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Month: May 2018

Birthday Reviews: Neil R. Jones’s “Hermit of Saturn’s Rings”

Birthday Reviews: Neil R. Jones’s “Hermit of Saturn’s Rings”

Cover by A. Drake
Cover by A. Drake

Neil R. Jones was born on May 29, 1909 and died on February 15, 1988.

Jones was inducted into the First Fandom Hall of Fame in 1988 at Nolacon II. Jones published more than twenty story in his long-running Professor Jameson series, which were eventually collected in five volumes. A second series, the Durna Rangue stories, were published concurrently with the Jameson tales. Jones may have been the first author to use the word “astronaut” in fiction in his debut story, “The Death’s Head Meteor.”

Malcolm Reiss purchased “Hermit of Saturn’s Rings” for publication in the Fall 1940 issue of Planet Stories. A decade later, Donald A. Wollheim included it in his anthology Flight Into Space. It was selected for inclusion in American Science Fiction #6 in 1952. In 1975, Michael Ashley chose “Hermit of Saturn’s Rings” to represent Neil R. Jones’s career in The History of the Science Fiction Magazine: Volume 2: 1936-1945. It was also translated into German and published in 1957 in Utopia Science Fiction Magazin #6 and again in 1973 in Science-Fiction Stories 21, edited by Walter Spiegl.

The protagonist of Jones’s “Hermit of Saturn’s Rings” is atypical in science fiction. Among the first things Jones reveals about Jasper Jezzan is that he was on the first expedition to Mars, had traveled throughout the explored system, and was now on the first expedition to Saturn. The thing that sets Jezzan apart from so many other characters in science fiction is that when the story begins, he is more than 70 years old.

Shortly after beginning to traverse Saturn’s rings, the ship Jezzan is on finds itself facing a strange white cloud. Jezzan is separated from the rest of the crew and when he rejoins them, he discovers that the white cloud has killed everyone it could get to. Jezzan must learn how to avoid the strange creature that lives in Saturn’s rings and live as a futuristic Robinson Crusoe, making a home for himself first aboard his ship and later inside a hollow rock in Saturn’s rings.

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The Late May Fantasy Magazine Rack

The Late May Fantasy Magazine Rack

Analog Science Fiction Science Fact May June 2018-small Apex May 2018-small The Dark magazine May 2018-small Lightspeed May 2018-small
Asimov's Science Fiction May June 2018-small Clarkesworld May 2018-small The Digest Enthusiast 8-small Nightmare May 2018-small

The back half of May is filled with great print magazines, including the latest Analog, with the concluding installment of our very own Derek Künsken’s debut novel The Quantum Magician. Asimov’s SF has new novellas from two sets of collaborators, Rick Wilber & Alan Smale, and David Gerrold & Ctein, plus lots of shorter fiction. And last but not least, just before we went to press I received a copy of the June issue of The Digest Enthusiast, a handsome magazine with plenty of reviews, articles and artwork of interest to anyone who collects vintage fiction magazines from the mid-20th Century and later.

All told it’s a star-studded crop of fresh reading, and no mistake. The magazines above include brand new stories from Nancy Kress, Paul Park, Jane Lindskold (twice!), Nalo Hopkinson, Carolyn Ives Gilman, Wil McCarthy, Mary Soon Lee, William Ledbetter, Stephen L. Burns, Sam J. Miller, Robert Reed, Marissa Lingen, Cherie Priest, Rich Larson, Sue Burke, Marc Laidlaw, Bo Balder, A Que, Pat Murphy and Paul Doherty, Michael F. Flynn, Michael Wehunt, and plenty more.

Here’s the complete list of magazines that won my attention in late May (links will bring you to magazine websites).

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Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

oie_2755519pv4ckfCiLast year, when I reviewed C.J. Cherryh’s The Pride of Chanur, Adrian Simmons mentioned he had been thwarted by her Hugo-winning Downbelow Station (1981). That led to him suggesting another go at it, but this time with the impetus of a reading group to spur him on and to discuss it. Thus the idea of the Black Gate Book Club was born. It’s taken a year to actually get around to getting this off the ground, but here we are.

For forty years, C.J. Cherryh has been a powerful voice in science fiction. Her work is noted for its “intense third person” style, where only things noticed by or of importance to the point of view character are included in the narration. Her science fiction is notable for its complex and detailed societies and its relative hardness.

Many of her books are set in the Alliance-Union universe. By the 24th century, humanity has spread to the stars. While Earth, overpopulated and culturally and economically stagnant, is ostensibly in charge of the merchant space stations and the few planetary colonies, that is not actually the case. Under the direction of a scientific elite, the planet Cyteen has declared its independence. In response, Earth has built a massive fleet of military vessels and sent them out to retake Cyteen.

Downbelow Station opens in the late days of the consequent war, when the forces of Earth are in retreat from the seemingly invincible fleets of Cyteen. Downbelow Station, a trading orbital above a planet in the Tau Ceti system, becomes the focal point of both military forces as well as a nascent third one: the independent merchants.

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

 

With a (Black) Gat: Some Harboiled Anthologies

With a (Black) Gat: Some Harboiled Anthologies

The Black Lizard Big Book of Pulps-small(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

There are a lot of anthologies out there that collect old pulp stories and I’m using several for the With a (Black) Gat series. While my hard-boiled collection doesn’t remotely rival my Sherlock Holmes library (or even my Nixon/Watergate, Civil War and Constitutional Convention of 1787 libraries), I’ve managed to amass quite a bit of good reading.

Of course, I have novels and individual short story collections from Black Lizard, Mysterious Press, Hard Case Crime and other imprints, as well as anthologies of stories from just one author. But for this post, I thought I’d talk about a few of the multi-author anthologies I’m drawing on. I’ll do a similar post with a few of the reference books I’m tapping.

The Black Lizard Big Book of Pulps

I got the idea for the new column from this book. It’s one of a series of ‘Big Books’ edited by Otto Penzler. We talked about The Big Book of Sherlock Holmes Stories (which, of course, I own) here at Black Gate earlier. It’s a great series for collecting a wide variety of stories in a particular genre. This bad boy has more than 50 stories covering over 1,100 pages, including multiple tales from such pulpsters as Dashiell Hammett, Raymond Chandler, Paul Cain and Roger Torrey.

I like the interior artwork, which includes original illustrations from Black Mask, Dime Detective and Detective Fiction Weekly. I try to include at least one piece in each With a (Black) Gat post.

You can go to the book’s Amazon page and ‘Look Inside’ to see the Table of Contents. Quite frankly, I can’t imagine any pulp fan not finding this anthology to be an excellent buy. And if you were just starting out, this is probably my very first recommendation. It’s a fantastic collection and I’ll be talking about quite a few of the stories in With a (Black) Gat.

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Birthday Reviews: Geoffrey A. Landis’s “Impact Parameter”

Birthday Reviews: Geoffrey A. Landis’s “Impact Parameter”

Cover by E.T. Steadman
Cover by E.T. Steadman

Geoffrey A. Landis was born on May 28, 1955.

Landis won the Nebula Award for Best Short Story in 1990 for “Ripples in the Dirac Sea,” which was also nominated for a Hugo Award. He went on two win Hugo Awards for his short stories “A Walk in the Sun” and “Falling onto Mars.” His story “The Sultan of the Clouds” received the Theodore Sturgeon Award in 2011. Landis has also won the Rhysling Award for his poems “Christmas (after we got time machines)” and “Search” as well as a Dwarf Star Award for his poem “Fireflies.” In 2014, Landis received the Robert A. Heinlein Award from the Heinlein Society.

In addition to writing science fiction, Landis works as a scientist for NASA, specifically working on ways to improve solar cells and photovoltaics. In this capacity Landis was part of the Mars Pathfinder team, working to make sure that planetary dust was kept off the solar arrays.

“Impact Parameter” was originally published in Isaac Asimov’s Science Fiction Magazine, edited by Gardner Dozois, in the August 1992 issue. It was translated into German for an appearance in the magazine’s German language edition in 1994. Landis included it as the title story in his collection Impact Parameter and Other Quantum Realities published by Golden Gryphon in 2001.

SETI, the search for extraterrestrial life, has got to be one of the most disheartening investigations for a scientist. In the decades the search has been occurring, nothing conclusive has been discovered. Landis alludes to this in “Impact Parameter” when Ben notes how many of his fellow astronomers have turned their attention to other fields. A strange anomaly he notices when trying to calibrate a telescope leads him to the discovery of an Einstein lens and comparing notes with other astronomers leads them to realize that a black hole is on target to strike Earth within only a few days.

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Gardner Dozois, July 23, 1947 – May 27, 2018

Gardner Dozois, July 23, 1947 – May 27, 2018

Gardner Dozois

Yesterday I learned that Gardner Dozois had been hospitalized for a massive infection. Before I left the house today I checked Facebook and other sources to see if there was any news. When I checked again an hour ago, I was devastated to learn that he had passed away.

While he was a fiction writer of considerable note, Gardner made his true reputation as an editor. I first took notice of his name when he took over the editorial reins at my favorite fiction magazine, Asimov’s Science Fiction, in 1985. During his 17-year tenure he won the Hugo Award for Best Professional Editor 15 times, from 1988 until he retired in 2004. While I was in grad school I faithfully read his annual Year’s Best Science Fiction volumes, starting with the sixth in 1989. The Thirty-Fifth volume will be published by St. Martin’s Press on July 3. He’s published nearly a hundred other anthologies, including some of my favorites, including The Good Old Stuff, Modern Classics of Fantasy, and The New Space Opera, edited with Jonathan Strahan.

As Gardner’s Year’s Best volumes got larger and larger (surpassing 800 pages by 2002) so too did his Annual Summations, a critical look at the year in science fiction books, art, movies and culture. They were required reading for anyone who wanted to keep up with the field, especially in the pre-internet era. In many ways Gardner Dozois was the living, breathing, heart of science fiction, the passionate spokesman, champion, writer and dealmaker who was known both for his depth of knowledge and his impeccable taste.

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A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

Rogue Moon Gold Medal-small Rogue Moon Gold Medal-back-small

Fawcett Gold Medal paperback original, November 1960. Art by Richard Powers

There are just too many books out there to read, too many still to get to, (too many that you’ll never get to!) and sometimes when you finally do read one of those older “classics,” the inevitable allowances you have to make for the style, the ideas, and the attitudes of an earlier era can make you come away feeling dissatisfied. You feel guilty even asking the question, but really, what was all the fuss about? What the hell was so “classic” about The Moon Pool anyway? So many vintage books seem to require the qualifying quotation marks.

There’s probably no genre as vulnerable to this sort of thing as science fiction. SF was always supposed to be the cutting edge, but let’s be honest; some of its most famous books — through no fault of anyone but Father Time — feel old. When the “door to tomorrow” starts to creak so loudly that you can hear the sound all the way across the parking lot, it can be pretty embarrassing. This is why it’s such a great pleasure to come across a “classic” (especially a neglected one) that lives up to and even exceeds its reputation, an older book that still has a dangerous edge that time has yet to dull.

Algis Budrys’ 1960 story of exploration, mortality, and the mystery of identity, Rogue Moon, is, I think, one of the most brilliant science fiction novels ever written, employing as it does some dusty old “gosh-wow!” pulp science fiction props with a new ambition and a deeper, more serious purpose.

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Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

Future Treasures: The Year’s Best Military and Adventure SF, Volume 4 edited by David Afsharirad

The Year's Best Military and Adventure SF Volume 4-smallOne of the things I’ve appreciated about David Afsharirad’s Best Military and Adventure SF, now in its fourth year, is that he seeks out the kind of fiction that routinely gets overlooked by the editors of the other Year’s Best SF books. The newest volume, coming in trade paperback next week from Baen, is no exception. Check out the table of contents.

Contest
Preface by David Afsharirad
“The Secret Life Of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
“The Snatchers,” by Edward Mcdermott (Analog Science Fiction and Fact, March/April 2017)
“Imperium Imposter,” by Jody Lynn Nye (Infinite Stars, 2017)
“A Thousand Deaths Through Flesh And Stone,” by Brian Trent (The Magazine of Fantasy & Science Fiction, May/June 2017)
“Hope Springs,” by Lindsay Buroker (Beyond the Stars: New Worlds, New Suns, 2017)
“Orphans Of Aries,” by Brad R. Torgersen (Rocket’s Red Glare, 2017)
“By The Red Giant’s Light,” by Larry Niven (The Magazine of Fantasy & Science Fiction, November/December 2017)
“Family Over Blood,” by Kacey Ezell (Forged in Blood, 2017)
“A Man They Didn’t Know,” by David Hardy (Rocket’s Red Glare, 2017)
“Swarm By Sean,” by Patrick Hazlett (Terraform, December 2017)
“A Hamal In Hollywood,” by Martin L. Shoemaker (Rocket’s Red Glare, 2017)
“Lovers,” by Tony Daniel (Forged in Blood, 2017)
“The Ghost Ship Anastasia,” by Rich Larson (Clarkesworld, January 2017)
“You Can Always Change The Past,” by George Nikolopoulos (Galaxy’s Edge, March 2017)
“Our Sacred Honor,” by David Weber (Infinite Stars, 2017)
Contributors

To see what I mean, you can compare Afsharirad’s selections versus other Year’s Best volumes coming out this year. Here’s a list with Tables of Contents for the other major 2018 volumes from Rich Horton, Gardner Dozois, Jonathan Strahan, Neil Clarke, John Joseph Adams, Paula Guran, Jane Yolen, and Michael Kelly.

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Birthday Reviews: Harlan Ellison’s “Pennies, Off a Dead Man’s Eyes”

Birthday Reviews: Harlan Ellison’s “Pennies, Off a Dead Man’s Eyes”

Galaxy Science Fiction November 1969-small Galaxy Science Fiction November 1969 back cover-small

Cover by Jack Gaughan

Harlan Ellison was born on May 27, 1934.

Ellison has received 8 Hugo Awards, beginning with his short story “’Repent Harlequin!’ Said the Ticktockman.” His other Hugo Award winners include the short stories “I Have No Mouth, and I Must Scream,” “The Beast that Shouted Love at the Heart of the World,” “The Deathbird,” “Adrift Just Off the Islets of Langerhans: Latitude 38° 54′ N, Longitude 77° 00′ 13″ W,” “Jeffty is Five,” and “Paladin of the Lost Hour.” His screenplay for the Star Trek episode “City on the Edge of Forever” also earned him a Hugo. Ellison has also won four Nebula Awards for his stories “’Repent Harlequin!’ Said the Ticktockman,” “A Boy and His Dog,” “Jeffty is Five,” and “How Interesting: A Tiny Man.” SFWA has also given him the Bradbury Award for 2000x, in collaboration with Yuri Rasovsky and Warren Dewey. He has also won the World Fantasy Award, Bram Stoker Award (5 times), British Fantasy Award, British SF Association Award, the Jupiter Award (twice), the Prometheus Hall of Fame Award, and has three Worldcon Special Convention Awards.

LASFS presented Ellison with the Forry Award in 1970. He received a Milford Award for Lifetime Achievement in 1986, a World Fantasy Lifetime Achievement Award in 1993, an International Horror Guild Living Legend Award in 1995 and he received a Bram Stoker Lifetime Achievement Award the following year. He won the Gallun Award from I-Con in 1997. Ellison was named a World Horror Grandmaster in 2000. SFWA named him a Grand Master in 2006. In 2011, he was inducted into the Science Fiction Hall of Fame and received the Eaton Award for Lifetime Achievement. He was a Worldcon Guest of Honor at IguanaCon II in 1978 and a World Horror Con Guest of Honor in 2005.

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A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

A Fresh Look at X-Men Continuity: Ed Piskor’s Grand Design

XMEN Grand Design-small Classic X-Men 8-small

When I started collecting X-Men comics in 1981, there was one universe. There had never been a Marvel reboot, and DC had only had one — the 1956-1958 transition from the Golden Age to the Silver Age. By the time I left comics in the early 1990s, DC had brought us through the second major reboot in history, the classic and brilliant Crisis on Infinite Earths.

However, Marvel still hadn’t really messed up its continuity, although the reprint title X-Men Classics was retconning a number of elements into the early Claremont-Cockrum-Byrne stories.

By the time I came back to comics almost 15 years later, I was bewildered by the X-Men and didn’t know where to pick up. The Age of Apocalypse had happened in an alternate universe as far as I could tell, and while the Onslaught event had apparently killed everyone, they were somehow back in time for there to be not just a few dozen or a few hundred mutants, but over a million.

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