

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Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

Discovering Robert E. Howard: James Reasoner on He Pointed Them North: Trail Towns in the Traditional Westerns of REH

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Intro by James Reasoner…

After Paul Bishop’s excellent post on REH’s boxing stories turned my initial post on hard boiled private eyes into the start of a series, the next topic I knew I wanted to cover was westerns. And James Reasoner was the only person I considered to write it. Historical fiction, noir and westerns: he’s excellent in all of those areas. 1914’s Robert E. Howard Days 2014 Featured Attendee is one of the best western writers alive. Let’s hit the trail!


When Robert E. Howard was growing up in Cross Plains in the 1920s, it was entirely possible that some of the older men in town might have gone on cattle drives in their youth, as the great trails from Texas to the railheads in Kansas opened up after the Civil War and changed the focus of the Lone Star State’s economy. Whether a young Bob Howard ever listened to these old cowboys spin yarns about those days, we don’t know, but he certainly might have.

J. Marvin Hunter’s classic book Trail Drivers of Texas appeared in 1927, and this volume might well have caught Howard’s interest, too, although we have no record of him ever reading it.

What we do know, however, is that Howard wrote several Western stories in which the trail towns which served as destination points for those great herds of Longhorns play an important part, beginning with “Gunman’s Debt”, which went unpublished during Howard’s lifetime but is one of his best Westerns. It’s set in the small Kansas settlement of San Juan, and although Howard tells us that the rails and the trail herds haven’t reached it yet, it’s clear that they’re on the way. San Juan is new and raw and more than a little squalid:

Three saloons, one of which included a dance hall and another a gambling dive, stables, a jail, a store or so, a double row of unpainted board houses, a livery stable, corrals, that made up the village men now called San Juan.

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Sahib: Colonial Military Life in India or on Mars

Sahib: Colonial Military Life in India or on Mars

SahibIf you are in the Northumbrian town of Alnwick, chasing Hogwarts or visiting the Hotspur School of Defence, stop by Barter Books — it’s like that library in Name of the Rose, except all the books are for sale and the coffee’s better. Imagine a Victorian station turned into a used book store and you’re there.

It’s where I get random stuff, or regret not buying it. For example, there was this 1930s book on WWI air warfare in Bulgaria but it was too pricy, and now I wish I’d splashed out anyway…

“Make your choice, adventurous Stranger,
Strike the bell and bide the danger,
Or wonder, till it drives you mad,
What would have followed if you had.” (CS Lewis)

In the past, I returned to Edinburgh laden with Leigh Brackett books. This time, among my finds was a copy of Sahib: The British Soldier in India by Richard Holmes.

It’s a book you can read as history, especially if you are British, but also as context for Steampunk and Space Opera.

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Politics: Slightly Less Important Than Breathing?

Politics: Slightly Less Important Than Breathing?

The Gate to Women's Country-smallThere’s been a lot of election talk in the air lately (here in Canada we’ll have our federal election on the 19th of October) and that’s led me to thinking about politics in general, and politics in genre fiction in particular. Without having gathered any statistics, just on a gut feeling, it seems to me that politics plays a stronger or more obvious role in genre writing than it does in non-genre writing.

Unless we’re writing thrillers or mysteries, when we create our worlds, we can’t just take the background of the real world for granted, as non-genre writers can. Even if our focus is family drama or interspecies romance, we have to create the socio-political framework for our novels along with everything else – this is part of the “world building” that so many panels at so many conventions address.

I know this to my cost, as my editor at DAW, Sheila Gilbert, is always asking me for details that I just take for granted. I always thought that when I say “king” everyone else just fills in the socio-political blanks, and I can get on with my story without having to figure out where the food and the saddled horses came from.

That turns out not to be the case.

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A Proposal: An Award for SF Storytelling

A Proposal: An Award for SF Storytelling

The Book AwardsOne thing that’s been a constant in the back-and-forth over the Hugos has been the refrain from the folks who think there’s nothing wrong with them as they stand: “Why don’t you create an award for stuff you like?” Comments on this very blog have raised that point, and at least one commenter meant it in all seriousness.

This grates on me a bit. In one sense, to create a new award sounds like an admission of defeat, of an inability to make an award that’s supposed to represent all of fandom really do that. In another sense, though, it’s a way to ensure that at least one set of awards for SF/F represent what it is truly about: the story above all else.

I’ve developed a proposal for just that: a series of awards to celebrate and commemorate the SF/F storyteller’s art. It’s modeled after the Hugos, with two major changes: a panel of judges evaluates the nominees to ensure that they are indeed good SF/F stories, and can reject a limited number of them; and the pool of eligible voters is based on a web of trust starting with the signers of the proposal. All voting and nominating is done automatically, on the Web.

I’ve tried and failed to come up with a unique name for the awards. My first choice was the Heinleins, after the greatest storyteller in SF, but that was taken. Next, I thought I’d use the name of one of Heinlein’s characters who was a great storyteller, Noisy Rhysling, but that was taken as well. Rather than thrash around the question, I decided to punt and let others suggest names.

The actual proposal-cum-manifesto is after the jump.

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Uncanny Magazine Issue 6 Now on Sale

Uncanny Magazine Issue 6 Now on Sale

Uncanny Magazine Issue Six-smallLynn and Michael Thomas, editors of Uncanny Magazine, celebrate a year of magnificent accomplishment in their editorial for the September/October issue.

With this issue, we can check off the Uncanny Magazine Year One Kickstarter backer fulfillment as completed. We promised we would bring you six issues of stunning covers and passionate science fiction and fantasy fiction and poetry, gorgeous prose, and provocative nonfiction by writers from every conceivable background. Not to mention a fantastic podcast featuring exclusive content.

We did it. We crossed the finish line on time and on budget, and delivered everything we said we would, or made alternate arrangements due to scheduling. Thank you.

We are deeply grateful that you supported us and made this year possible. Thank you for the wonderful feedback about our first five issues. We are immensely proud of the work we’ve done. We think Uncanny Magazine Year One is the best thing we’ve ever produced. We’re so happy to have had the Space Unicorn Ranger Corps along for the journey.

So now we can rest… Or run the Uncanny Magazine Year Two Kickstarter, which is pretty much the opposite of resting. (You’ve met us, right?)

The Uncanny Magazine Year Two Kickstarter is still open for another 24+ hours, so it’s not too late to join in the excitement and help support one of the most promising new magazines this field has seen in some time. Get the details here.

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