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Author: Bob Byrne

Writers – Don’t Start at the Start…

Writers – Don’t Start at the Start…

Block_TellingLiesChapter 25 of Lawrence Block’s Telling Lies for Fun and Profit (which should be on EVERY writer’s bookshelf) is titled, ‘First Things Second.’ As he succinctly summarizes (nice but unneeded alliteration there), “Don’t begin at the beginning.”

It’s a popular screenwriting maxim to enter the scene as late as you can. In other words, don’t begin at the beginning. I seem to recall William Goldman espousing this.

Block tells of being advised to switch the first two chapters of a detective novel he had written. Basically, this put the reader in the thick of the action from the outset, with some explanation following. Tension can be created at the outset and carried forward by not beginning at the beginning.

Sitting here at the keyboard, I can’t think offhand of a Sherlock Holmes or Solar Pons story that uses this technique. There’s a reason we’ve all got the image of Holmes and Watson sitting in their rooms at 221B Baker Street when a client or Inspector Lestrade comes to visit and we’re off on a case.

As I read this chapter, I thought of Will Thomas’s Barker and Llewlyn books (love them, but what’s with the two “L”s at the beginning of that name?). Barker has more than a passing resemblance to Sherlock Holmes (I suspect that Robert Downey Jr’s portrayal owes a debt to these books) and Llewellyn is his Watson (or Boswell). Mind you, they are excellent books and not simply Holmes copies.

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The Public Life of Sherlock Holmes: The Science Fictional Humphrey Bogart

The Public Life of Sherlock Holmes: The Science Fictional Humphrey Bogart

ReturnX_PosterInto the nineteen fifties, Hollywood operated under the studio system. A few major movie studios owned both the production and distribution channels and dominated the industry.

They cranked out “B” pictures to provide product to support the “A” films and keep the theaters they owned filled.

Actors, especially non-stars, made several films a year, either appearing higher in the credits on B films or as supporting actors in A movies. Those actors had very little power in the system as well.

In 1936, Humphrey Bogart (who had already twice failed to stick in Hollywood) received his first critical acclaim for The Petrified Forest, in which he recreated his Broadway role as gangster Duke Mantee.

He would really strike it big in 1941, first with  High Sierra, and then The Maltese Falcon  (if you haven’t seen this one,  rent it tonight and then leave an apology comment on this post for waiting so long). In the five years between Forest and Sierra, he appeared in twenty-nine films: most not as the star.

Bogart famously said, “I made more lousy pictures than any actor in history.” This was because Warner Brothers tossed him into every low budget B movie they could.

Sometimes it was so bad that he refused the part, which then got him suspended without pay. That’s why you see Dennis Morgan and not Bogie in the awful western, Bad Men of Missouri (with Wayne Morris starring – see below).

Bogie, in a career with over eighty credits and possibly the greatest star in film history, made only one horror/science fiction movie. And he considered it one of his worst. He’s got a point.

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The Public Life of Sherlock Holmes: Playing the Game With the Master Blackmailer

The Public Life of Sherlock Holmes: Playing the Game With the Master Blackmailer

Milverton_SP1Far more than with any other character, Sherlock Holmes has been treated as if he had really lived. It’s not just that people believe in the character as they read the story. That’s usually the case in good fiction.

But there are hundreds of books that treat Holmes and Watson as if they were alive. Speculation about Holmes abounds. No other character’s life is explored in such detail, expounded upon and speculated about.

This treating Holmes (and Watson) as if he were a real person is called, ‘Playing the Game.’ And there’s no shortage of Holmes fans that have done it in new stories and scholarly writings about the great detective. An example of my own follows.

SPOILERS SPOILERS SPOILERS. The Adventure of Charles Augustus Milverton is one of my favorites stories of the sixty that Sir Arthur Conan Doyle wrote about Holmes.

If you haven’t read it before, I strongly suggest you do so before reading the rest of this post. It won’t take you very long. The fifty-six short stories are quick reads.

Milverton is a master blackmailer. No one is better at it. Sherlock Holmes tells Watson that Milverton is the worst man in London. For someone who seemingly knew about every type of depravity and ruffian in the city, that is quite a statement.

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The Public Life of Sherlock Holmes: All The World’s A Stage

The Public Life of Sherlock Holmes: All The World’s A Stage

Speck_PagetSnake
Sidney Paget’s well-known drawing from The Speckled Band

There are two Holmes stories by Sir Arthur Conan Doyle that have a gothic feel to them. The Hound of the Baskervilles is one of four novels featuring Holmes and the best-known story of the sixty which Doyle wrote. The other, the ninth short story to feature Holmes, is “The Speckled Band.”

A creepy mansion; exotic animals roaming loose, gypsies, an imposing stepfather, eerie whistles in the night and the mysterious death of a daughter some years before: it has all the trappings. Doyle himself listed it as his favorite story and I’m not going to ruin it here. If you haven’t read “The Speckled Band,” you should go do it right now. Well, after you finish this post.

Doyle wrote several plays, two of which featured Sherlock Holmes. The Crown Diamond was and remains a poor one (as does “The Mazarin Stone,” the Holmes short story it mirrors).

But the other, born of financial necessity, was a big hit.

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House of Cards Kicked the Cat

House of Cards Kicked the Cat

Houseofcards_RichardsonI mentioned Netflix’s wildly successful House of Cards in a recent Public Life of Sherlock Holmes posting. I’ve written a couple of screenplays that will be made into movies shortly before the Earth plunges into the sun.

Or more likely, sometime after that event. Just as I enjoy reading books on writing, I’ve also found lots to learn from books on screenwriting (which is a very different proposition).

A brief aside: Amazon (which should give me stock with the number of purchases I’ve made from them) includes screenwriting as a subcategory of “Humor & Entertainment.”

Not every screenwriting book is funny. In fact, the most useful ones generally aren’t! That said, we resume our normal programming.

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The Public Life of Sherlock Holmes: Dirk Gently, Holistic Detective

The Public Life of Sherlock Holmes: Dirk Gently, Holistic Detective

Gently_HolisticThe plan is to go non-Holmes every fourth post or so, just to mix it up a bit.  So, today, we move over to the mystery field. Well, sort of…

Race Williams, Sam Spade, Philip Marlowe, Peter Kane, Max Thursday, Lew Archer, Travis McGee, Dave Robicheaux: the list of accomplished private eyes is a long one. And of course, Sherlock Holmes was the first professional consulting detective. But there has only been one holistic detective. Dirk Gently.

It’s hard to imagine a better science fiction parody than Douglas Adams’s marvelous Hitchhiker’s Guide to the Galaxy series. Five books (plus one short story and an authorized sequel), they are the standard.

Adams’s brilliance was equally on display when he tackled the private eye genre with Dirk Gently’s Holistic Detective Agency.

If you’ve read any of the Hitchhiker’s books, you know that Adams was not your typical writer. Gently, though mentioned earlier, does not appear until page 114. In fact, the main character is really Richard MacDuff, though Gently is certainly at the center of things.

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The Public Life of Sherlock Holmes: Holmes – Creation to Death and Back

The Public Life of Sherlock Holmes: Holmes – Creation to Death and Back

Ormond1In 1882, Arthur Conan Doyle (not yet “Sir”) opened up his own shop as a doctor in Southsea (England). Business was slow and his most notable triumph was marrying the sister of a patient who died of meningitis.

With some spare time on his hands, Doyle wrote fiction. Somewhere around 1886, he came to the conclusion that he could write detective stories better than the ones he was reading. He would create, “a scientific detective, who solved cases on his own merits and not through the folly of the criminal.”

Putting the pen to the paper, he completed A Study in Scarlet (working title, The Tangled Skein) that year. Originally starring Sherrinford Holmes and Ormond Sacker, the names had settled into the now familiar Sherlock Holmes and John Watson.

Doyle’s stories of Holmes owe a debt to Edgar Allen Poe that has been discussed by far better minds than mine. The now mostly forgotten Emile Gaboriau was also acknowledged by Doyle as an influence.

Mystery maven and Doyle biographer John Dickinson Carr stated that Holmes was clearly based on Doyle himself, which seems overly flattering.

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The Public Life of Sherlock Holmes: The Case of the Short-Lived Holmes

The Public Life of Sherlock Holmes: The Case of the Short-Lived Holmes

HouseofCardsNetflix’s House of Cards redefined what can be achieved by a web series. Everything about it, from casting to story to visuals, screams “quality.” The fact that it was intended to run for only a single season yet has already been renewed for a third testifies to the success that the show has had. It’s tough to maintain viewership when there’s almost nobody to root for, but they’ve done it.

But I wonder how many people realize that it is a remake of a 1990 British miniseries (apparently lust for power transcends decades. And centuries…)? Ian Richardson plays the Kevin Spacey role. Francis Urquhart has a disarming smile that makes him seem more warm than Spacey’s Frank Underwood. Don’t be fooled!

HouseofCardsRichardsonThe original House of Cards has a few Holmes ties. Female lead Susannah Harker appeared opposite Charlton Heston in the TV version of Crucifer of Blood, a modified version of The Sign of the Four.

She was also the client in Jeremy Brett’s version of The Adventure of the Dying Detective. Also, Colin Jeavons was Brett’s Inspector Lestrade. But it is Richardson’s brief tenure as Sherlock Holmes that we will look at now.

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The Public Life of Sherlock Holmes: Lord of Misrule

The Public Life of Sherlock Holmes: Lord of Misrule

LeeQuestion – What do Dracula, Frankenstein, the Mummy, James Bond, Fu Manchu, Star Wars, The Lord of the Rings, John Belushi and Sherlock Holmes all have in common?

Answer – Lee. Christopher Lee (one of his autobiographies was titled Lord of Misrule)

In May, talented British actor Christopher Lee turns 92 years old. Thanks to his performance as Saruman in the Lord of the Rings trilogy, he is as popular today as he ever has been. And proving he knows how to get in on a winning franchise, he was Count Dooku in the second Star Wars trilogy. Which chronologically was the… oh, never mind.

But Lee first made his name in the horror flicks produced by Hammer Films in Great Britain in the late fifties and sixties. Lee played the monster (Dracula, Frankenstein, the Mummy), while friend Peter Cushing was the protagonist.

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The Public Life of Sherlock Holmes

The Public Life of Sherlock Holmes

Sherlock BBC-smallMe? Oh, why, thank you for asking. I’ve been into Sherlock Holmes since the early eighties. Columnist, contributor, reviewer, short story writer, screenwriter, newsletter editor, website creator: I’ve found many ways to express my Holmes geekiness.

I used to run a Holmes On Screen website, which I dropped just before the first Robert Downey, Jr. movie: how’s that for timing? Swing by www.SolarPons.com to see my (not one, but) two free, online newsletters inspired by the world’s first private consulting detective.

If you have a pulse, you may have noticed that Sherlock Holmes is rather popular these days. In the mid-eighties, the British TV series starring Jeremy Brett had revived interest in the detective. That interest waned as Brett’s health deteriorated and the series quality fell off towards the end. A few made-for-television movies, including ones starring Matthew Frewer (that Max Headroom guy), Richard Roxburgh and Rupert Everett, didn’t generate much excitement. Sherlock Holmes and the Vengeance of Dracula, once the hottest script in Hollywood, lost its luster and became a dead property. Sherlock Holmes was as viable as Martin Hewitt.* “Who,” you say? Exactly.

Then, on Christmas Day, 2009, Guy Ritchie’s Sherlock Holmes opened and grossed over a half a billion dollars worldwide. A sequel did even better here and abroad. Mark Gattis and Steven Moffat, deciding to expand beyond Doctor Who, grabbed Benedict Cumberbatch and Martin Freeman, put them in modern day London and helped make Sherlock Holmes even more popular than during the stories’ initial run with their simply titled Sherlock.

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